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1.
Previous studies on the Book of Jonah often concentrated on God, Jonah, and the people of Nineveh. This article takes a different approach by focusing on the roles of all “non-human creatures” in the Book of Jonah—the great Storm, the great fish, the animals of Nineveh, the worm, the land and the kikayon plant. This approach reveals something new about the role of non-human creatures in the book and the implications thereof for the amelioration of today’s ecological crisis. It highlights the beauty of all elements of nature working together with humanity for the good of all: a clear indication of the ecological vision implicitly proposed by the Book of Jonah. In this regard, YHWH’s attitude to every creature in the book is exemplary, to him every creature is in itself valuable and fulfills a particular important role in nature and existence.  相似文献   

2.
ABSTRACT

From the time that Pfeiffer’s work on the structure of the Book of Malachi was published, scholars have divided the Book into six oracles with a common question/answer answer format. Most scholars attempt to identify the genre of the oracles and their sitz im leben according to this struc-ture. However, scholars have overlooked one basic feature connected with this format in the Book of Malachi, a feature that has significant ramifications for the understanding of the book. Examining the content of the questions and answers, we discover that they fall into two different categories, one in which the prophet rebukes the people and the people attempt to justify their actions (in the second, third, and fifth oracles), and one in which the main accusation is made by the people against God, while God justifies Himself against the people’s accusations (in the first, fourth, and sixth oracles). Having made this distinction, we can understand more clearly the principle on which the whole book is based. The oracles of Malachi reflect a breach in the covenantal rela-tionship between God and the people that is expressed through mutual accu-sations. The prophet seeks to repair this breach through a message designed to renew and strengthen the people’s feeling that God is committed to the cove-nantal relationship with Israel.  相似文献   

3.
none 《英国考古学会志》2013,166(1):142-164
Abstract

A text scroll in a miraculous mass scene in the parish church of All Saints North Street in York contains a breviary text from the Communion of St Denis. English unfamiliarity with the Communion legend and the unusual iconography of this particular version have both contributed to earlier misidentifications of this scene as a St Gregory’s Mass. In fact, this window contains the only surviving example of the Communion of St Denis in English stained glass. The All Saints’ glass also contains evidence of a now-missing St Gregory’s Mass, arguably in the same window as the Communion scene. These mass scenes were occasionally used separately to signify the feast of Corpus Christi. Combining them in the same window would have created a potent set of images that showed different aspects of the Body of Christ. More complex cross-references between the texts and images in this glass suggest clerical involvement in a choice of iconographies that would have reflected the devotional interests of the probable lay donors, who were members of the York Corpus Christi Guild. Commissioning and funding the creation of this window may therefore have been a collaborative exercise.  相似文献   

4.
ABSTRACT

This article explores James Cone’s lesson and legacy for white Christians. Specifically, it analyzes Cone’s claim that whites can “become black.” Cone insists that a process of conversion to blackness “means that white people are prepared to deny themselves (whiteness), take up the cross (blackness), and follow Christ (black ghetto).” In this essay, I will draw upon Cone’s writings and original interview material to construct an outline of these three steps of becoming black. Making sense of what it means to convert to blackness begins with first analyzing his specific challenge to white theology, then his concepts of blackness and the Black Christ, and finally, the praxis of these three steps – that is, what does it look like, practically, to follow the black Christ as a white person.  相似文献   

5.
ABSTRACT

This essay explores some of the papal symbols which assumed particular prominence during the pontificate of Pope Innocent III (1198–1216). These symbols belong to different modes of expression: metaphoric speech and writing (vicarius Christi, the pope’s body); clothing (pallium, tiara); objects (the Golden Rose); and visual art (the mosaic in Old St Peter’s). It is argued that the pope – and his curia – employed these symbols to represent the special position of authority which the pope held within the Church and society at large, and that several of them played a role in ritual enactments of papal authority. It is furthermore argued that they should be seen as part of a coherent system of symbols and that many of them serve to emphasise the relationship between the pope and Christ, and thus represent Pope Innocent III’s ecclesiological programme in which the pope as God’s representative on earth plays a pivotal role.  相似文献   

