Middle Anglo-Saxon Downham Road,Ely: extending the West Fen Road site

ABSTRACT

The large Middle Anglo-Saxon site at West Fen Road, Ely, represents one of the most extensively investigated English archaeological sites of the long eighth century. Recent investigations have significantly expanded its known extent, providing important insights into the origins, development and the nature of the site and modifying previous interpretations. The evidence demonstrates the existence of three separate extensive areas of ditched enclosures used primarily for stock management dating to c. 720/50–825/50, although craft activities and occupation also took place. These enclosures were connected by a network of routeways and droveways and have extensive open areas between them, linked to arable agriculture. The scale of activity and evidence for grid planning indicate that this agriculture landscape was controlled by the contemporary monastic community at Ely.     

Working Museums and Historic Mills in the Textile Industry

Abstract

The making of worsteds was critical to the economic success of Norwich from 1400 to 1550, replacing woollens as the town's main industry. Critical to this success was the development of very high quality double worsted, woven and finished to give it qualities similar to silk. It was used for both clothing and home furnishings. In the second half of the fifteenth century double worsted became an important and profitable export. Double worsted declined in the second quarter of the sixteenth century as cheaper, continental light draperies entered the market. Historians have underestimated the importance of the double worsted, and have incorrectly viewed the early sixteenth century as a period of rapid decline. However, there is evidence that Norwich was reasonably successful in diversifying its worsted cloths to sustain its textile manufacturing, and that this prepared it for even greater success in the seventeenth century.     

Methods of Russian Heritage Site Dating on the Spitsbergen Archipelago

Abstract

Russian Pomor people used Spitsbergen as a hunting and trapping area for over 300 years, from the early sixteenth century until the mid-nineteenth century. The early dating of Pomor activity is discussed with respect to written sources, dendrochronology, epigraphy, direct dating and geomorphological relationships.     

Jens Bircherod’s In Timaeum exercitatio historico-philologico-philosophica (1682): Platonic cosmology in seventeenth-century Denmark

ABSTRACT

This article examines a previously unstudied dissertation on Plato’s Timaeus presumably authored by the Danish bishop Jens Bircherod (1658–1708). By means of a study of Bircherod’s sources and interpretative method, it assesses the place of his In Timaeum exercitatio historico-philologico-philosophica (1682) in the history of philology and philosophy, and in the context of seventeenth-century Lutheran pedagogy. It shows how Bircherod makes use of Plato’s dialogue against the background of early modern religious debates, and how his method largely follows the historicist approach that had begun to characterise the reception history of the Timaeus since the late sixteenth century. It argues that Bircherod wrote his historical-philological-philosophical exercise on the Timaeus to demonstrate the existence of divine providence and monotheistic tendencies in antiquity, and to harness Plato’s cosmological treatise to the cause of Christian apologetics.     

The landscape of Metztitlan,Mexico: Power and control in a sixteenth century Spanish administrative painting

ABSTRACT

The concept of landscape has been studied mostly as the view of a space with particular interest in its aesthetics, originating at the turn of the sixteenth century. However, I argue that in fourteenth century northern Europe, the concept was focused on polity rather than aesthetics. This article examines this lesser-known tradition by analysing the painting of Metztitlan, a sixteenth century town in Mexico, and arguing, first, that unlike all the other representations in the Relaciones Geográficas to which it belongs, it is the only landscape, and second, that this painting is associated with an administrative procedure common in Spain to gain control over imperial lands. I review European practices regarding the representation of towns under the Spanish Crown. Then, I present the results of the fieldwork carried out to locate several heights which probably served as vantage points to paint the landscape. Based on this research, I analyse the intentions of the painter to argue that it should be considered within the same tradition as the paintings made in Spain by Flemish painter Anton van de Wyngaerde, as part of the Spanish Empire's Germanic tradition of describing places with the intention of exerting control over them.     

The Ossett Mill Company

Abstract

The history of Joint-Stock Company Woollen Mills exhibits a singular instance of energy amongst the smaller capitalists of the manufacturing districts…. the clothiers of certain country districts, such as Farsley, Idle, Eccleshill, Batley, Dewsbury, etc, put their heads together, and subsequently their purses…by erecting mills at home, to scribble their own wool and full their own cloth …. In the formation of a company mill a number of clothiers (for they must be clothiers to be partners) of small capital meet together and determine to become a company of so many partners, from ten to fifty, in shares generally of £25 each, each person taking as many shares as his capital will enable him…. With this subscribed capital deeds of partnership are drawn, land is bought, a mill erected, and machinery put up …. The processes which are carried on in these company mills are scribbling, carding, slubbing, and fulling cloth, which are the preparatory processes of the cloth manufacture, and the remaining processes—viz, spinning, warping, weaving, and burling—are done at home by members of the family or by persons employed for that purpose.     

