Front and Back Covers,Volume 27, Number 6. Decemver 2011

Front and back cover caption, volume 27 issue 6 Front cover ANTHROPOLOGY IN CHINA China has its own anthropology ancestors, revered today well beyond the discipline. In this photograph, former Vice Chairman of the Standing Committee of the National People's Congress Gu Xiulian and former Finance Minister Xiang Huaicheng jointly unveil a statue built to commemorate the centenary of the birth of Fei Xiaotong, China's most celebrated anthropologist. Official sources declared that the statue was intended to highlight the academic achievements of this nationally celebrated anthropologist. The Wujiang Municipal Party Committee and the Wujiang municipal government also dedicated a ‘Cultural Garden’ to ‘further expand the popularity’ and ‘enhance the influence’ of Kaixiangong village, the village in which Fei did most of his fieldwork. The Culture Garden is made up of an Exhibition Hall of the History and Culture of the Village, built in memory of Fei Xiaotong's sister, Fei Dasheng, and the Fei Xiaotong Museum. The museum explores the anthropologist's extraordinary life, highlighting in particular Fei's 26 visits to Kaixiangong. However, many Kaixiangong residents, and some government officials, were not enamoured of the commemorative statue that was erected on 23 October 2010. In his official standing pose, Fei Xiaotong was deemed ‘too distant’, and unlikely to ‘find repose’. Wu Weishan who had carried out the original official commission (and whose 31‐foot statue of Confucius was inexplicably removed from Tiananmen Square earlier this year), then visited Kaixiangong village and consulted its residents, after which he sculpted free of charge what was generally felt to be a more fitting replacement. The new statue depicts Fei relaxed and smiling in an armchair, echoing the Chinese ‘big‐tummy Maitreya Buddha’. Villagers believe this statue to be a more apt tribute to Fei's memory, and have expressed the hope that it will bring happiness to their village. Back cover BACK TO ‘CIVILIZATION’? Civilization is the name of a successful series of computer games (more than nine million units sold globally: see http://www.civilization.com ). Over the past two decades, the games have become increasingly sophisticated, not only in terms of programming, but also with respect to the background history, sociology and economics. For example, irrigation can increase food production, and granaries enable surpluses to be stored and populations to increase. The moods of the citizens matter too: ‘If a city has more happy citizens than content ones, and no unhappy ones, the city will throw a celebration for the ruler called “We Love the King Day”, and economic benefits ensue.’ Featured civilizations range from the Aztecs to the Zulu. It is not known whether Sid Meier (‘the father of computer gaming’) and his fellow game designers have ever studied anthropology. Even if they had, it is unlikely, as Chris Hann points out in his editorial in this issue, that the concept of civilization would have figured prominently in their curriculum. Civilizational analysis is a lively subfield of sociology and has never really gone away in archaeology, but it largely disappeared from anthropology in the second half of the twentieth century. Hann discusses some of the reasons for this, and lends his support to recent efforts to revive anthropologists’ interest in the concept. For all its variation, Sid Meier's addictive gameplay exemplifies the fiercely competitive, often violent ethos of today's capitalist civilization. The aim of each game is to rule the world in the name of just one civilization. Hann sees affinities with recent popular books engaging with world history, which rely heavily on contemporary readers’ familiarity with IT. The big question is whether ‘killer apps’ (Niall Ferguson) and the rise of silicon intelligence at the expense of carbon (Ian Morris) will eventually eliminate civilizational pluralism.     

‘Halt! Be Men!’: Sikelgaita of Salerno,Gender and the Norman Conquest of Southern Italy

This article examines the career of Sikelgaita (1040–1090), wife of the Norman conqueror of southern Italy, Robert Guiscard, as a means of understanding the impact of the ‘other’ Norman conquest of the eleventh century. Sikelgaita is unusual in that she has left images in narrative sources both within and well beyond the confines of southern Italy. She is also well documented at a local level. Both types of material combine to reveal her crossing gender boundaries in titles she used, the way in which she managed property, her legendary presence alongside Robert on his campaigns and, more speculatively, in organising a campaign of written propaganda to ensure the succession of her son to his father's patrimony in preference to his half‐brother by Sikelgaita's predecessor as Robert's wife. Her history raises the problems of women's access to written texts, their conscious shaping of their own identities, their conflicting loyalties between natal and marital families, and the need for competing male heirs to prove themselves against a prevailing notion of masculinity in a period when one aggressively masculine group, the Lombards, was being supplanted in power by another, the Normans. As such, it demonstrates that the lives of so‐called ‘exceptional’ women continue to have a value to historians of gender in the middle ages, and can often demonstrate the patriarchal boundaries which even they could not cross.     

