Publications

Abstract

This paper presents the results of a fabric study of the late Roman coarse wares (3rd century–6th century A.D.) from the Roman coastal town of Potentia (Porto Recanati) Marche, Italy). The petrographic analysis established the presence of several imported coarse ware classes, originating from the eastern Mediterranean to northern Africa. Of particular interest are the Adriatic common wares, which allow us to examine and define the extent, scale, and configuration of ancient trade within Adriatic Italy. While it is difficult to trace trade routes, items transported as a secondary commodity, like regional coarse wares, can help in reconstructing ancient economic interaction. The burnished coarse ware discussed here documents the ancient N-S trade routes from the Po region to the central Adriatic. Moreover, the identification of a northern Italian ware in central Adriatic Italy shows that this burnished coarse pottery had economic value and was part of a wider distribution network within the Adriatic.     

PANTELLERIAN WARE: A COMPREHENSIVE ARCHAEOMETRIC REVIEW*

Pantellerian ware is a Late Roman cooking ware whose production centre was established on the island of Pantelleria by the pioneering research of Fulford and Peacock almost 20 years ago ( Peacock 1982 ; Fulford and Peacock 1984 ). Archaeological and archaeometric studies carried out by the authors of the present contribution during the past four years have aimed to fully characterize this ceramic class. Recurrent ceramic forms, their distribution over time and space, their petrographic characteristics and their chemical identity, as well as possible raw materials and their technological properties, were considered. The present paper is a comprehensive review of this archaeometric work and aims to establish a ‘reference group’. Using a representative number of samples of Pantellerian ware that were recently discovered in the island through archaeological field surveys or surface and submarine excavations, it was possible to characterize in detail the compositional variability of this ware in terms of chemistry and petrography. Furthermore, the physical properties of this ceramic type have been defined in order to better understand its performance characteristics, mainly in response to induced thermal stress. In the meantime, the experimental mixing and tempering of locally sampled raw materials have shed light on the ancient manufacturing process and have led to an approximation of the original paste.     

Reviews

Abstract

An analysis of a group of underglaze-painted stonepaste vessels produced in Bilad al-Sham (Greater Syria) is presented. Decorated in turquoise and black pigments under a colourless glaze, this ware was probably manufactured for a relatively limited period in the mid to late fourteenth century. The strong stylistic affinities exhibited in the underglaze painting and vessel profiles of the surviving corpus indicate that the bulk of the 'turquoise and black' ware was made by a single workshop. Comparisons are drawn with fourteenth-century decorated stonepaste wares recovered from excavations in Iraq. In the conclusion, it is speculated that Iraqi potters may have travelled west in the mid fourteenth century and established new workshops in Syria.     

INSIGHTS INTO NORTH MESOPOTAMIAN ‘METALLIC WARE’*

With the aim of shedding new light on the still poorly understood North Mesopotamian metallic ware, ceramic and soil samples from Tell Beydar (northeastern Syria, third millennium bc ) were investigated using a range of analytical techniques, including optical microscopy, SR–XRD and SEM–EDX. The objective of this work was to differentiate calcareous metallic ware from non‐calcareous ware without the aid of chemical analyses and to find further validation of the existing hypothesis that the former group is an imitation of the latter. A third group of metallic wares from Tell Beydar is believed to be of non‐local, still regional origin.     

Portuguese coarsewares in early modern England: reflections on an exceptional pottery assemblage from Southampton

Abstract

The study of a large hoard of Merida-type ware from Portugal found during excavation in Southampton prompts an examination of Portuguese pottery in 16th- and 17th-century England, its trade, uses and context.     

COOKING AND PAINTED WARE FROM SAN GIUSTO (LUCERA,FOGGIA): THE PRODUCTION CYCLE,FROM THE SUPPLY OF RAW MATERIALS TO THE COMMERCIALIZATION OF PRODUCTS*

Archaeological excavation at the San Giusto site (Lucera, Italy) has unearthed a Late Antique kiln that was most certainly dedicated to the production of cooking ware. An archaeometric study of numerous specimens of cooking and painted ware found at this site was carried out using optical microscopy, scanning electron microscopy, micro‐Raman spectroscopy, X‐ray diffraction, X‐ray fluorescence, inductively coupled plasma mass and optical emission spectrometry and instrumental neutron activation analysis. The integration of historical–archaeological data with archaeometric data has revealed that these specimens can be attributed to the San Giusto site. Furthermore, the production cycle of this ware can thus be reconstructed: from the diversified supply of raw materials (fluvial and marine sediments), to the relatively complex preparation of the paste, to firing at variable temperatures (600–750°C for cooking ware; 850–1050°C for painted ware).     