6.
The Great War began with widespread public euphoria across the combatant nations, with community leaders, political, ecclesiastical and other, giving enthusiastic endorsement to the ‘war effort.’ In addition to simplistic and clichéd proclamations that ‘God is on our side,’ early in the war stories of spiritual phenomena, such as the so-called ‘Angels of Mons’ and the ‘White Comrade’, captured the public imagination. As the war progressed, however, and particularly in the wake of the Battle of the Somme from 1 July 1916, there is a noticeable shift in the spiritual and theological language of the battlefront (if not the home front) — away from angelic visitations bringing divinely ordained victory, and towards the ‘suffering God’ of No Man’s Land. The primary vehicle for this are the war poets, and the dominant symbolic language that of the Passion of Christ, who prays with great anguish in the garden of Gethsemane on the night of his arrest and betrayal that the cup of suffering might pass from him. As that cup will nor pass from Christ, neither would it pass those who endured the trenches of the Western Front. By the end of the war, the transcendent God had become an imminent deity, and the place of visitation was not the heavenly places, but the mud and blood of No Man’s Land.  相似文献   

7.
Abstract

A semiotic reading of Hosea 2 suggests that two stories are told: The story of Hosea and Gomer, and the story of Yahweh and Israel. This semiotic entanglement, however, is also present in the passage of cosmic promises, Hos 2,18–25. “Knowing God” in the Book of Hosea is not just a question of adhering to a system of religious thoughts, it is a question of knowing how to live one's life according to specific social rules, namely that of patriarchy. The theology of the text cannot be separated from the ideology of the text. This is to be tested on the text of Hos 2,18–25 in which the emphasis is apparently firmly placed on the universal signified.  相似文献   

8.
Abstract

The Book of Job is often viewed as a story of unnecessary and undeserved suffering. A man who is “blameless” in the eyes of God is put through senseless anguish and misery simply because God and the Adversary have a wager. It is a story of a whimsical God who does not understand or care about human beings and their sufferings, and of an insignificant and yet defiant being who epitomizes human dignity and fortitude. This and other similar accounts make God villainous and human sufferings mysterious and incomprehensible. This article seeks to cast these issues in a different light by exploring some of the key terms in the Prologue and the speeches of God in the Theophany. The exploration ends with some reflections on Job in the Epilogue of the Book.  相似文献   

9.
10.
《Political Theology》2013,14(3):336-352
Abstract

Much political theory is funded by a purportedly “theological” notion of sovereignty. This essay re-reads and thereby deconstructs such a view. The argument presented herein is that certain political theorists—notably Schmitt, Bodin, and Hobbes—uncritically appropriate a “theological” notion of sovereignty as an analogy for political sovereignty. Engaging the work of Karl Barth, this essay undercuts such analogizing tendencies, contending that the “theological” superstructure on which so-called political theology is constructed is not theological but anthropological. Barth’s reconfiguration of theology, grounded not on natural law or reason, but on God’s self-revelation of Godself in Jesus Christ, offers a very different terminus a quem for political theology.  相似文献   

11.
《Political Theology》2013,14(5):406-420
Abstract

This paper argues that Han Urs von Balthasar’s work contains a thorough critique of nationalism that is rooted in theological categories. First, it examines the bases of this critique in Balthasar’s theology of history and in his thought on biblical Israel. Then, it outlines four categories of actors included in Balthasar’s notion of a theological drama: Christ, the individual, humanity, and the Church. Both implicitly and explicitly, these four categories displace the nation from the realm of theologically-significant history. Thus, the paper contends, there is a clear and compelling theological rejection of nationalistic ideology running throughout key aspects of Balthasar’s thought.  相似文献   

12.
13.
none 《巴勒斯坦考察季》2013,145(4):293-307
Abstract

A part of a Nabataean bronze inscribed object has been found recently in Wādī Mūsā, near Petra, Jordan. The text, which is dated to the reign of the last Nabataean king, Rabbel II (ad 70–106), is of great interest since it contains words that occur for the first time in Nabataean. It mentions a dedication made by a priest and his son to ‘Obodas the God’ in Gaia. In sum, it adds significant new data to our knowledge of the Nabataean kingdom and its religion.  相似文献   

