Tonglha Zeweng： Master of the Garma GarzePainting School （1）

Garma Garze painting school is one of the three famous painting schools in the Tibetan-inhibited areas (along with Moinze and Qenze painting schools), and was formed in the 15th century. Major master painters of the school include Tonglha Zeweng, who is one of the most outstanding modem painters in the region.     

Tangka Painting of Gesar

Rope and other patterns on pottery unearthed from the Karub cultural sites, dating back some 5,000 years, are considered to be the earliest examples of painting art known so far. Rock paintings believed to have come later constitute the embryo of Tibetan painting art.Tangka painting is closely related to frescoes in terms of painting art. Tangka is created to reproduce what is painted in the fresco. Cultures prevalent in China's hinterland, India and Nepal exerted deep influence on Tibetan painting art.Both Princess Wencheng and Princess Jincheng brought the Han Chinese culture into Tibet, which proved to be a boon for the development of Tibetan painting art. With construction of the Potala Palace, Jokhang, Qamzhub and other monasteries, Tibetan painting art developed apace. Frescoes in Jokhang Monastery, Qamzhub Monastery and Potala Palace, still visible today, feature a simple nature, with rich colors and concise lines, while figures were painted in an     

千禧龙年话龙画

Dragon,in Chinese traditional beliefs,is the highest fairy beast,which is the symbol of luck and happiness.It has been the everlasting subjec tin painting for a long time.Especially in the Five Dynasties and Song Dynasty,the dragon painting approached to its climax.Obviously, the profound meaning in the dragon painting is rather complicated.Examined from all angles of Chinese Culture,it reflects the unique Chinese thought and traditional belief.     

浅析代笔书画

Ghostuwriting is a most complicate and difficult problem in the respect of Chinese calligraphy and painting authcntication because the ghostwriting is the requirement of the painter himself and usually approved by him. The painter will cooperate with the ghostwriter and try to be invulnerable. The author introduces such kind of phenomenou in the Chinese calligraphy and painting history in quite a detail. which is believed to he a great help to the authentieators or collectora.     

Tonglha Zeweng Master of the Garma Garze Painting School (I)

Garma Garze painting school is one of the threefamous painting schools in the Tibetan-inhibitedareas (along with Moinze and Qenze paintingschools),and was formed in the 15th century.Major master painters of the school include Tongl-ha Zeweng,who is one of the most outstandingmodem painters in the region. Tonglha Zeweng(his religious name being Garma LhozhubWose)was born in Dege County in 1901.He started to learn to     

复见新人忆旧友

Mr. Fu Youxin is a famous artist of Jiangsu Province. His works is poetic and full of freshness. The landscape in his painting is meaningful and vigorous, while the flower and bird in his painting are full of life and elegance. Nowadays, by learning widely from others, Mr. Fu has accumulated a wealth of life experience and his painting skill is approaching perfection day by day.     

Emperor Qianlong''''s Painting to the 6th Panchen Erdeni

In the 11th month of the 45th year of the reign of Qing Dynasty Emperor Qianlong (1781), he gave the 6th Panchen Erdeni a painting of a Saba tree complete with a Chi- nese text when the latter came to Beijing to celebrate the imperial birthday. The ink-water painting, 204 cm wide and 90 cm long, bears words written in the Chinese, Tibetan, Manchurian and Mongolian languages. Each of the four sections ends with a seal text meaning Qianlong in corresponding language. Also stamped on the painting are four seal texts of the emperor, such as the one meaning "Treasure of the Emperor in His Advanced Age."     

随意性笔墨建构的形式意蕴

The Casual Brushes, which began in the Yangtze River area, has long been existed. The aspiration, feeling and deliberation from hearts of the painters enrich the optic forms of the Chinese painting from the respect of the casualty, which displays profound trends of form structure of the Chinese painting.     

传统的嬗变——对宋元时期山水画的再认识

This article analyzes styles and various of Chinese traditional wash landscape in the Song and Yuan Dynasries, along the painting history, to disclose the inner stimulus of the form evovement in this period and tries to obtain some new understanding under the base of the aesthetic theores.     

