Painted Textiles in a Buddhist Temple

Abstract

This article investigates women's dye practice at a time when natural dyes were deemed obsolete, or when created by men working from an artisanal studio, transformed into idealized labour more consistent with the ideals of the Arts and Crafts Movement. The objective of this article is to assess the extent to which gender plays a role in the historical and contemporary determination of the aesthetic, cultural, and social value of natural dyeing. Another goal is to move away from the term 'craft work' with its acquired pejorative context and locate dyeing within 'artisanal practice' as an occupational choice. Current studies on women's participation in the Arts and Crafts Movement raise questions as to the distinction between amateur and professional status among practitioners in many media. The only dyer deemed to be 'professional' was William Morris; yet in north-west Ireland, the Scottish Highlands, and England's Lake District, female dyers contemporary with Morris also made important contributions. That their production of colour originated from the separate sphere of home need not mitigate against professional status nor historical value, but there is a lingering perception that men such as Morris possessed inherently superior abilities. The focus of this article is also to analyze the mythology of natural dyeing which has limited the opportunity to recognize female dyers whose practice aligned with the utopian ideals of the Arts and Crafts Movement. Three examples are discussed here against a brief summary of centuries of women's involvement in the business and trade of dyeing. The Arts and Crafts dyers discussed in this paper are also compared to Morris. Women's abilities as colourists were as worthy of professional designation as were those same skills when they emanated from men who comprised the Movement's elite.     

Handcraft as Cultural Diplomacy: The 1968 Mexico Cultural Olympics and U.S. Participation in the International Exhibition of Popular Arts

Mexican post-revolutionary cultural institutions excelled at implementing Mexican art and popular arts as key elements in cultural diplomacy. However, while there is abundant research regarding these arts and their inclusion in international exhibitions during the first part of the twentieth century, there is little research on their role in international cultural diplomacy during the second half of that century. In the first part of this article I present a historiographical appraisal of the 1968 Mexican Cultural Olympiad and the resolutions of the “First Latin American Seminar on Popular Arts and Crafts” sponsored by UNESCO in Mexico City in 1965. In the second, I examine the case of U.S. participation in the “Exposición Internacional de Artesanías Populares” (International Exhibition of Popular Arts), which was part of the 1968 Cultural Olympiad’s programme – largely neglected by the historiography of the XIX Olympics – to explain how popular arts were made to perform as agents of cultural diplomacy in Mexico and the U.S. during the Cold War. In addition, I argue that U.S. participation in this exhibition also reveals negotiations and redefinitions of the concepts of handcraft and arte popular, and the economic and social situation of their makers in the United States.     

Theory and the history of cartography

Abstract

Cartographic history has been dominated by an empiricism that treats the nature of maps as self‐evident and which denies the presence of any theory. In contrast, this paper argues that theories lie at the root of all empirical study whether or not they are acknowledged. The linear, progressive model of cartographic development, for example, is not a law deduced from historical evidence; if it were it would be easily and quickly dismissed. It derives instead from our cultural beliefs concerning the nature of maps, which is to say from our unexamined theories. Historians of cartography need to be critical of their assumptions and preconceptions. Theoretical discussions in the history of cartography must address not whether we should use theory at all but to which theories we should adhere. It is inadequate simply to knock theories down. We must establish a debate in which old understandings of maps, of their creation, and of their use are replaced by better (that is, more consistent and coherent) theories.     

The protection and management of the megalithic art of Galicia,Spain

Abstract

Megalithic art is an important cultural resource in many regions of Western Europe. In this contribution we look at examples from Galicia, in the north-west corner of the Iberian Peninsula. A vast project has been underway since 1998, surveying and characterizing megalithic paintings, a field of research previously unexplored in any systematic way. Through defining the extent and state of conservation of megalithic paintings, the aim of the project is to be able to recommend adequate measures for their protection and preservation. It is hoped that this interdisciplinary effort will be combined with a consistent policy of display and promotion that will ensure a growing public awareness of the value of these fragile artistic works, while avoiding unnecessary losses in this part of our cultural heritage.     

