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1.
Summary

Marc'antonio de Dominis is well known to historians as a figure in the political and religious culture of early modern Britain and Europe. This article contends that he was also a major theorist of civil power: his critique of Catholic scholastic political thought is compelling and his account of divine right kingship sheds light on conceptual problems that troubled a range of early modern thinkers. De Dominis dismantled the scholastic theory of political power on its own terms, insisting that Almain, Bellarmine, Suárez and others could not distinguish, as they sought to, between the potestas politica in general and the rule of particular princes. By this insight de Dominis could vindicate royal authority against the deposing pretensions of the Pope, the main objective of James I's supporters during the Allegiance Controversy, but his own positive account of how to think about power ran into theoretical trouble which he evidently perceived himself. If the potestas politica cannot be abstracted from a specific regime, and if the prince's absolute sovereignty depends on this fact, can politics be understood only at the level of the particular and contingent? The article closes by setting Thomas Hobbes—well versed in Jacobean polemic—in the context of this question.  相似文献   

2.
Abstract

Arthur Melzer's tremendous accomplishment is even greater than he may realize. The tradition of esoteric writing in political philosophy exists, as he convincingly demonstrates, and the consequences of this discovery are as significant as he claims. But the method of esoteric reading that he recommends applies more broadly than he seems to suggest. Applied liberally, moreover, as a corrective to nearly everything that's gone wrong with education in the humanities and social sciences over the last forty years, his humble heuristic—Melzer's Maxim, I call it—has the potential to reorient and renew the whole concept of Liberal Education for an age whose pedagogy is foundering. A boon to the sub-discipline of Political Theory in particular, Philosophy Between the Lines has even more to offer to classroom instruction in general. Read between the lines, Melzer's specialized work of scholarship promises nothing less than the opening of the American mind. It is the antidote to the poison of politically correct multiculturalism.  相似文献   

3.
Abstract

Swiss missionary Henri Alexandre Junod has been widely recognised for his extensive entomological, botanical, linguistic and anthropological contributions regarding southern Africa. However, shortly after publishing his most acclaimed work, The Life of a South African Tribe, Junod wrote a little-studied novel, Zidji: étude de m?urs sud-africaines, in which he endeavoured to give a detailed portrayal of South African Society. Interestingly, he chose fiction as the best vehicle for conveying what he saw as the 'truth' of the situation. As the only novel written by Junod this is a unique piece of writing in relation to his other work and its study shows that it is essential to an understanding of Junod. In Zidji he attempts to give a complete picture of South African society at the beginning of the twentieth century by recounting a black convert's experiences of what Junod considered to be the three main influences acting upon black society of the time, that is, tribal life (paganism), the mission station (Christianity) and white society (civilisation). By considering his depiction of South Africa, in particular his presentation of 'civilisation', further light is shed on his sentiments and perspective of the missionary encounter, social change and race relations in South Africa.  相似文献   

4.
Abstract

In addition to his exceedingly popular Legenda Aurea, James of Voragine wrote in another hagiographical genre: sermons on the saints. The Sermones de sanctis likewise became immediately popular, as his Dominican brothers used James’s model sermons to learn to preach about the saints in a format that would provide the laity with intelligible and practical theological instruction. James’s corpus gives us a rather unusual opportunity to compare the ways in which a single author manipulates multiple hagiographical genres, and his writings on St Margaret of Antioch allow us to explore how a medieval preacher used a historically disputed saint — a dragon-fighter — to provide a practical model of sanctity to his lay audience. I compare the representations of Margaret in James’s sermones and vita, arguing that James adapted certain features of Margaret’s saintly example in the vita to instruct the audience of his sermons about proper Christian virtues and actions. As a point of comparison, I explore a sermon by Évrard of Val des Écoliers in which the Augustinian teaches his audience a practical skill — how to pray — through Margaret’s example.  相似文献   

