Heritage and national identity: Exploring the relationship in Romania

Abstract

Within heritage studies the relationship between national heritage and national identity is frequently taken as axiomatic. The construction of a national heritage is an important part of nation‐building, and historic buildings and monuments can be powerful symbols of a nation's aspirations and identity. Yet this relationship has received relatively little empirical investigation. This paper reports an exploratory study of the heritage/national identity relationship in Romania which focuses on just one Roman monument – Trajan's bridge. For many Romanians the monument is a powerful symbol of their identity representing Dacian and Roman origins, Latinity, and the continuity of Romanian settlement in Transylvania. The monument was also seen by some as an important symbol of Romania's attempt to construct a post‐Communist identity, and to forge closer links with western Europe. However, the meanings of the monument are not shared by all Romanians, and in particular are strongly contested by Romania's Hungarian minority.     

Microclimate analysis of deteriorated wall paintings: With restitution of original decoration through imaging

Abstract

The restoration of deteriorated wall paintings in an underground environment requires at the outset a complex analytical approach designed to clarify the deterioration processes. These can be identified and prioritized using continuous microclimatic monitoring with multichannel analytical loggers, providing abundant data on climatology, airflow and hydrogeology in real or semireal time. The investigator can therefore have an almost instantaneous idea of the evolving microclimatic conditions of the monument, identifying among other variables the condensation or evaporation phases of the walls and the rising or sinking of the underground water table when the monument ‘has its feet in the water’, as in the case described here of St Emilion (France). In addition, electronic image capture in situ can be used to decode and restitute very damaged paintings that have become difficult to read, with a view to their being eventually presented to the public.     

Egypt in Rome – an introductory essay II: The Villa Adriana and the beginnings of Egyptology

Abstract

The first part of this review considered the legacy of the Egyptian goddess Isis to European civilisation and discussed obelisks and the significance of the Isaeum Campense in Imperial and later Rome. This concluding part explores the influence on later generations of the Emperor Hadrian's villa at Tivoli, describes the emergence of Egyptology as a serious scholarly discipline, and makes brief mention of the Renaissance gardens of the Villa d'Este.     

The Alcester Waterworks Company: A Study in the Small-scale Technology of Water Supply

Abstract

The Alcester Waterworks Company supplied a small town in Warwickshire with water from 1879 until 1947. Always a miniscule concern, the company used very simple technology throughout its existence. The introduction of a gas engine as a replacement for a waterwheel as a source of power for pumping produced a reduction in pumping expenses which transformed the company's financial affairs. The surviving remains of the company's installations give a picture of the simple technology used and allow some tentative conclusions to be made about the causes of the difficulties with pumping which the company experienced in its early days.     

Coalport Bridge: A Study in Historical Interpretation

Abstract

Industrial archaeologists frequently demand the preservation of monuments. Such preservation can be justified on the grounds that a monument has an educational function, or sometimes that it has potential for excavation. It is the purpose of this article to suggest that a surviving monument continually poses questions about its own past, and about wider historical issues, and to show how the understanding of one particular monument, the Coalport Bridge, has increased over the last twelve years, not just because new documentary sources have come to light, but because it has been possible to use the evidence of the structure itself to test the authenticity of other sources.     

The Fabulous Tales of the Common People,Part 2: Encountering Hadrian's Wall

Abstract

In 2003, the Hadrian's Wall National Trail was opened, providing a 135 km (84 mile) public footpath along the length of the Roman frontier from Wallsend to Bowness-on-Solway. Each year, thousands of visitors walk the Trail from end-to-end and many more make day trips to visit specific locations within the wider World Heritage Site. In the second of two related papers (see Witcher, 2010), consideration turns from professional and popular visual representations of Hadrian's Wall to the ways in which visitors physically experience the monument and its landscape. The paper explores how embodied and sensory encounters produce and reproduce understandings which are charged with cultural and political meaning. Specifically, the elision of visitors and Roman soldiers through a process of embodied empathy/sympathy is outlined. It is argued that the way in which Western society assumes familiarity with an ancestral Roman Empire actively reduces the interrogative potential of encounters with the monument and limits visitors' ability to reflect on the significance of the Wall. The paper goes on to consider alternative modes of visual and physical engagement, drawing inspiration from virtual communities including geocachers who have used Information Technology such as Global Positioning Systems and Web 2.0 functionality to develop innovative modes of representation and encounter.     

