Rethinking ‘Global Dickens’: The Case of the Cross-Cultural Transfer of David Copperfield

This article revisits and challenges some of the presumptions and methodologies pertaining to the current ‘global’ turn in Dickens scholarship, and Victorian studies in general. It uses the case of the cross-cultural transfer of David Copperfield from Britain to China in the early twentieth century to demonstrate the importance of attending to local differences and cultural specificities when examining cross-cultural interactions. This article investigates the influence of the Chinese life-writing traditions on the way in which the text was adapted and translated for the Chinese readership, and explores the relationship between self and society as manifested in the adapted work at a specific historic moment. It reveals the complexities surrounding cross-cultural interactions and demonstrates the intricate relationship between the global and the local, thereby challenging any simplified pursuit of the concept of ‘Global Dickens’.     

The Capture and Curation of the Cannibal ‘Vendovi’: Reality and Representation of a Pacific Frontier

ABSTRACT

The United States Exploring Expedition into the Pacific launched in 1838 was marked, like the continental expansion westward, by violent encounters with Native peoples. By examining the record of the expedition's kidnapping of the Fijian Ro Veidovi, the fate of his body after death, and the ways his story came to be invoked in the official narrative of the expedition, the popular press, the ‘National Gallery’ and, more recently, the Fijian press, this paper demonstrates how violent contacts on the Pacific frontier were remembered, effaced, and reconceived. The changing story of Ro Veidovi permanently bridged distant locales in an emerging ‘Pacific World’, setting in motion transcultural negotiations that continue to this day.     

The Representation of Joe Whelks: Charles Dickens’s Reflections on a Theatre Audience

This article explores how Charles Dickens both alludes to and occludes the Victoria Theatre’s looking-glass curtain in his article ‘The Amusements of the People’ (1850). This vast mirror curtain hung at the Victoria in the early 1820s and again in the mid-1830s. Contending that Dickens would have been aware of this spectacular novelty, this article argues that his reference to the Victoria Theatre’s management ‘holding up a mirror’ to its audience is an allusion to the curtain. The mirror curtain reflected the working-class audience at the theatre back to itself, putting it ‘on the stage’, a comment on the nature of representation and its relationship to reality. Like theatre itself, which it also figured, the mirror curtain had a heterotopic nature, both representing and contesting reality. This challenge was particularly unsettling to middle-class onlookers in the context of the representation of an unrepresented (disenfranchised) plebeian audience. I argue that Dickens’s article, like the mirror curtain, reflects the Victoria’s working-class audience and that he alludes to the mirror when making radical arguments concerning the political and class-based nature of aesthetic judgements about representation. His article, however, remains equivocal about the right to working-class self-determination and enfranchisement that the mirror curtain represented. Dickens gestures to, but occludes, the curtain and displaces it with his own representation of the Victoria’s audience and his mediation on their behalf. Ultimately, the challenge posed by the looking-glass curtain to the social and aesthetic order is too great to be fully acknowledged.     

‘A Model of its Kind’: Representation and Performance in the Sudan Self-government Election of 1953

In December 1953 Sukumar Sen, an Indian civil servant, bid farewell to Sudan, having just overseen Sudan's ‘self-government’ election. ‘Your election’, he told the people of Sudan in a radio broadcast, ‘can legitimately claim to have been a model of its kind.’ The election had seen determined attempts at manipulation—by Sudanese and by Sudan's rival colonial masters, Egypt and Britain. Much of this manipulation revolved around the mechanics of the election, and there were bitter arguments within the Electoral Commission which oversaw the event. Yet all involved were driven by a concern over representation—over how the election would look, to outsiders and to those involved. This paper will examine the debates over how the election should be conducted, and will suggest that, for those who organised it, the election was concerned not so much with representation of the will of the people, but rather with the representation of process.     

