The narratives of exclusion and self-exclusion in the Russian conflict discourse on EU–Russian Relations

The article focuses on the interplay of the narratives of ‘exclusion’ and ‘self-exclusion’ in the Russian discourse on EU–Russian relations. Since the late 1990s, this discourse has acquired an increasingly conflictual orientation, whereby the official foreign policy objectives of ‘strategic partnership’ with the EU and Russia's ‘integration with Europe’ are increasingly problematised across the entire Russian political spectrum. In the analysis of the Russian conflict discourse we shall identify two at first glance opposed narratives. Firstly, the EU enlargement has raised the issue of the expansion of the Schengen visa regime for Russian citizens, travelling to Europe. Particularly acute with regard to Kaliningrad Oblast', this issue has also generated a wider identity-related discourse on the EU's exclusionary policies towards Russia. Secondly, the perception of Russia's passive or subordinate status in EU–Russian cooperative arrangements at national, regional and local levels resulted in the problematisation of the insufficiently reciprocal or intersubjective nature of the EU–Russian ‘partnership’ and the increasing tendency towards Russia's ‘self-exclusion’ from integrative processes, grounded in the reaffirmation of state sovereignty that generally characterises the Putin presidency. This article concludes with the interpretation of the two conflict narratives in the wider context of debates around the project of European integration.     

The Russian Quality of Life, 1914–1917

Contrary to the views of some historians, prices during the First World War rose faster than wage increases, leading to declining living standards and fueling popular unrest, thus contributing to the 1917 revolutions.     

Allegories of Absence: Richard Weiner and Karel Čapek

Abstract

Examining the relationship between two of the most significant Czech writers of the early twentieth century, Richard Weiner (1884–1937) and Karel ?apek (1890–1938), this article sets their divergent developmental paths into the context of broader issues within European Modernism as a whole. The re-emergence of ‘allegory’ as privileged aesthetic category — represented prominently by Walter Benjamin’s work in the 1920s — characterizes a cultural phenomenon that can be termed ‘melancholy Modernism’. Weiner and ?apek’s contrasting responses to this melancholy allegorical impulse trace a fundamental fault line within the philosophical and historical development of Modernism.     

Stuff of boundaries? Kyrgyz–Russian marriages and the actualization of ethnic difference

ABSTRACT

What are ethnic boundaries made of? How do people come to experience such boundaries? Notwithstanding the formidable analytic attention to the role and effects of boundary drawing in social life, such questions are rarely asked. We look at the apparently stable boundary between Russians and Kyrgyz villagers in the Issyk-Kul region to trace how its dimensions were naturalized through settler colonialism, Soviet modernization, and post-socialist upheaval. But even if naturalized, the boundary behaves as a ‘presence absence’ whose relevance fluctuates and whose momentary features remain unpredictable, as we demonstrate by focusing on transgressive mixed marriages between Russian and Kyrgyz villagers.     

Against the wind – new factories of Russian manufacturing subsidiaries of Western multinational corporations

Using a series of interviews with the heads of Russian subsidiaries of Western multinational corporations and a unique database registering the openings of their new manufacturing plants in Russia during 2014–2015, we trace the changing demography, geography, and economics of foreign direct investments in industrial assets in Russia. We demonstrate that foreign companies in general were capable of overcoming the adverse economic conditions of 2015 and were able to complete their projects of installation of new factories that were launched in 2012–2013. More importantly, economic sanctions caused accelerated completion of previously started industrial works. Such new and upgraded factories not only target current opportunities and market niches in consumer markets but also aim at exploring possibilities in core industrial markets, including mining equipment, transportation equipment, and other types of industrial equipment. We also highlight the emergence of a new type of industrial project known as “fenced field projects,” which are new manufacturing facilities within the existing industrial sites of successful Russian firms. This new type is particularly attractive for companies in the machine-building and chemical industries. Fenced field projects can be either wholly owned subsidiaries or joint ventures, but the main feature of such projects is the active use of the developed physical and business infrastructure of the “hosting” Russian company. We demonstrate not only the changes in the geographic distribution of foreign direct investments in Russia but also the impact on medium-sized industrial towns (200,000–400,000 inhabitants), the most frequent location for industrial projects by foreign multinationals.     

