Nationalism,Britishness and the ‘Souring’ of Australian National Art

This article investigates the nationalist historiography of the Heidelberg School, an Australian art movement from the Federation period, known for its iconic representations of national life and landscape. Drawing on recent scholarship of Australian nationalism, it questions conventional accounts of the Heidelberg School in Australian art history, especially those based on Bernard Smith’s radical interpretation of this movement. For Bernard Smith, and the generations of Australian art historians he influenced, the nationalism of the 1890s was a progressive force for national culture. Yet, in the post-Federation decades, national art declined (or ‘soured’) into a reactionary form of insular nationalism. By focusing on the ‘souring’ narrative of Australian national art, this article critiques the nationalist interpretation of the Heidelberg School. It explores an apparent contradiction: the role of Britishness in the construction of a distinctly Australian national art.     

The Parthenon Marbles as icons of nationalism in nineteenth‐century Britain

Theories of nationalism place native culture at the core of national self‐fashioning. What explains a state's adoption of foreign objects to sustain national identity? In this paper, I argue that the incorporation of the Parthenon Marbles into British public life is an early example of supranational nationalism. The nineteenth‐century ‘art race’ was a competitive field in which European nation‐states vied for prestige. Of the thousands of art trophies that were brought to Britain from Mediterranean and North African countries, the Parthenon Marbles were uniquely iconicised. Using data from period newspapers and official documents, I assert that this was because they were assiduously presented as prenational by British authorities. In this way, they belonged simultaneously to no nation, to every nation, and to Britain. The case demonstrates the emergence of a particular form of national distinctiveness that transcended the smallness of particularity and rose to the level of universal civilisation.     

Diverse unity: creole contributions to interethnic integration in Guinea‐Bissau

The paper explores how creole categories of people who have constituted a small but influential minority in Guinea‐Bissau for centuries contributed to a countrywide, integrated national culture since the eve of independence in 1974. Since independence, several cultural representations previously exclusive to creole communities have been – driven by the nationalist independence movement and the early postcolonial state – transformed into representations of a new national culture, crossing ethnic and religious boundaries. The fact that creole identity and culture had been transethnic – i.e. creole identity brings together individuals of heterogeneous cultural, ethnic and geographic descent – during the colonial period, has fostered in postcolonial times the countrywide spread of previously exclusively creole cultural features. I argue that this ‘transethnicisation’ of creole cultural representations has unified Bissau‐Guineans across ethnic lines, causing a strong commitment with their nation ‘from below’.     

Situating banal nationalism,the culture wars,and civil religion: governing localized geographies of national identity in Indiana

Various material forms of national identity have become ubiquitous features of the post-9/11 American cultural landscape. This research specifically examines the ‘In God We Trust’ (IGWT) license plate in the state of Indiana as a material expression and territorialized form of national identity. While conceptually anchored in banal nationalism research, exploring the spatial patterns of adoption or non-adoption of IGWT license plates by Indiana residents is only possible through situating this research through the mediating lens of the culture wars and civil religion. Although the IGWT license plate project legislatively materialized through the localized spatial networks of non-state actors in the context of a new and conservative state–citizen relationship firmly anchored in the culture wars, adoption behavior is also mediated through the much broader influence of civil religion. We conduct a quantitative analysis to determine license plate spatial distribution by county, but more importantly to explore the sociodemographic dimensions of IGWT license plate adoption and non-adoption. While our results generally mirror the sociodemographic findings of social issue-based electoral geography, the imbrication of banal nationalism, the culture wars, and civil religion as materially expressed by the IGWT license plate yields an ideologically different and broader dynamic when compared to culture wars defined by national identity.     

Celebrating British multiculturalism,lamenting England/Britain's past

Drawing upon Littler and Naidoo's ‘white past, multicultural present’ alignment, this article examines English newspaper coverage of two ‘British’ events held in 2012 (the Diamond Jubilee and the London Olympic Games). In light of recent work on English nationalism, national identity and multiculturalism, this article argues that representations of Britain oscillated between lamentations for an English/British past – marred by decline – and a present that, while being portrayed as both confident and progressive, was beset by latent anxieties. In doing so, ‘past’ reflections of England/Britain were presented as a ‘safe’ and legitimate source of belonging that had subsequently been lost and undermined amidst the diversity of the ‘present’. As a result, feelings of discontent, anxiety and nostalgia were dialectically constructed alongside ‘traditional’ understandings of England/Britain. Indeed, this draws attention to the ways in which particular ‘versions’ of the past are engaged with and the impact that this can have on discussions related to multiculturalism and the multiethnic history of England/Britain.     