COUNTRY HOUSE POEMS: THE POLITICS OF A GENRE

Abstract

The St. Louis Art Museum’s statue of Reclining Pan proved inspirational to many artists of the seventeenth century, none more so than Giovanni Benedetto Castiglione. The artist reproduced the statue in many of his works, making it a symbol of his invenzione. Previously, the few reproductions known of the statue have given the impression that Baroque audiences considered it antiquwct 2 e, and of less interest than other antiquities. This article corrects that assumption by examining Castiglione’s, as well as Peter Paul Rubens’, Joachim von Sandrart’s, Nicolas Poussin’s, and Salvator Rosa’s uses of the statue. The artists used the Pan as both figural exemplar and symbol for pastoral themes. These artistic responses are here set alongside new information concerning the Pan’s seventeenth-century provenance, display, and attribution to Bernini, to reveal the Reclining Pan as a primary catalyst for the period’s extensive Arcadian and bacchanalian imagery while simultaneously representing lessons of the classical style.     

Mapping the symbol of the statue in Ritsos’ short poems

Abstract

A first attempt is made here to map the presence of the symbol of the statue in Ritsos’ short poems. Starting from his early work and reaching the years of the military dictatorship, the main line of the argument is that references to sculpture become significant in Ritsos’ poetry after the 1960s and culminate in the period of the Junta. This is attributed to Ritsos’ subtle reaction to the regime and its use and abuse of the cultural heritage of ancient Greece in a context of propaganda and oppression. This response makes Ritsos’ use of the symbol of the statue utterly distinctive.     

Conversational Modernism: Talking Czech Men into Being Gentlemen by Way of The Gentleman, 1924–30

The article provides a profile of the Czech life-style magazine Gentleman (The Gentleman), published in Prague from 1924 to 1930. The gendered nature of the magazine is stressed and discursive mechanisms effective in the formation of modern masculinity are discussed. Issues of ‘democratic aristocratism’, male fashion, gender identity, but also traces of a local inflection (T. G. Masaryk as a modern man) are among the select points of attention. While some aspects of the magazine may appear instructional, the analysis draws attention to the fact that The Gentleman actually moves between the instructional and the represented, thus leaving ample space for the reader to negotiate his position on the map of masculine modernity. Other instances of media (e.g., the nineteenth-century Konversationslexikon) and authors (Karel ?apek, Milena Jesenská) are adduced to broaden the context and to explicate the meaning of ‘conversational modernity’, that is, a negotiated representation of modernity.     

A psycho-historical source: the Memoirs of Abbot Guibert of Nogent

Medievalists turn to Guibert of Nogent's Memoirs (1116) for the account of the Laon uprising they contain. And yet this account is poor history. It is didactic and self-righteous in tone; one senses that the writer consistently sacrificed historical truth to the moral point he was trying to make. Scratch this twelfth- century ‘historian’ and you will find underneath a guilt-ridden cleric, haunted by vivid sexual reminiscences of his mother and by the terrible chastening reality of the Virgin Mary. A sensitive reading of the confessional sections of the Memoirs may yield up crucial unconscious impulses in a medieval man's psyche: his ‘masculine’ ambitions for glory, his need to prove his manhood, and yet also his ‘feminine’ desire for selfless submission to God, and his need to achieve a kind of passive holiness and innocence. These opposing impulses may account for the ‘demon’ that tortured Guibert of Nogent.After isolating certain psychological themes in the Memoirs it is possible to relate these themes to various nuances in the psychological ‘milieu’ of twelfth-century France. It is also possible to relate some of these themes to a ‘milieu’ not altogether different from that of twelfth-century France — twentieth-century southern Italy. For in southern Italy, we find that the psychological relationship between masculinity and femininity and (perhaps as a result of this relationship) the prominence of the Virgin Mary in the lives of the people corresponds closely to the situation in twelfth- century France. But this cross-cultural analysis is meant only to illuminate some of the possibilities of psychohistory. At the very least, a psychohistorical consideration of a text such as Guibert of Nogent's Memoirs should reveal some useful correlations between the single psychological current and the larger tides of cultural history.     

