The Mystery of St Cuthbert’s Ducks: An Adventure in Hagiography

‘St Cuthbert’s duck’ is a folk name for the common eider (Somateria mollissima). The saint’s affinity for the black-and-white ducks has been accepted uncritically for centuries. For such a well-documented saint, however, his ducks are strangely absent from early records. His near-contemporary hagiographers, including the Venerable Bede, make no mention of waterfowl. The enduring association begins almost five centuries after his death in a piece of twelfth-century folklorismus.     

Tradition as a governing theme in the writings of John Cassian

John Cassian has been criticized in recent scholarship for historical inaccuracy – but it is not self‐evident that his works were intended as histories in the sense that is supposed by that criticism. Instead, Cassian presents himself as the promoter of key traditions. This paper describes of Cassian's own thinking about ‘tradition’ as a key theme in his works. To that end, it aims to redress scholarly misgivings about the worth of Cassian's writings by taking them as the transmission of identifiable traditions into early to mid‐fifth‐century Gaul (rather than as documentary evidence for late fourth‐century Egyptian monasticism).     

The biography of Ignatios the Deacon: a reassessment of the evidence

Abstract

The recently published critical editions of three of Ignatios the Deacon's works, his correspondence and two of his hagiographical texts, may have enhanced our familiarity with an important scholarly figure, but have apparently not established a consensus as regards his educational curriculum and ecclesiastical career. This is not surprising in view of the lack of explicit information on crucial periods of his life and the wide diversity of the literature associated with his name. However, the discussion has become all the more confused as some of Ign.'s autobiographical references have been called into question (to my mind, not reasonably) or not taken into account in their entirety. Setting aside the divergences between the biography sketched by Cyril Mango and that by myself, which mainly concern the tentative period of Ign.'s episcopate and the period he became skevophylax, a very different interpretation of Ign.'s biographical data has been offered by Georgios Makris, the editor of the Life of St. Gregory the Decapolite. And a more recent reconsideration of his biography, presented in the Berliner Prosopographie der mittelalterlichen Zeit and published in full length by Thomas Pratsch in this journal, without radically disputing the basic chronological framework of Ign.'s lifetime as proposed by Mango, has tried to rearrange the scattered pieces of his puzzling career. Several hypotheses regarding Ign.'s ecclesiastical career were also put forward by Michel Kaplan in his inquiry into Ign.'s letters dateable to his period as metropolitan of Nicaea. Finally, in his posthumously published History of Byzantine Literature, Alexander Kazhdan, demonstrating excessive skepticism, distinguished the author of the anonymously preserved correspondence from Ignatios the Deacon, as well as denied him the composition of other works that have been assigned to him. The purpose of the present note is to re-assess the biographical evidence provided in Ign.'s own work.     

Stewart,Kant, and the Reworking of Common Sense

Summary

Dugald Stewart was the first metaphysician of any significance in Britain who attempted to take account of Kantian philosophy, although his analysis appears generally dismissive. Traditionally this has been imputed to Stewart's poor understanding of Kant and to his efforts to defend the orthodoxy of common sense. This paper argues that, notwithstanding Stewart's reading, Kant's philosophy helped him in a reconsideration and reassessment of common sense philosophy. In his mature works—the Philosophical Essays (1810), the second volume of the Elements of the Philosophy of the Human Mind (1814), and the second part of his historical ‘Dissertation? (1815–1821)—Stewart's analysis of Kantian philosophy is far from being uniform. In the first two works, he takes a cautious approach to transcendentalism, showing some interest in the challenge it might represent for common sense; in the last, he turns to rash criticism. This change may appear confusing and inconsistent unless considered in the light of a precise ‘nationalistic’ strategy. In fact, once Stewart had taken from Kantian philosophy what he deemed useful for his own aims, he eventually dismissed it in order to show that his reworked version of common sense was the most original and most consistent outcome of the whole Anglo-Scottish philosophical tradition.     

Displacing Barthes: Self,Other and the Anxiety of Theory

This article explores the relationship between the other and the writing self in three of Barthes's works and shows how the anxious and changeable state of the ‘je’ unsettles conceptions of ‘theory’ and its analytical object. Barthes attempts to conceptualise cultural otherness in Mythologies, L'Empire des signes and Incidents, and, on one level, his fantasies of encounter serve to displace or unground the writing ‘self’. On another level, however, the theorist's persona in these works turns out to be disorientated and unnerved by these displacements, and he couples his jubilant self-dissolution with a longing for a sense of origin or ground. Barthes as a result remains undecided about his positioning within his own discourse, and his works demonstrate the necessary interpenetration of theories of alterity with the contradictory subjective and affective desires of the writing self. The aim of the piece is ultimately to argue that, for its very flaws and inconsistencies, Barthes's writing about otherness may help us to understand the challenges and deficiencies of postcolonial conceptions of cultural difference.     

