我国区域宗教文化景观及其旅游开发

宗教是一种重要的旅游资源,作为一种文化现象与旅游关系密切。研究不同区域宗教与文化景观之间的作用与关系,开展宗教旅游对旅游资源的深度开发,旅游业的可持续发展具有重要意义。本文论述了宗教与宗教文化景观之间的相互作用与影响,指出了中国宗教具有明显的地理特征并从以下几个方面探讨了宗教旅游的开发:①进行区域宗教研究,开展宗教旅游;②深究宗教文化内涵,设计开发宗教旅游项目;③保护宗教旅游资源,构建协调的文化景观;④解放思想协调关系搞好宗教旅游开发。     

苏州园林文学与园林旅游

本试图以苏州园林为例,剖析园林学与园林旅游的关系,认为园林学在对园林意境的点示、开拓、再现以及园林旅游的宣传、导游、开发中都起着重要作用,是急需开发的人旅游资源。     

江苏省地理景观与美丽乡村建构研究

乡村审美空间蕴含着内在和深刻的人地关系理念内容,比经济效应有更深的自然情怀,是可持续发展的思想感情基础,也是现代景观规划的重要研究课题。城市化发展过程中自然地理脉络破坏对于乡村景观是致命的。探讨以多尺度层面的地理景观建构乡村审美空间:在区域大尺度范围内设计地理视域观赏空间;在镇域中尺度范围内将生态文明和社会经济发展要求安排在景观空间格局配置中;在乡村小尺度范围内造就素雅含蓄的村落景观。江苏省乡村具有四千年的历史,留下珍贵的人地关系文化遗产和审美烙印。从地理景观形态结构、格局演化进程与机理响应对照乡村审美空间景观,建构和谐安宁的画面境界;最终造就广阔地域的"美丽乡村"。     

书法景观在景区旅游意象构建中的作用研究——以西安碑林为例

书法景观作为重要的文化景观,为游客提供多重信息,对游客感知和行为产生重要影响。纵观书法景观和旅游意象研究,尚不存在书法景观应用性价值研究及景观元素对目的地旅游意象构建作用的实证研究。本文以西安碑林为例,通过对书法景观功能维度进行划分,构建结构方程模型,探讨书法景观在景区旅游意象构建中的作用,为未来旅游规划和发展提供建设性指导。研究表明书法景观在旅游意象构建中发挥了积极作用,且不同的书法景观功能维度(审美体验功能、地方认同功能、行为导向功能)对景区旅游意象构建中的作用方式及强度不同。     

The mediatisation of war in a transforming global media landscape

Before the rise of digital new media technology in 2002, ‘old’ media at its heart displayed a fundamental division between sender and receiver, a division which for a long time had structurally, materially and politically conditioned the nature of the relationship between ‘old’ media and war. Within the recently emerging digital new media technology, however, this age-old separation between sender and receiver has been eroded. Thus, alongside traditional media platforms, an entirely new form of media technology has arisen. This development has transformed the hitherto multipolar nature of the old media landscape and has led to a heteropolar global media landscape, in which the relationship between media and war has been altered. By exploring how digital new media poles are forming and old media poles are evolving, this article examines how this seismic shift in the global media landscape requires a redefinition of the understanding of the nature of the relationship between media and conflict today.     

重塑风景：兼论贵州旅游形象的建构

风景与旅游形象的关系密不可分。风景远不止于山山水水,它同时作为人类文化和理想的载体,更是旅行者实现“伟大浪漫”梦想的场域,同样的风景对不同的人群有着不同的意义——风景事实上有着一副多变的面孔（形象）。鉴于此,在建构风景形象或确立旅游主题形象时,不仅要根植于东道主文化,还应从“他者”的角度赋予地方更宽广的涵义,以创造和维持“地方神话”——因为在此建构过程中,旅游者也不由自主地参与了东道主文化的共生共建,其自身融入并构成了风景。     

桂林旅游景区书法景观符号效应分析

书法景观是具有中国特色的特殊文化景观和文化符号,广泛应用于旅游景区而成为旅游景观的一种重要类型.本文以桂林旅游景区的书法景观为案例进行研究,结果表明,书法景观作为旅游景区的重要人文景观,旅游者总体上对其具有较高的认知和鉴赏兴趣;书法景观对旅游者产生了一定程度的符号效应,具体表现在书法鉴赏、文化象征、审美引导3个方面,对应于外在行为、文化环境知觉、景观审美活动3个层次的行为效应.书法景观的符号效应在书法鉴赏方面存在显著差异,而在文化象征和审美引导方面无显著差异.书法景观符号效应研究对于揭示人们的地方感和环境行为与书法景观之间的关系、旅游景区书法景观的设计和景区文化氛围的营造等具有指导意义.     