Saving the Sweet Track: The in situ preservation of a Neolithic wooden trackway,Somerset, UK

Abstract

The Sweet Track is the oldest known wooden trackway in Europe. Part of the trackway is preserved in situ in a nature reserve under an active system of hydrological management, designed to prevent damage to the monument from desiccation. The English Heritage-funded project, reported here, was established to assess the condition of the monument and the effectiveness of the management regime. The results have shown that although the trackway is highly deteriorated it still holds a wealth of archaeological information. The decay of the wood probably occurred gradually over several thousand years but the present management regime should be able to ensure its continued survival.     

Intersections between philosophy and art: expressions of immanence in the seventeenth century — Spinoza and Vermeer*

ABSTRACT

Spinoza's philosophy of immanence represents a turning point that radically changed our conception of human agency and its relation to infinity. Hans Blumenberg rightly called the principle of immanence “a general hypothesis of the epoch”, a principle that applies to philosophy no less than to the sciences and arts in the seventeenth century. This article looks at Dutch paintings by drawing parallels between Spinoza's philosophy and Vermeer's work. Spinoza and Vermeer both deny a dualistic conception of the world and a hierarchical structure between inner and outer spheres. With the example of Vermeer's painting the Milkmaid, this article shows how an analysis of light and colour, time and space, reveal a vision of immanent infinity, with the human agent at its centre.     

Notices of Books

Abstract

The three greatest German buildings of the first half of the eleventh century were of an ambition not to be found elsewhere in contemporary Europe and were modelled directly on Roman Imperial prototypes. They demonstrate a new grandeur of spirit that is typical of German architecture of the time, but in their precise forms, remarkably enough, they remained unique in that country. Archbishop Heribert's huge rotunda at Deutz was partly inspired by the Pantheon, and since Heribert had been Otto III's chief politician and Italian Chancellor for the previous six years the building was an important monument of Otto III's political policy of ‘Renovatio Imperii Romanorum’. The re-creation of Roman Imperial grandeur that these and other German buildings represent is essentially Romanesque and to call them anything else is not to do them justice. The idea of an Ottonian style of architecture has not been helpful.     

3D Digital Documentation,Assessment, and Damage Quantifi cation of the Al-Deir Monument in the Ancient City of Petra,Jordan

Abstract

The rock-cut monuments in the ancient city of Petra in Jordan form an outstanding tangible heritage site. Unfortunately, this important part of the world's cultural heritage is gradually being diminished due to weathering and erosion problems. In this research, an approach combining in situ surveying and laboratory analysis is applied in order to provide sufficient and comprehensive data regarding the documentation and evaluation of the status of the Al-Deir monument in Petra. The purpose was not only to quantify the damage, but also to make a first step towards creating a 3D monitoring programme of the deterioration rate. The approach presents a correlation study between the environmental condition and the surface weathering damage, using 2D mapping of the weathering form and accurate 3D realistic modelling from laser scanning and digital photogrammetry. The 2D mapping provides detailed weathering damage information for the entire stone surface of the monument, whereas the 3D modelling provides information on the spatial distribution and texture of the damage. Additionally, the 3D digital model can provide reference data as an exact guide to the restoration needed. In order to support the visual presentation of 3D surface details, a hybrid approach combining data from laser scanning and digital imagery was developed.

Studies of stone texture and spatial distribution of soluble salts were carried out at the monument in order to explain the mechanism of the weathering problem. Relative humidity, temperature, and wind are the main factors in the salt damage process. In order to study the effect of these conditions in the salt crystallization process a series of fieldwork investigations and laboratory work were undertaken. The results show that visible zoning of weathering damage is correlated to different salt concentrations.     

Simulacra and simulation: double simulation at a North Song Dynasty theme park

ABSTRACT

This paper examines an unusual type of ‘cultural theme park’, one that is not based on simulating existing cultural diversity or historical places, but based in some senses on a ‘double simulation’. The theme park is based on an historical painting assumed to represent the North Song Dynasty period in Kaifeng, China; however, it is a representation that historians argue may never have existed. Utilising on-site interviews and participant observation, this paper traces the connections between the classic painting (清明上河图) and the actual historical landscape of Bianjing (the first simulation), and in so doing, unravels the links between the painting and the theme park (the second simulation) and the simulacra that are envisioned to form within the spaces of the theme park as a result of the interplay of simulations during theme park visits. The simulations and intended simulacra are ‘consumed’ to various degrees, suggesting that the representations of Kaifeng's historical past and culture have been impactful and (in)authenticity has not been an issue. Moreover, the theme park has served to entertain and, in some cases, inspire through playful appropriations of Kaifeng's past and culture. The resultant simulacra and its double simulations (in simulating both the real Bianjing and the neo-real landscape painting) contrast and simultaneously connect with rampant replications of the Occident in contemporary Chinese residential landscapes, townships and themed spaces.     