Sailors and Slaves: The ‘Poor Enslaved Tar’ in Naval Reform and Nautical Melodrama

This article explores the rhetorical comparison of naval sailors' exploitation to that of African slaves in pre- and early-Victorian discourses on naval reform. It is structured around an analysis of J.T. Haines's nautical melodrama My Poll and My Partner Joe (first performed 1835), in which the hero, having been press-ganged by the navy, risks his life freeing enslaved Africans on the Middle Passage even though he considers himself a slave to his nation. This plot was both timely and provocative: first performed in the immediate aftermath of the illegalization of slavery in Britain's colonies, it dramatizes an analogy between slaves and sailors that was contested by campaigners for naval reform and their opponents. Ultimately, My Poll and My Partner Joe palliates radical commentary on sailors' rights, in its second and third acts, as the sailor patriotically celebrates his freedom in antithesis to African slavery. Rather than read its denouement simply as romantic escapism, I argue that it proposes resolutions to conflicts that had arisen in British understandings of slavery and freedom, and racial and national identity, as a result of the debate on naval reform. To researchers of imperial, humanitarian, and working-class cultures and identities of the nineteenth century, this article reveals the underlying importance of ‘race’ and slavery to debates on maritime labour. It further highlights the complex, dialectical character of pre- and early-Victorian representations of sailors – on the stage and beyond it.     

‘‘The Acceptable Face of the Unintelligible’: Intermediality and the Science Play’

Abstract

The limitations of the ‘science-in-theatre’ genre is explored and the concept of the intermedial science play is introduced as an alternative to conventional science plays. How the science-in-theatre play dampens the mediality of the stage in order to establish a specific contract with its audience in order to realize what Carl Djerassi calls ‘didactic realism’ is considered. By virtue of the dramatic form and the didacticism it establishes, the science-in-theatre play limits the means by which audiences may encounter and enjoy responding to science. In particular, when staging concepts from the postclassical sciences, the intermedial science play offers artists and spectators new approaches to the sciences of infinities, complexity and emergence whilst also establishing a new, interactive contract with the audience based on forms of pedagogy associated with the thinking of Jacques Rancière. Using the media theory of Peter Boenisch and others, intermediality is identified as more than the mere presence of multimedia, but in terms of the effects it produce on the sensorium of the spectator.     

Defending ‘the Principle of Representation’: Andrew Bisset,The English Civil War,and The History of the Struggle for Parliamentary Government in England

Abstract

Victorian attitudes to the past were varied and in some cases irreconcilable. Newer standards of expertise and objectivity coexisted with older approaches, and the idea that history should be used for present purposes remained intact. Throughout the Victorian age there were circumstances in which history was a polemical tool, designed to give one set of interpretations or values or policies an advantage over its rivals. This article explores the work of a relatively neglected figure in Victorian historiography – the reform-minded historian and lawyer Andrew Bisset (1803–1891) – whose primary goal was to illustrate and advance what he called ‘the principle of representation’. He discussed people and events of the past to this end, offending reviewers along the way because of his obvious political agenda, but also developing a rigorous source-based style, usefully evaluating for his readers the work of Macaulay, Carlyle, and others, and helping to shape Victorian opinion about, in particular, the political and religious crises of seventeenth-century Britain. Like others, Bisset believed that the disputes of that period had relevance to the public controversies of his own day. This article is designed to contribute to ongoing debates about the Victorians’ relationship with the past.     

The First ‘Urnfields’ in the Plains of the Danube and the Po

Journal of World Prehistory - Archaeological research is currently redefining how large-scale changes occurred in prehistoric times. In addition to the long-standing theoretical dichotomy between...     

The Ideational Dimension of Federalism: The ‘Australian Model’ and the Politics of Equalisation in Canada

This article examines the ideational dimension of federalism and its consequences for the analysis of policy development. With this objective in mind, the article offers an explanation for Canada's rejection of the two main aspects of the ‘Australian model’ of equalisation: the assessment of expenditure needs and the existence of an arms-length commission to determine payments. As argued, the ideological prevalence of provincial autonomy in Canada explains why federal officials opted to reject the ‘Australian model’ as they prepared to establish the country's program and why subsequent reforms never introduced a needs-assessment dimension or created an arms-length agency to administer equalisation. At the theoretical level, this article shows how ideational factors can shape policy outcomes.     