The rediscovery of ‘the national’ in the 1990s – contexts,new cultural forms and practices in reunified Germany

This article examines how and in which societal and political contexts nationhood is expressed and symbolised in reunified Germany. This ‘rediscovery’ of nationhood since the 1990s mixes new and old motifs of the cultural repertoire of ‘the national’ for different purposes. Three main contexts triggered a rediscovery of ‘the national’ after 1989: reunification, immigration and the retrenchment of the social state. I argue, by analysing ethnographic material and political discourses, that these contexts, on the one hand, rearticulate old forms of ethnic and cultural nationalism and, on the other hand, create new images and symbols of an open civic society and immigration country. There are ‘playful’ forms, such as campaigns of nation branding, that symbolically include the ‘productive’ and ‘useful’ immigrant into the national project. Moreover, such campaigns serve to legitimatise the downsizing of the national state that – according to a neoliberal attitude – relies on a new community spirit of entrepreneurial, ‘activated’ citizens who ‘help themselves’. Thus, focusing on these pluralised renationalisation processes makes evident how polyvalent ‘the national’ still is. It can be employed by those who attempt to ‘reunite’ the East and West Germans, by businesses to sell their goods and ideas and by almost any political orientation, be it right‐wing or left‐wing.     

Dissolution and Reconstruction of National Identity: The Experience of Subjectivity in Taiwan

Abstract. Due to unique historical and structural conditions Taiwan society has long been troubled by a national identity problem. While this dilemma has captured significant academic interests in recent years, most treatments of the subject pay insufficient attention to the subjective factors which shape the national identity discourse on the island. This study attempts to reconstruct, from the subjects' perspectives, the discourses on national identity as they are devised by Taiwan residents. Based on Q methodology, we identify five discourses: Chinese nationalism, status-quoism, confused identity, Taiwan-prioritism and Taiwanese nationalism. These discourses are intertwined along the independence/unification continuum and share the common ground of respect for democratic institutions and liberal values and an awareness of Taiwan's de facto autonomy/independence. Our findings stand in sharp contrast to the ‘unification/independence’ dichotomy or the ‘unification/status quo/independence’ trifurcation commonly applied by the existing literature. Thus, the findings may serve as the basis for constructing a more comprehensive analytical framework facilitating further research on national identity issues in Taiwan.     

Untangling liberal democracy from territoriality: from ethnic/civic to ethnic/territorial nationalism

The term ‘civic nationalism’ as it is used today in nationalism studies is misleading because it combines territorial collective identity with liberal‐democratic values. As such, for example, it does not provide much insight into the comparison of Azerbaijani and Georgian concepts of national identity. Azerbaijan, arguably an authoritarian country, has used unconditional citizenship by birth on territory (jus soli) and refused to naturalize Azeri co‐ethnics from Georgia. Georgia, seemingly a developed liberal democracy, hasn't practiced any jus soli, has bestowed citizenship on Georgian co‐ethnics abroad and refused it to its ethnic minorities. These two cases testify to the need to revise the term ‘civic nationalism’, inapplicable to many, especially non‐Western, empirical cases of national identity. By establishing distinct historical narratives based on premodernist sources, the article argues that the ethnic/territorial tension is premodern, which explains why civic nationalism has a premodern (territoriality) and a modern (liberal‐democratic values) component. Territorial collective identity, in its contrast to an ethnic one, has deep historical roots and needs to be separated from the overall umbrella of civic nationalism. Such an approach resolves many current theoretical objections to ethnic/civic dichotomy, a ubiquitous, but still insufficiently understood, heuristic tool.     

