A Nabataean and Roman shrine with civic and military gods at Humayma,Jordan

The lifecycle of a Nabataean and Roman community shrine at Humayma, Jordan reflects the evolving values of the town's inhabitants from the first to the third century CE. This paper reviews the evidence for the shrine's appearance and significance over this period, as well as the nature of the cult practised there. Beginning its existence as a Nabataean shrine, whose design incorporated the rising sun and the town's primary peak, the building was damaged when the Romans converted Nabataea into Provincia Arabia. The Roman garrison initially dismantled the shrine to build their fort, but a few decades later the shrine was restored with a centrally placed Nabataean betyl and legionary altar symbolising harmony between the garrison and the town. The garrison's god, Jupiter‐Ammon‐Serapis, and possibly Isis, were now worshipped alongside the town's Nabataean deity. This shrine stressing military‐civilian harmony was later deliberately damaged, most likely during Zenobia's revolt.     

AN INSCRIBED NABATAEAN BRONZE OBJECT DEDICATED TO OBODAS THE GOD FROM WĀDĪ MŪSĀ, SOUTHERN JORDAN

Abstract

A part of a Nabataean bronze inscribed object has been found recently in Wādī Mūsā, near Petra, Jordan. The text, which is dated to the reign of the last Nabataean king, Rabbel II (ad 70–106), is of great interest since it contains words that occur for the first time in Nabataean. It mentions a dedication made by a priest and his son to ‘Obodas the God’ in Gaia. In sum, it adds significant new data to our knowledge of the Nabataean kingdom and its religion.     

Barometrical Determination of Heights in Lebanon

Abstract

A unique moulded lamp was recovered at the 'Temple of the Winged Lions' by the American Expedition to Petra. It displays the signs of the zodiac running clockwise round the filler hole. Apparently beginning with the sign for Scorpio, the regular order of zodiac representations was not followed. A female bust (a goddess?) is shown on the handle, and a walking cock, with a schematized plant, is shown next to the wick hole. This is only the second representation of the zodiac known in Nabataean iconography. The other example surrounds the bust of the 'Vegetation Goddess' from Khirbet et-Tannur.     

THE ‘LORD OF THE STONEMASONS’: PART II. ‘STANDING FIGURE WITH BETYLS’ AT PETRA

Abstract

This paper presents the second type of representation of the ‘lord’ of the Nabataean stonemasons, a male figure standing with betyls. This type is found in five rock-cut reliefs in Petra, usually high in the walls of quarries or monuments. It is argued that, like the so-called ‘sword deity’ figures presented in Part I, this second type was also carved by the stonemasons as another representation of their tutelary deity, possibly Dushara. Study of these little-known figures reveals new information on the diverse depiction of Nabataean deities, as well as on the religious beliefs of the stonemasons at Petra.     

The Identity of the Nabataean 'Painted House' Complex at Baidha,North-West Petra

Abstract

An attempt is made to shed light on the identity of the Nabataean 'Painted House' from an understanding of its plan, the content of the painting and the function of the associated features, mainly the water installations. This study reveals new mythological figures unnoticed by previous scholars. These include additional cupids and, most importantly, Isis. The water installations of the monument, its functions and meaning, the content of the painting combined with comparative studies of Mediterranean and Near Eastern evidence all suggest that this monument was an Isiac (Isis) sanctuary devoted to her as a goddess of improved quality of life, good crops, good herds, and love.     

Nabataean Dushārā (Dusares) — an overlooked cuirassed god

Abstract

This paper sheds new light on the images of the Nabataean god Dushārā on the coins of Roman Bostra under Commodus, Caracalla and Philip the Arab. It analyses and interprets for the first time iconographic details such as the god's cuirass, his Alexander-like hairstyle and the assimilation of his facial features to the emperor of the day on the coin obverses. This study argues that Dushārā's image is a late ad-hoc creation for a local Bostran context that did not travel far beyond the city. Alongside the anthropomorphic representation, Dushārā continued to be depicted and worshipped in the form of a betyl at Bostra, Petra and throughout the Roman province of Arabia.     

