Routes of Resistance: Mobilizing Discourses of Opportunity in Ann Petry’s The Street and Austin Clarke’s The Meeting Point

Ann Petry’s The Street and Austin Clarke’s The Meeting Point provide important representations and affirmations of black people’s use of movements such as educational attainment and economic advancement to create routes to resist inequitable treatment and demand equal access to the benefits of belonging to American and Canadian national communities. In The Street, Lutie employs intellectual and economic movements to achieve her American dream but learns that systematic inhibitions block her intended ascension. In The Meeting Point, Bernice also tries to attain education and make financial strides to achieve her Canadian dream but finds herself barred from fully materializing that dream. Lutie and Bernice continue their quests to fulfill their mobility ideals, despite obstructions they face. Through that movement, which is driven by their knowledge of the implications of their exclusions from promises of the nations they call home, they counter boundaries intended to restrict them. While they do not accomplish fully their upward mobility ideals, their resistance demonstrates their refusal to be denied the benefits of American and Canadian discourses of opportunity. Petry’s and Clarke’s representations of this persistent resistance help inform and give voice to struggles against exclusionary practices blacks in the United States and Canada continually experience.     

Samuel Clarke’s Lives and husbands’ remembrances of their wives

ABSTRACT

Among the narratives of eminent divines and Christian worthies that Samuel Clarke derived from published sources and included in his many publications are the lives of fifteen early modern women, three of them written by their husbands. Humphrey Gunter’s funeral memorial of his wife Mary, Samuel Clarke’s life of Katherine, and Richard Baxter’s of Margaret have a personal immediacy and an affectionate detail often absent from the other biographies. In the contexts of both the original publications and Clarke’s texts, their depictions of spousal relationships reflect the tension between traditional commemoration and individual expression apparent in seventeenth-century narratives of women’s lives. The bonds each husband recalls celebrate the virtuous wife, though none of the recollections is as forthright as Baxter’s insightful recognition of Margaret’s complex character and her significant role in their marriage.     

‘Russian merchant’ legacies in post-Soviet trade with China: Moral economy,economic success and business innovation in Yiwu

ABSTRACT

This article focuses on Russian traders operating in China, particularly in Yiwu, the major commercial hub for the ‘small commodity’ trade, and explores the idea of the ‘Russian merchant’ prevalent in Russia today. Rather than examining the new commercial culture from the perspective of global neoliberalism, it deals with Russia’s pre-Soviet merchant estate (soslovie) and its present-day political-ideological evocations. While there is no direct cultural-professional continuity between pre-Soviet and post-Soviet merchants, some similarities have come to the fore and have been encouraged by the state and the Church. This is due to the promotion of a particular moral economy wherein the ‘Russian merchant’ figures as a positive category. Using a case study of a Russian trader in Yiwu, the article illustrates the new ways in which mistrust as well as ‘traditional’ merchant attributes such as patriotism and patriarchal authority, have been harnessed to create a successful Russian transnational business.     

Anna Comnena's account of the First Crusade: History and politics in the reigns of the emperors Alexius I and Manuel I Comnenus

Abstract

Anna Comnena's history the Alexiad has been accorded a high honorary status by Byzantine historians. Her pioneering efforts in philosophy and the thoroughness of her historical methodology are admired, although there is a distinct reluctance to analyse her historical writing. On a superficial level the Alexiad is a straightforward text: an historical panegyric in its organisation, frequently eulogistic in tone, in the manner of court orations, and rhetorically strongly influenced by conventional Byzantine pastiches of Homer. A triumphal mood pervades the biography. A somewhat more careful assessment soon reveals the significant tensions and contradictions which lurk beneath the formalised strength of this epic historical narrative. Ideological and cultural problematics abound. The self-conscious celebratory presentation of Byzantium's cultural elitism is frequently subverted by the author's pessimism. The spatial and temporal terrain of the Alexiad contains many visionary qualities, even though the text purports to narrate the events ‘as they occurred‘. Historical perspectives and idiosyncratic philosophical positions impinge, blend, envelop, and disorganise the text. Among the many themes is Anna's presentation of the ‘Latin West’, and in particular her characterisation of the appearance of crusaders in Byzantine society. A more personalised feature is Anna's self-projection of herself within the Alexiad as ‘a dutiful daughter’ and ‘a loving wife’. Yet the narrative contains elements of gender confusion, for there is an assertive and possessive interest in forms of political power that were usually culturally exclusive to Byzantine men.     