‘What makes one an Israeli?’ Negotiating identities in everyday representations of ‘Israeliness’*

Abstract. This paper examines the construction of a sense of Israeli identity which is not deducible from the public political discourse. It analyses common verbal representations of ‘being an Israeli person’, namely, what people in contemporary Israeli culture repeatedly say about Israelis, and how they position themselves vis‐à‐vis the commonsensical agreements they exchange, assuming that the massive use of such clichés in certain contexts creates a discursive routine that has ‘a life of its own’, through which people constantly negotiate their self‐images and their sense of belonging. It investigates the ways these representations create solidarity or demarcation and how such current popular representations relate to canonical veteran images of Israeli identity, notably that of the pre‐state ‘Native Israeli’ (Sabra) archetype. The analysis is based on 295 anonymous open responses to the question ‘What makes one an Israeli?’ published weekly in the Weekend Supplement of Maariv, the second largest newspaper in Israel, between 1996 and 1998. The analysis has led to the following observations: (1) Instead of the most expected grand ideological (ethnic, national, religious, etc.) issues of conflict, the responses reveal a ‘pursuit of culturedness’, using an implied scale of mastering good manners and possessing a ‘genuine culture’ which form the dominant parameter of judging the ‘Israeli person’. (2) A tension between mainstream and marginalised groups is shaped by a ‘chase and flight’ dynamic of embracing and rejecting the mythological Sabra image (in asymmetry with these groups' assumed political stances), which image is believed to be a symbol of the once hegemonic veteran elite. (3) This tension paradoxically contributes to the persistence of the canonical image of the Sabra that is currently delegitimised by much intellectual discourse.     

‘In gente Britanniarum,sicut quaedam nostratum testatur historia …’: national identity and perceptions of the past in John of Salisbury's Policraticus

This article examines the construction of national identity in John of Salisbury's Policraticus (c.1159). This well-known treatise has not been included in recent discussions of identities in medieval Britain. The focal point of the analysis is the author's contradictory representations of Britones. John of Salisbury emphasised the distinction and hostility between the Britons/Welsh and the English; at the same time, he claimed that the ancient Britons (Brennius and his companions-in-arms from Geoffrey of Monmouth's De gestis Britonum) were ‘compatriots’ and ‘ancestors’ of the ‘contemporary’ inhabitants of the English kingdom. Comparison with other twelfth-century texts reveals specific features of the model of national identity traced in the Policraticus: the appropriation not only of the British past, but also of the British name and identity, and the imagining of a unified people of Britain. This culminated in the invention of the unique term gens Britanniarum, which nevertheless did not exclude the ‘English’ as an alternative or even interchangeable name. The article discusses political agendas behind John of Salisbury's use of the language of ‘Britishness’, most importantly, support for the pan-British ambitions of the archbishops of Canterbury. The example of the Policraticus, with its combination of both conventional and original elements, nuances our understanding of how and for what ideological purposes national identity might have been constructed in twelfth-century England.     

Varieties of nationalism in the political discourses of Habsburg Austria

Nationalism in the Habsburg Empire is traditionally viewed through an ethnic lens. Despite a growing literature on ‘national indifference’ that studies nationalism in Habsburg central Europe from a constructivist perspective and advances our knowledge concerning variations in national identifications, the nationalism implied in these works remains largely limited to an exclusionary ethnic type. This reductionist view of central European nationalism mirrors the traditional dichotomy of ethnic ‘Eastern’ versus civic ‘Western’ nationalism. In order to avoid this reduction, this article approaches nationalism as a thin-centred ideology and explores varieties of nationalism in Habsburg Austria during the long 19th century. Although certain ideational paths made ethno-nationalism appear, retrospectively, as a quasi-natural feature of central Europe, the findings show that there developed rival discursive traditions of nationalism and competing representations of nation.     

The lenses of nationhood: an optical model of identity

ABSTRACT. This paper tries to make the case for a model of political identity based on an optical metaphor, which is especially applicable to nations. Human vision can be separated into sentient object, lenses and inbuilt mental ideas. This corresponds well to identity processes in which ‘light’ from a bounded territorial referent is refracted through various lenses (ideological, material, psychological) to focus in certain ways on particular symbolic resources like genealogy, history, culture or political institutions. Distinguishing between referent, lenses and resources helps us more precisely situate many hitherto disparate problems of national identity. These include the ‘ethnic‐civic’ dilemma, the mystery of national identity before nationalism, and the relationship between local and national, and individual and collective, identities. The model also clarifies the place of universalist ideology, which currently fits poorly within the leading culturalist and materialist theories of nationalism.     