Book review

Andrew Sinclair, Arts and Cultures: The History of the 50 Years of the Arts Council of Great Britain (London: Sinclair‐Stevenson, 1995) x + 502 pp. £20.00     

The costs of putting Valencia on the map: the hidden side of regional entrepreneurialism, ‘creative city’ and strategic projects

ABSTRACT

Strategic projects based on culture and sports have been one of the vectors of regional development since the 1990s. Accordingly, local and regional governments have drawn up entrepreneurial strategies to project their image internationally and foster investment and tourism. These developments have been described in Spain as ‘The Calatrava Model’ for putting a city/region on the map and for boosting tourism. However, from the study of the case of Valencia and four strategic projects (The Fifth World Meeting of Families, The America's Cup, Formula 1 and The City of Arts and Sciences), we will show how there is a hidden side to this paradigm, which boils down to an unsustainable, top-down system whose sole purpose is to gain and maintain political hegemony. We will also assess the medium and long term impacts of these projects in terms of: opportunity costs, snowballing debt, corruption, and an utter breakdown of democratic controls as a result of Valencia’s poor regional governance.     

Beilstein in English

Abstract

If we consider the context in which certain works of art were produced, as well as the world view of the artists themselves, we should be able to make some connections between the history of science and the history of art. We can do this partly because we have access to reproductions of pictures in all media made before photography and can make comparisons between them. Yet these same techniques for the multiplication of images flood our own daily horizons with pictures taken from their original context and often trivialised. Photography has so conditioned our way of looking at pictures that a considerable corrective effort is needed to bridge the psychological distance between our own mentality and that of the past.     

'Political' personae: the poem from prison of Michael Glykas: Byzantine literature between fact and fiction

Abstract

Byzantine vernacular literature, much of it in verse, has long been seen as material for Quellenforschung into the historical or social conditions of its time. Following the precepts for literary history set down by such pioneers of Byzantine studies as Karl Krumbacher, the study of these texts has concentrated on authors rather than on the texts themselves as autonomous objects of historical study, whose form and content should guide our understanding of their original intention and reception by Byzantine audiences. The 'Poem from Prison' by Michael Glykas illustrates both the shortcomings of the focus on authors and the alternative potential for renewed engagement with Byzantine texts as objects of imagination and creativity.     

An outline of Alan Wilson’s philosophy of knowledge,with special attention given to the importance of interdisciplinarity and its role in undergraduate education

ABSTRACT

This article explores two ideas due to Alan Wilson: superconcepts and enabling disciplines. These ideas emerge from Wilson’s philosophy of knowledge and, in particular, from his thinking on interdisciplinarity. Both ideas are described, analysed and developed in the context of their wider importance in interdisciplinary undergraduate education and their implementation on the Arts and Sciences BASc at UCL. Some suggestions for future developments of these ideas at the proposed new university at the London Interdisciplinary School are offered.     

Nineteenth-century planned industrial communities and the role of aesthetics in spatial practices: the visual ideologies of Pullman and Port Sunlight

In the 1880s British and American planned industrial communities revealed a distinct shift in spatial practices as two discrete architecture and landscape architectural aesthetics were applied to community design: Beaux Arts, and Arts and Crafts. Two of the most extensive planned industrial communities during this decade received aesthetic attention: Pullman, Illinois near Chicago (1880), established by George Pullman, and Port Sunlight, near Liverpool (1888), established by William Lever. Both Pullman and Lever believed that by applying a distinctive aesthetic they could establish a cohesive visual ideology for social control. Lever and Pullman believed that by creating “beautiful” spaces, this would encourage and/or constrain worker attitudes and behaviors, what Henri Lefebvre calls “means of control” (1991, p 26). In addition, both Pullman and Port Sunlight became central to establishing and maintaining each company's brand identity. This paper explores the visual ideologies these two industrialists used to produce a distinctive sense of community while also revealing the inherent tensions and limitations of those aesthetics. Not only do Pullman and Port Sunlight reflect an important shift in spatial practices during the 1880s, their architects and landscape architects became influential leaders in the visual ideologies of the City Beautiful and Garden City planning movements.     