Stability and conservation of the Maxentius Basilica in the Roman Forum

Abstract

Originally extended over 6500 square metres, the Basilica of Maxentius was one of the biggest and most outstanding buildings of Roman architecture. Only one third of the monument is still standing. In celebration of the Christian Holy Year of 2000 (the Jubilee), the Soprintendenza Archeologica di Roma (SAR) started an extended project with the purpose of restoring the terrace and of studying the structural problems of the monument. CISTeC was appointed to the structural part of the project, including the study of the foundations and the proposal for the consolidation project.

The present paper reports the conclusions of the static and dynamic studies that were carried out both on the present-day Basilica and on the model of the original basilica. The results concluded that the monument could be subjected to seismic risks. Following such conclusions, a provisional consolidation project (which is currently in progress) and three final consolidation proposals were submitted to SAR. The immediate application of the provisional consolidation will give time to SAR to decide which of the final projects is the most Suitable, while still protecting and preserving the monument. The structural studies and the projects are briefly described in this paper.     

Measurement and Proportion in Hindu Temple Architecture

Abstract

Proportion and measure interacted in the evolution and construction of the Hindu temple from the 5th through the 15th century AD, but, throughout this history, proportion dominated as the tool to give the monument both validity and form. This review analyzes the ritual force of proportion and its function in the planning of temples by architects. The diagrams that accompany the article are the result of field research and the analysis of built structures.     

Reviews of Books

Abstract

Responding to the relatively sparse literature on choir stall canopies, this article concentrates on the micro-architectural canopies of the Lincoln, Chester and Nantwich stalls of the late 14th century. At Lincoln, a new three-dimensional polygonal canopy design appears, the precedents and sources for which include the York Minster chapter-house stalls, tombs, bishops' thrones and the Stratford monument in Canterbury Cathedral. The circumstances of the commissions of the Lincoln, Chester and Nantwich stalls are explained, with reference to patronage and architectural projects. Ambitious patrons commissioned stalls which broke with the tradition of double-screen construction in order to create impressive tabernacle canopies.     

Awake anon the tales of valour: the career of a war memorial in St. Catharines,Ontario

Memorials cultivate a common understanding of the past that is communicated through the celebration of select people, places or events. Because memorials are located in public space and crafted from time‐defeating materials, the process of commemoration is inherently political. Scholars have studied this process to discover the agendas that inform the ideological content of memorials, but rarely how this content is received by its audience. This question is especially pertinent when memorials outlast the generation and the ideology that created them. This study attempts an answer by exploring the career of one memorial: the monument in St. Catharines, Ontario, dedicated to Private Alexander Watson, a casualty of the Battle of Batoche (1885). It finds that the monument's significance was transformed by political, cultural and historiographical shifts. While its local audience has forgotten its specific message, its generic intent to honour fallen soldiers is still recognized.     

Mathematics and painting

Abstract

Mathematics and painting are interrelated in many ways. At a technical level mathematics can be used to enhance our appreciation of paintings. This was recently demonstrated beautifully by Taylor, Micolich, and Jones in their analysis of Jackson Pollock's drip paintings, which led them to the conclusion that Pollock's paintings are in a way figurative pictures. Relations also exist at a more basic level. Painting and mathematics can share subject matter, as is illustrated here by a discussion of the mathematical concepts 'open' and 'closed', which are related to paintings by Pollock, Kandinsky, Turner, and van Gogh. It is suggested in conclusion that mathematics and painting are so closely related and have so many similarities that it is reasonable to consider them simply as two different but complementary ways of visualising aspects of the concrete or abstract reality in which we are embedded.     

Dimensional variations of Roman masonry subjected to wetting-drying cycles

Abstract

Many Roman monuments made of opus caementicium are subjected to wetting and drying phenomena caused by water or/and humidity from the ground. The action of water impregnation on the hypothetical dimensional changes in this Roman concrete has not been considered in the literature and no experimental data are available.

The purpose of this work was the evaluation of the effect of wetting and drying cycles in a number of cores taken from an ancient Roman monument (Domus Tiberiana in the Palatine, Rome). The concrete samples were made of a pozzolanic mortar with large pieces of tuff, marble and bricks.

In spite of some differences in their composition, the behaviour of the cores was similar and, generally, quite constant during the experimental cycles. On the average, the length variation was about 3–4%,or 3–4mm for each metre and, when related to high structural walls and monuments, the possible dimensional changes were quite impressive.