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Abstract. After 1881, Hebrew literature in the tsarist empire became an integral part of the rise of Jewish nationalism, and it created literary norms which were transplanted to mandatory Palestine. This literature, in contrast to most pre-1881 Hebrew literature, is aesthetically on a very high level. Led by Mendele Mocher Sefarim in prose fiction and by Chaim Nachman Bialik in poetry, it asserted Jewish national feeling even when not overtly nationalistic. In doing so, it subverted tsarist authority and indirectly declared the Jews to be independent of the empire. Yet, in many of its main concerns this literature shows the influence of Russian literature, especially of the Reform Era, but also afterwards (Chekhov, in particular), and itmight even be regarded as an ethnic branch of Russian literature. Both literatures depicted the failings of their society with the aim of achieving social change. However, while Russian literature pointed to revolution, Hebrew literature after 1881 pointed to Palestine where most of the Hebrew writers of that period eventually emigrated.  相似文献   

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This paper elaborates upon a cultural logic of overseas Chinese nationalism. Around the early twentieth century, some bourgeois members of overseas Chinese in Hong Kong, Taiwan, and South Seas mobilised Confucianism as an ethno‐symbol. The latter helped the overseas Chinese bourgeoisie to counter the quest for greater secularisation and to confront the surge of anti‐imperialist movements. The implications of this research include to recentre the role of overseas Chinese in China's modern transformation; to decentre the May Fourth agendas in the understanding of overseas Chinese nationalism; and to situate overseas Chinese nationalism in an extraterritorial space, which includes the Confucian zone created in the dialogical connections between Confucian intellectual elites (such as Zheng Xiaoxu and Chen Huanzhang) and overseas Chinese bourgeois networks that converged in Hong Kong and spread transnationally.  相似文献   

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