The body politic and “political medicine” in the Jacobean period: Edward Forset’s A Comparative Discourse of the Bodies Natural and Politique

ABSTRACT

The use of metaphors and analogies was widespread in English political literature during the sixteenth and early seventeenth centuries, and for contemporary readers they were more than merely rhetorical artifices – they were used to illustrate and, in some cases, even to provide evidence. In this regard, none was more apt than the most prominent of these analogies: that between the human body and the state. The political thought of the time established an unshakeable connection between the two, building an argument for how their structures and ways of functioning mirrored each other. This paper examines one of the most extensive and thorough examples of corporal analogies in early modern English political literature – that of Edward Forset’s A Comparative Discourse of the Bodies Natural and Politique (1606) – and shows how such corporal analogies were used to construct an absolutist political model wherein the king was depicted as the soul, the head and the heart of the body politic. The paper integrates Forset’s A Comparative Discourse within the context of the ideological struggles from the end of the sixteenth century and the beginning of the seventeenth, while its place within the larger picture of the medieval and early modern metaphor of the body politic is also examined, in order to assess the lineage and originality of Forset’s ideas and point out how the same kind of analogies could be used to provide significantly different political interpretations.     

Some manuscript maps recently acquired by the departement des Cartes et plans of the bibliotheque nationale,Paris

Abstract

This paper examines the significance of a rediscovered medieval map (Public Record Office, MPCC 7) of part of the Fenlands of eastern England, previously dated to the mid‐sixteenth century but now recognized as mid‐fifteenth century. The map portrays realistically two important monastic churches, Sempringham Priory and Spalding Priory, which did not survive the Reformation and for which no other contemporary representations are known to exist. Documentary evidence suggests that the map was made at Spalding Priory to record rights to pasture animals in Pinchbeck Fen, and that it passed to the Duchy of Lancaster at the dissolution of the monasteries.     

The dyer and the cook: finds from 8 Pilestræde,Copenhagen, Denmark

Abstract

Excavation by the Museum of Copenhagen in Pilestræde, Copenhagen, in 2004 revealed a 17th-century dyer's workshop, in which the first example of a dyeing vat known from excavations in Denmark was examined. Evidence is presented to show that this would have been used in dyeing indigo. A well-preserved latrine dating from the beginning of the 18th century was also found. Multidisciplinary study showed that both the vat and the latrine contained well-preserved remains of plant foodstuffs that were exotic for their time. The finds are exceptional, not only because post-medieval archaeology is a new discipline in Denmark, but because opportunities for excavation rarely arise in the city.     

Cultural Resource Management for a Majapahit Kingdom Site in Trowulan,East Java,Indonesia

Abstract

The Kingdom of Majapahit located in East Java, Indonesia, was established in 1293 ce and lasted until its destruction in the sixteenth century. At its peak, the Kingdom covered the modern-day region of Indonesia and the Malay Peninsula. Archaeological remains from the Majapahit era have been discovered in several places, including Java, Bali, and Sumatra, but the most important site is located in the small town of Trowulan in East Java. Trowulan has been researched since the beginning of nineteenth century, with most of the work concerned with the study and preservation of the archaeological remains; little research has taken place regarding the archaeological remains in the relation to the local community. Archaeologists and the government agree that the inhabitants of Trowulan have violated regulations related to the protection of the monuments and that their activities have damaged the site. Until now neither the neither archaeologists nor the government have conducted any research into the reasons behind the local community’s actions. Understanding the local communities’ perspectives and aspiration is essential in order to develop relevant recommendations regarding the protection and management Trowulan’s cultural heritage. This research has been undertaken using qualitative methods, including observations, in-depth interviews, and Focus Group discussions.     

Reports

Abstract

Coins provide a useful historical source for the momentous events that took place in Palestine during the seventh century A.D., but relatively few have been properly published in excavation reports. This article catalogues 21 Byzantine and 10 Arab-Byzantine coins from the PEF collections, all of which are previously unpublished, including a number from excavations at Jerusalem, Nessana, Gezer and Kafr Harib. Apart from their intrinsic interest as individual coins, they provide some useful information on the coinage in circulation immediately before the Arab conquest and in the early years of Arab rule.     

