Paul Valéry on Photography: A Poetic Writing of Light and Time

This article studies Paul Valéry's personal reflection on photography, as it appears in his essay “Le Discours du Centenaire de la Photographie,” based on a speech given at the Sorbonne in 1939 to members of the French Academy. It stresses the relationship between this essay and the French poet's writings on painting and aesthetics, in particular his work on Corot. Moreover, it analyzes the synthetic character of Valéry's critical approach, which attempts to bring together the language of poetry, philosophy and science when dealing with this utterly modern visual language. Photography is celebrated here as a unique art form that can at the same time imitate and reproduce nature perfectly, while allowing mankind to create a cosmological vision of life and the universe. In other words, the poet underlines in this text the utmost modernity of photography, at a time when many in France were still reluctant to acknowledge its artistic identity.     

A “Crisis” in the Making: The Correspondence of Hans Baron and Paul Oskar Kristeller

This article summarizes and contextualizes the vast unpublished correspondence between Hans Baron (1900–1988) and Paul Oskar Kristeller (1905–1999), two of the most prominent twentieth-century scholars of Renaissance Humanism. It details how Baron and Kristeller came to take their first steps in Renaissance scholarship in Germany before political circumstances forced them into exile; it recounts the story of their emigration and their strategies for survival in Italy, Britain, and the United States; it reveals the impact of the American academy on their intellectual journeys and the extent to which they self-consciously stood for a methodology on the verge of extinction. Most important, the correspondence provides us with a personal etiology of the rebirth of Renaissance studies in the postwar period and of the concrete genesis of some of the books that brought it about.     

Tradition and critique in Paul Muldoon's “Madoc: A Mystery”

Paul Muldoon's “Madoc: A Mystery” remains his longest poem and most thorough vision of an alternative history. This article argues that Muldoon's poem works to stage not only a visionary history of America but also, via the uneasy relations that develop between its two main characters (semi-fictionalised versions of Samuel Taylor Coleridge and Robert Southey), a dramatisation of the conflict that obtains between competing modes of historical understanding. Muldoon's Coleridge and Southey represent stances that may be usefully regarded as parallel to positions advanced in the famous debate regarding interpretation between Hans-Georg Gadamer and Jürgen Habermas, thinkers whose names appear in the poem itself. To read the poem in light of this connection between its fantastical transatlantic history and the history of critical theory allows a reading of Muldoon's treatment of both literary and political histories as secondary to the work's playful exploration of struggles between modes of historical interpretation.     

‘A Just and Liberal Landlord’: Manliness,Work, and the Landed Gentleman in the Brontës’ Novels

The Brontës’ many striking depictions of landowners are rife with ambiguities, particularly as these characters are seldom presented at work in their traditional roles as landlord and magistrate. While the Victorian landed gentleman’s status was partially predicated on not having to work for money, both the new Victorian professional ideal and traditional conceptions of paternalist care affected the ways this class was viewed by middle-class commentators at mid-century. In the Brontës’ novels, traditional paternalist responsibilities are fused with aspects of the professional ideal in depictions of reformed landed gentlemen, but even this new, ideal figure is represented as unsatisfactory. In this article, I consider how landowners were written about in contemporary periodicals and how the Brontës engage with these expectations. The Irish tenant and landlord problem, which was covered extensively in the periodical press, shaped Emily Brontë’s Wuthering Heights in a profound way, as the novel serves as an important, but until now overlooked, reworking of Maria Edgeworth’s representations of landowning masculinity in Castle Rackrent (1800). The Brontës repeatedly depict landowners retreating into the domestic sphere, which I argue forms an implicit narrative challenge to this figure’s social authority. This article opens up new ground for the examination of Victorian discourse on professionalization in relation to the Brontës’ works and a consideration of the ways in which this discourse was applied to landowners both in the periodical press and the Victorian novel.     