Balto,the Alaskan Dog and his Statue in New York’s Central Park: Animal Representation and National Heritage

This article explores the statue of Balto in New York’s Central Park within a framework of discussion of animal representation in creating national heritages. It discusses the reasons for Balto’s statue being sited in New York with reference to the competing demands for different heritage commemorations within the park’s space. In exploring the role of different interests in promoting this particular commemoration the article questions a simplistic notion of heritage being created by bodies of the state and draws analogies with other national animal ‘symbols’ such as Greyfriars Bobby, and ‘The Dog on the Tucker Box’. The article suggests that animal commemoration in everyday space may help create ongoing interest in animal pasts while noting the disjuncture between the represented animal and Balto’s actual existence.     

Proving One's Manliness: Masculine Self‐perceptions of Austrian Deserters in the Second World War

While important work has been produced on discourses of masculinity and the normative masculine ideals in nineteenth‐ and twentieth‐century Europe we know very little about the actual experiences and self‐images of individual men. This article, largely based on oral history interviews with former deserters, analyses the gendered identities of Austrian men who were recruited to serve in the Wehrmacht and who later deserted. Deserters were brutally persecuted in the Third Reich and denounced as ‘traitors’ and ‘cowards’. The glorification of martial masculinity in Nazi Germany played a crucial role in the defamation of deserters, whose manliness was called into question. Based on Connell's theory of hegemonic masculinity, the article aims to establish the actual influence of dominant ideals of masculinity. It investigates how these deserters perceived themselves as men and how they negotiated their gendered identities in interaction with their surroundings. The analysis reveals the considerable influence of the hegemonic ideal of ‘hard’ masculinity, which was far greater than the impact of the rather short‐lived ideal of martial masculinity. But it also demonstrates the contradictory nature of gendered identities and gives valuable insights into the selective appropriation of masculine values.     

A psycho-historical source: the Memoirs of Abbot Guibert of Nogent

Medievalists turn to Guibert of Nogent's Memoirs (1116) for the account of the Laon uprising they contain. And yet this account is poor history. It is didactic and self-righteous in tone; one senses that the writer consistently sacrificed historical truth to the moral point he was trying to make. Scratch this twelfth- century ‘historian’ and you will find underneath a guilt-ridden cleric, haunted by vivid sexual reminiscences of his mother and by the terrible chastening reality of the Virgin Mary. A sensitive reading of the confessional sections of the Memoirs may yield up crucial unconscious impulses in a medieval man's psyche: his ‘masculine’ ambitions for glory, his need to prove his manhood, and yet also his ‘feminine’ desire for selfless submission to God, and his need to achieve a kind of passive holiness and innocence. These opposing impulses may account for the ‘demon’ that tortured Guibert of Nogent.After isolating certain psychological themes in the Memoirs it is possible to relate these themes to various nuances in the psychological ‘milieu’ of twelfth-century France. It is also possible to relate some of these themes to a ‘milieu’ not altogether different from that of twelfth-century France — twentieth-century southern Italy. For in southern Italy, we find that the psychological relationship between masculinity and femininity and (perhaps as a result of this relationship) the prominence of the Virgin Mary in the lives of the people corresponds closely to the situation in twelfth- century France. But this cross-cultural analysis is meant only to illuminate some of the possibilities of psychohistory. At the very least, a psychohistorical consideration of a text such as Guibert of Nogent's Memoirs should reveal some useful correlations between the single psychological current and the larger tides of cultural history.     

“This Greater Issue of Light against Darkness”: Sereno Edwards Bishop,Missionary Religion,and the Hawaiian Islands, 1827–1909

The history of nineteenth‐century missions provide a fruitful field to explore the development of religious thought and practice in a secular setting. This article shows how the religious views of the clergyman and educator Sereno Edwards Bishop, born in Hawai‘i of American missionary parents, were shaped by his childhood among the mission community in Hawai‘i and by his American college education. These instilled in him a liberal approach to theology that was informed by a spiritually alert sense of Hawaiian geography and environment. Contrary to the notion that he cast his faith aside in addressing matters of wider social and political importance, Bishop emerges as someone who thought critically about mid‐nineteenth‐century Protestant Christianity, grounding his perspective on politics, society, and natural history in Hawai‘i according to his religious principles. Given Bishop’s specific intellectual and cultural heritage, it is difficult to subsume his perspective within broader narratives of American expansion; rather, both Pacific and mainland American elements shaped the thought of such mission‐descended figures.     