Firing up craft capital: the renaissance of craft and craft policy in the United Kingdom

Crafts have recently been experiencing a renaissance. This revitalization sees craft increasingly recognised as a growing industrial sector with benefits linked to educational, cultural and economic development policy agendas. This paper engages with policy debates around the place of craft in the United Kingdom from 2010. Drawing on craft sector perspectives and UK government policy initiatives it situates the disciplines and practices of craft within their institutional support networks, organizational contexts and draws attention to the role of individuals in driving agendas. The paper focuses on the national facing crafts development organizations, the UK Crafts Council and the UK Heritage Crafts Association, alongside recent policy discussion emerging from the UK Department for Business, Innovation and Skills. Recognizing that the legacies of past practice often inform contemporary agendas, the paper explores how the advocacy of craft in the recent past has shaped the place and positioning of craft in contemporary UK politics.     

New Mills in Bowden Middlecale: Domestic Textiles in the Rural Economy before the Industrial Revolution and the Change to Factory Cotton

Abstract

The year 1996 is being celebrated as Visual Arts Year in the North of England. From 21 September 1996, an Exhibition ‘People and Patterns’ at The John and Josephine Bowes Museum, Barnard Castle, County Durham, will describe the local carpet industry, which supplied the London and provincial trade for many years during the nineteenth century. The Exhibition closes on 5 January 1997     

Bolton Castle and the Practice of Architecture in the Middle Ages

Abstract

It is suggested in this paper that our view of the medieval master mason's methodology, in respect of building design, tends to be a partial one; that it represents the ideal, and fails to take account of some medieval architects' inherent empiricism. A good deal is made of comparatively scarce documentary evidence, and of analyses of completed buildings chosen for their architectural coherence. For this reason, perhaps, our perception of the medieval master mason is sometimes too close to that of the modern architect. It is rare to examine a building's construction sequence in attempting to illuminate the subject: Bolton Castle is a building where it has been possible to reconstruct the process of design, and the conclusion drawn from it is that the design was not cut and dried prior to the commencement of building operations; rather it evolved as they progressed. It is shown that, in this, Bolton was by no means atypical and that such cases are a direct result of the medieval mason's craft based approach to his profession.     

Politics and Public Policy

Abstract

Donnersmarck's The Lives of Others has been widely praised as the first German film to confront the horrors of the East German communist regime. But the film's politics may be ambiguous. As critical as it is of East Germany, it does not offer a ringing endorsement of West Germany. For example, the film's playwright-hero seems to have artistic problems in the West, just as he did in the East. The film's equivocal attitude toward communism is epitomized by its apparently positive view of the Marxist author Bertolt Brecht. This essay compares The Lives of Others with Brecht's play The Good Person of Szechwan in an effort to understand Donnersmarck's attitude toward his East German predecessor and what it means for his larger view of communism and its relation to art.     

International accompaniment,reflexivity and the intelligibility of power in post-conflict Guatemala

ABSTRACT

‘International accompaniers’ use their physical presence as a form of peaceful intervention to deter political violence against local human rights defenders. Threatened members of Guatemala’s civil society have relied on accompaniment as part of their security strategy since the early 1980s. Approximately one thousand volunteers from a dozen countries have accompanied in Guatemala. International accompaniment has been a key component of the effort to prosecute former military general and president Efraín Ríos Montt and other perpetrators of mass human rights violations in Guatemala. Victim witnesses and their legal counsel have included accompaniment as part of their protection strategy since 2000. Important questions have nonetheless been raised with respect to accompaniment’s effectiveness as a tool for witness protection and the possibility that it reinforces power inequalities. This article builds on Gada Mahrouse’s critique of accompaniment and draws on Michel Foucault’s understanding of reflexivity and power. The authors use insights from two case studies to support the argument that accompaniment’s usefulness as a tool for witness protection depends on its ability to accommodate the witnesses’ position within webs of interconnected power dynamics and the multiple ways in which they conceive of security. It also depends on how intelligible these different power dynamics are to accompaniers. This argument is used to highlight how accompaniment in Guatemala is relevant for other situations where the prosecution of human rights atrocities is long term and depends on witness testimony.     

