Blood from the Moon: Gender Ideology and the Rise of Ancient Maya Social Complexity

Archaeological data suggests that there is a direct link between the rise of social complexity and the erosion of women's status. Through a look at the ways in which gendered practices and symbols may shift as men and women (and males and females) negotiate their relationships and interactions within shifting social contexts, this article sets out to explore this linkage between social complexity and gender equality in the ancient Maya region. Building from the notion that ‘gender’ is produced and reproduced through practice and symbol as a culture constitutes and bounds gender roles and expectations by symbolically associating certain activities and materials with each gender as iconic representations and ritual enactments of those normative gender roles then serve to naturalise a gender ideology, this article argues that the rising ancient Maya elite attempted to legitimise increasing social inequalities through the manipulation, ritualisation and abstraction of female symbols of power associated with pregnancy, menstruation and childbirth. This appropriation and contestation of symbols and performances of gender identity can be observed in wide variety of powerful representations and practices within the Maya cosmology such as genital piercing, the 260‐day calendar and the neutering of female sexuality in monumental art.     

Understanding Rituals: A Critique of Representationalism

The explanations of ritual practices observed in archaeological contexts often proceed on the representationalist basis that the human mind contains the social constituted ideas or representations that underpin the practice of rituals. Such a view remains widespread and, despite the often proclaimed rejection in contemporary theory of the Cartesian mind-body and other dualisms, it perpetuates the Enlightenment representationalist heritage according to which mental contents represent social reality and, as such, drive ritual practices and human action more generally. This article illustrates the meaning and value of rejecting such a representationalist view of human (ritual) action in favour of what we call an institutional view. In such a view, a ritual can be conceived as a form of recurring activity involving temporally and geographically dispersed actors active in differing roles and hence also with differing interests and levels of knowledge of the ritual and the associated belief system.     

Characterization of Iron age pottery from eastern Turkey by laser- induced breakdown spectroscopy (LIBS)

Selected pottery sherds coming from the Ayanis, Dilkaya and Karagündüz excavations in eastern Turkey and dated from the Early to Middle Iron Age were examined as regards their composition by using laser-induced breakdown spectroscopy (LIBS). The objective of the study was first to investigate the potential of the LIBS technique in the compositional analysis of pottery and further to explore correlations in spectral data, by using chemometrics methods that would possibly enable discrimination among different sherds. This work is part of a broader study aiming to examine clay variability both before and during the Urartian State period and to explore possible relationships and differences among pottery objects from fortresses and settlements or settlements and cemeteries on the basis of the clay composition of sherds. Preliminary results demonstrate that by using the LIBS technique it is possible to analyse pottery sherds in qualitative and semi-quantitative ways, providing information on the clay and slip composition. Furthermore, encouraging results have been obtained by carrying out principal component analysis (PCA) on the LIBS spectra, which suggest that in certain cases, it is possible to directly correlate spectral information with the origin of pottery sherds.     

Portable XRF analysis of zoomorphic figurines, “tokens,” and sling bullets from Chogha Gavaneh,Iran

This study examines small finds from the site of Chogha Gavaneh, Iran, including zoomorphic clay figurines, geometric-shaped objects (often referred to as “tokens”), and sling bullets in order to investigate the possible social and economic functions of these artifacts. While Chogha Gavaneh has been occupied from the Pre-Pottery Neolithic A (PPNA) (ca. 9000 B.C.E) period to the present, we focus on 87 small finds from the Early Chalcolithic period (ca. 5000–4000 B.C.E.). We explore how portable X-ray fluorescence spectrometry (pXRF) provides a new line of data with which to test the conventional wisdom about the uses of these small finds. Our findings suggest that local production is unlikely to account for the diversity in the elemental composition of the small finds. We argue that this supports claims that Neolithic and Chalcolithic people exchanged “tokens”. The presence of non-local zoomorphic figurines also raises interesting questions regarding their possible role in past societies.     

What Do Objects Want?

This paper develops an argument for the agency of objects, looking at the effects objects have on people. Groups of related objects, such as pots or metal ornaments, create stylistic universes which affect producers and users of new objects, bound by the canons of style. For an object to be socially powerful in a recognized manner, the form of the object lays down certain rules of use which influence the sensory and emotional impacts of the object. Formal properties of artifacts are influenced by the genealogy of the object class, including historical continuities and changes, and also its perceived source. The forms of objects, the historical trajectories of the class of objects and their perceived sources combine to have social effects on people, shaping people as socially effective entities. Britain’s incorporation into the Roman Empire between 150 BC and AD 200 provides an excellent case study through which to look at the changing corpora of objects, which had continuities and changes in form, a set of subtle attributions of sources and a complex range of social effects.     

