The Gothic and the Gaelic: Exploring the Place of Castles in Ireland’s Celtic Revival

This paper examines the conflict in early nineteenth century Ireland that emerged between the way castles were portrayed in academia on the one hand and romantic literature on the other. Focusing on a key text of the Celtic Revival, Sydney Owensons The Wild Irish Girl, the paper explores how this novel (with its strong gothic influences) established a lens through which Gaelic Ireland could be understood and how this in turn affected the representation of castles. The second part of the paper ties these themes into an analysis of the relationship between architecture, literature and identity in the occupation of Leap Castle, Co. Offaly during the changing political climate of nineteenth and early twentieth century Ireland.     

The kingdom of Portugal,homage and papal ‘fiefdom’ in the second half of the twelfth Century

This paper examines the relationship between the newly formed kingdom of Portugal and the papacy in the second half of the twelfth century. The kings of Portugal sought a close alliance with the papacy and their relationship has been seen as that of ‘vassal’ and overlord. However, it seems likely that this alliance owed more to the tradition of monastic protection grants. The act of homage performed to the papal legate by King Afonso I is an example of a wider use of the homage ceremony. Homage was not only used to cement ‘feudal’ bonds, but also to make peace or to confirm pacts and agreements. The annual census paid by the kingdom to Rome was part of the same grant of protectio. The papal–Portuguese letters used the same language and terminology as ecclesiastical protectio, which was awarded by the papacy to monasteries, churches and eventually kingdoms and kings.     

The tourist gaze: cycling tourists’ impressions of Victorian and Edwardian Ireland

Cyclists’ written records of their Irish tours in the late nineteenth and early twentieth centuries have been overlooked by those scholars who have studied travellers’ impressions of Ireland in this period. The tricycle and the bicycle opened Ireland to a new form of tourism in the form of cycling tourism, and many of these holidaymakers, both Irish and foreign, were keen to record their experiences and impressions awheel, either in the cycling press or in other publications. This article is the first sustained effort to present a scholarly analysis of this material. It shows that the cycling tourists’ writings, as is the case with other travel writings, reveal more about the authors’ prejudices and their preconceived ideas about the places that they would visit and the people that they would encounter than they necessarily do about the realities of Irish life.     

Political imprisonment and the sanctity of death: performing heritage in ‘Troubled’ Ireland

The ‘Troubles’ is a euphemism associated with sectarian conflict in Northern Ireland from the late 1960s until the late 1990s. Similarly, that term also is used to depict turmoil in all of Ireland between 1916 through 1924. During both eras, political imprisonment coupled with various forms of political violence (e.g. bombings, executions, and prisoner abuse) marred Irish society in ways that invoke socio-religious meaning. In particular, the sanctity of death captures the intense semiotics of those events and points to further theorising along lines of the Durkheimian tradition. As we shall examine herein, violations of the sanctity of death compound social conflict and the resistance it creates. Fieldwork was undertaken in Dublin and Belfast where official landmarks were explored in-depth: Kilmainham Gaol and the Crumlin Road Prison, respectively. Additionally in Belfast, other – unofficial – cultural sites provide further evidence of socio-religious symbolism, most notably the Irish Republican History Museum, Roddy McCorley’s Club in West Belfast, and murals in both Loyalist and Republican communities. Whereas Durkeimian theory remains at the forefront of the analysis, insights also are informed by heritage studies, in particular notions of cultural performance in contested societies.     

‘Phrases Make History Here’: Churchill,Ireland and the Rhetoric of Empire

In the history of the Tokyo War Crimes Trial 1946–48, it is generally held that the United States was the dominating presence: General Douglas MacArthur, the Supreme Commander for the Allied Powers, not only convened the court, but also openly insisted on an exoneration of the Japanese emperor; and American lawyers headed the prosecution team and assumed much of the workload for the defence. However, government documents, including correspondence from and to the participants, show that the Commonwealth governments exerted significant influence in many crucial matters, such as the drafting of the indictment and the judgment of the court. This article questions the standard emphasis on America's role and takes a fresh look at the relationship between the United States and the British Commonwealth of Nations.     