Nabataean echoes in al-Ḥarrah: New evidence in light of recent field work†

ABSTRACT

During a survey conducted by the authors in the eastern part of al-?arrah in Jordan in 2017,¹1. The term al-?arrah is used to refer to the basalt steppe-desert located in northern Jordan and southern Syria. a number of new Safaitic and Nabataean texts were found. Some of them mention events dated during the reigns of ?r?t and rb?l, others refer to the revolt of dm?y. Other Safaitic texts contain references to the Nabataeans. Three Nabataean graffiti were also found and are presented here. These sixteen new texts constitute a remarkable addition to the corpus of Safaitic and Nabatean texts found in this region.     

The crowsteps motif in Nabataean architecture: insights into its meaning and use

Nabataeans, in constructing their tombs, added many symbols and geometrical forms, plants and animals. Crowsteps, as a geometrical form, are the most common among these symbols. This study investigates the use of the crowsteps motif found frequently on the facades of Nabataean tombs. The primary focus is to replace models of typological explanation for the introduction of crowsteps into the Nabataean rock‐cut facades. The study begins with tracing the origin of the crowsteps motif and the way it was adopted by the Nabataeans to become one of the most significant features in the making of Nabataean architectural vocabularies. It then provides a theoretical framework for explaining the use and meaning of the crowsteps in Nabataean architecture. Thematic analysis of related literature and existing architectural remains allows us to suggest that crowsteps served both sacred and secular purposes. Sacredly, crowsteps were used to connect the deceased with the principal deities through metaphorical representation either as a ‘high place’ or as a ‘throne’. Secularly, crowsteps served basic human needs: representing identity, wealth and social structure. The study also considers that the Nabataean rock‐cut crowsteps activated the dialogue between different cultural traditions and helped in shaping the ideological cult and identity of the Nabataeans.     

THE ‘LORD OF THE STONEMASONS’: PART I. THE ‘SWORD DEITY’ AT PETRA

Abstract

During the 2000 Season of the Brown University excavations of the so-called Great Temple at Petra, an elusive rock-cut figure (termed the ‘Sword Deity’) was discovered in the southern perimeter wall. Since then, the current authors have identified other such figures as belonging to this previously unknown type, which has similarities with the Greek herm. Based on a contextual analysis of these figures, it is proposed that the type may depict a protective deity or ‘lord’ of the Nabataean stonemasons, most likely Dushara. According to this interpretation, the stonemasons sought divine protection during their work by carving the image of the deity high in the rock faces. This paper sheds new light not only on the representation of Nabataean deities, but also on the role of religion in the daily life of the inhabitants of Petra and their relationship with the natural environment.     

Humayma's notched peak: a focus of Nabataean and Roman veneration and civic identity

The most distinctive landscape feature at the southern Jordanian site of Humayma is Jebel Qalkha's highest peak, which is split at the top by a wide notch. The Nabataean town of Hawara (Roman Hauarra/Hauara) was built on the plain immediately east of this peak. This paper draws on the site's foundation myth, petroglyphs, betyls and religious and civic structures to illustrate the significance of this notched peak for the site's ancient populations. The evidence suggests that this distinctive peak served as a focus of veneration and a marker of civic identity for Humayma's Nabataean and Roman inhabitants.     

Quarries and Pottery at ancient Sabra (Jordan)

Abstract

The examination of quarries at the Mutheilya range above ancient Sabra led to finds of pottery from the beginning of the town to the end of the Nabataean phase of the township in 106 CE. The quarries are described and different methods of quarrying demonstrated. How the finds of pottery reflected the otherwise ascertained history of the town could not be explained. But to effect the formidable task of bringing the right ashlars down to Sabra at the required moment, planning , execution and supervision were necessary. The same planning, execution and supervision might be assumed for the construction of Sabra itself.