On the shock of civil war: cultural trauma and national identity in Finland and Ireland

What role does national identity play after civil war? Is reconstruction possible on the basis of an existing identity, or does a new identity have to be found? Much depends on whether narratives of conflict are unifying. I use the tools of cultural sociology to explain why the Finnish Civil War of 1918 has become a unifying ‘cultural trauma’ for the Finns, whereas the Irish Civil War of 1922–23 never became the dominant referent in Irish national identity. The difference is explained by the greater shock civil war posed to Finnish national identity.     

Audience perspectives on the European dimension in Aarhus 2017 events: impacts of EU cultural policy

Abstract

The EU’s cultural policy of creating a recognisable, common European identity is exemplified by the EU’s cultural programme, European Capitals of Culture (ECOCs), whose official purpose is to highlight similarities and differences across European cultures to generate a greater sense of European identity among the citizens of Europe. To date, there has been little qualitative investigation of how ECOC attenders perceive the representation of European culture in the events and what they think about using ECOC events to promote Europeanisation. In this article, I use the methodology of intercept interviews at four Aarhus 2017 events to explore these two aspects. Findings indicate that the inclusion of European culture in Aarhus 2017 events often went unnoticed by the event attenders, and there was uncertainty about what European culture might actually comprise. Instead of perceiving ECOC events as promoting Europe, event attenders tended to interpret Aarhus 2017 events within a local, national or international framework, with ECOC events perceived as promoting tolerance and intercultural understanding. The findings are discussed in relation to the value of ECOC as a political-cultural initiative for generating European citizens’ identification with the EU.     

Anthropological race psychology 1820–1945: a common European system of ethnic identity narratives

ABSTRACT. This article examines ethnic stereotypes in biological race classification of Europeans between the 1830s and 1940s as part of political discourse on national identity. Anthropologists linked physical‐psychological types to nations and national character stereotypes through ‘national races’, achieving an often quite enduring international consensus on each race's mentality. The article argues that race mentality narratives were therefore partly dictated by their place within a dynamic interlocking European system. I focus on two key interacting elements that structured this system: the central role of the Germanic‐Nordic blond and the geographically uneven process of modernisation. I consider the spatiality of socio‐cultural and political factors ‘external’ to the stereotype system, such as geopolitics and modernisation, but also emphasise that discursive relationships between national stereotypes helped structure the international stereotype system. My conclusion argues for greater consideration of the influence of both scientific and international systemic factors in research on national identity.     

Crusade narratives in French and German history textbooks, 1871–1914

This article is a comparative study of crusade portrayals in French and German history textbooks published between 1871 and 1914. The crusades had been events that had moved practically all of Europe in the Middle Ages. In the course of the nineteenth century the crusades once more became a matter of scientific, cultural and therefore public interest. Crusade narratives portrayed these events as the climax and the heroic period of the Middle Ages and thus offered highly varied patterns of interpretation. Although in this nationalist age France and Germany consigned themselves to national history and thus the glorification of one's own nation, this article will not only analyse the national and sub-national (denominational, Laicist …) images conveyed via this European event. It will also ask if and how the tension between nationalism and concepts of Europe were made subject of discussion in this historical ‘European event’. Therefore, it focuses on school textbooks as a source that, during the period in question, was responsible for a significant portion of national mythology and cultural memory as conveyed by media.     

McGuggenisation? National identity and globalisation in the Basque country

This paper examines recent debates about the globalisation of cities and regions through a discussion of the recent opening of a Guggenheim Foundation art gallery in Bilbao. Through an analysis of the political context surrounding the project, I aim to explore the role of cities as crucibles for the negotiation of globalisation, and in particular how this relates to national identity.In the paper I set out several layered narratives which try to capture the significance of this event for Basque political identity. After discussing issues of globalisation, political strategy and European territorial restructuring, I explore the following: first, the process of ‘McGuggenisation’ and its consonance with ideas of global cultural imperialism; second, the ‘indigenisation’ of the Guggenheim by the Basque political elite, a strategic engagement with globalisation; third, the contestation of the museum by particularist radicalism.In summary, the Guggenheim event is seen as a collision between Basque extremism, modernising ‘bourgeois regionalism’, and the interests of a museum poised to become a global art corporation, providing a context for examining theories of globalisation in the European city.     

