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在现代国际关系史上,土耳其申请入盟是最耐人寻味的特殊案例。近年来,土耳其入盟进程历经坎坷与周折,尚未完成夙愿。土耳其地缘政治优势、战略安全价值是其入盟谈判的重要筹码,美国的支持可能影响欧盟对土入盟的态度。未达"哥本哈根标准"是土入盟遭拒的"虚构的理由",伊斯兰文明属性及其与欧洲文化差异引发的"文明冲突"才是土耳其融入欧洲的真正障碍。在未来,土耳其入盟前景存在许多不确定性,不管结果如何,其象征意义大于实际意义。  相似文献   

3.
European cultural heritage is discussed with affective rhetoric in current European Union (EU) policy discourse. How does affect contribute to the meaning-making of a European cultural heritage and how are the workings of affect used by the EU to promote certain meanings of heritage and effect thereupon? The analysis focuses on recent promotional videos of sites awarded with the European Heritage Label by the EU. In the videos, affective textual, visual, audible, and narrative tropes intertwine with the tropes of EU policy rhetoric, increasing its capacity to impact and ‘move’ the receivers. The ethos of a European cultural heritage in the videos is based on a paradox: the history of the several sites is in various ways intertwined with extreme agony, violence, hatred, oppression, and injustice. However, the stories of the sites in the videos turn their legacy into a positive ethos of conquering these negative extremes and cherishing their positive opposites: freedom, justice, solidarity, and peace. The affectivity of the videos prepares the receivers to adopt their political aim: support for the EU and European integration. The analysis indicates how affect has a key role in producing an impression of the irrefutability and choicelessness of EU politics.  相似文献   

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The EU has recently launched several initiatives that aim to foster the idea of a common European cultural heritage. The notion of a European cultural heritage in EU policy discourse is extremely abstract, referring to various ideas and values detached from physical locations or places. Nevertheless the EU initiatives put the abstract policy discourse into practice and concretize its notions about a European cultural heritage. A common strategy in this practice is ‘placing heritage’ – affixing the idea of a European cultural heritage to certain places in order to turn them into specific European heritage sites. The materialisation of a European cultural heritage and the production of physical European heritage sites are crucial elements in the policy through which the EU seeks to govern both the actors and the meanings of heritage. On the basis of a qualitative content analysis of diverse policy documents and informational and promotional material, this article presents five strategies of ‘placing heritage’ used in the EU initiatives. In addition, the article presents a theoretical model of circulation of the tangible and intangible dimensions of heritage in the EU heritage policy discourse and discusses the EU’s political intents included in the practices of ‘placing heritage’.  相似文献   

5.
The article examines artistic exchanges between the USSR and Finland from the viewpoint of the Finnish left. After WWII, Finland was in a difficult geopolitical position; although not occupied by the USSR, it received little support from the West and so remained an independent capitalist democracy, with little foreign leverage. The Soviet influence was felt in many areas, and throughout the Cold War, Finland received many more world-class Soviet artists than any other Western country. This was in part a consequence of Finland’s proximity to the USSR, but the Finnish Communist Party, a major domestic political force, also played a role. Immediately after the war, organizations associated with the Finnish Communist Party enjoyed a virtual monopoly over such exchanges, but this began to change in the mid-1950s. Around that time, the USSR began to allow Finnish artists to train and perform at its world-class arenas, and many of those Finnish students had links with the political left. Based on interviews and supported by archival material from Finland and Russia, the article explores the role of the Finnish left in these artistic exchanges.  相似文献   

6.
There exists a significant and sustained difference between the ability of the European Union to successfully socialise those member states who have joined since the fall of Communism, and its apparent inability to similarly socialise Turkey. Despite some impressive legal and constitutional reforms since 2001, a key shortcoming remains, the unwillingness of many in the Turkish judiciary to implement those revised standards in a consistent way. Existing explanatory accounts of this inability would focus on the credibility of the Union offer of membership, the duration of negotiations or the importance of Turkish domestic standards. None of these, however, are able to account for why Turkey seems to occupy a half way position, exhibiting reformed laws but unreformed legal practice. To address this shortcoming this article shall combine existing scholarship on the importance of domestic normative contestation within Turkey with an appraisal of the shortcomings of the Union's conditionality policy itself that emerge from the conceptual studies of conditionality.  相似文献   

