Touch and Go

"Oh, to be remembered—isn’t that what this is allabout?" (216). This, claims historian, actor, radio and televisionpioneer Terkel, is the source of his success as an oral historian:logorrhea—the inability to stop talking. And yet Terkel'smemoir, written in collaboration with his longtime friend andassociate Lewis, is nothing short of incredible in its representationas The Oral History of The Oral Historian. Terkel's mesmerizingrecollection of everything from the history of silent filmsto Chicago politics and the impact of reality television, writtenat the age of ninety-four, is a unique and pioneering text. Touch and Go is in effect the     

撒哈拉沙漠冲沙

去迪拜旅游的游客一定会去撒哈拉沙漠,而去沙漠自然少不了在沙丘飞车。午后．去沙漠之前我将自己全副武装．全身擦了厚厚的防晒油．穿上长袖衣裤．带上可以遮挡半张脸的墨镜．在迪拜小伙的带领下开始了沙漠狂野之旅。从迪拜的市中心出发．我们的越野车急驶过街道两旁郁郁葱葱的树木．二十分钟后．两边视野所及的翠绿色逐渐被蔓延着纯净的金黄色所替代。车子停下．司机开始为车子的四轮放气．目的是增加轮子在沙漠里滚动时的受力面积．免得过度下陷。     

广州 粤色生香

喜欢广州,首先是因为她的温暖。特别是在冬天,北国已经冰天雪地,她还依然花香满城。 更何况,除了温暖和花香,还有选料广博奇异,品种花样繁多,烹调精致细腻,让人想起来就垂涎欲滴的正宗粤菜。     

生态游·触摸野性之美

编者按:当个率性的背包客,踏上生态游的旅途,用镜头定格野生动物,成为自然的记录者。帮助野外生活遇到困难的动物,保持它们的野性美,虽有近距离接触,也不要打扰它们的生活。让野生动物成为人类的图腾,成为人类热爱生活、热爱自然的证     

Peripherality and Humor in the Iranian Art Film

This paper examines a range of post-revolutionary Iranian art films, mostly those watched primarily outside the country via festival screenings, in the context of the relationship between the tropes of peripherality and humor. It argues for the significance and complexity of both terms in the context of this cinema and of the global image of Iran and its peoples. Having examined a kind of humor based on the geographic periphery, specifically derived from relationships between technology, car, and camera, it concludes by reflecting on the advent of new technologies, and social constraints and opportunities in the Iranian art cinema today.     

广西桂林甑皮岩遗址陶器的成型工艺

桂林市甑皮岩遗址第三、四期陶器的显著特征是流行泥片贴筑成型的圜底器。本文根据陶器口部标本剖面图上所显示的钩状包裹现象,断定这批圜底器采用正筑泥片贴筑法成型,其具体步骤是先捏塑底部,再向上贴筑至口部。