Complex spaces of orphan care – a Russian therapeutic children's community

Institutions of orphan care are immensely complex spaces imbued with social and cultural norms, and can exhibit intricate power relations and particularly severe examples of surveillance. While there have been numerous excellent quantitative studies of these institutions, they reveal little of the complexity and heterogeneity of the spaces, and there remains a need for more qualitative and particularly ethnographic studies of spaces of orphan care to reveal their nuances. Drawing upon the author's reflections on a highly unusual space of orphan care, this article makes two major contributions to Children's Geographies: (1) it employs a sorely neglected aspect of Foucault's work in Children's Geographies, Mettray, in analysing surveillance and discipline in an institution providing care to orphaned children and (2) It highlights the heterogeneity of these spaces and provides an example of best practice in spaces of orphan care.     

Richard II and the church in the years of ‘tyranny’

The years 1396–1399 were critical ones in terms of European and English politics alike and, concomitantly, in the course of the Great Schism of the West. England's attitude to the Schism at this time has hitherto been considered primarily from a presupposition of Richard II's own attitude and authority and as an aspect of European politics. An examination of the direct relationship between Richard II and both the Urbanist papacy and the English Church raises some doubts about the extent of his authority in ecclesiastical affairs both before and after his emphatic reassertion of his prerogative in 1397. Particular consideration is given to his personal view of his proper interest. A discussion of the effect of royal policy on the English Church, especially in respect of the episcopate, suggests that, both in practice and in theory, his influence, whilst strong, rested on co-operation as much as coercion, and the nature of the Anglo-papal concordat of November 1398 is reconsidered in this light. It is suggested that greater stress should be laid on the spiritual considerations which weighed with all parties at the time alongside those of a more familiar secular kind.     

‘Each fantasy chosen begin’: the music of The Divine Comedy

This article considers the cultural and social context for the music of the Northern Irish band The Divine Comedy. It focuses on three mid-1990s albums – Liberation (1993), Promenade (1994) and Casanova (1996) – and debates the significance of this performance of alternative Ulster masculinity during the peace process. It will detail the lyrical obsession with a very particular type of imagined Anglo-Irishness during the first two of these albums, and then consider the complicated uses of the ‘Britpop’ genre in Casanova. This music is baroque, literary and written by an Anglican bishop's son, Neil Hannon, who grew up in Enniskillen during the Troubles. It will consider how Hannon cobbles together an acceptable identity through the use of literary pretentiousness and a carefully crafted pop persona.     

Aesthetic cosmopolitan,national and local popular music heritage in Melbourne’s music laneways

There are currently few examples of popular music being officially celebrated as heritage in Australia. Interest in this area is growing, however, and this paper examines how Melbourne, the capital of the state of Victoria, has recently named three laneways after rock artists, namely, AC/DC Lane, Amphlett Lane and Rowland S. Howard Lane. Using interview and observational data collected at the laneways, we demonstrate that these spaces respectively reflect aesthetic cosmopolitan heritage (AC/DC Lane), national heritage (Amphlett Lane), and sub-national heritage (Rowland S. Howard Lane). The number of visitors to these laneways varies greatly across the sites, and reflects the national and international success of the artist commemorated. The laneways’ success as commemorative sites is also related to intersections of globally circulating ideas about what constitutes ‘rock’, what urban spaces should look or feel like, and how heritage is expected to be enacted (especially for tourists). Within this field, there are specifics relating to the Australian music industry that appear to find clear reflection in the sites chosen and their level of success as memorial spaces.     

Indigenous minorities of Siberia and Russian sociolinguistics of the 1920s: A life apart?

ABSTRACT

In the 1920s, two strong intellectual trends were simultaneously developing in Russia: the studies of languages and cultures of the indigenous population of Siberia and the Far North (led by Vladimir Bogoras, Leo Shternberg, and others), and sociolinguistic studies (led by Evgeniy Polivanov, Afanasiy Selischev, Rosaliya Shor, and others). Sociolinguistics as a new and fashionable branch of knowledge included many topics (sociolinguistic theory, social dialectology, influence of rapid social changes on language), but there never were attempts to study sociolinguistically the languages of indigenous “Northern” minorities. In 1929 Roman Jakobson and Nikolai Trubetskoy, who by that time were both living abroad, launched a project called “Languages of the USSR.” The project could have united the two trends, but it was soon terminated because of the Great Depression in the West and a sharp turn in Stalin's policy in 1929 when many Russian scholars were prosecuted, academia became split in a fight over who represented “the true Marxism”, and international collaboration became dangerous for Russian scholars. Another reason for the lack of interest in sociolinguistic studies of indigenous minority languages was the evolutionist paradigm of Siberianist cultural anthropology of the time. As a result, the Soviet language planning for Northern indigenous minority languages in the1930s and later did not sufficiently take into account the sociolinguistic aspect of the problem; this may be responsible for its many failures and inconsistencies.