A Principle of Hope: Recorded Music, Listening Practices and the Immanence of Utopia

In this paper I draw a set of partial connections between ways of using recorded music and utopia. The first half of the paper draws upon the process philosophy of Ernst Bloch to argue that utopia is not located else–where or else–when in a transcendent realm separate from the present but is paradoxically immanent to 'everyday life'. This argument revolves around the novel 'open' experimental ontology that Bloch elaborates through the operator the 'not–yet'. Bloch's work enables the beginnings of an immanent utopianism that is able to discern, rather than critique, the dimly vibrating figures of hope that exist within rather than outside 'everyday life'. The second half of the paper sets this thought in motion by connecting two of Bloch's concepts, the 'trace' and 'novum', to the logic of one particularly common way of using recorded music: the use of music to 'feel better'. Drawing on in–depth case study research with seventeen lower–middle–class households I describe how this practice enables people to momentarily enact two forms of hope that are both based around the geographies of affect and affection: how something better might feel and an ability to forget. I conclude by speculatively describing the practice of a Blochian 'immanent utopianism' that itself embodies 'a principle of hope'.     

“Transcending Without Transcendence”: Utopianism and an Ethos of Hope

Human geography has recently witnessed an emergent interest in the intertwined problematics of how to be utopian and how to remain hopeful or optimistic. This paper aims to introduce a type of immanent utopianism that follows from a dynamic, open, conception of utopia. It revolves around thinking through how an ethos of hope functions in relation to the multiple problems and tasks of utopia/utopianism. The paper describes how Ernst Bloch re‐defined the utopian as a type of process and then outlines a style of immanent utopianism based on an explicit ethos of hope. The result is a sensitivity to matter as utopological, as containing an immanent reference to a not‐yet beyond, that obliges us to practice a utopianism that intervenes in the emergence, and change, of something better in a world that takes place “in hazard”. In conclusion the paper argues for a utopic geography based on being, and becoming, hopeful that is itself a response to an ethical imperative to give and find hope in the context of the tragedy and injustice of suffering.     

How free?1

This paper is a critique of the Marxian idea of a future stateless utopia. It is an immanent critique. Were one to start from non-Marxist assumptions, detailed argument would scarcely be necessary. Non-Marxists just take it for granted that any organized modern society foreseeable from the present world must necessarily involve state-type institutions of governance. My aim here is to show that, even thinking from within the Marxist tradition, the idea of a stateless utopia is not sustainable, unless as a blind act of faith.     

Adaptation Machines and the Parasitic Politics of Life in Jamaican Disaster Resilience

This paper unpacks a politics of life at the heart of community‐based disaster management to advance a new understanding of resilience politics. Through an institutional ethnography of participatory resilience programming in Kingston, Jamaica, I explore how staff in Jamaica's national disaster management agency engaged with a qualitatively distinct form of collective life in Kingston's garrison districts. Garrison life has been shaped by the confluence of political economic, cultural, geopolitical force relations, which creates a hyper‐adaptive life that exceeds the techniques and rationalities of neoliberal disaster resilience. I draw on autonomist Marxist and Deleuzian readings of biopolitics to identify a new subject of disaster politics that I call, after Deleuze and Guattari, “adaptation machines”, decentralized apparatuses of capture that are parasitically reliant on the population's immanent adaptive capacities. The concept of adaptation machines enables us to envision resilience politics as a struggle over how to appropriate vulnerable peoples’ world‐forming constituent power.     

Editorial Not all sweetness and light: New cultural geographies of food

Despite a resurgence of work that has begun to examine critically the artefactual mediation of memory, very few accounts have focused upon the interconnections between recorded music and daily acts of remembering. Drawing upon in‐depth case study‐based research into recorded music and everyday life with seventeen lower middle‐class households, this paper describes the composition of three practices of remembering with and through recorded music. First, remembering how to choose and ‘fit’ specific purchased music to particular socio‐spatial activities: a creative practice of mimicry, discretion and intuition in which the past is both embodied in the actions of judgement and choice and also functions to compose a co‐present, but not‐yet ‘virtual’ realm. Second, the widespread, ephemeral and subject‐less practice of ‘involuntary remembering’ in which a trace of a virtual past affects ‘in itself’. Finally, ‘intentional remembering’ in which a past is conditioned to occur as a fixed, relatively durable ‘memory’. The paper describes how such practices of remembering are bound up with the emergence of domestic time‐space, and thus the mode of being of the past, via the circulation and organization of affect.     