Reflections on Tudor Green

Abstract

In this article the author suggests that the time has come to revise ideas on Tudor Green ware. He puts forward the suggestion that there was no such thing as a Tudor Green industry, and that it would be more appropriate to group together comparable ceramics from this region under the term Southern Whiteware.     

Geochemical and Petrographic Analysis of Late Bronze Age Cypriot Ceramics (White Slip I and II and Monochrome) from Tell Atchana/Alalakh (Hatay) in the Amuq Valley

White Slip ware, both White Slip I and II, and Monochrome ware are Middle to Late Bronze Age Cypriot pottery types found across a large area of the Eastern Mediterranean region. A vast quantity of these wares has also been uncovered in Tell Atchana/ancient Alalakh in Hatay in southern Anatolia. We analysed a total of 56 White Slip (n = 36) and Monochrome potsherds (n = 20) from Tell Atchana using XRF, ICP–MS and petrographic thin‐section methods. The main aim of the study was to explore the compositional characteristics of the wares and to determine whether they are local imitations of the Cypriot White Slip and Monochrome wares or represent Cypriot exports to this region. The analytical results proved that White Slip I and II were produced from raw clay of mafic and ultramafic source rocks exposed in the Troodos Massif, available in the Limassol area of southern Cyprus and traded to Tell Atchana. Examples of Monochrome ware excavated in Tell Atchana were also imported to the region, most probably from east/north‐east Cyprus. These results demonstrate a close trading connection between Tell Atchana/Alalakh and southern Cyprus during the Middle to Late Bronze Age.     

A Stamford Ware Pottery Kiln in Pontefract: A Geographical Enigma and a Dating Dilemma

Abstract

THIS REPORT PRESENTS the results of analyses carried out following the discovery and excavation of a medieval pottery kiln in Pontefract, a discovery which featured in the ‘Fieldwork Highlights’ section of Medieval Archaeology 53 (2009). The kiln is remarkable for having produced vessels previously only associated with the Stamford ware industry of the late 11th and 12th centuries and demonstrates the existence of at least one northern production site, the likely existence of which was first mooted in the 1950s. As both radiocarbon and archaeomagnetic dating methods indicate a last firing of the Pontefract kiln in the late pre-Conquest period, the discovery also poses questions about the chronology of Stamford ware production.     

Evaluating background noise: Assessing off-site data from field surveys around the Italic sanctuary of S. Giovanni in Galdo,Molise, Italy

Abstract

This study demonstrates the potential of intensive sampling and off-site analyses to identify evidence of human activity in the past using the off-site data collected around the Italic sanctuary of S. Giovanni in Galdo, Molise, Italy. Rather than employing general and monocausal explanatory models—e.g., large-scale erosion or ancient manuring—to account for off-site material, this study examines ceramic ware variability from surface collections within the local context. It reveals that the ceramic ware variability in samples from low density areas with low visibility can be an important indicator of past human activity. The results of this examination of background noise—or unexplained variability in off-site material—from the Sacred Landscape Project increase the number and types of sites recognized in the surface collections. Furthermore, the analysis reduces the amount of surface material that can be regarded as off-site material and thus changes its composition. The overall results shed new light on the origins of off-site material and whether it should be interpreted as evidence of human activity in historical landscapes.     

NORTH APULIAN COARSE WARES AND FINE PAINTED WARES: A REAPPRAISAL ACCORDING TO NEW DATA FROM HERDONIA AND CANUSIUM

Late Antique coarse cooking wares and painted fine wares found at Herdonia (second half of the fourth century to mid‐fifth century ad ) and Canusium (late sixth century to early seventh century ad ) have been chemically and mineralogically characterized. A total of 74 samples (40 of coarse ware and 34 of fine painted ware) was investigated through optical microscopy, scanning electron microscopy, X‐ray powder diffraction, inductively coupled plasma optical emission spectrometry, inductively coupled plasma mass spectrometry, neutron activation analysis and X‐ray fluorescence. A new statistical method, namely the classification tree methodology, was used for the treatment of geochemical data. The characterization of the Herdonia and Canusium assemblages was combined with a review of earlier results obtained for San Giusto and Posta Crusta, in order to get an insight on Late Antique ceramic trades in northern Apulia. It appears possible to reconstruct a production pattern organized at multiple production sites, both rural and urban, that exploited similar raw material deposits, specialized in certain productions, and commercialized products at different geographical scales. Imports from outside northern Apulia may be identified for coarse wares. A likely area of production is difficult to establish; however, the northern Adriatic coast and the area of Greece may be suggested.     