Landscapes of deliquescence in Michelangelo Antonioni's Red Desert

The cinematic landscape provides a rich opportunity to explore cultural representations of place, space and nature. This essay focuses on the depiction of landscape in Michelangelo Antonioni's Red Desert (1964 ). Previous approaches to the critical interpretation of landscape in the cinema of Antonioni have been characterized by three principal weaknesses: a narrow emphasis on formalist and auterist lines of influence between different branches of the visual arts; an attachment to exceptionalist characterizations of the Italian cinematic landscape; and a transhistorical interpretation of existential themes such as alienation. In this essay we shall consider two neglected themes: the significance of the technological sublime for the aesthetic experience of industrial landscapes; and the impact of abstract expressionism on Antonioni's cinematic vision. We will counter simplistic categorizations of Antonioni's work by considering the complexity of the relationship between the cinematic landscape and wider developments in twentieth-century modernism. The essay concludes by locating Red Desert at a unique juncture in the development of modernist conceptions of nature and landscape.     

城市语言景观研究进展及展望

语言景观是城市景观的重要组成部分,同时也是重要的人文地理表征。新世纪以来语言景观日益引起语言学家和地理学家的关注和重视。1997年西方社会语言学家首先提出了语言景观(linguistic landscape)定义,21世纪以来涌现出大量城市语言景观研究成果;国内语言景观主要集中在城镇书法景观的地理学研究,主要包括书法景观与城镇景观的关系、书法景观的空间属性、书法景观的人地关系等。论文从三个方面对城市语言景观进行了评述。最后从语言地理学视角,对未来城市语言景观重要研究内容进行了展望,认为城市语言景观将可能成为语言地理学深入研究的有效途径和新方向,尤其是在城市象征空间塑造及其地方建构中语言景观研究将大有作为。     

The Past in the Present. Landscape Perception,Archaeological Heritage and Marginal Farmland in Jæren,South‐western Norway

This paper examines the background of conflicts in the resource management of a specific type of ‘utmark’ in the agrarian landscape. The historical relationship between empirically experienced ‘utmark’ and the resource management of archaeological heritage and environment surrounding it is analysed. The landscape perceptions of two professional management regimes are used as platforms to gain a wider understanding of worldviews in relation to the ‘utmark’ environment. The landscape orders are based on a landscape cosmology of prehistoric origin, but which modern versions are scaled differently, mirroring changes of worldviews. One management on the other superimposes an extreme dissonance of inferiority between contradictive landscapes aesthetics.     

Biological values of the Nordic cultural landscape: Different perspectives

Intensified land use practices in the Nordic countries are increasing the need for more determined strategies in both natural and cultural conservation. The development of such management strategies requires an inter‐disciplinary approach to overcome the existing boundaries between research disciplines. The paper focuses on certain biological elements which should be taken into account in landscape management. These elements are discussed in different perspectives: temporal, spatial Nordic and European, and the close relationship between biological and historical landscape values is emphasised. Examples of changing evaluations over time and among different groups of people are given. In conclusion the paper stresses the need for a holistic approach to preserve the natural and cultural heritage and secure a long‐term utilisation of the landscape.     

基于人地关系的书法地理学研究

已有的书法地理研究局限于书法现象的地域分异。本文讨论了书法景观的概念、特征及类型,指出书法地理研究应该包括书法作为具有区域分异特征的人文景观元素的研究、书法作为人地关系中景观组成元素的研究以及书法审美作为人地关系的影响物的研究,并进行了详细阐述。书法地理学未来需要通过多学科方法引入进行研究,书法地理学对于旅游、城市规划等多个方面有着潜在应用价值。     

TIMBER MONUMENTS,LANDSCAPE ANDTHE ENVIRONMENT IN THE NITH VALLEY,DUMFRIES AND GALLOWAY

This paper considers the impact of landscape and environment upon monuments built during the Neolithic period. Taking a group of timber monuments of Neolithic date in the Nith Valley region, Dumfries and Galloway, it examines their relationship to the topography and environment and seeks to explain their uniquely linear nature, a feature of timber monuments built in this region. It discusses the importance of incorporating plough‐levelled sites into landscape approaches to monuments, the potential impact of vegetation upon visibility patterns, and the value of considering the immediate locations of monuments, arguing that monuments built upon a heightened awareness of landscape topography, arising out of a long‐term relationship with place.     

基于景观生态的亚热带沿海景观及旅游保护性开发探讨——以福建省为例

沿海景观作为海洋景观与陆地景观的边界,是特色鲜明和空间异质性突出的系统整体。同时沿海地区一直是人类开发较早、人地关系紧密、系统物能交换最频繁、最集中的区域,对海-陆-气系统耦合力和内外营力具有高度的敏感性,因此保持沿海景观的生态整体性尤为重要。研究沿海景观的景观体系和开发利用,目前在我国仍属于薄弱环节。本文评述福建沿海景观分类并概括其生态特征,应用景观生态的原理,探讨福建沿海景观旅游保护性开发模式,构建和谐稳定的景观格局。     

Local Colour: Megalithic Architecture and Colour Symbolism in Neolithic Arran

Recent approaches to megalithic architecture have emphasised the importance of considering monuments in relation to the experience of place. Such approaches have taken two forms: emphasizing the relationship between experience and the internal architecture of the monument, or the nature of the experience evoked by the presence of the monument within the landscape. This paper argues that the importance of stone colour in relation to the construction of megalithic monuments contributes to an understanding of place and landscape as well as providing evidence of the symbolic and aesthetic aspects of colour in the past.     