14.
《Political Theology》2013,14(3):304-324
Abstract

During the Diocletianic Persecution and at the dawn of Constantine’s rise to power, Lactantius penned Book V of the Divine Institutes, in which he offers a striking account of Church-state relations. For Lactantius, imperial power is at odds with the Christian “course of life.” To be a people of virtue, Christians must perform justice from below, under the rule of a secular state whose gaze is fixed on its self-preservation at all costs. Lactantius makes clear that if Christians collude with the power of the state, exercising power from above, justice becomes an impracticable virtue. Not only would Christianity’s transition to the imperial seat alter the material conditions which best form Christians in virtue, it would, in Lactantius’s view, cultivate lives of vice and alienation from God. This essay contends that in Book V of the Divine Institutes, Lactantius employs Christian reasoning to demonstrate how secular politics are antithetical to Christian discipleship.  相似文献   

15.
16.
Abstract

Various objective reasons have led to the development of a vast and elaborate literature on the Epilogue in the Book of Qohelet. This study presents a Sitz im Leben based approach to the Epilogue, which capitalizes on the known historical reality during the Hellenistic period in which Qohelet lived. It views the Epilogue as an expression of Qohelet’s deep apprehensions of the challenges that faced his people. From this perspective it is natural to consider Qohelet as being the author of the Epilogue. The Epilogue is not about what he says in the book but what he has to say to his people. As a wise man concerned with the welfare of his people he urges them: keep records, though it is wearisome; be aware that secrets would be leaked; fear God; and, obey His commandments. These are his essentials for survival.  相似文献   

17.
ABSTRACT

A slightly different separation of the text in Qoh 3,18 results in the reading ??? ??????? instead of ???? ??????, in which ??? is “apart of” based on the Aramaic, or ??? = ??? “alone” assuming a ?/? confusion. In each case an eminently reasonable text is obtained regarding man apart of God, or man without God. Qohelet seems to believe that without God man would be egocentric, just as a beast.  相似文献   

18.
Abstract:

In the recent scholarly discussion on the Book of Nahum two views stand juxtaposed: (1) The Book is a unity, written by a seventh century BCE prophet; (2) the Book as it stands is the outcome of a complex process of redaction implying a Persian period date for the final form. Starting from the final form of the book, it is concluded that, from the point of view of structural‐literary analysis, the book can be seen as unity. The redaction historical approach to the Book of Nahum assumes a distinction between lofty theological language in the hymn (Nah. 1,2–8) and the more realistic language expressing nationalistic feelings in the rest of the book. This distinction is the starting point for a literary‐critical division. However, an analysis of the theme “divine wrath” leads to the conviction that both parts of the book share a common ideology. “Wrath” in the Book of Nahum should be interpreted within the framework of covenant‐theology and as a provoked reaction. The Assyrians are depicted as the “enemies of God”. The doom that is predicted for them can be seen as God's response to their conduct. In this connection it should be observed that several allusions to ancient Near Eastern treaty clauses can be found in Nah. 2,4–3,19. This observation leads to the assumption that the relation between YHWH and the Assyrians is seen as some form of vassaldom. All these observations make a literary‐critical division less plausible. Finally, a seventh century BCE date for the composition of Nahum is proposed.  相似文献   

19.
Abstract

Although Caddo pottery is most recognized for its nonrepresentative decorative patterns, artists also incorporated zoomorphic figural components into their designs. Amphibian and reptilian depictions occur not only on pottery vessels but also on pipes, figurines, and pendants. Five modes of depiction occurred in the Caddo archaeological area, spanning the period from ca. A.D. 1100 to 1700. These depictions represent local expressions of the Beneath World creatures that were recognized by people across the Eastern Woodlands. These expressions embodied the power of the Beneath World and played a role in mediating with that power in regards to agriculture, travel, death, and political processes. The Caddo people integrated these zoomorphic representations into their distinctive tradition of pottery design, creating a unique cultural expression of a broader cosmological theme that was present throughout the Mississippian tradition.  相似文献   

20.
ABSTRACT

In this literary analysis of Jer 13,1-11, various suggestions are discussed in regard to the intention of the author, the peculiarity of God’s commands in the story, the identification of Perath, the choice for a linen gir-dle, the relation between the narrative part and the prophecies at the end of the passage, the symbolic meaning of the river Euphrates, and the hidden meaning of the text as a whole. Discarding existing less probable interpreta-tions, the author offers a new reading of the text and clarifies its place within the book of Jeremiah as a literary composition.  相似文献   

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