7.
The Soviet program to proceed from further expansion of the grain area in the semi-arid steppe zone to intensification of graingrowing in the humid Nonchernozem Zone after decades of neglect is considered a landmark decision in the history of Soviet agriculture. If successfully carried out, the Nonchernozem program might yield by the late 1980s a grain increment equivalent to the amount now being imported by the Soviet Union for its own needs and for re-export to its allies. The implementation of the Non-chernozem program would also have consequences for regional grain-production patterns in the Soviet Union. The Nonchernozem Zone would be in a position to make a more significant contribution to the demand for grain in the industrial centers of European Russia, thus easing the pressure on the virgin lands of northern Kazakhstan and reducing the need for the present long grain hauls. Finally, a greater shift of grain production into the humid Nonchernozem would be in keeping with a program of water economies since grain output in the humid zone requires less than half of the water needed for grain production in the arid zone. The success of the Nonchernozem program is conditioned on greater attention to the development of rural infrastructure, particularly roads, which the author considers a key element in upgrading the agriculture of the region.  相似文献   

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The fundamental aim of the cultural policy of the European Union (EU) is to emphasize the obvious cultural diversity of Europe, while looking for some underlying common elements which unify the various cultures in Europe. Through these common elements, the EU policy produces ‘an imagined cultural community’ of Europe which is ‘united in diversity’, as one of the slogans of the Union states. This discourse characterizes various documents which are essential to the EU cultural policy, such as the Treaty of Lisbon, the European Agenda for Culture and the EU’s decision on the European Capital of Culture program. In addition, the discourse is applied to the production of cultural events in European Capitals of Culture in practice. On all levels of the EU’s cultural policy, the rhetoric of European cultural identity and its ‘unitedness in diversity’ is related with the ideas and practices of fostering common cultural heritage.  相似文献   

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This review paper begins with the premise that since the European Union remains a process of construction with no agreed or pre‐designated end‐point, its power structure is open to a diverse range of interpretations. Moreover, the apparent novelty of the EU renders it hard to characterize according to familiar taxonomies. The novelty lies in part in the complex territorial configurations of authority in the EU. Different conceptualizations of the EU are varied readings of the structure, balance and scales of authority — which thereby invoke different actions and spaces of possibility.  相似文献   

11.
Charles Woolfson 《对极》2009,41(5):952-982
Abstract:  The accession of the new European Union (EU) member states of Eastern Europe has highlighted ambivalence towards migration within the older member states. That same ambivalence has been less frequently discussed in the new. The former Soviet republic of Latvia serves as a case study of a new member state facing intensified pressure to accept inward migration to meet labour shortages, in part, a consequence of EU accession. Confounding appropriate political and policy responses is the sensitive issue of "ethnic balance", a troubled "legacy" of Latvian history. This has been characterised as comprising a "regime of discrimination" against the Russian-speaking minority. In the context of changes in the global migratory landscape, the potential for a renewed of regime of discrimination is emerging, based on an ethno-politics that has wider European resonance.  相似文献   

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ABSTRACT

The article examines how the European Union has addressed the ‘trade and culture debate’ in its international trade agreements. From a cultural exception approach based on an attempt to detach culture from trade provisions, the European Union economic agreements seem to evolve to a broader and more holistic position aiming to promote cultural exchanges through cooperation, while still safeguarding policy space in cultural matters through its traditional cultural exception. The article provides an overview of the European positions to defend the specificity of the audio-visual services sector at the multilateral (World Trade Organization Agreements), regional and bilateral levels. It also examines how the implementation of the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions has led the European Union to negotiate cultural cooperation provisions in parallel to some of its recent bilateral and regional trade agreements and the way this Convention may impact the understanding of the ‘trade and culture debate’.  相似文献   

13.
Mirroring Jacques Delors’ much quoted ‘No one falls in love with a common market,’ there has been an increased emphasis on ‘culture’ as a vital tool in the European Union (EU) integration process. Yet, how these programs for ‘cultural exchange and dialogue’ affect artistic production, and reception, is rarely discussed. Drawing on interviews with actors in Berlin and Istanbul who engage with cultural policy in the European arena (2005–2008), this paper aims to illuminate the tensions that this nascent European cultural policy has engendered, not least with regard to the EU stipulations on national cultural sovereignty. I argue that while EU cultural initiatives indeed produce a kind of ‘Europeanization,’ they do so mainly through thematic and institutional incorporation. However, this type of integration tends to recast power differentials within the EU and beyond, despite proclaimed goals to the contrary, as cultural exchange programs tend to reinforce distinctions between ‘art proper’ and ‘ethnic cultural production.’  相似文献   

14.
马凌  朱竑  王敏 《人文地理》2019,34(3):44
随着物质地理研究的兴起,消费已成为新文化地理学关注的热点之一。本文回顾了物质地理和消费间的关系,并对物质消费品及其品牌生产的地方性与跨地方性、物质消费中的文化政治及身体实践等相关研究议题进行了评述。新文化地理学“重返物质”倡导下的消费研究,强调以物为线索的“行为-主体-物质”的复杂关系和日常实践,有力拓展了传统“人-地”关系中对“物”维度的关注。同时,这也为消费研究提供了地理学的新视角和新方法,有利于理解物质流动和消费背后的全球-地方关系、文化经济和文化政治。这一新兴交叉研究领域值得国内人文地理界关注和重视。  相似文献   

