A new sociology of nationalism: The sociology of property and nation

In this essay, I will reflect upon what has been sociology's contribution to understanding the emergence and development of nationalism and how sociology can contribute to understanding nationalism's present and future through a property rights perspective. The essay will discuss, in particular, how historical sociological analysis of property rights and property rights regimes may be central to understanding nationalism past and future. After a general and brief discussion on the current, so‐called return of nationalism, the essay starts with discussion of some late enlightenment proto‐sociologists, suggesting that these writers actually analysed some crucial early dynamics of property and sovereignty which is central to understanding nationalism. The essay then moves on to suggests why a property rights focus might be a useful perspective to understanding nationalism in the 21st century.     

Cosmopolitan nationalism and the cultural reach of the white British

ABSTRACT. In recent years, strong claims have been made for the breakdown of national boundaries and the reformation of national identities in an increasingly interconnected global world – driven in large part by the possibilities and limitations that emerge from an increasingly global media world. It has been argued that new postnational, cosmopolitan subjectivities accompany, enable and feed off globally oriented forms of cultural consumption. This article examines these claims in the light of unusually comprehensive data on the tastes of the white British population collected in a large national sample survey, in‐depth interviews and focus groups. By identifying and analysing the geographical spread of the cultural referents of the tastes of the white British we make an empirical assessment of the claims for cosmopolitan identities. We argue that if white British identities are being reformed by processes of globalisation it is, paradoxically, in an increasingly Anglophone direction.     

The China Museum Boom: soft power and cultural nationalism

ABSTRACT

We document major changes in museum supply in China between 1996 and 2015. These years have seen the opening of many small, low budget and locally managed museums; an increase in the average size and expenditure of all museums; and significant investments in a few large and centrally managed superstar museums. Chinese people have access to larger and better museums and pay lower admission fees. Regional inequalities in museum growth are smaller than inequalities in GDP growth. We relate these findings with the small literature on Chinese museums and specifically the notions of soft power and cultural nationalism.     

The limits of cultural nationalism: Italian Switzerland from a risorgimento perspective*

ABSTRACT. This article critiques the ‘cultural turn’ in Italian Risorgimento historiography by examining Italian Switzerland, and specifically Ticino. This area paradoxically aided and abetted Italian patriots, especially Giuseppe Mazzini, yet rejected becoming part of the Italian national project. This paradox is heightened by the fact that the vast majority of the Italian nationalist literary canon, as identified by Alberto Maria Banti, was republished in Ticino. The paradox is explained in terms of the conflict between long‐standing traditions of local autonomy and the idea of any form of uniform or centralised control, as originally represented by the Cisalpine Republic and then by both versions (Napoleonic and Piedmontese) of the Kingdom of Italy. However, I also use Banti's cultural concepts to demonstrate the creation of a powerful counter‐myth of Italian Swiss nationalism in the character of William Tell.     

Towards a computational cultural policy studies: examining infrastructures of taste and participation

Like other disciplines within the humanities and social sciences, cultural policy studies has had to respond to the influence of computing technologies. Researchers have explored the changes wrought to the management of cultural organisations, to the models of the creative industries and to new forms of access to culture and the arts. This paper suggests that these emphases might miss how computing technologies are re-shaping the project of cultural policy in a more fundamental direction. The paper draws on the work concerned with the cultural values of computing technologies and their influence on contemporary modes of government. These values, of instrumental reason, categorisation and calculation underpin a range of technologies, which are increasingly present in and important to the management of everyday life. Reflecting on how cultural taste and participation are being re-shaped by computing technologies, the paper argues these infrastructures are informed by specific visions of the kinds of people who live with and through them and how such people can be governed. The long-standing focus of cultural policy studies – about how states are concerned with the cultural formation of their citizens – are keenly present in the strategic ambitions and imperatives associated with computation.     

The necessity of Britishness: ethno‐cultural roots of Australian nationalism*

ABSTRACT. Until the last third of the twentieth century, Britishness figured prominently in the national identity of Australians. Many scholars of Australian nationalism have assumed an inherent antipathy between British and Australian solidarities; others have appreciated that there was a degree of mutuality between the two; few have explained why. This article offers such an explanation. It focuses on the crucial nation‐building period twenty years on either side of the federation of the Australian colonies in 1901. Drawing on ethno‐symbolist approaches to nationalism, it argues that Britishness provided the necessary ethno‐cultural foundations for Australian nationhood, the only available repertoire of myth and symbol that could fulfil the nationalist aspiration for unity. Yet Britishness in the antipodes was significantly different to that of the British Isles, as were the civic/territorial components of Australian conceptions of nationhood, giving rise to a distinctive British‐Australian composite nationalism.     

In search of the nation in Fiume: Irredentism,cultural nationalism,borderlands

Irredentism is a crucial, yet understudied phenomenon of nationalism. Most scholars emphasise how irredentist thinking and practices function as a geopolitical instrument for inter‐state formation, resulting in radical nationalism. This article sheds light instead on the cultural preoccupations underlying irredentist discourses. It focusses on irredentist claims on the Adriatic city of Fiume (Rijeka) among Italian nationalists in the 19th and 20th centuries, emphasising how they were driven by cultural imaginaries of a spiritual borderland for the nation. These imaginaries continued to inform irredentist arguments during the phase of political mobilisation. This sheds light on contemporary European politics, in which irredentist imaginaries are once again shaping nationalist discourses.     