The Organs and Processes of Painting, Decorating and Mounting Thangkas for the Qing Court

The organisations in charge of painting and manufacturing Thangkas for the Qing Court were the Zhongzheng Hall and the Section for Manufacture and Purchase. Located to the west of the Forbidden City, Zhongzheng Hall was primarily used by the Emperor to worship Buddha and many religious services of the Inner Palace were also held there. At the end of each     

谈集锦墨——御制棉花图诗墨

Jijin inks is a famous product in Hui ink family of Qing Dynasty. The imperial ink stick with farming and weaving design is the gem of Jijin inks for its perfect unity of poem, calligraphy and painting. The ink is skillfully made by the famous handicraftsman and selective in materials.     

Tangka Painting Art of the Tibetan Race （Ⅱ）

Tibetan painting art finds expression in two: murals and tangka paintings. The two vary in painting styles and materials used. Tangka paintings show the unique feature of Tibetan fine arts.However, in the face of refined tangka, how one should enjoy it? Do you know how to paint it? How to mount it? Anything special in this regard?Mounting MethodIn Tibet, when a tangka has been created, it would be mounted. The brocade for mounting, called Gyishamo in Tibetan, always has the same dimension: Gyishamo below the tangka amounts to half that of     

NEW BOOKS

<正>The Art of Tibetan Painting The author Yang Huiling is a member of the Tibetan Branch of the Chinese Association of Writers.He has 28 years experience in the military since 1969.This book broadly introduces the advancement,evolution,genre and styles of Tibetan painting in order to reveal the enduring charming of Tibetan fresco and Thangka's eternal vitality.     

ANNUAL RENOVATION OF THE POTALA PALACE STARTED IN LHASA

正The annual renovation on the walls of the Potala Palace has begun on Oct.28th and would last around 20 days.Since the rainy season in Lhasa has passed,the painting will help remove the water marks left in summer and provide protection for the palace walls.     

传统女红艺术现代化的先行者——沈寿与她的《雪宦绣谱》

Shen Shou is living modern times setes up revolutionary art of girl modern times education. and self wards off the way. and is the first to do to pay attention to the west in the painting that glossy image is light and shade and the viewpoint that copyd in the realistic writing, the transformation is thawed embroidery in the centre of, smashs China copys in a few thousand the embroidery tradition, morcover by means of the combination against the modern times industry maneuver,the effect coming into being causes this traditional technology advance up the hitherto unknown fresh field of vision.     

Painting of Rahula of The Qing Period ——Collections of Tibet Museum

Among the collections of the Tibet Museum is a cloth tangka painting produced in the 51st year of the reign of Qing Dynasty Emperor Qian-long. Measuring 82.5 cm long and 53.5 cm wide, it depicts Rahula. As one of the 10 major disciples of Sakyamuni and one of the 16 Arhats, Rahula was a son of Sakyamuni before he entered Buddhism. When Sakyamuni became a Buddha, Rahula was asked to take in charge of Buddhist affairs at Qinglanyuan.     

似唐非唐——关于《簪花仕女图》成画时代及作者的考辨

Zhou fang was famous for his beauty painting.“Beauty Wearing Flowers”was the more outstanding one among his works whether in respect of the artistic manifestation or of the aesthetic value,which was a classie masterpiece among Chinese ancient paintings in the recent years different oppioions appeared on the ereating time and painter of this works the anthor made texlual rebearh on it and made relative eonclusion.     

Tonglha Zeweng： Master of the Garma Garze Painting School （Ⅱ）

The Garma Garze painting schoolis one of the three famous paint-ing schools in Tibetan-inhibitedareas(along with those ofMoinze and Qenze),and was formed inthe 15th century.In the 16th century,it began to exertgreater influence on the Tibetan-inhabitedareas,and.a number of painters flourished,including Dabo Goba,Garrna Sengzbe and