15.
This paper draws on a larger research project that investigates the networks and institutions shaping cultural policy across national, international and supranational contexts. Taking Britain as its touchstone, it identifies and maps some of the operational relations between culture, governance and nation shaping the development and orientation of contemporary cultural policy. It thus highlights key formal and informal domestic relationships and contexts within which Britain's local, regional and national cultural policy initiatives are situated. The British context – in which England figures strongly for historical, political and demographic reasons, and so draws a corresponding resistance across other constituents of nation – is shown to be both internally differentiated along various lines, and also embedded in the larger sphere of the European Union that redraws the boundaries of cultural policy and governance. In tracing the contours and interrogating the constitutive elements of Britain's domains of cultural policy, we seek to provide a foundation for understanding the intersections and influences that exist between fields of cultural governance, and their interdependence and fluidity.  相似文献   

16.
This chapter analyses the emergent cultural diplomacy discourse and practice of the European Union (EU) institutions, which has differed from that of nation-states. In semantics to begin with, since a far broader notion of ‘culture in EU external relations’ is EU usage. Yet Bhabha’s theoretical distinction between the ‘pedagogical’ and the ‘performative’ functions of nation-state narrative strategies holds at the supra-national scale as well: the author will explore the ways in which these functions have been appropriated by non-state actors. In EU cultural diplomacy as a ‘cultural policy of display’ in Raymond Williams’ sense, the agenda setting process has thus been marked by a polyvocal process of appropriation by different stakeholders. They have recently taken the discourse ‘beyond cultural diplomacy’ and expedient ‘soft power’ considerations, in a spirit of global cultural citizenship that privileges intercultural dialogue, mutuality and reciprocity. How this vision will be applied, however, is yet to be seen.  相似文献   

17.
A prominent American geographer and observer of political currents shaping modern Europe provides an introduction and background for three following papers on the nature and impacts of European Union's 2004 enlargement in different macroregions along the EU's eastern frontier. He outlines three major dimensions (economic, social-political, and institutional) that may be used to evaluate claims supporting and opposing enlargement, surveying the evidence to date for each. Concluding sections highlight the importance of scale in assessing the impacts of enlargement, the persistence of state nationalism as a curb to EU "deepening," and changes in the nature of the EU itself over time. Journal of Economic Literature, Classification Numbers: F02, F20, F40, O19. 2 figures, 20 references.  相似文献   

18.
20世纪80年代,西方文化地理学界对传统地名学进行了批判转向,地方命名中的文化政治过程成为研究核心。本文以2017年被国务院列为国家历史文化名城的长春市为例,在批判地名学的背景下,借鉴葛兰西的霸权理论,对1800—1945年间长春街道命名过程进行文化政治分析。研究发现:1931年九一八事变前,长春街道命名成为不同政权控制下各种力量争夺的战场,形成清政府控制的长春地方力量、俄国殖民者力量和日本殖民者力量分区控制下的街道名称,争夺加深了城市内部分异。1931年九一八事变后,长春沦为日本的殖民地,日本殖民者为隐藏其妄图永久占领东北并实现霸权统治的野心,在其划定规划的“实在国都事业区域”进行中式命名,却隐喻了明显的归顺色彩。  相似文献   

19.
Dimensions of the road transport problem in the southern Far East Economic Region (Primorskiy Kray, Amur Oblast, and Khabarovsk Kray) are outlined and some of its social and economic impacts described (for example, the inadequate levels of services provision addressed in the preceding paper). Road connectivity and passenger mobility trends are analyzed before coverage shifts to more specific challenges confronting planners: the need to (a) separate inter-city from intra-city flows in cities along major transport corridors, (b) improve road surfaces, (c) reduce travel times and regulate seasonal fluctuations in service, and (d) provide a more favorable environment for growing private automobile use (translated by H. L. Haslett, Leamington Spa, UK).  相似文献   

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Abstract

Taking into account the course of cultural policy in democratic Portugal, and against the backdrop of the international crisis of 2008 and the sovereign debt crisis of 2011, this article seeks to interpret recent changes in the cultural sector in Portugal. Using both qualitative and quantitative methods it focuses on three main aspects: institutionalisation of democratic cultural policy; government funding; cultural organizations and facilities. The 2008 crisis put an end to a period in which investment tended to grow. We place Portugal in the broader European context, concluding that the Portuguese cultural scene may once again diverge from that of other European countries.  相似文献   

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