Khazaria and the Terek (Landscape and Ethnos,II.)

The author analyzes a functional relationship between the historical fate of the Khazar people of the Caspian steppe and changes in the landscape produced by an alternation of wet and dry cycles and changes of the Caspian Sea level. A previous article of this series appeared in Soviet Geography, June 1964.     

Remembering Places Never Visited: Connections and Context in Imagined and Imaginary Landscapes

Despite the vast research on landscape and landscape archaeology conducted over the past decade little attention has been given to the role of memory and imagination in people’s engagement with their ancestral homelands, “country” or other meaningful landscape. An analysis of a range of case studies, both historical and contemporary reveal that people often feel great attachment to and desire to engage with lands that they may have never visited or have little empirical evidence for attachment. Further complicating this are those examples where a “heritage” landscape based on ancient homelands is constructed on the diasporic lands of their daily lives. Understanding these imaginary landscapes offers the opportunity to take a fresh look at the relationship between identity and landscape.     

书法景观旅游地游客地方感影响因素分析——以陕西汉中石门十三品为例

书法作为我国传统文化的象征,是旅游者地方文化感知的重要符号元素。本文选取了我国陕西汉中著名的书法碑刻群-"石门十三品"作为案例地,将游客地方感分为情感依恋、景观原真性、社会文化氛围、书法功能四个维度,构建了书法景观旅游地游客地方感影响因素模型。通过单因素方差分析,聚类分析得出游客年龄、对景区的熟悉度、旅游动机在情感依恋维度上的差异显著。距离对游客地方感的影响则主要体现在社会文化氛围维度上,而不同书法背景的游客则在书法功能维度上差异显著。地方理论与书法景观的应用研究为书法旅游资源的规划和管理提供了依据,具有一定的实践指导意义。     

Human Adaptive Responses to Catastrophic Landscape Disruptions During the Holocene at Numundo,PNG

Prehistoric land use and social activity in West New Britain, PNG, are well documented, although the landscapes – largely shaped by catastrophic volcanic eruptions – in which these took place, and the relationships people had with these landscapes, are poorly understood. We define the evolving landscape at Numundo, from prior to the Witori-Kimbe 2 eruption (W-K2, ca. 3600 BP) to after the Witori-Kimbe 4 eruption (W-K4, ca. 1400 BP), using fossil phytolith and coral evidence at eight archaeological sites to provide environmental evidence of the human responses to periodic catastrophic events. From ca. 5900 to 3600 BP, all the sites were coastal and disturbed. Early disturbance reflected natural forest recovery after W-K1 (ca. 5900 BP), whereas the later landscape was largely shaped by human activity. In contrast, forest regrowth was limited after W-K2 and open environments typical of human activity with a mosaic of regenerating, disturbed and managed vegetation, persisted until W-K3. Environmental recovery from W-K3 and W-K4 (ca. 1700 BP and ca. 1400 BP) differed completely, reflecting severity of the volcanism and the short time between eruptions. The landscape after W-K3 was largely a naturally recovering landscape, in contrast to effective vegetation recovery and significant human exploitation of the landscape – again a mosaic of regenerating, disturbed and managed vegetation – after W-K4. The social history is one in which people evolved increasingly flexible land-use practices, enabling them to re-settle this periodically disrupted landscape, and to take advantage of an increasingly broad range of habitats suitable for cultivation. The human response to this highly dynamic landscape represents a close relationship between social and natural processes, as people became increasingly better at re-settling an unpredictably disrupted landscape; both the social and environmental processes within this landscape become equally influential and instrumental in shaping the effects of the other.     

Rock-art and the transition to farming. The Neolithic landscape of the central Mediterranean coast of Spain

Summary. This paper deals with the analysis of stylistic variation between the different rock‐art traditions that coexisted in the central Mediterranean coastal area of Spain in the Neolithic period – the Macro Schematic tradition, the Schematic tradition and the Levantine tradition. The stylistic variation is analyzed in different scales from the panel with its compositions and superimpositions, to the shelter – shared or exclusive – and the landscape, focussing on patterns of distribution and relationships with settlement sites. This stylistic analysis enables us to study the chronological aspects of the process of Neolithization; while the symbolic character of these marks on the landscape offers an insight into the perception and use of space by the communities who made them.