THE ‘LORD OF THE STONEMASONS’: PART I. THE ‘SWORD DEITY’ AT PETRA

Abstract

During the 2000 Season of the Brown University excavations of the so-called Great Temple at Petra, an elusive rock-cut figure (termed the ‘Sword Deity’) was discovered in the southern perimeter wall. Since then, the current authors have identified other such figures as belonging to this previously unknown type, which has similarities with the Greek herm. Based on a contextual analysis of these figures, it is proposed that the type may depict a protective deity or ‘lord’ of the Nabataean stonemasons, most likely Dushara. According to this interpretation, the stonemasons sought divine protection during their work by carving the image of the deity high in the rock faces. This paper sheds new light not only on the representation of Nabataean deities, but also on the role of religion in the daily life of the inhabitants of Petra and their relationship with the natural environment.     

THE ‘LORD OF THE STONEMASONS’: PART II. ‘STANDING FIGURE WITH BETYLS’ AT PETRA

Abstract

This paper presents the second type of representation of the ‘lord’ of the Nabataean stonemasons, a male figure standing with betyls. This type is found in five rock-cut reliefs in Petra, usually high in the walls of quarries or monuments. It is argued that, like the so-called ‘sword deity’ figures presented in Part I, this second type was also carved by the stonemasons as another representation of their tutelary deity, possibly Dushara. Study of these little-known figures reveals new information on the diverse depiction of Nabataean deities, as well as on the religious beliefs of the stonemasons at Petra.     

‘She-who-must-be-obeyed’: Anthropology and Matriarchy in H. Rider Haggard's She

This essay examines the nineteenth-century debate about an imagined matriarchal past, arguing that it raised significant questions about gender and history. It scrutinizes the interdisciplinary nature of the debate, demonstrating that anthropology and literature intersected in a fraught investigation of ‘mother-rule’. The essay contends that H. Rider Haggard's novel She (1887) engages in complex ways with anthropological visions of a matriarchal past. The work of the major matriarchal theorists, J. J. Bachofen, J. F. McLennan, John Lubbock, and L. H. Morgan, often seen as triumphalist accounts of the transition from matriarchy to patriarchy, was beset by tensions about gender, power, and temporality, caught between evolutionary meliorism and nostalgia, between a defence of patriarchy and recognition of cultural variability. Haggard's She, the essay argues, exposes and deepens the tensions at the heart of the anthropological narrative. Critics have conventionally read She as a matriarchal dystopia, yet the novel offers an ambivalent dramatization of matriarchy, and is attracted as well as repelled by the matriarchal past embodied in the white African queen Ayesha and her people, the Amahagger. More than a femme fatale, Ayesha is sorceress and scientist, harbinger of life and of death; even her violence unsettles assumptions about gender and power. Haggard's evocation of the Amahaggers’ marriage practices works to question the anthropologists’ hierarchical cultural evolutionism, moving towards an appreciation of plural cultures. The narrative's insistence on cyclical temporalities also disrupts a linear narrative of progress from matriarchy to patriarchy, conveying the potent attractions of a resurgent female past.     

‘Eastern History with Western Eyes’: E.A. Freeman,Islam and Orientalism

E.A. Freeman is remembered today as a confident proponent of English superiority, whose historical writings were distorted by mid-Victorian prejudices in favour of the Aryan race. This perspective privileges some of Freeman's ideas and works above others, and obscures the complexities of his view of the past which only fully emerge through an examination of his two neglected works on the East: The History and Conquests of the Saracens (1856) and The Ottoman Power in Europe (1877). In analysing Freeman's obscure Oriental volumes this article uses the insights of Edward Said who argued that the West exploits the East according to contemporary exigency and consistently represents the Orient as ‘other’. It demonstrates that Freeman composed the Saracens and Ottoman Power in direct response to Britain's support of the Ottoman Empire during the Crimean War and Eastern Crisis, and re-arranged the past to represent the Turk as distinct from, and inferior to, the West. Freeman's account of the distinctiveness of the Orient, however, suggests the need to revise literature on Western approaches to the East which has assumed that antagonism towards Islam declined in the modern period, or was masked behind narratives that purported to be secular and objective but which continued to empower Europe and subjugate the Orient. Juxtaposing Freeman's narratives on Western and Eastern history, I argue that his association of Christianity with European progress and Islam with Eastern barbarism is key to understanding his deep fear of cultural contact with the Orient. Far from bolstering the strength and power of the West vis-à-vis the East, Freeman's account of the fearful barbarity of the Islamic Orient is underpinned by his belief in an anti-Christian, Judeo-Islamic, conspiracy that threatened the West with degeneration and recapitulation.     