Saints,rulers and communities in Southern Italy: the Vitae of the Italo-Greek saints (tenth to eleventh centuries) and their audiences

Relations between saints and secular rulers as presented in the Vitae of the Italo-Greek saints in Southern Italy in the tenth and eleventh centuries have been treated in terms of identity and difference, namely to measure the degree to which the Italo-Greeks identified themselves with the Byzantine people, thus differentiating themselves from the Latins. In this way, however, the mediating function of the saint, the narrative strategies of the hagiographers and the interaction between the texts and their audiences are ignored. Taking its cue from the frontier character of Southern Italy and the local context of the cults, this paper examines the narrative representations of these relations in order to understand how local communities gathered around a cult to find support and how they perceived the political powers acting in their region. It is argued that in this frontier society multiple local frameworks of power relations rather than identities are represented in the saints' Lives.     

Reconsidering John Sergeant's Attacks on Locke's Essay

The Catholic polemicist John Sergeant published three major works of philosophy towards the end of his literary career, The Method to Science (1696), Solid Philosophy (1697) and Metaphysics (1700). They were highly critical of what Sergeant saw as the idea‐grounded epistemology of the Cartesians and John Locke, whom he labelled ‘ideists’. Previous scholars have interpreted Sergeant's texts as manifestations of his lifelong obsession with certainty, as initially developed in his Restoration polemics against Anglican divines. Using a previously neglected autobiographical letter, it is demonstrated that Sergeant's intentions were very different. Like Edward Stillingfleet and other critics, Sergeant saw Locke's philosophy as inspiring contemporary heterodoxy. The article identifies the specific channels by which Sergeant saw Lockeanism seeping into irreligion. Moreover, unlike Locke's Anglican critics, Sergeant resorted not to polemical accusations, but to abstract philosophy. This must also be explained contextually: Sergeant wished his works to become textbooks at the universities, concerned as he was by the pedagogical impact of the Essay. A premise of this article is that reception history is less useful for elucidating on the meaning of the received text than for telling us something about the intentions of the receiver, and about the intellectual culture in which the process of reception occurs. With this in mind, the article finishes by recontextualizing Sergeant's works within a broader narrative: his was an attempt to reassert the place of philosophy as a propaedeutic to theology in an age when such a conception of philosophy's social role was coming under intense scrutiny.     

Superstitionis Malleus: John Toland,Cicero, and the War on Priestcraft in Early Enlightenment England

Summary

This paper explores the role of the Ciceronian tradition in the radical religious discourse of John Toland (1670–1722). Toland produced numerous works seeking to challenge the authority of the clergy, condemning their ‘priestcraft’ as a significant threat to the integrity of the Commonwealth. Throughout these anticlerical writings, Toland repeatedly invoked Cicero as an enemy to superstition and as a religious sceptic, particularly citing the theological dialogues De Natura Deorum and De Divinatione. This paper argues that Toland adapted the Ciceronian tradition so that it could function as an active influence on the construction of his radical discourse. First, it shows that Toland championed a particular interpretation of Cicero's works which legitimised his use of Cicero in this rational context. Then, it shows the practical manifestations of this interpretation, examining the ramifications for how Toland formed three important facets of his campaign against priestcraft: his identification of priestcraft as a superstition; his argument for a rational religion in which priestcraft could play no role; and his portrayal of anticlericalism as a service to the Commonwealth.     

Hermits and hairshirts: the social meanings of saintly clothing in the vitae of Godric of Finchale and Wulfric of Haselbury

Solitary ascetics in the twelfth century were renowned for their ascetic practices, among them the wearing of hairshirts and loricae. These were not merely items of neutral ascetic value but could contain social symbolism. The varying possible social meanings of ascetic clothing are here explored particularly through a comparison of the Vitae of the two well known English holy men Wulfric of Haselbury and Godric of Finchale. The hagiographers of these holy solitaries used their ascetic clothing as one means of highlighting their subjects’ social roles throughout their lives, but it is also argued that the solitaries’ ascetic clothing was perceived during their own lives as marking their distinctive relationships with the world around them, and that these relationships were remembered through miracle stories.     