Hopeful possibilities in spaces of ‘the-not-yet-become’: relational encounters in volunteer tourism

Volunteer tourism has rapidly emerged as a pervasive form of contemporary global tourism. This paper examines the importance of incorporating non-representational theories into analyses of volunteer tourism. Discussions of volunteer tourism are often framed within fixed notions of culture, identity and power relations. In this paper I argue that attention to embodiment, affect and emotion can provide more nuanced insights into the ambiguities of volunteer experiences and encounters. Drawing on fieldwork from a small coastal town in Peru, the study focuses on the encounters between volunteers and locals and the role of emotions in the framing of their experiences. While emotions and expectations are often framed by development aid discourses that characterise volunteers and locals into neo-colonial binaries, there are also numerous possibilities for how volunteers and locals are ‘affected’. By attending to the ‘more than rational’ dimensions of the volunteer tourism experience I draw out the relationship between embodiment, affect and what philosopher of hope Bloch (1986) calls the ‘ontology of the-not-yet’. It is within the embodied encounters in spaces of ‘the-not-yet-become’ where hopeful possibilities in volunteer tourism are found’ This opens up new ways of understanding volunteer tourism. This may, in turn, facilitate more responsible and equitable practice in volunteer tourism projects.     

J.S. Bach’s St. Matthew Passion and intellectual history

ABSTRACT

Recent thinking about Intellectual History has moved beyond studying only verbal texts, to encompass other kinds of visual and aural texts that can be vehicles for generative thought. Where might music fit into this expanded conception? If ideas are defined purely as concepts that can be expressed in words, music can be no more than an “epiphenomenon”, a consequence or representation of ideas that lie behind it, but not capable of embodying those ideas in itself. Yet to many musicians, it seems obvious that music can function as a way in which ideas are developed and worked out. What kinds of knowledge might be embodied in music, then, and how do its meanings change over time? In this paper, I examine some of these issues through consideration of one of the key texts of Western art music, J.S. Bach’s St. Matthew Passion, exploring how it was conceived in a liturgical context in Bach’s time, how its meaning changed when transposed to the very different milieus of concert performance in nineteenth-century Berlin and colonial Sydney, and as it has been re-imagined in a variety of recent staged and recorded versions.     

The complexity of aspiration: the role of hope and habitus in shaping working-class young people’s aspirations to higher education

In this paper, I explore how working-class young people in Leicester hope and plan for their futures as they consider the possibility of attending university. I respond to Pimlott-Wilson’s [2011. “The Role of Familial Habitus in Shaping Children’s Views of Their Future Employment.” Children’s Geographies 9 (1): 111–118] call for further research to investigate how individual dispositions and habitus affect how young people hope and aspire towards the future. I do this in three ways. First, I empirically test Webb’s [2007. “Modes of Hoping.” History of the Human Sciences 20 (3): 65–83] hope theory to understand how aspirations are formed on an individual and societal level. In doing so, I critically question what is understood by the term ‘aspiration’. This allows me to question what it means for young people to ‘raise aspirations’ towards university. Second, I explore how a spatial analysis can contribute towards an understanding of how habitus, hope and aspirations interlock to shape young people’s futures. Third, I argue that hope can be regarded as a form of capital which in turn influences habitus.     