Simultaneous love: an argument on love,modernity and the feminist subject at the beginning of the twentieth century

This article explores an argument on love as it was articulated within the framework of the ‘New Ethics’ sexual reform in Germany at the beginning of the twentieth century. While many commentaries on the alienating impact of modernity projected authenticity onto the ‘non‐modern’ woman and her love, the feminist authors at issue in this article promote ‘modern love’ as a medium of women's participation in modernity. Furthermore, they address the problem of love's temporality and non‐exclusivity. Yet, the engagement with these topics is a tricky one because non‐exclusivity and impermanence are at the same time dismissed as ‘decadent’ ways of loving and attributed to ‘archaic’ Europe and non‐European cultures.     

Visions of Statesmanship Across The Atlantic: Presidential Masculinity and the American Response to Benito Mussolini

This article explores how hegemonic masculinity forged discourses of modern statesmanship in the United States and Italy in the first three decades of the twentieth century. It unpacks the ‘presidential masculinity’ of Theodore Roosevelt and Woodrow Wilson and compares these gendered performances of political leadership in the United States to Benito Mussolini's Fascist rule in Italy during the 1920s. In doing so, this article contends that the manliness of these three modern leaders rested on a contrasting of pairs: if Roosevelt embodied the hegemonic ideal of the ‘frontiersman-as-president’, Wilson personified its ‘unmanly’, bourgeois-liberal countertype and thereby engendered the initially hospitable view of Mussolini's Fascist masculinity in the United States during the Jazz Age. The article covers the publications in The Atlantic Monthly to reveal how the American disillusion with Wilson's liberal internationalism transformed the Duce into a Fascist surrogate for Roosevelt. In a decade of political, economic and social upheaval, the transatlantic ‘public relations state’ in both the United States and Italy discursively positioned Mussolini as the personification of the masculine ideals of acumen, willpower and virility for the American public; a ‘Doctor-Dictator’ who, akin to Roosevelt, became a symbol of modern manliness that signified stability, progress and reform. In the process, the Duce's Fascist manhood shaped hegemonic ideals of statesmanship across the Atlantic while hinting at the paltry support for the liberal democracies of the West.     

Advances and impasses in Fred Halliday's international historical sociology: a critical appraisal

How did Fred Halliday recast International Relations (IR) theory as international historical sociology? This article explores Halliday's intellectual trajectory across this terrain and suggests that the notion of ‘capitalist modernity’, derived from an amalgamation of neo‐Marxian and neo‐Weberian historical sociology, functioned as the strategic master‐category, which anchored his thought on International Relations throughout his work. This category was successively reconceived and complemented to generate four, partly contradictory, analytical frameworks at a lower level of abstraction: ‘global conjunctural analysis’; a neo‐Weberian ‘sociology of the inter‐state system’; ‘international society as homogeneity’ and ‘uneven and combined development’. The article identifies the advances and impasses in each intellectual move and exemplifies the limits of Halliday's approach in relation to his analysis of revolutions. It suggests that while Halliday was instrumental in reconnecting IR with historical sociology, providing crucial openings and correctives to mainstream IR theory, his theoretical emphases remained ultimately too syncretistic and additive to shift the debate on firmer ground. While this can be read as a failure, there is also evidence to understand this anti‐formalism as a deliberate intellectual choice. The article concludes by suggesting that the very term international historical sociology, predicated on a distinct modernist vocabulary, may itself preclude a full historicization of categories of analysis, restricting its use as a general framework for capturing the historicity and sociality of geopolitical practices across time and space.     