Meaning,materials and melancholia: understandingthe Palace Hotel

Whilst social science has recognized that racist discourse often attempts to ‘fix’ outsider groups to particular locations, much less has been said about the locations themselves. The Palace Hotel is a prominent feature in gossip and public debate concerning the presence of ‘asylum-seekers’ in the seaside town of Southend-on-Sea, Essex. This paper considers why this is so. As a basis for the development of a theoretical model, the focus of the paper is outlined using a variety of qualitative sources, including interviews from the author's doctoral fieldwork. From here two distinct approaches are applied in order to explain how the Palace Hotel has become synonymous with the presence of ‘asylum-seekers’ in Southend-on-Sea. The first of these draws upon the social constructionist trend within geography that conceives of certain spaces as ‘marginal’. The second account engages with the often forgotten role that materiality plays in such constructions. It is argued that there is no need to choose exclusively between the two approaches because tensions can be resolved on the basis of a stratified realist ontology. The fundamental tenet of this ontology is that objects are permitted ‘relative autonomy’ from our lay or scientific knowledge about them. Central to the explanation offered is an examination of the opposing conceptions of temporality inherent to each account. Lastly, the psycho-dynamic ‘space’ between meaning and materiality is argued to be generative of a collective condition of melancholia. This insight is drawn upon in the recommendation of a coherent model for understanding the pronounced position of the Palace Hotel in discourse surrounding ‘asylum-seekers’ living in Southend.     

Plants as material culture in the Near Eastern Neolithic: Perspectives from the silica skeleton artifactual remains at Çatalhöyük

Investigating plants used for building and craft activities is important for understanding how environments surrounding archaeological settlements were exploited, as well as for considering the social practices involved in the creation and use of plant objects. Evidence for such plant uses has been observed at many Near Eastern Neolithic sites but not widely discussed. Survival may occur in a number of ways, including as impressions in clay, and as charred or desiccated macroremains. Another, less well-known, way in which plant artifacts can be found is as silica skeletons (phytoliths). Formed by the in situ decay of plants, their analysis may tell us about taxa exploited, and locations in which plant artifacts were used or discarded. At Çatalhöyük, an abundance of silicified traces of plants used in building materials and for craft activities survive, and are found in domestic and burial contexts. Their analysis demonstrates the routine use of wild plants, especially from wetland areas, for basketry (mats, baskets and cordage) and construction, as well as the secondary use of cereal husk chaff in certain types of building materials. The numerous finds suggest that plant-based containers played an important role as an artifactual class, even after the adoption of early pottery.     

Changing philosophies of action? Argentine’s cultural policies in the 21st century

ABSTRACT

How can the many institutional and ideological changes of Argentine cultural policy at the beginning of the 21st century be explained? This paper analyses how representations of culture, programs and public actions are translated into different ‘philosophies of action’ depending on the political stripe of each government and the agents of cultural policy. If the predominant philosophy of action during the whole period is ‘culture as an economic resource’, it coexists with other philosophies: ‘culture as show’, ‘a communication tool’, ‘social inclusion’ and finally ‘a factor of citizenship’.     

HOW CHILDREN PLACE THEMSELVES AND OTHERS IN LOCAL SPACE

This study examines the ways in which children aged 11 to 15 in six adjacent neighbourhoods in a medium-sized Swedish town place themselves and others in local space. Special attention is given to how they discuss a neighbourhood stigmatized in the public discourse and how children who live in this neighbourhood react to the negative representations of the place in which they live. The study is based on group interviews and maps. The study shows that children construct representations of their own neighbourhoods as "quiet" neighbourhoods and place objects of "trouble" and "danger" somewhere else. It is argued that this is done both in relation to their personal knowledge of the neighbourhood and in relation to local and/or media representations of their own and other neighbourhoods. It is shown that the children are influenced by media representations of a stigmatized neighbourhood, but also that they are not passive reproducers of these discourses and that some of them are able to offer counter-discourses. The children living in this neighbourhood experience difficulties in defending it as the quiet place which they perceive it to be to outsiders because of the negative discourses.     