‘Oh motherland I pledge to thee …’: a study into nationalism,gender and the representation of an imagined family within national anthems

In this paper, we argue that beyond understanding nations as imagined communities, the metaphor of an ‘imagined family’ or ‘filial community’ is a more useful concept towards understanding links between gender and nationhood as family relations in four ways: (1) providing a clear, hierarchical structure; (2) prescribing social roles and responsibilities; (3) being linked to positive affective connotations; and (4) reifying social phenomena as biologically determined. In order to empirically substantiate our claim, we will explore the prevalence and use of family metaphors in a key symbol of nationhood discourses. Through a qualitative analysis of national anthems as ‘mnemonics of national identity’, we demonstrate the widespread presence of family metaphors, discussing how they reproduce ideas of family and gender. Finally, we discuss how the ‘imagined family’ as present in anthems and other forms of national representation could inform future studies of nationalism and national politics.     

Erotic Attachment,Identity Formation and the Body Politic: The Woman‐as‐nation in Canadian Graphic Satire, 1867–1914

Using depictions of ‘Miss Canada’ in editorial cartoons and political campaign posters published in English Canada between 1867 and 1914 as a case study, this article argues that the repetitive deployment of feminised and eroticised images of the nation summoned particular gender, sexual and political identities into being and entangled viewers’ psychic investments in masculine, heterosexual and nationalist subjectivities. It also considers how Miss Canada's normative representation as white conflated racial whiteness and Canadian‐ness, and how images hailed viewers into racial subjectivities that were leashed to national identity. Rather than querying how or why the woman‐as‐nation trope elicited nationalist sentiment in an already‐constituted subject, this analysis examines how imagery provoked viewers’ identification with subject positions that were co‐constituted with nationalism. Impassioned and even violent nationalism becomes more comprehensible when we consider that the woman‐as‐nation was capable of producing attachments to national identity that, for some, were inseparable from and tantamount to psychic investments in gender, sexual and racial identities. While Canadian scholars have recognised that Miss Canada was a significant popular culture icon during the long nineteenth century and acknowledged this icon's embeddedness in gender, sexual and national discourses, studies have tended to describe Miss Canada's role in consolidating hegemonic ideologies and power relations and underestimate visual culture's constitutive capacities. The extent of Miss Canada's hetero‐erotic coding has also largely escaped historians’ notice. Although a few scholars have explored visual culture's role in Canadian national identity formation during this era, this study makes a unique contribution by foregrounding the productive work of popular imagery in co‐constituting and entwining national and sexual subjectivities.     

Indifference towards national identity: what young adults think about being English and British*

ABSTRACT. National identity should be sharply distinguished from nationalism. People speak by reference to a general and assumed membership of a country, and routine markers of behaviour and style may exhibit this sense of membership. This matter‐of‐fact acceptance of ‘national’ membership does not guarantee enthusiasm for the ‘nation’ and it cannot be taken as a signal of nationalism, banal or otherwise. While theoretical statements and assumptions often suggest that national identity is fundamental to individuals in contemporary societies, empirical investigation of people talking about national identity uncovers some broad strands of indifference and hostility towards national identity in general, and towards British and English identities in particular. This may reflect young adults' wish not to appear ‘nationalist’ just as many would wish not to appear racist. But the level of apathy and antagonism towards national identity among young adults suggests that we ought to reconsider any assumption that national identity is ‘normally’ a powerful and important marker, embraced with enthusiasm.     

National identity: banal,personal and embedded

ABSTRACT. This article examines the theoretical problem of understanding the relationship between personal and social dimensions of national identity. It does this by relating ethnographic data collected during a study of a merger between a Scottish and an English bank to three conceptual frameworks. First, it considers Michael Billig's thesis of ‘banal nationalism’. Then it addresses Anthony P. Cohen's concept of ‘personal nationalism’. Finally, it adapts a conception of the relationship between personal and social identity found in the recent work of Derek Layder. Based on this it argues that national identities, like all identities, are rendered salient for persons when they seem to address personal issues of power over one's life, and that the various social organisational settings through which people realise control over their lives (in this case, the bank) are thus crucial contexts for understanding people's attachments to identities, national and otherwise.     

The ‘Turkish’ Minority in Cyprus: An artificial identity?