The question of ‘the political’ in critical geopolitics: Querying the ‘child soldier’ in the ‘war on terror’

After two decades of scholarship on ‘critical geopolitics’, the question of whether it is largely a discursive critique of prevailing knowledge production and geopolitical texts or critique with an implicit, normative politics of its own remains open. These positions are not incommensurate, and much scholarship on critical geopolitics does both. This paper analyzes critical geopoliticians' concern with this question in the present historical moment and probes the possibility of a post-foundational ethic as the basis for ‘the political’ in critical geopolitics and beyond. Empirically, this paper explores these theoretical tensions within ‘critical geopolitics’ by tracing the disparate fates of two young men, both child soldiers at the time of their capture. ‘Child soldier’ is an unstable category subject to geopolitical valence and stigma during the ‘war on terror’. The deployment of extra-legal tactics and spaces of violence, such as those faced by detainees at Guantanamo Bay, point to the rise of biopolitics combined with geopolitics, illustrating the intersection of sovereignty and governmentality as important political fodder for critical geopolitics two decades after its inception. The stories of Canadian Omar Khadr, one of the youngest prisoners at Guantanamo and the only citizen of a Western state still held there, and Ismael Beah, a rehabilitated soldier who fought as a boy from Sierra Leone, illustrate too how geographical imagination strongly shapes access to provisions of international law and the victimized status of ‘child soldier’ in particular.     

The Campbell Committee and the origins of ‘deregulation’ in Australia

The 1981 Australian Financial System Inquiry, known as the Campbell Committee, is widely seen as the start of the reform movement of the 1980s and 1990s. Accounts of its origins have been dominated by a debate about which policy actor can take credit. This paper utilises cabinet and Reserve Bank archives to reassess the origins of the Campbell Committee. The inquiry had its origins in an earlier attempt by the Whitlam government to take federal control of the regulation for non-bank financial institutions and the building society crisis of the mid-1970s. In its response to these political and economic challenges we can identify the moment in which the Fraser cabinet turned towards market-based reform. The political decisions made in the context of crisis set the path for regulatory change in subsequent decades, particularly in the area of prudential regulation, where we have seen regulatory consolidation and expansion rather than ‘deregulation’.     

‘Impressions of Weird Fate’: Revision and Crisis in ‘The Lady of Shalott’

Alfred Tennyson disliked the engraving of ‘The Lady of Shalott’ produced by William Holman Hunt for the 1857 Moxon edition of Tennyson’s Poems, accusing the artist of taking too many liberties in depicting the Lady’s hair and the threads of her weaving as ‘wildly tossing’ around her. This essay traces the histories of both Hunt’s image and Tennyson’s text, arguing that the poet’s objection is grounded in the fact the engraving reproduces the fierce agency that characterizes the Lady in Tennyson’s 1832 original but not his 1842 revision. That pattern of revision, I suggest, reflects the poet’s distress over the 1833 death of his beloved friend Arthur Hallam and is motivated by his new ways of thinking, in the wake of that catastrophe, about the crisis of desire and the perpetual trauma of communication between the living and the dead.     

‘The Claims of Asia and the Far East’: India and the FAO in the Age of Ambivalent Internationalism

If any nation were poised to actualize the developmental promises that the Food and Agriculture Organization (FAO) extended to the international community, it was India. India's independence came in the wake of devastating famine in Bengal and the fears of its recurrence, and the nationalists who had midwifed India's freedom staked their legitimacy to the promise of food for all. Yet from independence, the FAO played only a marginal role in India's agricultural development, its projects reflecting a winnowing scale of ambition. From early investigations into the improved cultivation of basic food grains, the FAO's projects grew increasingly modest by the time of the Green Revolution, revolving around modest improvements to capitalist agriculture, from wool shearing to timber and fishery development. Instead, India drew more substantively upon resources made available by the Ford and Rockefeller Foundations, the United States Technical Cooperation Mission and occasional Soviet largesse. Meanwhile, the Indian most associated with the FAO, B.R. Sen (Director-General, 1956–1967), struggled to align the Organization's capacities with India's scarcity crises, even as his own understanding of famine drew upon his experience as India's Director of Food during the Bengal Famine.     