An unknown “Pilot” by Hessel Gerritsz,dating from 1612

Abstract

Maps of Africa produced in the sixteenth century relied on Ptolemy for their representation of the unknown heart of the continent. However, another cartographic model, which challenged the classical authority in several respects, became available for the depiction of the African interior. This was the map attributed to Duarte Lopes (Odoardo Lopez) and published by Filippo Pigafetta in 1591. Since contemporary cartographers had no way of verifying which model presented the African interior most realistically, other facts must explain the pre‐eminence of one model over the other.     

Excavations at Rockley Smithies,a water-powered bloomery of the 16th and 17th Centuries

Abstract

Between about 1500 and 1640 iron was smelted by the direct, bloomery, process on the lands of the Rockley family at (N.G.R.) SE/340023, to the south-west of Barnsley, Yorkshire, using charcoal and ore from the well-wooded outcrops of the Tankersley ironstone, adjacent to the site. Evidence for operation early in the 16th century was limited to accumulations of hearth-cinder and of debris from ore-roasting, minor structures and traces of a dam. About 1600 a major rebuilding involved the construction of a bloom-hearth and probably two stringhearths, with bellows powered by waterwheels, and an unpowered hammer. Minor rebuilding took place early in the 17th century, and archaeological and documentary evidence combine to place abandonment at about 1640. Demolition and stone-robbing could well have provided material for the blast-furnace built a short distance away in 1652. The bloomery site was abandoned to pasture and perhaps a cottage, and at some time early in the 19th century was occupied by two houses and a workshop for an adjacent colliery tramway. It was covered by a road embankment in 1966.

Evidence was found of techniques at a comparatively advanced bloomery, in operation at a time when English ironmasters were, however, increasingly favouring the use of the blast furnace.     

From universal homogeneity to essential heterogeneity: On the visual construction of “the Lappish race”

During the second half of the nineteenth century, a radical change took place in the representation of the Saami. Whereas physical variation earlier was insignificant to cultural representation, from then on it became the very essence of their otherness. In this paper I relate the change in the representation of the Saami to the emergence of a modern discourse in which the concept of ‘race’ became central to the organization of knowledge and social practices as well as to the understanding of cultural difference. Moreover, I try to demonstrate how the “success” of the racial discourse was conditioned by new visual technologies.     

Instruments of authority: Tycho Brahe’s technological illustrations

ABSTRACT

The astronomical instruments of Danish astronomer, Tycho Brahe, were crucial to his intended reform of astronomy in the sixteenth century. Tycho represented these devices in a series of images that were circulated in range of contexts, thereby disseminating information about his technology to a wider audience. Through an analysis of the iconographical content of these images and a consideration of the ways in which they were circulated, this article argues that images of technology were in fact crucial to Tycho’s attempts to establish his authority as an astronomer. Embodying his claims to accuracy and recruiting trust in his innovative instruments, the images reinforced the validity of his astronomy and thereby played a central role in sustaining his reputation as an astronomer.     

The two cultures and Renaissance humanism

Abstract

C. P. Snow's 'two cultures' distinction between scientific and humanistic thought is perennial. It may be said to correspond to empirical and metaphorical bents in human nature. Since antiquity, attempts have been made by some to bridge the gap. The natural bridge of scientific (in the broad sense) scholarship has been largely overlooked, but the development in the West of philological and historical methods by fifteenth and early sixteenth century humanists (in the technical sense) exhibits numerous criteria and examples of a scientific approach to the world around us, as does such scholarship today.     

The age of the Cambro-Britons: hyphenated British identities in the seventeenth century

ABSTRACT

In the late sixteenth and early seventeenth centuries, Welsh writers including the antiquary Humphrey Llwyd, the bard Gruffudd Hiraethog, and the epigrammatist John Owen began referring to themselves as Cambro-Britons. The term was quickly adopted and popularised by English writers, often in ways that show an imperfect grasp of the intentions behind the hyphenated phrase. Whereas the Welsh had hoped that the English and Scots would adopt similar hyphenated identities, English writers tended to interpret “Cambro-Briton” as an intensified and potentially comical expression of Welshness. Though Welsh writers largely ceased to employ the term after the 1620s, the use and misuse of “Cambro-Briton” in English texts continued unabated throughout the century.