Hobbes on the supernatural from The Elements of Law to Leviathan

Hobbes's unusual religious views in his classical work, Leviathan, are often seen as a product of his attempt to reconcile Christianity with his philosophical materialism. Yet given Hobbes's materialistic view in his earlier works too, this explanatory framework alone is not sufficient for grasping distinctive features of Leviathan. This article remedies this lacuna by paying close attention to an understudied aspect of the development of Hobbes's religious theory from The Elements of Law to Leviathan: his treatment of the supernatural and, particularly, of matters of faith known by supernatural revelation as opposed to natural reason. I argue that over time Hobbes developed an epistemological analysis of supernatural revelation and refined his argument about the sense in which matters of faith are supernatural and about the extent to which they are found in the Bible. It was not materialism per se but the more sophisticated analysis of the supernatural in Leviathan that enabled Hobbes to admit the sphere of the supernatural to a much smaller extent than in De Cive and to discuss in detail what he sees as a matter of faith and beyond the scope of philosophy in De Cive.     

Montesquieu's anti-Machiavellian Machiavellianism

Charles-Louis de Secondat, baron de La Brède et de Montesquieu, mentions Niccolò Machiavelli by name in his extant works just a handful of times. That, however, he read him carefully and thoroughly time and again there can be no doubt, and it is also clear that he couches his argument both in his Considerations on the Causes of the Greatness of the Romans and their Decline and in his Spirit of Laws as an appropriation and critique of the work of the predecessor whom he termed ‘this great man’. In this paper I explore the manner in which the Frenchman redeployed the arguments advanced by the Florentine for the purpose of refuting the latter's conclusions.     

TWO BIOGRAPHIES OF NAPOLEON

The central argument of this review essay is that the British and French traditions of biography, and specifically Napoleonic biography, are quite different. The two works under consideration are outstanding examples of the differences. Boswell's Life of Johnson is the cornerstone of modern British biography, and Andrew Roberts follows this example. Although Johnson was not a political or military figure but a man of letters, Roberts's biography of Napoleon adheres to the close focus on a single man, with only limited excursions beyond his hero's life and deeds. In addition, Roberts's work is essentially a military biography, and his considerable strengths lie here. The French, without a Boswell, have relegated biography to a lesser role, until recently. Patrice Gueniffey, in what will be a multi‐volume work—this first volume goes only to 1802—is more interested in Napoleon's place in the history of Europe, and especially Revolutionary France. Napoleon is often confined to the wings while Gueniffey sets the stage. Roberts's judgments and assessments, while shrewd and informed, are often more conventional than those of Gueniffey, who sees the Egyptian campaign as one of the important keys to understanding the young Bonaparte and his subsequent career. He is also deeply interested in fixing Bonaparte's place in the French Revolution. Because Gueniffey ends his first volume with the Consulate, a more detailed comparison of the two works is not possible.     

Restorationist Counter‐Enlightenment: Thomas M'Crie on the Concept of Civil Liberty

Enlightenment notions for Counter‐Enlightenment purposes have not to date been used to provide a comprehensive context for Scottish religious history‐writing in the age of Counter‐Revolution and Restoration. The Evangelical historian and divine Thomas M'Crie's studies on Scottish Reformation history, Life of John Knox and Life of Andrew Melville, published in 1811 and 1819 respectively, exhibit an abundance of historiographical material for research. M'Crie was among the most renowned writers of his own time, but his historical works have been briefly passed over in recent secondary sources. The main purpose of this study is to rescue M'Crie's historical works on the Scottish Reformation past from near oblivion. This article argues that M'Crie produced an apology for the Scottish Reformation, adopting an aggressive style that attacked Scottish Enlightenment historians and thinkers such as William Robertson and David Hume, especially in the matter of their treatment of John Knox and Andrew Melville. M'Crie tried to restore his chosen past in order to influence the religious and political affairs of Scotland. In M'Crie's Counter‐Enlightenment historiography, the concept of civil liberty and Presbyterianism become interchangeable in a Restorationist religio‐political discourse. That is why M'Crie's enthusiasm for the Scottish Reformation constitutes the most representative example of the Presbyterian interpretation, which held its own against Enlightenment influence.     

Art,Transformation, Liberation: Balzac's Eugénie Grandet

Balzac's works about actual artists like Le Chef d’oeuvre inconnu have long been studied to derive the author's ideas about the artistic creative process. Eugénie Grandet also deals with art, however, even though there is not a real artist in it. In telling the story of Eugénie and her cousin Charles, Balzac suggests his views on the effects of beauty created by artful arrangement as opposed to the beauty in nature uncrafted by human art.     