No Place for Women? Anti–utopianism and the Utopian Politics of the 1890s

The word 'utopia' can mean both good place and no place, and the common–sense meaning of 'utopian' is unrealistic. This article argues that common–sense assumptions of the impossibility of utopia are ideological, and constructed in part by the way experiments in utopian living have been represented. Historical accounts suggest utopias are doomed to inevitable failure. In fiction and autobiography, committed participants in such experiments as well as outside observers use narrative structures which distance utopian spaces from 'real life'.
Using historical research and textual analysis, this argument is illustrated by discussing several women involved in utopian politics in 1890s England. Four of them, Helen and Olivia Rossetti, Edith Lees, and Gertrude Dix later wrote novels which re–created but also distanced their experiences. This distancing is partly a function of gender: for them utopia was no place for real women. This paper analyses the construction of utopian spaces in their novels, particularly the gendered relationship between domestic and political space. Narrative structure, imagery and humour are all used to undermine a sense of the possibilities of utopian living. These fictionalised accounts are compared with Nellie Shaw's more positive non–fiction account of life in the utopian community Whiteway. Although writing as a committed utopian, she, too, creates an account that distances readers. The critical analysis of such representations can begin to challenge anti–utopianism.     

No Place for Women? Anti–utopianism and the Utopian Politics of the 1890s

The word 'utopia' can mean both good place and no place, and the common–sense meaning of 'utopian' is unrealistic. This article argues that common–sense assumptions of the impossibility of utopia are ideological, and constructed in part by the way experiments in utopian living have been represented. Historical accounts suggest utopias are doomed to inevitable failure. In fiction and autobiography, committed participants in such experiments as well as outside observers use narrative structures which distance utopian spaces from 'real life'.
Using historical research and textual analysis, this argument is illustrated by discussing several women involved in utopian politics in 1890s England. Four of them, Helen and Olivia Rossetti, Edith Lees, and Gertrude Dix later wrote novels which re–created but also distanced their experiences. This distancing is partly a function of gender: for them utopia was no place for real women. This paper analyses the construction of utopian spaces in their novels, particularly the gendered relationship between domestic and political space. Narrative structure, imagery and humour are all used to undermine a sense of the possibilities of utopian living. These fictionalised accounts are compared with Nellie Shaw's more positive non–fiction account of life in the utopian community Whiteway. Although writing as a committed utopian, she, too, creates an account that distances readers. The critical analysis of such representations can begin to challenge anti–utopianism.     

ARCHITECTURAL MOVEMENTS,UTOPIAN MOMENTS: (IN)COHERENT RENDERINGS OF THE HUNDERTWASSER‐HAUS,VIENNA

This article explores some of the manifold entanglements of architecture and utopia. It takes as a case study a social housing block in Vienna: the Hundertwasser‐Haus. The house was designed by the artist‐architect Friedensreich Hundertwasser and has attracted enormous attention from the architectural press and tourists. I articulate a series of architectural “movements”, manifest in Hundertwasser's design philosophy, press reportage about the house, residents' experiences of living at the house, and visitors' activities outside it. I argue that from these movements, a series of essentially unconnected utopian “moments” emerged. The article makes two contributions. First, it builds upon gathering interest in the geographies of utopia – specifically by moving beyond an emphasis upon utopian hope. It locates utopian impulses that are imbued with euphoria and joy, and which are not beset by a sense of lack. It also provides empirical examples of “unsettling” utopias of different registers (such as textual and experiential). Second, the article contributes to recent geographical approaches to studying architecture. It uses the analytical motif of movements to gain a sense of how a material building – and the idea of that building – is constituted as much by tenuous relations and disjunctures (even non‐relations) as by relations. Whereas contemporary geographies of architecture do not leave room for tenuous relations and disjunctures in their narratives, this article tries to do so. It highlights how utopian moments at the Hundertwasser‐Haus are proximate to each other: they are located metaphorically and/or literally at the house. Yet those moments neither conform to a coherent, singular narrative, and in some cases, nor do they relate to each other. The article opens debate about the significance of non‐relational sociotechnical constituents to the geographies of architecture.     