Dilemmas in the Construction of a Socialist Law-based State in Vietnam: Electoral Integrity and Reform

Abstract

The Vietnamese party-state has been seeking to develop the concept of a socialist law-based state in an effort to provide a legal-rational justification for its rule. One of the key pillars in the construction of a socialist law-based state has been electoral governance. Unlike the popular understanding proliferated by the Western media about the meaning of elections in authoritarian countries, I argue that elections are of significance to the political life of the Vietnamese party-state even without pressure from any political opposition. This is because there is a growing need for the party-state to make the elections work more effectively to bolster its legitimacy. Along with the process of promoting the concept of a Vietnamese socialist law-based state, continuous reforms of the electoral integrity system have been considered and cautiously implemented. An important aspect of the reform is to ensure the values, purposes and duties for which power is entrusted to or held by electoral institutions are honoured. It is argued that the process of building a more integrated national system of rules and values has been set in motion but many setbacks have occurred from time to time, making it a dynamic process.     

Communicating Science through the Performing Arts

Abstract

The author reviews over a decade of science and the arts programming he and his colleagues have produced and disseminated. The programs have been supported by the National Science Foundation, the American Physical Society, the Graduate Center of the City University of New York and various foundations and corporations. The author gives detailed examples of using science and the arts to reach the public and students with respect to programming related to the play Copenhagen, the opera Doctor Atomic, the Science & the Arts Series, a major international conference on Communicating Science to the Public, and many other outreach efforts.     

Oil in the Arctic 1. Historical,Environmental and Regional Perspectives

Abstract

An ecologist's point of view of the historical, scientific and social background to the Alaskan pipeline and offshore oil is presented ranging over many discipline and their close interplay. Starting with a deep concern about the protection of the Arctic's unique environment and the oil industry's impact upon it, the work of the Alaska Conservation Society is reviewed. The lack of biological information about Alaska's hinterland made environmental surveillance of the pipeline difficult. The political conflict between State and Federal authorities has hindered scientific effort and the author concludes that the outlook of this many-faceted interdisciplinary impact of technology on the Arctic and Alaska is at present uncertain.     

Cleaning up down South: Supermarkets,ethical trade and African horticulture

Supermarkets in Great Britain have joined the country's Ethical Trading Initiative (ETI) in order to demonstrate their commitment to social welfare and environmental standards in their supply chains. They have been particularly concerned to enforce ethical as well as food safety standards in the African horticultural industry, which has historically depended on cheap labour to produce high-value vegetables. The supermarkets' 'ethical turn' appears to signal an important change from forms of commodity fetishism that obscured exploitative relations of food production in the South. This paper, however, argues that in an era of high food anxiety for both retailers and consumers, ethical standards are themselves fetishized. It also shows how the effort to impose such standards on Zambia's horticultural export industry resembles the colonial 'hygienic mission', and faces a similar contradiction.     

Turning Points in the Greek Resistance

Abstract

Resistance to enemy occupation has stood rather apart from the general history of the Second World War. Historians have been doubtful whether to treat it as a part of military and strategic history or a part of political and diplomatic history. Some have thought the less said about it the better, in any context. In the history of particular countries which suffered enemy occupation, the treatment of resistance has varied widely according to the outcome of the war. In some countries it has occupied a major place in their war-time history: Denmark and Yugoslavia, for quite different reasons, are important examples. In other occupied countries very little has been written about the occupation by professional historians: Greece is an outstanding example. Although Britain played a leading role in promoting resistance everywhere, the subject has not attracted, many professional historians, other than those who had a personal engagement in it during the war.