Fragments of the Modern City: Material Culture and the Rhythms of Everyday Life in Victorian London

This essay analyses the influence of Charles Baudelaire's and Théophile Gautier's fetishist poetics on the early works of Algernon Charles Swinburne. If the crucial role played by the Victorian poet as a cultural ‘passeur’ between France and England has often been highlighted in recent criticism, his aesthetic delight in certain forms of sexual deviance such as podophilia has rarely been explored in relation to the verse of his French mentors. Swinburne, Gautier, and Baudelaire may have indeed shared this erotic fascination with feet: this is a fascination that was partly grounded in these poets' common interest in antique literary models, in particular in Sappho's poetry. Rather than extolling the Hellenic ‘sweetness and light’ which some of his contemporaries set so high, Swinburne indulged in dangerously eroticised Dionysian aesthetics which were perceived as both ‘too Hellenic’ and ‘too French’. I argue that the fetishism of the poetic foot may be read as one of the keys to the Victorian poet's subversive shift away from the serenity often associated with Victorian neoclassicism in favour of a Dionysian energy that anticipates Friedrich Nietzsche's works.     

Memory,narration and spectrality in Brian Friel's Faith Healer and Frank McGuinness's Observe the Sons of Ulster Marching Towards the Somme

This article proposes an examination of how Brian Friel's Faith Healer functions as an intertext in Frank McGuinness's Observe the Sons of Ulster Marching Towards the Somme. This shall be the first extensive consideration of Frank McGuinness's debt to Faith Healer, the play that convinced him that drama was the form most suited to his vision. How both plays consider the relationship between history, memory and art will be a key concern. Attention shall also be paid to the shared cultural and historic traditions that unite both Friel and McGuinness. The essays that McGuinness has written on Friel will be shown to be as valuable in interpreting McGuinness's work as they are to illuminating Friel's. It shall be argued that McGuinness, far from merely parroting Friel's aesthetic, uses the earlier writer's legacy to create new and original works.     

Thomas Traherne,Thomas Hobbes,and the Rhetoric of Realism

Abstract

Thomas Traherne has often been seen as a mystic detached from the turbulence of his period. Recent scholarship has attempted to place him more firmly in context. This article contributes to this trend in arguing that Traherne's late works, especially Commentaries of Heaven, were shaped by the pressure of responding to Thomas Hobbes's Leviathan. Though Traherne makes only one direct reference to Hobbes, his idiosyncrasies in thought, argument, and mode of expression are all fundamentally influenced by the need to counter Hobbes's account of ethics, metaphysics, and language. Traherne is particularly concerned to assert and display an ardent realism against Hobbes's nominalism. In doing so, he creates a complicated play of rhetorical figures, especially abusio or catachresis, as embodying theological commitments. This both places Traherne more clearly against the background of the intellectual history of the period in which he lived, and demonstrates his particularity as a writer.     

Regensburg,Wandalgarius and the novi denarii: Charlemagne's monetary reform revisited

Until now, Philip Grierson's tentative dating of Charlemagne's monetary reform to 793/4 has been generally accepted. His dating was based not only on numismatic evidence but also on his attempt to set this event in the context of Charlemagne's activities from 792 to 794. This traditional date of the reform does not, however, take into account evidence provided by Codex Sangallensis 731, in which the scribe Wandalgarius drew the image of a post‐reform coin around mid‐October 793. Based on this evidence as well as the historical contextualization of Charlemagne's stay in Regensburg in 791–3, this paper attributes the introduction of the novi denarii to the period between the autumn of 792 and the early autumn of 793, when his court was located in Regensburg.     

The Vita Columbani in Merovingian Gaul

This paper considers the evidence for the dissemination of the Vita Columbani . Using a number of seventh-century texts as well as the Vita itself, it proposes that the Vita Columbani had a wider dissemination in Merovingian Gaul than has hitherto been acknowledged. It suggests that the Vita was not merely confined to monastic and ecclesiastical circles, but was also intended for a royal and aristocratic audience closely linked to the Columbanian communities.     

When the Subject is the Object: Islamic Advice Literature Modes and the Treatment of Slavery in The Qābūs Nāmih and The Nasirean Ethics

This paper investigates the difference of perspective which informs The Qābūs Nāmih's and The Nasirean Ethics’ respective treatments of the topic of slavery. While in various parts of their discussions both works show an engagement with each side of the hybrid status of a slave's existence as both subject and object, The Qābūs Nāmih deals with the issue almost entirely in terms of the slave's status as an object, while The Nasirean Ethics engages this issue with clear acknowledgments to his/her status as a subject. It is possible that the divergent approaches of these two works are a reflection of the two distinct modes of the genre of Islamic advice literature in which they were respectively written.