Crafting masculinities: gender,culture and emotion at work in the surfboard industry

This article examines the masculinities of male workers in the context of an emotionally rich form of labour: surfboard-making. Contributing to emerging research around the emotional and embodied dimensions of men's working lives, the article maps the cultural, emotional and embodied dimensions of work onto masculine identity construction. Combining cultural economy theory, emotional geographies and in-depth ethnographic methods, I reveal how surfboard-making has become a gendered form of work; how jobs rely on (and impact) the body and what surfboard-making means to workers outside of financial returns. Following a manual labour process, and informed by Western surfing subculture, commercial surfboard-making has layered onto male bodies. Men perform ‘blokey’ masculinities in relation with one another. However, doing manual craftwork evokes close, personal interaction; among co-workers but also through engagements with place and local customers. Felt, embodied craft skills help workers personalise boards for individual customers and local breaks. Beneath masculine work cultures and pretensions, surfboard-making is a deeply emotional and embodied work. Labour is dependent on haptic knowledge: sense of touch, bodily movement and eye for detail. Contrasting their blokey masculinity, surfboard-makers rely on intimate links between their bodies, tools, materials, customers and surfing places. These ‘strong bodied’ men articulate a ‘passion’ and ‘love’ for ‘soulful’ jobs, demonstrating how waged work comprises alternative masculinities, shaped by working culture, relations and labour processes. A cultural economy framework and emotionally engaged research approach are valuable for challenging hegemonic masculinity, important for achieving more inclusive, tolerant and equitable workplaces.     

Masculine Old Women or Feminine Old Men? Rethinking Gender and the Ageing Body in Early Modern English Medicine

This article challenges the almost universal historiographical claim that women's bodies were thought to become increasingly masculine as they aged in early modern English medicine, especially after menopause. It is not surprising that this ‘masculinisation hypothesis’ has endured with very little critical appraisal, as there have been few in-depth studies into medical conceptions of ageing womanhood. Drawing on c.140 English vernacular medical and popular health texts published between 1570 and 1730, this article interrogates and refutes key claims for the corporeal ‘manliness’ of old women. Instead, it argues that while medicine undoubtedly depicted old women and men as growing closer in bodily constitution as they aged, this generic ageing constitution had more ‘feminine’ corporeal attributes than ‘masculine’. Exploring references to ‘effeminated’ old men within medical books, it then questions the impact of these medical gender associations within wider cultural contexts.     

Cultural History,Nationalism and the Dignity of the Individual: The Work of George L. Mosse

Abstract. The recently deceased George Mosse was one of the leading cultural and intellectual historians of modern Germany and Europe. His important contributions to our understanding of modern culture were his historical analyses of racism, fascism, and nationalism as cultural phenomena of our times. This article concentrates on Mosse's analysis of nationalism.     

An anthropological manifesto: Or the origin of the state (Respond to this article at https://www.therai.org.uk/publications/anthropology-today/debate)

In his anthropological manifesto in this issue, Marshall Sahlins argues that our main theories of ‘economic determinism’ represent a self‐consciousness of modern capitalist societies masquerading as the science of others. He suggests that, in the great majority of societies known to anthropology and history, power consists in the direct control of people, from which comes the ability to accumulate wealth, rather than control of their means of livelihood, of capital wealth, from which comes the control of people.     

SMOG IN A TIME OF TOBACCO CONTROL

This article reflects on the irony of the Conference of the Parties to the WHO Framework Convention on Tobacco Control taking place in north India during the worst smog in Delhi's history. It is presented as both a material reminder that tobacco is not the only cause of respiratory disease and as a symbol of the permeation of the conference by tobacco industry interests. A further ironic connection is the proximity of the conference venue to Bisrakh, the birthplace of the demon king Ravana, whose statue was despoiled in the months preceding the Diwali festival which celebrates his vanquishing by Ram. Older Bisrakh residents are reported as mourning rather than celebrating Ravana's death during the festival, although younger people are turning their backs on such practices. A new statue of Ravana had recently been vandalized. With the smog which occurred being attributed partly to fireworks from Diwali, the set of anthropological knots unravel to reveal a continuous thread: the message that it is necessary to respect your demons, whether they be tobacco or part of the Hindu pantheon.     

A Political History of Nagriamel on Santo,Vanuatu

ABSTRACT This article relates the political history of the Nagriamel movement on Santo, Vanuatu, and tries to account for its traditionalist excesses by reference to biographical aspects of its charismatic leader Jimmy Stevens. Stevens was the main architect in the unification of the ‘dak bus pipol’ (communities living in the island's remote interior) under a form of custom (kastom) he himself partially devised. This review of the life of this unusual character, who started as a ‘boy’ serving his colonial masters and became an ‘island king’, a self‐proclaimed ‘Prince’ of ‘Santo Custom’, and of the way he exploited the nativist assertions of his indigenous supporters, will also provide an opportunity to take a fresh look at the troubled period surrounding Independence in the Republic of Vanuatu.