5.
Summary

In this article I react to dismissive remarks made about my Jacob Vernet, Geneva and the philosophes (1994) in a recent book by David Sorkin, The Religious Enlightenment (2008). Vernet, a distinguished Genevan pastor and theologian, who fell foul of d'Alembert, Voltaire and Rousseau, is one of six figures studied by Sorkin, who claims that the religious dimension of the Enlightenment has been much underestimated and that the philosophes were considerably less significant than has usually been thought. Reacting to the accusation that my treatment of Vernet's theology was superficial and unreliable, I reconsider the latter's major theological works (including his Traité de la vérité de la religion chrétienne, Instruction chrétienne, and Pièces fugitives sur l'eucharistie) in an attempt to validate my previous interpretation, and illustrate that Vernet refused to acknowledge ideas that he had actually published. The second part of the article draws more general conclusions, pointing out spectacular errors in Sorkin's depiction of eighteenth-century Geneva and arguing that he has a clear agenda, which, in my opinion, is wrong-headed, easy to refute and—above all—often based on gratuitous accusations and statements lacking any evidence.  相似文献   

6.
《Political Theology》2013,14(4):507-529
Abstract

Maurice Blondel's philosophy of action and concrete political theology provide foundations for modern theologies of action. By commencing with the reflective subject, Blondel compensates the deficiencies of collectivist Marxist social analysis. He did not live to complete his account of the social, political and economic implications of his philosophy, but they are realized in the work and witness of others: Pierre Teilhard de Chardin, Yves de Montcheuil, Henri de Lubac and John McNeill. Liberation theologians of diverse persuasions need especially to acknowledge their debt to Blondel in an era when, in Western societies, the fundamental context of action is no longer material but intellectual, spiritual and interpersonal. The abstract nature of his thought means that he frequently opens suggestive paths into further reflection rather than prescribing complete solutions to specific practical questions.  相似文献   

7.
Summary

Dugald Stewart was the first metaphysician of any significance in Britain who attempted to take account of Kantian philosophy, although his analysis appears generally dismissive. Traditionally this has been imputed to Stewart's poor understanding of Kant and to his efforts to defend the orthodoxy of common sense. This paper argues that, notwithstanding Stewart's reading, Kant's philosophy helped him in a reconsideration and reassessment of common sense philosophy. In his mature works—the Philosophical Essays (1810), the second volume of the Elements of the Philosophy of the Human Mind (1814), and the second part of his historical ‘Dissertation? (1815–1821)—Stewart's analysis of Kantian philosophy is far from being uniform. In the first two works, he takes a cautious approach to transcendentalism, showing some interest in the challenge it might represent for common sense; in the last, he turns to rash criticism. This change may appear confusing and inconsistent unless considered in the light of a precise ‘nationalistic’ strategy. In fact, once Stewart had taken from Kantian philosophy what he deemed useful for his own aims, he eventually dismissed it in order to show that his reworked version of common sense was the most original and most consistent outcome of the whole Anglo-Scottish philosophical tradition.  相似文献   

8.
ABSTRACT

Bernard Narokobi's concept of the Melanesian Way was influenced by a variety of factors, including his own childhood in the village, his religion, and the understandings of the people around him. He also drew inspiration from his exposure to the views and opinions of the many Papua New Guineans who contributed to the work of the Constitutional Planning Committee (CPC) between 1972 and 1975 when he served as a consultant to the committee. He shared the belief in a specifically ‘Melanesian’ way of social organization and cosmological understanding with the others who took part in the CPC's work, most prominently its de facto chairman, Father John Momis. With Momis he drew on the people's contributions to formulate PNG's National Goals and Directive Principles, which, at least in part, embody Narokobi's understanding of what it is to be Melanesian.  相似文献   

9.
10.
ABSTRACT

John Banville has described his novel Shroud (2002) – a fictionalised re-imagining of the 1988 scandal of Paul de Man, whose war-time publications for a collaborationist journal were discovered after his death – as his “monstrous child” that only he could love. This essay turns to Derrida’s thoughts on monstrosity, and in particular his framing of the future-to-come as an unforeseeable reckoning between Nietzsche and Rousseau, whose approaches to human freedom and authenticity remain philosophically irreconcilable. Shroud engages with these two inheritances on a thematic level, bringing them into conversation through the characters of Vander and Cass. The interruption of intergenerational love and the prospect of a child between them, however, makes Derridean monstrosity – that more properly deconstructive trope that opens to the future by unearthing traumatic inheritances from the past – into a structuring principle, and the means by which we might best understand the novel itself as a “monstrous child”.  相似文献   