The nation remembers: national identity and shared memory in television documentaries

Abstract. This article explores the impact of recent trends towards globalisation on the ways in which national identity and ‘shared memory’ find expression in the media. Concentrating on television documentaries produced through international co‐ productions, I show how national consciousness became a key ideological component in the construction of televised narratives. This illustration will be made through the examination of a particular co‐produced television documentary, The Fifty Years War. To make this programme possible, funding from three television networks was secured, with each source given the right to use the produced footage to construct its own version of the final product. The completed series thus exists in three distinct versions, British (BBC2), American (PBS) and Middle Eastern (MBC). Since the final product of this co‐production was split into several national/cultural versions, the content of the different national/cultural projects became translated into different presentations of ‘reality’. In analysing the similarities and differences among the three end‐products, this article offers some reflections regarding the three‐sided interplay between television, shared memory and national identity in an age of globalisation.     

‘Main Bhi to Hindostaan Hoon’: gender and nation-state in India’s Border Roads Organisation*

In this ethnography of India’s border roads, I follow the circular/seasonal journeys of migrant road labourers from Jharkhand to the upper reaches of the Himalayas and back. I pay particular attention to the notions of masculinity and nation-building as they reveal themselves in their travel narratives. These migrants travel every May to work as road construction labour for the Border Roads Organisation (BRO) of India working in the Himalayan frontiers. While the BRO advertises its roles through various road signs claiming to be ‘creating, connecting and caring’ (for) the nation – it is the ambivalent construction of the labourers gendered national subjectivities emerging in the narratives of and about the migrant labour that is of particular interest to this article. One of the central contributions of this article is to show how hierarchical domains of the nation and the hierarchical structures within masculinity intersect and rely upon each other to build gendered national subjects. This research is based on over five years of a very mobile ethnography.     

Following the plot of Bengt Pohjanen's Meänmaa: narrativization as a process of creating regional identity

This paper discusses the artistic and cultural work of one minority author and regional activist, Bengt Pohjanen, and how it constitutes a means for mediating regional identity narratives, constructing Meänmaa, the region straddling the border between Sweden and Finland in the Tornio River Valley. We will approach narrativization as a creative social action, focusing on the performative, social and political aspects of regional stories, and by this means impugning the division between territorial, bounded, and networked, unbounded, conceptualizations of regions. We will follow the narrative plot of Bengt Pohjanen's Meänmaa, pointing out how an artistic and cultural region becomes part of our social reality and how regional consciousness and identity become established and constantly renegotiated within and across national borders.     

A Moldovan ‘sheep'? – framing Moldovan passivity

This article offers a different perspective for understanding Moldovan discourses of passivity by turning its attention to representations of national identity. Its main focus is a Moldovan ballad, Miori?a, and the way in which it discursively both frames and legitimises inaction. It builds on the idea that Miori?a is a central part of the way in which Moldovans represent their identity with respect to the writings of Ion Dru??, its main promoter in Moldovan society. More importantly, the ballad is conceptually linked to national characteristics such as lamentation and kindness, characteristics that can be summed up under the headline of ‘passivity’. Thus, drawing from constructivist and post‐structuralist approaches, the article stresses how these elements inform the Moldovan view of the self, its identity and even its representations of foreign affairs, framing the Moldovan lack of agency on a discursive level.     