Credibility in the Court of Chancery: Salesbury v. Bagot, 1671-1677

ABSTRACT

Between 1671 and 1677, William Salesbury of Rhug fought a bitter legal battle in Chancery against his cousin, Dame Jane Bagot, and her family. William contested Jane’s inheritance of the Bachymbyd estate, Denbighshire, which once belonged to their shared paternal grandfather. According to the Chancery records, their grandfather wrongfully disinherited William’s father. The Lord Chancellor judged five out of six points in William’s favour. However, the estate archives demonstrate that William’s father had no lawful claim to Bachymbyd and William built his suit on forgeries and half-truths. In a case where a daughter inherited an estate from a younger son, William manipulated the contemporary social norms of gender and primogeniture. The suit provides a unique opportunity to understand how credibility was constructed in the seventeenth century. This article suggests that credibility depended on social norms and played a larger role in the law, and perhaps wider society, than evidence-based truth.     

The Marketing of Norwich Stuffs,c. 1660–1730

Abstract

This essay examines late nineteenth- and early twentieth-century handcrafted Irish lace as material object related to both its conditions of production and its consumption with an emphasis placed upon the consumption of what was consistently referred to in the contemporary press as 'real lace'. Why, for example, would a woman specifically choose handmade Irish lace for her elegant court gown or bridal costume? What might have influenced a consumer to select Irish lace rather than imported lace? Did the wearing of 'real' Irish lace have any symbolic or social meaning beyond adornment? Might the relationship between patrons and workers be viewed through the lens of today's fair trade movement, thereby expanding the consumers' intentions and complicating the workers' conditions?     

Why the World Matters: Hannah Arendt’s Philosophy of New Beginnings

Hannah Arendt’s philosophical project is an untiring attempt to argue that the world with all its failures and weaknesses does and should matter. Refusing to succumb to the destructive tendency within modernity, she cultivates creativity, action and responsibility. One way to appreciate the originality of Arendt’s philosophy of action and new beginnings is via her reading of two thinkers who were part of what she terms, “the great tradition.” If most commentary deals either with Heidegger’s influence on Arendt‘s thought or with her Augustinian origins, my aim is to trace Arendt’s lifelong conversation with both thinkers. It is in her doctoral dissertation on St. Augustine that she begins to distinguish herself from Heidegger’s understanding of the world, Dasein, and care. Without arguing that her work on Augustine is a hidden key to understanding her philosophy of new beginnings, an appreciation of Arendt‘s lifelong debate not only with Heidegger but also with Augustine enriches our understanding of why philosophy should pay more attention to the world, rather than try to escape from it .     

The ‘Gresham Ship’: an interim report on a 16th-century wreck from Princes Channel,Thames Estuary

Abstract

The ‘Gresham Ship’ was found in Princes Channel by the Port of London Authority in 2003. Investigations culminated in the recovery in 2004 of the remains of a small to medium-sized armed merchant ship built soon after 1574, probably in East Anglia or Essex. The wreck provides archaeological evidence of the documented practice of ‘furring’ (rebuilding a ship to increase its breadth). The cargo included folded iron bars, lead ingots and tin ingots, and amongst the four recovered guns is a rare English early cast-iron saker, marked with the grasshopper motif and initials of Sir Thomas Gresham.     

Gendered viewing,childbirth and female authority in the residence of Alice Chaucer,duchess of Suffolk,at Ewelme,Oxfordshire

ABSTRACT

This article examines the visual culture of the late medieval great residence from the perspective of the female gaze. In 1466, the widowed Alice Chaucer, duchess of Suffolk (c.1404–75), moved several items from her London and East Anglian houses to her principal residence at Ewelme, Oxfordshire. A unique set of inventories reveals that the move anticipated the birth and baptism of one of Alice’s grandchildren at that manor house. Focusing on the tapestries displayed in the main rooms of Alice’s residence, this article argues that the rituals surrounding the birth of Alice’s grandchild – and their occurrence within a female-headed household – provided a gendered viewing context, which both informed, and was informed by, their iconography. It considers how the mutually constitutive relationship between space, iconography and ritual would have authorised an event centred on female bodies, whilst also articulating Alice’s authority as household and family matriarch.     

Aphra Behn’s first marriage?

ABSTRACT

This article discusses three new documents that seem to pertain to the early life of the Restoration playwright, Aphra Behn. These documents suggest that Behn was betrothed in 1657 to a gentleman named John Halse; that she corresponded from London in the mid 1660s with William Scot, son of the parliamentarian and regicide Thomas Scot; and that, after her journey to Flanders as a spy, she borrowed money from the Devonshire Butler family to facilitate her return to England. Providing new contexts for Behn’s development as a playwright, these documents not only help to revise our understanding of Behn’s early life, but open opportunities for further research and discoveries.     