The monumental and the miniature: imagining ‘modernity’ in Astana

This article examines the elite nation-building project in post-independence Kazakhstan through an analysis of monumental architecture and miniature models in Astana. It considers the role of the country's new capital as a modernist project, in which elite geopolitical imaginaries are multiply inscribed in the cityscape. Drawing on interdisciplinary literatures on modernity and authoritarian regime legitimation, the article considers modernity as a discursive trope employed in legitimating the Nazarbayev government, and one that has various material manifestations in the urban landscape of Astana. The research is based on fieldwork in Kazakhstan in Summer 2009, and examines architecture, monuments, and the 2009 Astana Day celebrations. Through a focus on the monumental and the miniature, it highlights their similar roles in transforming symbols of Kazakhstani independence and identity into objects of reverie outside the field of political contestation.     

The ‘Injunction of Jeremiah’: papal politicking and power in the Middle Ages

Throughout the Middle Ages, the ‘Injunction of Jeremiah’ (Jer. 1:10) was employed by countless ecclesiastical writers. Building on an established tradition, medieval contemporaries began applying the allegory of ‘uprooting and destroying, building and planting’ with an intentionally moral and political message. This article examines the Old Testament call narrative with a view to understanding how and why it served medieval popes and other high-ranked ecclesiastics as a political and rhetorical mechanism for legitimising ecclesiastical authority. It argues for a noticeable and deliberate shift in textual interpretation in the ninth century, after which period medieval popes and influential church figures alike marshalled the Injunction to help strengthen the centralising ideology of Rome and her bishop. The effect, it is concluded, contributed ultimately to reinforcing the papacy's claims to govern spiritual and temporal matters throughout Christian society.     

‘Chilling’ and ‘hopping’ in the ‘teenage space network’: explorations in teenagers’ geographies in the city of Mechelen

Within the field of children's geographies several calls have been made to develop ‘teenagers’ geographies’ as a complementary field of research and practice. It has been stated that teenagers remain ‘invisible’ or ‘marginalised’ in public debates as well as in research and practice, even within childhood studies and children's geographies. Further explorations in teenagers’ geographies could contribute to the research on ‘diverse childhoods’. This article explores the spatial worlds of teenagers (approximately 12–16 years) in Flanders (Belgium), a region characterised by a dense network of smaller cities and ‘urban sprawl’. Based on street interviews and observations in a small city several mental maps and patterns of teenagers’ use of public space were identified. Starting from a case study in the city of Mechelen, this article suggests how these perspectives can be integrated into urban planning by identifying and tying together relevant planning layers, thus creating a more closely knit ‘teenage space network’. Wouter Vanderstede is an urban planner, anthropologist and historian. He is a researcher and staff member at Childhood & Society Research Centre–Onderzoekscentrum Kind & Samenleving vzw. Child friendly and teenager friendly planning and design of public space is one of the main research themes of the institute. View all notes     

Heritage and gastronomy: The pursuits of the ‘new tourist’

Abstract

The main thrust of this text is to acknowledge the relationship between gastronomy and heritage as a key motivator for travel. Gastronomy, as a central part of culture, and its influence on other aspects of culture has received scant recognition from the academic world generated by tourism. Gastronomy, heritage and tourism are old friends; the relationship between them is mutually parasitic. Gastronomy's role as a cultural force in developing and sustaining heritage tourism is addressed, as is its increasing role as a catalyst in enhancing the quality of the tourist experience. Today's consumers’ search for an individual lifestyle is changing tourism and the ‘new tourist’ is using the holiday for acquiring insight into other cultures. Recent research and current market trends are examined to reveal the increasing significance of gastronomy to holiday choice. It is argued that gastronomy brings culture and cultures together. Place and setting enhance the food experience and arguably vice‐versa. Heritage and gastronomy combined make for an excellent marriage of tourist resources. The text argues that this combination is both used and viewed by the tourist. As such the tourist becomes engaged in cultural heritage to a deeper level.