Sectarian identity and national identity in the Middle East

This article looks at modern sectarian (here referring to Sunni/Shi'a) identities and their interaction with nationalism in the Middle East. In doing so I make three interrelated claims: 1) the term ‘sectarianism’ is distortive and analytically counterproductive. A better understanding of modern sectarian identity requires us to jettison the term. 2) Once discarded, our focus can then shift to sectarian identity: how it is constructed, perceived, utilized and so forth. A holistic understanding of sectarian identity must recognize the multiple fields upon which it is constructed and contested. The model adopted here frames sectarian identity as simultaneously operating on four fields: doctrinal, subnational, transnational and, crucially for our purposes, the national dimension. 3) Thirdly, this article challenges the assumptions regarding national and sectarian identities in the modern Middle East. Contrary to conventional wisdom, modern sectarian identities are deeply embedded in the prism of the nation‐state and are inextricably linked to nationalism and national identity. The article will rely primarily on the example of modern Iraq but, as will be seen, the Iraqi example is significantly echoed in the cases of Bahrain, Syria and Lebanon.     

Sound and identity explored through the Indian Tamil diaspora and Tamil Nadu

Sound is very much a part of identity. While identities are neither singular nor stable, they can be expressed through sound in daily life. Scholars have used soundscapes in geography to understand urban environments within cities, rural national park systems, and provide musical insights into cultural landscapes. However, furthering discussion on the role of sound in identity can move concepts of soundscape and cultural landscape forward. The goal of this paper is to investigate how identity and culture, though they are dynamic, can be performed and stabilized through sound in particular moments and yet also exist banally. Soundscapes through both spoken language and music can give geographers further insights on identity and place. Sound can also show how non-dominant identities distinguish themselves from larger national identities. With research in Tamil Nadu, India and Cleveland, OH, this paper examines sound’s role in identity, belonging, and community through lived experience and performance. Focusing on intersections and tensions between soundscapes, this paper investigates how the Tamil soundscape is used to assert and perform identity.     

Human–animal relations and the celebration of place‐identity: A case study of the Scone Racing Carnival,New South Wales

Festivals and carnivals are social‐cultural assemblages of human and non‐human entities. This paper investigates interactions between humans and animals by focusing on the Scone Racing Carnival, a key event in the Scone and Upper Hunter Horse Festival. This paper contributes to existing studies of non‐metropolitan festivals and animal–human relations by questioning how and why non‐humans are enrolled in these cultural events, and the impact this has on place identity. The central argument is that the relationship between humans and thoroughbred horses, in particular, has played a significant role in the creation of a distinctive landscape, a regional identity for the Upper Hunter region of New South Wales, and a local identity for Scone. In turn, the carnival has assisted in maintaining an ‘eque‐cultural’ identity through the marketing and annual public celebration of human–horse relationships.     

States of difference: Refiguring ethnicity and its ‘crisis’ at India's borders

This article critically rethinks the possibilities and paradoxes of identity at the interstices of South Asia. Through ethnographic and historical analyses, I chronicle the varying forms, (dis)contents, and failures of ethnic identity in the geo-politically sensitive region of Darjeeling, India. In this Himalayan corner of the nation-state, borders have proven simultaneously generative yet undermining of identity and its politics—at once amplifying communities' desires for national inclusion, while rendering them largely unable to meet the Indian state's criteria for national recognition. As is the case along India's other borders, anxieties over national belonging have subsequently spawned violent subnationalist agitations in Darjeeling, as well as more legal quests for right, recognition, and autonomy. But to little avail. A perennial ‘identity crisis’ thus haunts (and charges) the people and politics of this Himalayan borderland. Refiguring the crisis at hand, this paper asks how certain forms of human difference become viable identities in India, while others do not. Doing so, I locate the crisis not within the realm of identity, but rather its rightful recognition. The paper accordingly develops ‘states of difference’ as an analytic for understanding the accentuated, paradoxical interplays of identity, state, and difference at the borders of South Asia and beyond.     