Paul Cohen-Portheim: questions of nationalism,messianism and nostalgia in a prison camp in England, 1914–1918

ABSTRACT

This article focuses on the little-known Jewish writer Paul Cohen-Portheim (1880–1932) and his notions of nationalism and Zionism. Born in Berlin to Austrian parents of Sephardic origin, Cohen-Portheim was interned during the First World War in various English prison camps. This experience profoundly affected his intellectual outlook and he dedicated much of his effort to the fight against nationalism. It was in the English prison camps that he developed an eclectic theory of nationalism which combines a quasi-evolutionary progress towards global justice with a messianic notion of Zionism. The Jewish people play a crucial role in Cohen-Portheim’s vision of a world devoid of nationalism, whose absurdity is disclosed in the arrival of Zionism. Juxtaposing Europe’s crisis of culture and Asia’s spiritual vitality, Cohen-Portheim ascribes to Zionism a bridging of the gap that separates Europe and Asia, and fragments modern nationalistic man. This article follows Cohen-Portheim’s intellectual development and highlights shifts and continuities in his writing, arguing that he shows two different types of nostalgia, namely a longing for the East as developed in his early works and a longing for the past as displayed in his last major work.     

War Trauma and Alcoholism in the Early Writings of Charlotte and Branwell Brontë

During and after the Napoleonic Wars, there was an outpouring of military-based biographical writing never before seen in British history. Over 200 military memoirs were published either as standalone entities or in periodicals such as Blackwood’s Edinburgh Magazine and The United Service Journal. As a result, the experiences of ordinary soldiers were brought to the forefront of Britain’s public consciousness. Although many of these memoirs glorified war, a number revealed the psychological damage war inflicted on the British male population and explicitly exposed the horrors of combat to a domestic readership. Furthermore, this explosion of life writing also exposed a connection between suffering and alcoholism, consolidating trauma as a post-war, national problem. The Brontës, typically recognized as canonical, Victorian authors, first participated in this military-based literary movement. This article attempts to reposition and establish two of the siblings – Charlotte and Branwell – as significant post-war commentators. By focussing on their military reading, it will become clear how they vicariously processed and reimagined war trauma and addiction through their Glass Town and Angrian sagas. Not only will this article argue that the introduction of military biography into British society generated wide-scale recognition of war trauma, despite its absence within contemporary medical discourse, but it will also argue that the young Brontës’ literature is an important historical source for understanding and re-evaluating the public response to post-war military masculinity.     

The French Enlightenment attempts to create a philosophy without reason: the case of Diderot and the effect of Helvétius

It is a well-worn, yet astonishingly resilient, cliché that the Enlightenment was the “Age of Reason”. By focusing on Diderot and Helvétius this paper shows that, rather than proceeding in the name of reason, key figures within the progressive philosophy of the French Enlightenment were in fact extremely suspicious of abstract reasoning and attempted to construct a philosophy which purged the faculty of reason entirely from its philosophical anthropology and reduced the mind’s functions to the single faculty of sensation and so to the passions. It is in this sense that philosophy of the French Enlightenment attempted to produce a philosophy without reason. This paper reconstructs this attempt. In doing so it again engages critically with the idea that the philosophy of the Enlightenment was dogmatically rationalist, it provides a historical case study of a period in which philosophy pushed against the limits of its own identity, and it uses this attempt to reflect on the mythological not historiographical service which the cliché of Enlightenment Reason plays for the philosophical identity.     

Ethno-geochemical and Phytolith Studies of Activity Related Patterns: A Case Study from Al Ma’tan,Jordan

ABSTRACT

Understanding Neolithic sites in southwest Asia is often difficult because of the lack of preservation of organic remains and the effects of various taphonomic processes that alter the original record. Here, we use an ethnographic approach to test the potential of using plant phytoliths and geochemistry to aid our interpretation of southwest Asian Neolithic sites. Our study of a recently abandoned stone and mud constructed village in Jordan, shows that for certain activity types, phytoliths and geochemistry can help distinguish different construction methods and functions, particularly for burnt areas, animal use areas and where there has been the addition of a specific construction material. For features constructed from the same source materials distinctions are more problematic. Geochemical and phytolith proxies were individually effective in distinguishing activity areas and construction materials, but signals were diminished when the statistical analysis was run on both forms of evidence combined. It is therefore recommended that the data from plant phytolith and geochemical analyses are subject to separate statistical tests and that the two sets of results are used in combination to interpret archaeological sites and their uses.