The China of Tomorrow: Japan and the Limits of Victorian Expansion

ABSTRACT

This article contributes to the literature on the mechanisms, rhetoric, and limits of mid-Victorian expansion by asking how far late Tokugawa Japan was subject to forms of British imperialism. In September 1862 a British merchant was murdered on the high road between Edo and Kyoto; a year later, a British fleet bombarded Kagoshima in retaliation. By engaging with John Darwin’s concept of the ‘bridgehead’, this article examines the circumstances in which a lonely death on the frontiers of British commerce could be transformed into a Victorian ‘outrage’. It considers what we stand to gain by bringing an imperial history perspective to bear on what remains, for most imperial historians, a largely forgotten conflict. In positing Yokohama as a bridgehead that could gain only fitful purchase in London, it asks new questions about the conduct of ‘gunboat diplomacy’ and the fault lines of mid-Victorian expansion; the place of Japan in British political imaginaries; the nature of informal empire; and the discourses buffeting British expansion in the turbulent 1860s.     

A Gift of Lace: Queen Mary’s Coronation Train, 1911

This paper is concerned with the context of the commissioning and the making of a Youghal lace coronation train, its ‘artistic beauty’, as well as the confusion about where it was worn and its ‘associations’ which, when it was made, displayed and worn, were diverse and complicated. The lace train began its material life in the Presentation Convent in Youghal in the south of Ireland, but had been commissioned then gifted to Queen Mary by the unionist ‘ladies’ of Belfast. Once made, it was exhibited in Belfast and London before its delivery to Buckingham Palace in time for the queen’s departure for India where, according to a number of published accounts, it was to be worn by Queen Mary in the ceremonies surrounding the Delhi Durbar; it was, in fact, worn in Calcutta. Considered one of the most magnificent examples of Irish needlepoint lace ever made, it expressed the loyalty of unionist women, but in its crafting it alluded to the space of nationalist women. The object highlights the workings of the Youghal Lace Cooperative that functioned in much the same way as do today’s fair trade networks (securing markets, returning profits to artisans), while at the same time the object speaks of social relationships, contested spaces, political tensions and agency.     

A History of von Recklinghausen's NF1

ABSTRACT

The ability to maintain human brain explants in tissue culture was a critical step in the use of these cells for the study of central nervous system disorders. Ross G. Harrison (1870–1959) was the first to successfully maintain frog medullary tissue in culture in 1907, but it took another 38 years before successful culture of human brain tissue was accomplished. One of the pioneers in this achievement was Mary Jane Hogue (1883–1962). Hogue was born into a Quaker family in 1883 in West Chester, Pennsylvania, and received her undergraduate degree from Goucher College in Baltimore, Maryland. Research with the developmental biologist Theodor Boveri (1862–1915) in Würzburg, Germany, resulted in her Ph.D. (1909). Hogue transitioned from studying protozoa to the culture of human brain tissue in the 1940s and 1950s, when she was one of the first to culture cells from human fetal, infant, and adult brain explants. We review Hogue’s pioneering contributions to the study of human brain cells in culture, her putative identification of progenitor neuroblast and/or glioblast cells, and her use of the cultures to study the cytopathogenic effects of poliovirus. We also put Hogue’s work in perspective by discussing how other women pioneers in tissue culture influenced Hogue and her research.     

Plotting Jane Austen: heritage sites as fictional worlds in the literary tourist’s imagination

Fans seeking engagement with Jane Austen and her fictional creations seek out heritage locations linked both temporally and geographically to her life and works. This article adopts a multidisciplinary framework that triangulates fan studies, literary criticism, and heritage studies to analyse three Austen-linked fan spaces: Chawton Cottage (Austen’s former home and now a museum), Lyme Park (‘Pemberley’ in B.B.C.’s 1995 adaptation of Pride and Prejudice), and two Austen-themed literary walks. I argue that the fan’s desire for connection is by no means an organic or natural quality of the heritage site itself. Rather, creating connections between the revered object (Austen) and the physical spaces that purport to contain her necessitates imaginative work on the part of the literary tourist. That such performative work is necessary in both the ‘real’ (Chawton) and ‘fictional’ (Lyme Park) locations demonstrates the problematic nature of previous critical emphases on the authenticity – or lack thereof – of such spaces. The significance of the fan’s pilgrimage to Austen-linked heritage sites lies not in the author to be ‘found’ there but in how the tourist actively constructs ‘their’ Jane by inscribing her presence – and those of her characters – onto these spaces.     