‘‘The Acceptable Face of the Unintelligible’: Intermediality and the Science Play’

Abstract

The limitations of the ‘science-in-theatre’ genre is explored and the concept of the intermedial science play is introduced as an alternative to conventional science plays. How the science-in-theatre play dampens the mediality of the stage in order to establish a specific contract with its audience in order to realize what Carl Djerassi calls ‘didactic realism’ is considered. By virtue of the dramatic form and the didacticism it establishes, the science-in-theatre play limits the means by which audiences may encounter and enjoy responding to science. In particular, when staging concepts from the postclassical sciences, the intermedial science play offers artists and spectators new approaches to the sciences of infinities, complexity and emergence whilst also establishing a new, interactive contract with the audience based on forms of pedagogy associated with the thinking of Jacques Rancière. Using the media theory of Peter Boenisch and others, intermediality is identified as more than the mere presence of multimedia, but in terms of the effects it produce on the sensorium of the spectator.     

Heritage and gastronomy: The pursuits of the ‘new tourist’

Abstract

The main thrust of this text is to acknowledge the relationship between gastronomy and heritage as a key motivator for travel. Gastronomy, as a central part of culture, and its influence on other aspects of culture has received scant recognition from the academic world generated by tourism. Gastronomy, heritage and tourism are old friends; the relationship between them is mutually parasitic. Gastronomy's role as a cultural force in developing and sustaining heritage tourism is addressed, as is its increasing role as a catalyst in enhancing the quality of the tourist experience. Today's consumers’ search for an individual lifestyle is changing tourism and the ‘new tourist’ is using the holiday for acquiring insight into other cultures. Recent research and current market trends are examined to reveal the increasing significance of gastronomy to holiday choice. It is argued that gastronomy brings culture and cultures together. Place and setting enhance the food experience and arguably vice‐versa. Heritage and gastronomy combined make for an excellent marriage of tourist resources. The text argues that this combination is both used and viewed by the tourist. As such the tourist becomes engaged in cultural heritage to a deeper level.     

Translation and World Literature: The Perspective of the ‘Ex-Centric’

Before his death in 2003, Brazilian poet, critic and translator Haroldo de Campos had produced a robust body of work on translation theory, which consistently addressed the problem of subordination of target literatures to their source. His audacious concept of ‘transcreation’ championed that translation should be a creative re-invention instead of a mere reproduction of texts. In this article I demonstrate that De Campos’s translation theory subverts the hierarchical categories and values that have structured the field of world literature. Positioning himself as an intellectual from an ‘ex-centric’ literary culture, situated outside of the centers of global circulation, De Campos critiqued the unequal weight usually assigned to translated and original texts, author and translator, established and ascending traditions. His theory effectively illustrates how power differentials between diverse literary contexts affect the ways in which world literature is conceived. I argue that De Campos’s response to the standing inequality that characterizes translational exchanges involved a literary solution. As a creative act in its own right, imbued with the values of originality and difference, transcreation offered an aesthetic answer to the problems of authenticity, influence and literary dependence.     

The sporting world and the human heart: Ireland, 1880–1930

ABSTRACT

In the years between 1880 and 1920, tens of thousands of Irishmen and women played sport in Ireland. Some lived to play, others dabbled as they desired; some devoted their lives to one sport, others sought to participate in as many sports as they could. This article examines what motivated people to join the expanding world of clubs and associations, of matches and races. It assesses why they joined the particular clubs and associations that they joined, or played the particular games that they played. Further, the article explores how such choices were defined (or refined) by such factors as the influence of ideology and tradition, class and gender, commerce and geography, education and employment. Ultimately, it considers the extent to which the sporting choices of people were shaped by the straightforward pursuit of pleasure.