‘Defining Moments’ and Refining Myths in the Making of Place Identity: the Newcastle Knights and the Australian Rugby League Grand Final

This paper deals with the role of the media in refashioning place identity and in repositioning places in the cultural system of space. Specifically, it examines as a case study the media coverage of the September 1997 success of the ‘Newcastle Knights’ in the Australian Rugby League Grand Final. This event produced an intriguing moment in the reimagination of the identity of Newcastle (New South Wales), an industrial city undergoing ‘deindustrialisation‘. The paper draws on Hall’s (1997) notion of ‘resemanticisation‘ in repositioning place identity to explore how key elements of Newcastle’s dominant identity myths were utilised by the media in the post‐match media coverage. Traditional industrial narratives of embattled place were merged with the vision of a bright economic future for a re‐identified Newcastle and recoverable elements of Newcastle’s problematic industrial place identity were recast, stripped of their troubling connotations, and deployed in furthering the project of reimagining a prosperous future for the city. The paper thus considers the role of the media and sport in locating and relocating places in the Australian cultural system of space.     

Reimagining Alterities: The Formation of Identities through Memory,History, and Place

Anthropologists have firmly established the need to attend to the paradoxes of mobile cultural and symbolic forms—these portable imaginaries of belonging or exclusion—during periods of transnational crisis and restructuring. In this article, I examine how formations of selfhood and otherness have come to public visibility in the context of globalization. My review of recent anthropological publications scrutinizes the range of possible methodological approaches to social identity practices, both in the past and present. Although contemporary scholars seek to refine anthropological insights on the plausible linkages between identity and alterity, the reliance on select methodological frames produces corresponding limitations in research focus and interpretative acuity.     

Cultural policy as mythical narrative

ABSTRACT

In this paper, we argue that policy assumptions are shaped by mythical narratives carrying underlying beliefs and values. Drawing on narrative studies, organisational theory and Gramsci’s cultural hegemony theory, we examine how sense-making narratives create consensus, how they imply causation and individual agency, and finally how narratives fragment to reveal alternatives to hegemonic ‘common sense’ assumptions. Applying this framework to cultural policy we examine the place of mythic, sense-making narratives in the historical development of foundational national cultural policies in the UK and Mexico – respectively, narratives of ‘the civilising mission’ and ‘social transformation’. We then consider narrative emplotment and individualisation underpinning assumptions about individual creativity in the UK creative industries policy. Finally, we address the postmodern turn in narrative studies, showing how fragmented, polysemous narratives fracture cultural policy into ‘personalised truths’ and give voice to other, counter-hegemonic perspectives. We conclude by proposing an agenda for narrative research in cultural policy.     

Take me up,I want to go: Captivity,disorientation and affect in the neurosphere

ABSTRACT

Captivity narratives have been a core American genre for centuries. This paper suggests that some American captivity narratives are opening into emergent attempts to articulate social feeling at a moment of precarity. I treat captivity here not just as a narrative, genre or trope but also as an affect. I explore how neurodivergent young people evoke disorientation and captivity on Tumblr as an expression of identity. I show how the bloggers share a feeling with UFO abduction narratives in creating an atmosphere of difference.     

Reconfiguring the French nation: Public debates on the Left and national identity

Since the 1980s, neoliberal globalisation has shaped the fate of local and national cultural productions, from movies to music, from entertainment to food. How did French intellectual and political elites respond to this unprecedented challenge? What were the implications for the politics of nationalism and national identity? Two books respond to these questions, although in very different ways – the first directly and the second indirectly. Vincent Martigny's Dire la France explains how a new way of narrating French national identity emerged in the 1980s within an internationally oriented French Left, attentive of the coming challenges of cultural pluralism. Patrick Boucheron's (ed.) Histoire mondiale de la France advances into a more challenging direction by skilfully unsettling the ‘our ancestors the Gauls’ clichéd narrative. French history is thus redefined by moving away from the Frankish/Gallic myth of descent, thereby reconfiguring national identity along new lines. This article identifies how crucial debates on the cultural nation and cultural identity emerged in the wake of the May 1968 uprising, asking how much they contributed to the current shape and meaning of French national identity. It thus reviews what can be described as a new historiographical turn in French history.