Moving with practices: the discontinuous,rhythmic and material mobilities of leisure

When considering mobilities within social life, researchers have emphasized the importance of enactment and embodied practices. Yet such understandings of practice as praxis—human action in general—have often left the relationship between practices and mobilities vaguely characterized. This paper therefore engages with an understanding of practices as praktik—distinct patterns of social action made up of interconnected elements—in order to explore how people move not only with cars and trains but also with practices. Praktik provides a context for studying the multiple mobilities of people, objects and ideas, highlighting important dynamics of performance and units of study. Leisure subcultures, the empirical focus of the paper, are important social practices and yet limited attention has been given to how they rely upon and are constituted by mobilities. Drawing upon a qualitative study of patchwork quilting and bird watching, the paper demonstrates that enacting leisure is inextricable from enacting discontinuous mobilities. Enthusiasts' goals lead to common experiences of travelling-in-anticipation and travelling-in-disappointment, while the systematic circulation of objects, such as bird lists and bird books, shape travel even when they are not moving alongside participants. In this way, leisure practices unfold through temporally marked patterns of mobility.     

Striking similarities: representing South Asian women's industrial action in Britain

The focus of this article is two significant episodes in British labour politics. The first is the Grunwick strike between 1976 and 1978; the second a dispute at Gate Gourmet that began in 2005. In both disputes, women of South Asian origin were the key actors and their legacy has been constructed through striking imagery as one in which against the odds exotic or passive Others became unexpected heroines of industrial struggle. These representations retained their power, despite significant social, economic and political changes in ‘post-Fordist’ Britain, including in the political rights of strikers, and in the participation and position of both women and minority workers in the labour force. Drawing on interviews with South Asian women involved in each dispute, this article challenges these representations and their significance in accounts of the action, documenting the complex, multiple motives of South Asian women involved in labour politics in the UK.     

Reading Victorian Rags: Recycling,Redemption, and Dickens's Ragged Children

In Victorian Britain rags were not only associated with the inadequate clothing of the poor, they were also viewed as a valuable commodity, widely collected for recycling into paper. This essay examines rags as simultaneously despised and precious objects, tracing the connections between Victorian accounts of poverty, the industrial recycling of rags into paper, and the redemption narratives created by Charles Dickens about rescued children. A supporter of Ragged Schools and champion of rags recycling, Dickens drew on the idea of the transformation of dirty rags into clean paper in his representations of ragged children. To him, the recycling of rags indicated the civilizing forces of modernity, and reading Dickens's representations of ragged children in this context reveals how cloth recycling became a paradigm for society's duties towards destitute children. This essay explains Dickens's juxtaposition of ragged children with references to rag-dealing in his novels; by this means he suggested that street children, like their ragged clothing, were capable of being purified and transformed into social usefulness.     

Ethiopian students' relationship with their environment: implications for environmental and climate adaptation programmes

Historically the voices of young people have been excluded from research and debates about how to respond to environmental degradation and climate change. To include the perspectives of young people in the climate change and adaptation debate, we conducted a Photovoice and draw-and-write project with 29 school students in Ethiopia, through which students were given a platform to explore their social representations of the environment. Thematic analysis of our findings suggested that young people have a deep appreciation of the moral, health-related and economic importance of the environment, a commitment to preserving it and a sense of responsibility and agency in relation to contributing to this preservation. Students saw environmental degradation as reversible, through a combination of commitment by themselves, local government and the global community. We conclude by discussing ways our findings might best be taken up in school-level programmes to strengthen youths’ existing social networks for the consolidation of ‘green’ identities, action and activism.     

Material Matters: Representation and Materiality of the Harappan Body

In the Indus Civilization (ca. 2600–1900 BC), a society with no readable texts and few larger-scale representations, terracotta figurines were the most common representations of the human body. This paper explores the unique construction of the material representations of bodies and other material culture from Harappa, a major Indus site now in Pakistan. Hand-modeling representations of human bodies from dual clay pieces, sometimes decorated with bone pigments, suggests a focus on the process and ideological rather than practical choices in the materialization of the Harappan human body. For the Harappans, material matters as they engage physically with their world and embody themselves and their worldview.     

Absence/presence and the ontological politics of heritage: the case of Barrack 57

19 July 2009. A barn burns down in a small Dutch town. Afterwards, this invisible and insignificant ‘barn’ became widely known as ‘Barrack 57’. The destruction triggered attention and led to the barn’s association with a Nazi Second World War transit camp and with Anne Frank. Its material destruction made this barn/barrack both present and absent in various networks. We use the case of Barrack 57 to study the interplay between presence/absence and non-existence of objects in these networks, an exercise which connects to and contributes to the development of constructivist perspectives on object formation in heritage studies. Our analysis of presence/absence and non-existence therefore is based on different concepts developed in actor network theory and Niklas Luhmann’s theory of social systems. Of particular importance is Luhmann’s distinction between first- and second-order observation. We argue that heritage objects themselves are the result of different enactments of (non) human properties in various relational configurations. With this view, a new task for critical heritage scholars emerges. Understanding the dynamics of presence/absence and non-existence of heritage objects in different networks deepens insight into the broader issues of the formation of heritage objects and their delineating technologies and the policies of normalisation and naturalisation.     