‘The land and its people’: reflections on artistic identification in an age of nations and nationalism

From the late eighteenth century onwards, increasing numbers of visual artists came to identify with their nations and with the homeland and its people. This development was strongly influenced by growing national cultural support and regulation of the arts by academies, art schools, museums and art markets in Western Europe. On a subjective level, the Rousseauan movement of a ‘return to Nature’, Herder's espousal of vernacular cultural self‐expression and, above all, the widespread Romantic cult of authenticity, were potent influences on the inner self‐identification of visual artists after 1800, and were manifested in the novel importance accorded to landscape and rural genre painting in Western Europe. Here I consider the role of national sentiment, the ‘return to Nature’ and the cult of authenticity, first in landscape paintings by Paul Sandby, J. M. W. Turner and John Constable in early nineteenth‐century Britain, and then in the rural genre paintings of Jean‐Francois Millet and Jules Breton in nineteenth‐century France and Josef Israels, Anton Mauve and Vincent Van Gogh in the later nineteenth‐century Netherlands. Their work reveals how nineteenth‐century visual artists became inwardly identified with the ‘land and its people’, and how they in turn contributed, especially through prints and engravings, to the dissemination of national imagery and a cultural nationalism.     

State production of cultural nationalism: political leaders and preservation policies for historic buildings in France and Italy

Although cultural and political nationalism have often been treated as separate, recent studies argue that they are linked because the state produces policies such as promotion of cultural heritage to further nation building. The article examines the conditions that favour national political leaders adopting policies to protect historic buildings for aims of political nationalism. It compares France and Italy, focusing on the period after 1870. It finds that in both countries, national political leaders have introduced extensive protection of historic buildings when faced with major challenges such as war, regime change or pressures from localism or supporters of cultural nationalism as part of wider strategies to build and reinforce the nation state. But Italy extended protection earlier and more deeply than France, suggesting in a later nation state with strong inherited cultural nationalism but major political weaknesses and, national political leaders may introduce earlier, more far‐reaching and more layered legal protection than in states created earlier and with fewer weaknesses.     

Complexity and nationalism

Classic theories of nationalism, whether modernist or ethnosymbolist, emphasise the role of elites and spread of a common imagined community from centre to periphery. Recent work across a range of disciplines challenges this account by stressing the role of horizontal, peer-to-peer, dynamics alongside top-down flows. Complexity theory, which has recently been applied to the social sciences, expands our understanding of horizontal national dynamics. It draws together contemporary critiques, suggesting that researchers focus on the network properties of nations and nationalism. It stresses that order may emerge from chaos; hence, ‘national’ behaviour may appear without an imagined community. Treating nations like complex systems whose form emerges from below should focus research on four central aspects of complexity: emergence, feedback loops, tipping points and distributed knowledge, or ‘the wisdom of crowds’. This illuminates how national identity can be reproduced by popular activities rather than the state; why nationalist ideas may gestate in small circles for long periods, then suddenly spread; why secession is often contagious; and why wide local variation in the content of national identity strengthens rather than weakens the nation's power to mobilise.     

Bourgeois Hong Kong and its South Seas connections: a cultural logic of overseas Chinese nationalism, 1898–1933

This paper elaborates upon a cultural logic of overseas Chinese nationalism. Around the early twentieth century, some bourgeois members of overseas Chinese in Hong Kong, Taiwan, and South Seas mobilised Confucianism as an ethno‐symbol. The latter helped the overseas Chinese bourgeoisie to counter the quest for greater secularisation and to confront the surge of anti‐imperialist movements. The implications of this research include to recentre the role of overseas Chinese in China's modern transformation; to decentre the May Fourth agendas in the understanding of overseas Chinese nationalism; and to situate overseas Chinese nationalism in an extraterritorial space, which includes the Confucian zone created in the dialogical connections between Confucian intellectual elites (such as Zheng Xiaoxu and Chen Huanzhang) and overseas Chinese bourgeois networks that converged in Hong Kong and spread transnationally.     

Populism and nationalism

Few social science categories have been more heatedly contested in recent years than ‘populism’. One focus of debate concerns the relation between populism and nationalism. Criticising the tendency to conflate populism and nationalism, De Cleen and Stavrakakis argue for a sharp conceptual distinction between the two. They situate populist discourse on a vertical, and nationalist discourse on a horizontal axis. I argue that this strict conceptual separation cannot capture the productive ambiguity of populist appeals to ‘the people’, evoking at once plebs, sovereign demos and bounded community. The frame of reference for populist discourse is most fruitfully understood as a two‐dimensional space, at once a space of inequality and a space of difference. Vertical opposition to those on top (and often those on the bottom) and horizontal opposition to those outside are tightly interwoven, generally in such a way that economic, political and cultural elites are represented as being ‘outside’ as well as ‘on top’. The ambiguity and two‐dimensionality of appeals to ‘the people’ do not result from the conflation of populism and nationalism; they are a constitutive feature of populism itself, a practical resource that can be exploited in constructing political identities and defining lines of political opposition and conflict.     

Using cultural trauma: Gandhi's assassination,partition and secular nationalism in post‐independence India

Nationalism theorists have noted the link between traumatic events and national identity, and cultural trauma theory presents a framework for understanding how these events become trauma narratives. I argue for greater consideration of how these narratives are strategically linked to ideological frames of national identity. A case study of post‐Independence India considering the assassination of Mahatma Gandhi and the Partition of India and Pakistan demonstrates how two very different events were promoted as cultural traumas by various carrier groups in order to promote a secular vision of the Indian nation. Adapting Armstrong and Crage (2006), I suggest that the success of these trauma narratives depend on several criteria: the ease of narrating the event, how it is linked to underlying cultural meanings/frames and how the event interacts with historical contingencies.