The Vietnam War as Theo-Drama: Balthasar,Kenosis, and the Cold War's Temporal Desperation

Abstract

This paper analyzes the Vietnam War through the lens of Hans urs von Balthasar's "theological-drama." According to Balthasar, the unfolding of God's eternal self-giving illumines creaturely temporality as desperate when turned inward, no longer desiring its eternal fulfillment but rather idolatrously grasping its own immanent meaning. By contrasting Balthasar's portrayal of divine kenosis with American foreign policy and its "domino theory" view of Southeast Asia, this paper shows how desperation privatizes and colonizes temporal space.     

The relevance of Morris's utopia

This paper considers the reputation of William Morris's News From Nowhere and its evaluation as a utopia. It argues that there is a discrepancy between scholarly estimations of the book's importance and its treatment as a utopia relevant to socialism. Whilst scholars have for many years almost unanimously praised News From Nowhere as Morris's crowning achievement, most have also attempted to argue that Morris did not intend his work to be used as a serious model for socialism. After reviewing some of the secondary literature and distinguishing between a variety of different interpretations of Morris's work, I suggest that the relevance of News From Nowhere might be assessed by the standards which Morris applied to Thomas More's Utopia. Considering Morris's work in this framework of utopianism, I argue that the relevance of Morris's utopia lies in what Norman Geras has called its “maximum” vision.     

The politics of metaphysics: Adorno and Bloch on utopia and immortality

The hypothesis underlying this article is that any narrative of the emergence of modernity—as the one developed by Blumenberg, for example—that leaves behind the eschatological component is incomplete, since it removes from the tradition of modernity a great deal of the Protestant religious experience which shows deep obsession with the thought of the end of the world. Through a confrontation between Adorno and Bloch, the article argues that the notions of utopia and human liberation imply logically the idea of immortality.

For Adorno and Bloch the dream of immortality is the dream of matter; both of them believe that the act of human transcendence must cling on to the bodily stuff out of which we are made. Yet, whereas Bloch postulates the positive existence of a transcendent space, Adorno eschews any ontological commitment. The article argues in favour of Adorno's negative approach, showing that, after Auschwitz, what both philosophers take as the truth‐content of theology cannot be automatically transferred into dialectical materialism.     

Looking back: Marx and Bellamy1

No two images of socialism or utopia were more influential a century ago than those of Marx and Bellamy. Marx and Engels famously denied the utopian dimension of their own project; Bellamy celebrated it. In this essay I sketch out some clues for revisiting images of utopia in Marx and in Bellamy. My claim is that Marx failed to develop a systematic utopia or image of socialism. We are left with a series of hints towards five different images of utopia across the path of his life and work. Bellamy's image of utopia is more consistent, but contrary to common understanding, it reflects the unresolved tensions of nineteenth century American modernity expressed through the prism of New England small town radicalism. Bellamy's utopia is connected to the later image of the machine in the garden; contrary to William Morris's assertion, he was not an unmixed modern, and this is one quality at least that he shared with Marx, where the impress of romanticism remains profound.     

Radical Political Theology

Abstract

This essay investigates the claim, advanced by a number of contributors to Theology and the Political, that the potential for political transformation requires an analogical ontology. I argue that this is not the case, and that an ontology of immanence, as found primarily in the work of Gilles Deleuze, provides an alternative and superior paradigm for political transformation. This argument is advanced by examining the manner in which immanence enables a novel approach to creation. Such immanent creation is distinct in that it departs from analogy's dependence on the transcendent as well as from capitalism's dependence on communication.     

异托邦：音乐节事活动的空间实践——以迷笛音乐节为例

文章使用异托邦理论为概念框架,以迷笛音乐节为案例,通过参与式观察与深度访谈法,试图揭示音乐节空间实践中构建的另类特征。研究发现,迷笛音乐节所承载的功能逐渐由叛逆的“出口”转变为“好玩”的生活方式;音乐节事空间实践中呈现出多元的功能并置,矛盾与流动的融合;音乐节事空间的文化实践也呈现出日常结构的超越与反抗,以及作为理想的补偿空间。周期性节事时空实践中文化的稳定性则使其成为对称而不可分割的系统性时空。该研究为节事空间提供了新的认知途径,也从节事的角度丰富了异托邦理论的微观案例。