‘New Art History’ vs. ‘Old History’: writing art history

Abstract

The three strange poems in English which constitute the section ‘Foreign Language Verse’ in Cavafy's Unpublished Poems present problems of authorship, interpretation and preservation. Who wrote them? What are they about? Why did Cavafy, who destroyed so much, trouble to keep them? The purpose of the present note is to provide plausible, if not definitive, answers to these three questions. The poems under discussion are, ‘Leaving Therápia’, ‘Darkness and Shadows’ and the untitled poem that begins, ‘More happy thou, performing Member’.     

‘A Repository,a Switchboard,a Dynamo’: H.L. Beales,a Historian in a Mass Media Age

The historian H.L. Beales (1889–1988) managed to propagate a wider interpretation of nineteenth century social history through non-academic means. Whilst Beales failed to write much in the way of history, his parallel career as an adult education tutor, radio broadcaster and editor of Pelican books meant that he acted as an important propagator of the subject. This, combined with wide influence over a considerable proportion of the younger generation, means that he should be considered as a singularly important historian of the period, who realised and adapted to the potential of new mass media to reach new audiences.     

‘The Indian Gift’: A critical debate

In 1986 Jonathan Parry’s ‘The Gift, the Indian Gift and the “Indian Gift”’ claimed to overturn conventional understandings of Marcel Mauss, by arguing that market societies most idealize the distinction between gifts and commodities, and gift giving need not entail reciprocity. Based on an analysis of Hindu religious gifts, Parry proposed a broad framework for understanding how ideologies of exchange function in different economic and cosmological contexts. Thirty years later, this symposium considers the intellectual milieu in which The Indian Gift was written, and interrogates whether or not the work remains relevant to contemporary research and analysis. The symposium opens with a short introduction that provides some background to Parry’s essay and incorporates material from a recent interview with him. This is followed by critical comments on it by five influential thinkers on gift exchange: James Carrier, Chris Gregory, James Laidlaw, Marilyn Strathern and Yunxiang Yan. It ends with a short ‘revisionist’ note by Parry in which he tries to identify some of the limits of the Maussian approach for contemporary anthropology.     

‘Reassessments of Winston Churchill’: A Reply

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HERBERT S. KLEIN. The Atlantic Slave Trade. New York: Cambridge University Press, 1999. Pp. xxi, 234. $49.95 (US), cloth; $15.95 (US), paper. Reviewed by John Thornton

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DEREK CROXTON. Peacemaking in Early Modern Europe: Cardinal Mazarin and the Congress of Westphalia, 1643–1648. Selinsgrove: Susquehanna University Press, 1999. Pp. 397. $52.50 (US). Reviewed by Paul M. Sonnino

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MAX M. MINTZ. Seeds of Empire: The American Revolutionary Conquest of the Iroquois. New York: New York University Press, 1999. Pp. xi, 232. $28.95 (US). Reviewed by Colin G. Calloway

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BERT EDSTRÖM. Japan's Evolving Foreign Policy Doctrine: From Yoshida to Miyazawa. New York: St Martin's Press, 1999. Pp. x, 216. $72.00 (US). Reviewed by Christopher W. Hughes

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A geographer in heritage. Responding to ‘decennial reflections’

This article is a comment on: Tubridge et al., 2012. Decennial reflections on a ‘geography of heritage’ (2000). International Journal of Heritage Studies, DOI: 10.1080/13527258.2012.695038