Spinning Yarns: The Archaeological Evidence for Hand Spinning and its Social Implications,c ad 1200–1500

THIS PAPER EXAMINES the archaeological evidence for hand spinning in medieval Britain from c 1200 to c 1500. Ceramic, stone and baked clay spindle whorls have dominated the excavated finds, but a new corpus of lead-alloy spindle whorls, recorded through the Portable Antiquities Scheme and Scottish Treasure Trove, is presented here. Analysis of the metal whorls’ distribution, manufacture, dating and decoration is provided, illuminating the wide social and economic contexts in which they were used. From memento mori of pious spinners to sexually potent objects representative of lubricious gossips, the ubiquitous spindle whorl was a universal tool that had a powerful agency. The artefacts are small finds embodying daily life but also tie into the wider national economy of the High and Late Middle Ages.     

Methods to Create a Longitudinal Integrated Demographic and Geographic Database on the Micro-Level

Abstract

The authors develop a methodology to create databases that can be used to add micro-level geographic context to longitudinal historical demographic analyses. The method transforms geographic objects as snapshots (digitized from historical maps) into temporal representations of longitudinal object lifelines and links individuals to these geographic objects. The methodology is evaluated via a case study using historical data from the Scanian Economic Demographic Database. The authors link approximately 53,000 individuals in five parishes for the period 1813–1914 to the property units in which they had lived. The results of this study are a unique contribution in terms of linking individuals to micro-level longitudinal geographic data over such long periods. Thus, these data may provide new knowledge for historical demographic research.     

Does Practice Make Perfect? Craft Expertise as a Factor in Aggrandizer Strategies

The focus of this article is on exploring craft expertise and its potential as a factor in aggrandizer strategies. It is argued that there are elements of natural aptitude which enabled certain individuals to excel at flintknapping, allowing them to create objects of exceptional size and beauty in acts of elaborate knapping. Practice alone will enable an individual to reach a certain level of proficiency, but only practice in combination with ability can result in world-class performance. If, as is argued, native ability in some domain is a rare commodity, then harnessing it and developing it through practice would provide an opportunity for a potential aggrandizer to control prestige goods and accrue social capital. In situations where raw material, knowledge, and know-how are ubiquitous, as may have been true for flint technology in southern Scandinavia during the Late Neolithic, this might be one of few means available for a would-be aggrandizer to control prestigious goods.     

Feminism and its ‘other’: representing the ‘new woman’ of Bangladesh

This essay examines women's oppression and organizing against gender violence in contemporary Bangladesh through the lens of television. I argue that the telefilm Ayna (The Mirror, 2006), written and directed by popular film actor and women's rights activist Kabari Sarwar, offers a window into the changing social and economic landscape of contemporary Bangladesh and the complex negotiations of power and inequality across gender, class and community. Furthermore, it offers an opportunity to unpack the social messages underlying development and modernization initiatives, the new kinds of alliances as well as dependencies engendered by them, and their multiple and uneven consequences. An investigation of the representations of competing and contradictory notions of women's subjectivity and agency in this telefilm allows us to understand how these intersect with shifting notions of local/global patriarchies, feminist solidarity and women's empowerment in Bangladesh today. Further, this essay illuminates the disjunctures between representations of the ‘new woman’ circulated through development and certain feminist advocacy narratives with women's lived realities of oppression, and survival.     

The Origin of 18th–19th Century Tin‐Glazed Pottery from Lorraine,France

Forty‐eight tin‐glazed ceramic fragments (faiences) from Lorraine, found in excavations or pertaining to objects in collections, were subjected to X‐ray fluorescence analysis to determine the bulk, major, minor and trace element compositions. Sixteen superficially clay layers from the surroundings of Lunéville and Saint‐Clément were also analysed. The faiences are, with four exceptions, MgO rich. The combination of stylistic and chemical arguments allowed the recognition of 28 objects that were attributable to the important faience manufactory of Jacques II Chambrette in Lunéville. This reference group was used to test the provenance of high‐Mg faiences from private collections. The latter are not from the manufactory of Le Bois d'Épense/Les Islettes as commonly assumed, but most probably belong to Lunéville and Saint‐Clément. According to archival sources, the potters mixed three clays for the pastes. Some prospected clays are MgO rich due to the presence of dolomite and other Mg‐bearing minerals, but not as high as the faiences, a fact that can be explained by the sampling of de‐carbonatized layers.