11.
12.
ABSTRACT

The twenty-one maps of Spain that comprise the Escorial atlas (El atlas de El Escorial) and the later notebook compiled by Pedro de Esquivel for another map of Spain have long been confused. Recently identified documents in the Royal Library, Stockholm, have allowed us to recognize the two works as completely separate and to shed new light on each. In this article we describe their respective histories, starting with the Escorial atlas, now known to have been commissioned by Emperor Charles V from the Sevillian cosmographer Alonso de Santa Cruz, who between c.1538 and 1545 produced an index map and 20 regional sheets drawn to the scale of 1:400 000. We then go on to show how, later in the century (between c.1552 and 1565), Pedro de Esquivel was using a version of the topographical methods described in Peter Apian’s Cosmographia to assemble data for the map of Spain commissioned by Philip II before and just after he became king in 1556. Esquivel died in 1565 before all the data had been collected, his map was never drawn, and his notebooks, with all his astronomical measurements and calculations of angles and distances, took a curious journey that ended in Stockholm in the archives of the Royal Library of Sweden.  相似文献   

13.
ABSTRACT

This essay analyzes the ways in which, in his Nova de Universis Philosophia, Francesco Patrizi uses, adopts, and, in some cases, rejects the Stoic philosophical tradition. Although, at first glance, most of Patrizi’s remarks on Stoicism and Stoic understanding of nature are critical – as this article demonstrates – he widely relied on Stoic teaching that he sought to combine with Neoplatonism and the prisca theologia doctrine.  相似文献   

14.
This essay explores D’Annunzio’s reception of Nietzsche—particularly his sociopolitical theory and idea of the Übermensch—as dramatized in his novel Le Vergini delle rocce (The Maidens of the Rocks). D’Annunzio’s attitude towards Nietzsche was complicated and contradictory, varying from fascination and rivalry to rejection and negation: rather than a philosopher or master, he saw Nietzsche as a poet and soulmate. Like many writers and artists of fin-de-siècle Europe, D’Annunzio too was attracted by Nietzsche’s elitist social theory and Übermensch, of which he presents his own version especially in Maidens of the Rocks. In the novel, the young aristocrat Claudio Cantelmo aspires to overcome himself. However, the fact that Cantelmo fails to achieve his dream of fathering a New King of Rome, reveals D’Annunzio’s deep skepticism about contemporary Italy as well as his own “decadent” soul.  相似文献   

15.
《Political Theology》2013,14(2):181-199
Abstract

After noting the impressive scope of Tawney's contribution as an economic historian, labour theoretician and Christian moralist, attention is given to his three classic socialist texts: The Acquisitive Society, Equality, and Religion and the Rise of Capitalism. Tawney's critique of capitalism is rooted in his Christian convictions concerning the worth of each human person and also informed by his historical analysis of the evolution of capitalist social relations. His telling exposure of the transitory historical nature of so much of capitalism's vaunted absolutes has lent an authority to his contribution. Wealth, property and the mechanisms of the market are not sacrosanct, and must be subject to measures that will ensure more equitable social objectives. As a social theorist he straddled the Christian and secular humanism that formed the lifeblood of the labour movement, and this remains relevant to our more pluralist society, where agreement upon basic moral norms can help construct a social consensus that will promote a greater justice and human flourishing.  相似文献   

16.
Abstract

Michael Polanyi's fascinations throughout his lifetime were threefold: (1) science—specifically physical chemistry; (2) philosophy—specifically epistemology and ontology; and (3) political society, understood, in the British tradition, to include economics. In developing his recommendations for political society, Polanyi draws broadly upon insights and even concepts from his experiences and reflections in both science and philosophy. His search for meaning in all of his philosophical works provides for him the definition of what he considers the most important human endeavor and is that which the political order must strive to encourage and protect. In addition, the gratification he found in the collegiality and conviviality of scientific research, conducted most productively in what Polanyi identified as “societies of explorers,” suggested to him the diverse groups—as in science, “polycentrically” ordered—and engaged in all kinds of productive activities that came to represent, for him, the grassroots source of a society's creative vitality. Having come to appreciate the necessity of freedom for scientific discovery, freedom became a paramount value in the model he proposed for political society. But this freedom, he realized, had to operate within the boundaries of legal and moral constraint if it was not to dissolve into the oppressions of anarchy. So we find in Polanyi's model of political society a dynamic very similar to that which he had developed in his epistemology: an indwelling of tradition for the purpose of social stability but also a “breaking-out” of established ways to engage in creative endeavors. Similarly, as Polanyi had recognized higher and lower “orders” of existence in his ontology that were necessary for the “emergence” of more comprehensive and novel entities, “greater than the sum of their parts,” he provided for a similar vertical, or qualitative, “layering” in his social order. These insights, and more, that Polanyi draws from his scientific and philosophical reflections in the process of constructing his model of a political society are what I attempt to develop in this essay.  相似文献   