Traditionally, the development of a secular identity within the Muslim minority on Cyprus has been attributed to the British administration as part of a ‘divide-and-rule’ policy.^{11 Pollis, ‘Intergroup Conflict’, 581; Choisi, ‘The Turkish Cypriot Elite’, 12. See also ?ahin, ‘Open Borders, Closed Minds’, 584.} Those who accept this argument have implied that Turkish-Cypriot nationalism is to some extent less genuine than Greek-Cypriot nationalism, an artificial identity imposed by an external source. Yet not only does this ignore the nature of national identity, which has been overlooked in the discussion of nationalist development on Cyprus, it also seems to credit the British with too much foresight and control. This article questions whether the development of a Turkish identity within the Muslim population was primarily based on British encouragement. It also argues that Turkish-Cypriot nationalism, rather than being ‘late’ or ‘imposed’, emerged similarly to other national identities. As the 1950–1951 attempt to appoint a mufti demonstrates, Turkish-Cypriot leadership appeared in spite of rather than because of the colonial administration. Indeed, the incident shows how British officials misunderstood the desires and concerns of the Turkish Cypriots just as much as they did Greek-Cypriot feelings regarding Enosis.     

Shaping Women: National Identity Through the Use of Language in Franco'S Spain

In my article I show how a very particular identity was created for women during the period of Franco's Spain. I will draw upon a varied range of materials from official discourses, particularly the Sección Femenina (the women's branch of Falange); the Álvarez Enciclopedia and other texts such as songs, poems and the popular press. Following Foucault (1980: 30) I analyse an identity based on oppressive discourses whose power ‘reaches into the very grain of individuals, touches their bodies and inserts itself into their actions and attitudes, their discourses, learning process and everyday life’. The nationalistic stress of this discourse is one that encourages women to create a new image of Spanish femininity that should be ‘different’ from the liberated portrayal of women coming from Europe, mainly through the path of growing tourism. The language of these discourses is somehow baroque, elaborated, energetic and highly dramatic. It tries to seek attention through an unnecessary and badly misorientated dramatism. It is cryptic and manipulative and claims to be poetical, but its main intention is to confine women indoors and to make them look at the world through the curtains or from a closed window. On the other hand it made women feel they were the representation of a unique matriarchal nationalism making them appear as the heroines of an essentialist national metaphor: women mothers of the nation. Inherent in Franco's equation of women = femininity = nation is a contradiction that defines women as ‘indoor heroines’ and bases nationalism in a naturalised representation of gender where women are a gendered representation of this nationalism.     

The Little Nyonya and Singapore’s national self: reflections on aesthetics,ethnicity and postcolonial state formation

Singapore’s postcolonial state formation process has combined the appeal/distress of a multiracial society with the nationalistic pride of economic development. In recent years, the city-state has witnessed a revival of Peranakan culture and history, referring to the descendants of early Chinese immigrants who integrated into Indigenous societies before becoming prized mediators for British colonisers in the nineteenth and twentieth centuries. We question how these references are strategically deployed as part of the process of postcolonial state formation and how their aesthetic representations support public discussions and debates about what defines contemporary (Chinese) Singaporean identity. By examining Peranakan representations in the television series The Little Nyonya from a Deleuzian perspective, it will be argued that Peranakan history and culture are mobilised to de-territorialise previous meanings of national ethnic markers, specifically Chineseness, and to re-territorialise a local sense of Indigeneity. In reaction to concerns over Mainlander identity, representations of Peranakan culture and history in The Little Nyonya support the indigenisation of a specific Chinese identity that is accessible to all Singaporeans, offering an aesthetic framework in which the ongoing process of negotiating between Singapore’s national self and other unfolds.     

Europe as a nation? Intellectuals and debate on Europe in the inter-war period

In 1933, a number of European intellectuals among whom Paul Valéry, Johan Huizinga, Julien Benda, Hermann von Keyserling, met in Madrid and in Paris to discuss the identity and history of Europe under the initiative of the International Institute of Intellectual Cooperation of the League of Nations. During the symposia, the participants try to define a common European narrative beyond national differences, and some of them evoke the idea of a European ‘homeland’ or ‘nation’, as already advocated in those years by Gaston Riou (Europe ma patrie, 1928) and Julien Benda (Discours à la nation européenne, 1933). Salvador de Madariaga for example calls for a ‘European nationalism’; Georges Duhamel presents ‘Mother Europe’ as an opposing force to growing patriotism; Julio Dantas hopes for a ‘européenité’ as opposed to the individual ‘national’ feelings. What is the reason for insisting so repeatedly on those concepts, when trying to overcome the dangers of nationalism? This paper analyses the different formulations adopted by the participants in the symposiums to describe their idea of a European ‘nation/homeland’, and tries to identify the specific aspects and historical implications of these concepts.