An assemblage of 17th-century pottery from Bombay Wharf,Rotherhithe, London SE16

Abstract

A detailed examination of an assemblage of pottery deposited during the last quarter of the 17th century at Bombay Wharf, in Rotherhithe, London, provides the opportunity to look at the wider context of painted earthenwares made at selected centres on the Continent and found in London. The Rotherhithe material includes a high proportion of imported pottery, with fine examples of Portuguese faience, Ligurian maiolica and Dutch tin-glazed ware. The wider distribution of these wares in London is considered, as well as questions of the original context in which they appeared and the circumstances of their disposal.     

Hazor - a city state between the major powers

The problem of the identity of the conqueror of Hazor is discussed against the background of the basic political constellations in South Syria and North Canaan in the 13th century. The Biblical references to Hazor in Joshua and in Judges are critically examined. This is followed by a survey of the results of excavations in Hazor up to the present (Dec.1999). The thesis that Hazor was destroyed around 1230 B.C. is questioned in the light of the recent debate on the Mycenaean IIIB ware dating. The final destruction of Hazor is seen as one of the aftermaths of the battle of Kadesh, when Ramses II directed his first campaign at Upper Galilee to subdue his rebellious vassals.     

Production technology and knowledge transfer of calcite-tempered grey ware bowls from 2nd- to 5th-century ce Noricum (Austria)

Aspects of 2nd- to 5th-century ce Roman production technology and knowledge transfer in southern Austria (known as Noricum) were examined. With no evidence for workshops identified in the study area, 44 grey ware bowls from two sites at Aguntum and Lavant were studied macroscopically, and combined with optical microscopy, X-ray powder diffraction, prompt gamma activation, neutron activation and scanning electron microscopy, in order to understand whether one (large) workshop supplied these bowls, or whether the bowls were produced by several (small) workshops nearby. Combined with information from the geological background, the results were used to tentatively indicate the production location. The results indicate that the grey ware bowls from Aguntum and Lavant were produced by local workshops nearby. The bowls were manufactured with similar clay sources, tempered with crushed calcite-marble rocks from the Tauern Window, their surface smoothed and burnished, and fired between 800 and 850°C in a reducing atmosphere of an open fire. This is taken to suggest that Roman potters, who were located at Aguntum and Lavant, shared strategies of raw materials selection, paste preparation, finishing and firing, and transferred technological knowledge through time.     

CYPRIOT BLACK-ON-RED WARE: TOWARDS A CHARACTERIZATION

Chemical analysis of Early Iron Age sherds from Cyprus and the Levant using atomic absorption spectrometry shows that Black-on-Red ware was manufactured only in Cyprus. Two types of fabric are isolated, calcareous and non-calcareous, and their technological significance discussed. The presence of trade links between the Cypriot sites of Kition and Amathus and sites in the Levant is suggested.     

The Turnover Club: locality and identity in the North Staffordshire practice of turning over ceramic ware

This paper explores a key practice adopted by those local to or from Stoke-on-Trent, and outlines its significance in the wider context of ‘ordinary’ consumption and material cultures, globalisation and local identity. Being a ‘turnover-er’ – someone who always turns over pottery to check whether it is Stoke-on-Trent ware – is an oft practised, but little examined part of the living heritage that connects those with affinity to ‘the Potteries’ (as the region is known) and its ceramic ware. The project set out to explore qualitative accounts of turning over and to gauge its salience and reach as a practice, linking this to broader accounts of material culture, consumption and heritage. We carried out 20 interviews with those who turn over or who have an interest in local ceramics, and an online survey (n = 500) which explored the some of the reasons for turning over. Findings indicate the strong connections established by the practice of turning over to local identity, both inherited and adopted, and further indicates the social salience and emotional attachments to the meanings of local ware.     

Trude Dothan (1922–2016): In Memoriam

Abstract

This paper sheds new light on the most common type of pottery associated with advanced phases of Early Bronze I (EB I) in the southern Jordan valley: the distinctive family or group known as Um Hammad Ware, or Proto-Urban D (PUD) Ware. To date, this kind of pottery was thought to be concentrated mostly around the site of Tell Um Hammad. This study presents new evidence suggesting that this ware was dispersed over a region considerably wider than previously understood, and that the centre of its manufacture was probably in the region of western Wadi Far'ah. This paper also explores the possibility that the origins of this family are to be found in the pottery traditions of the Golan region during the Chalcolithic period.     

Barton Hill Pottery and the post-medieval redware industry in Bristol

SUMMARY: Excavation in advance of a new housing development on the site of the Barton Hill Pottery, Bristol, uncovered the full footprint of a late 19th-century pottery, a large quantity of redware wasters, and a dump of whiteware wasters from another nearby factory, which include examples of Royal Navy mess ware.