17.
Abstract

The theatrical production of Baroque Iberia exhibits an obsession with wildness that remains to be fully explored. By the time Segismundo takes the stage dressed in animal pelts in Calderón’s La vida es sueño, the wild figure had already enjoyed a long history on the Spanish stage, first appearing in Lope de Vega’s El nacimiento de Ursón y Valentín in 1588. Enduring popularity until Bances Candamo’s 1693 comedia, La piedra filosofal, this steady preoccupation with the concept of wildness offers unique insights on the evolving landscape of Baroque ideologies over time, which are rarely considered diachronically. Dramatic representations of wildness signify the transgression of a prescribed norm—be it social, political, racial, or otherwise—which leads to its necessary elimination to resolve the conflict of a given play. In this article, I will plot the trajectory of dramatic conventions in their diminishing ability to resolve the recurring problem of wildness, thus offering a literary history of the comedia’s social efficacy as it struggled to sustain the weight of its own ideological commitments. Furthermore, I will examine the implications of my approach on longstanding debates on the ideological function of Baroque Iberian drama by analyzing the theoretical problem inherent in the existence of the marginal terrain wildness inhabits. My approach considers who stands to benefit from social order and those who, like the wild figure, find themselves excluded. At a time of renewed energy for exclusionary ideologies, aspirations of encompassing the marginalized are as important today as they were in 1588.  相似文献   

18.
Ernest Gellner was, by all accounts, one of the most unconventional thinkers of the twentieth century. Not only was the content of his theories often strikingly original, but he also arrived at them by use of a singularly personal thought-style. The article describes the most salient features of this thought-style: his quest for overviews, on the one hand, and for penetrating and unexpected insights, on the other, his opposition to what he perceived as humanistic complacency, his academic elitism, and much else. In the final section, an assessment of the most conspicuous feature of Gellner's thought-style—his tendency to downplay the importance of detail and to focus on high-level theory—is given. It is argued that this characteristic served Gellner better in philosophy and the history of ideas than in the social sciences.  相似文献   

19.
ABSTRACT

The entries for ?amas in the biblical lexicons read “violence, wrong”; “treat violently”; or “theft, exploitation, social oppression;” namely, this word is understood as referring to the social sphere. On this basis, in the usual exegesis of the verses in which it appears in Ezekiel, ?amas is understood to refer to social violence. I suggest, however, that a closer examination of each of the seven occurrences of this term in Ezekiel indicates that it refers to the sins of the people that led to the destruction of the Temple—including idolatry and bloodshed—and that Ezekiel utilized and adjusted this pentateuchal concept to his prophetic needs.  相似文献   

20.
Abstract

The paper aims to contribute to the debate on urban renewal, departing from the so-called Bilbao effect. Focusing on the resurgence of a societal function of cultural heritage, we discuss the idea of the museum as a societal engine through a case study. Although the literature has been mainly dedicated to assessing the economic impact of large art museums in former industrial regions, the paper focuses on a small scientific museum, the Museum of Natural History in Florence, and on its strategy of social enhancement through the organization of small- and medium-sized cultural events in the historical city centre. Through the application of social network analysis to 17 temporary exhibitions between 2000 and 2012 and the analysis of 790 events divided into three macro-areas (relations with territory, educational networks and scientific networks), the role played by the museum, the density and variety of events will be investigated. The resulting picture is that of a proactive museum located at the centre of a network of—mostly local—institutional actors that have effectively contributed to the re-vitalization of scientific knowledge and education as well as relations with the citizenship and the territory, therefore representing a valuable example of a societal enhancement of culture.  相似文献   

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