The Textile Fabrics of India and Huddersfield Cloth Industry

Abstract

There was a large and rapidly expanding cloth finishing industry in London in the late fifteenth and the first half of the sixteenth century. London merchants brought provincial cloth to the City, some of which was finished prior to export, and some was finished for the City's expanding clothing industry. The success of the London Fullers and Shearmen was reflected in their merger to form the Clothworkers' Company in 1528, and their acceptance ten years later as the last and twelfth merchant company in the City. The paper traces both the economic progress of the company and some of its principal members, and the difficulties that the Fullers and Shearmen faced as they decided to merge, and then to become accepted as one of the leading companies in the City.     

Auctoritas as sanctitas: Balthild's depiction as ‘queen-saint’ in the Vita Balthildis

This paper assesses the representation of Queen Balthild of Neustrian Francia in her seventh-century Vita as a new kind of saintly figure, a ‘queen-saint’ rather than as a traditional saint-queen. Balthild made herself unpopular among certain factions of the Frankish nobility during her son's minority by interfering in Church matters. In particular, she compelled bishops to grant episcopal exemptions to monasteries and promoted her own, unpopular, candidates to Neustrian dioceses, leading to her identification as a ‘modern-day Jezebel’ by her enemies, and her banishment to the monastic community at Chelles. Modern scholarship on Balthild, led by Lynda Coon, has assumed that Balthild's biographer was keen to erase from popular memory her actions as queen, actions which could be interpreted as inappropriate behaviour for a saint, and that the Life reflects this by emphasising Balthild's more stereotypical saintly behaviour as a nun once she had retired to Chelles. However, it will be argued that, rather than underlining her humility, the author of the Vita Balthildis was in fact keen to show that her interference in Church matters should be seen as contributing to her identification as a saint, by stressing that her autonomous and authoritative use of her power was actually a positive attribute.     

Protestantism and liberty: Catharine Macaulay’s politics of religion as a response to David Hume

ABSTRACT

Catharine Macaulay’s History of England from the Accession of James I (1763–1783) was intended by its author and received by its audience as, in part, a response to David Hume’s History of England. Macaulay’s writing has been read as a Whig counter to Hume’s Tory interpretation of England’s seventeenth-century history; more recent work has explored whether Macaulay or Hume has a better claim to be considered an “enlightenment historian”. This article will suggest that Macaulay’s views on the role of England’s Protestant belief and practice in the development and maintenance of the nation’s liberties contained, in the earlier volumes of her History, some of her substantive and important refutations of Hume’s arguments, and, further, that Macaulay’s well-argued claim that Protestantism was instrumental in the formation of England’s national character and potential enjoyment of political liberties was received by her readers as a particularly valuable part of her historical argument. Her accounts of Roman Catholic violence against Protestant victims at the Siege of La Rochelle and in the Irish Massacre of 1641 became some of the most quoted parts of her historical writing.     

This Is Not an Improvisation: Letitia Landon and the Slipperiness of Taxonomy

ABSTRACT

Writing in 2007, in The Wordsworth Circle, Jeffrey Robinson remarked on the “ephemerality” of improvisational poetry, its fundamental resistance to being “preserved.” Printed poetry is typically regarded as “fixed” and static: what any poem represents as improvisation is, at best, only a record, executed in a fixed medium, of a performance whose infinite variability is inherent in the nature of improvisation itself. Partly an homage to Rene Magritte’s This is Not a Pipe (1928–29) and to Michel Foucault’s 1973 essay on that painting, and using as a test case The Improvisatrice (1825), the long poem by Letitia Elizabeth Landon, herself a devotee of interdisciplinary and multimedia performance, this essay considers the physical, structural, and methodological challenges and limitations posed to printed “word art” by works that purport to be, or aspire to the condition of, “improvisations.” The improvisatrice who is the poem’s narrator claims to be both a painter and a songstress, but her “speech,” captured and rendered in printed words by Landon (who ventriloquizes that speech), can neither “be” nor even “represent” a work produced (“performed”) in visual art or vocal song. In her long poem Landon effectively creates a literary trompe l’oeil, an illusion that depends for its “completion” upon the reader’s implied participation in that performative act of completion. In the process, Landon’s poem reveals the fundamental incompatibility of improvisational literary production with the performative nature of improvisation.