The role of classical music in the construction of nationalism: an analysis of Danish consensus nationalism and the reception of Carl Nielsen

ABSTRACT. Very little research has been conducted into the relationship between classical music and nationalism. This is a shame as music has played a significant role in the construction and consolidation of nationalism in many European countries. This article illustrates this by analysing the role of classical music and, in particular, contemporary serious music in the construction of Danish consensus nationalism in the 1930s and 1940s. In so doing, it explores the repression of the modernist expression which was and still is considered a Continental European phenomenon in favour of a local and traditional expression. Furthermore, it analyses the elevation of Carl Nielsen to the position of Danish composer par excellence.     

‘A Wagner for the Jews’: Moses Pergament,Richard Wagner and anti-Semitism in Swedish cultural life in the interwar period

This article deals with the Finnish-Swedish, Jewish composer and author Moses Pergament and his relationship with Wagner's theories, anti-Semitism in particular, and their influence on the development of modern Swedish classical music during the interwar period. The author emphasizes the importance of recognizing that Pergament's reaction to Wagner's cultural theories was part and parcel of his struggle for assimilation. The basis of Pergament's interpretation of Wagner was the notion that it is possible to separate life and belief: the anti-Semitism and enthusiastic lechery were part of Wagner's life, to which it was not necessary to attach much importance. The beliefs, on the other hand, were there to be analysed. Furthermore, an explicit and public critique of Wagner's anti-Semitism was inconsistent with an attempt to gain a foothold in Swedish cultural life. As Wagner's anti-Semitism was well known but was deemed either acceptable or irrelevant, paying attention to it was by definition proof of a Jewish identification. To be accepted as a Swedish music critic, Pergament had to follow the unwritten rules of the game, amongst them the requirement not to exhibit his ‘Jewishness’ openly. The actions of certain members of Föreningen Svenska Tonsättare (FST, the Association of Swedish Composers) indicate that Pergament's work was not thought to indicate a Swedish identification. On the contrary, his reviews were seen as a threat to ‘Swedish music’, and with implicit references to Wagner this was attributed to Pergament's supposed lack of feeling for the ‘spirit of the Swedish people’.     

Romanticism,music, nationalism

In manifold ways, the stylistic and performative features and evolving genre conventions of nineteenth‐century ‘classical’ music reflect the increasing grip of nationalism on cultural attitudes in Europe. Conversely, music could become an important medium for the expression and dissemination of nationalist ideals. A cross‐national, European‐wide survey of this interpenetration between musical and ideological developments is applied towards a tentative typological outline of ‘musical nationalism’.     

Musical constructions of nationalism: a comparative study of Bartók and Stravinsky

Abstract. This article argues that music, and in particular the history of music, can make a considerable contribution to the study of nations and nationalism and illustrates it by analysing Béla Bartók and Igor Stravinsky, relating these analyses to significant debates within theories of nations and nationalism. Within studies of nations and nationalism the article concentrates on the different interpretations of the term ‘construction’ expressed in the works of Eric Hobsbawm and Anthony D. Smith.     

Philosophic history and common culture in Gellner's theory of nationalism

Ernest Gellner's work on nationalism is situated in a larger social metaphysic and philosophical anthropology. This paper investigates some of these overarching intellectual commitments and their implications for his arguments about nationalism. Two main issues are examined. Does the method of ‘philosophic history’ provide any philosophical or methodological support for his treatment of nationalism? What are the implications of the common culture of industrial civilization for his arguments about nationalism? Addressing these issues together contributes to the continuing evaluation of Gellner's work, particularly to recent discussion of his arguments about necessity and nationalism.     

“Kontakte” – Reflexionen naturwissenschaftlich‐technischer Innovationsprozesse in der frühen Elektronischen Musik Karlheinz Stockhausens (1952–1960)

“Kontakte” – Reflections of Innovative Processes in Science and Technology in Karlheinz Stockhausen's Early Electronic Music (1952–1960). The following article will give an overview of the interdependence of aesthetic and scientific/technical developments in German composer Karlheinz Stockhausen's early works of electronic music. It is an outline of the major steps in his artistic evolution between the works “Etude (Musique concrète)” and “Kontakte”, their relation to innovations in psychoacoustic and sound‐studio technology as well as the impact, that the works from that period had on the fundamental changes in musical aesthetics during the course of the 20th century.     

Composing Connections between Continents: Tracing the History of Australia’s Engagement with Antarctica through Music

This article explores the history of Australia’s engagement with Antarctica through music, from the earliest songs and an opera created by the first Australian explorers to Antarctica, to the popular Antarctic-related classical music of Australian composer Nigel Westlake and the soundscape-based compositions of Australia-based sound artists Philip Samartzis and Lawrence English. Drawing on the field of musicology, but also the scholarly turn to the senses as part of the broadening reach of cultural history, the article argues that Australia’s musical engagement with Antarctica constitutes a significant, though understudied, aspect of our aural heritage. Further, deeper and critical appreciation of this music as cultural and aural heritage enhances our ability to reflect on the full extent of Australia’s relationship with, and contribution to knowledge about, its ‘Great Frozen Neighbour’ and its identity as a ‘gateway’ to the Antarctic region.     

Alfred Marshall's economic nationalism

ABSTRACT. Alfred Marshall has been seen as an economic liberal and one of the founders of the neo‐classical school. However, this article challenges such conventional wisdom and argues that Marshall is best understood as an economic nationalist. Economic nationalism has been falsely associated with mercantilism, the zero‐sum view of international economies, and so on. However, a new approach for studying economic nationalism has recently been proposed to redefine its conception. The present article shows that Marshall's economic thought is compatible with this new conception of economic nationalism. Marshall emphasised the role of nationality in the economic process. The characteristics of his economic thought, such as the evolutionary view of economy, conform more closely to Friedrich List's economic nationalism than to economic liberalism. By portraying Marshall's theory as that of economic nationalism, the author concludes that economic nationalism can have a systematic theory.     

Jacob Talmon between Zionism and Cold War Liberalism

The paper focuses on the problematic relationship between Talmon's liberalism and Zionism. My argument is that Talmon's nationalism (Zionism included)—historicist, romantic, visionary—lived in permanent tension with his liberalism—empiricist, pluralist, pragmatic. His critique of totalitarian democracy, reflecting his British experience, emerged independently from his Zionism, grounded in Central European nationalism. The two represented different worlds. Talmon lived in both, serving as an ambassador in-between them, without ever bringing them together.

The essay's first section describes the political education of the young Jacob Talmon (née Flajszer) and the making of The Origins of Totalitarian Democracy. It demonstrates the independence of Talmon's Cold War liberal project from his Zionism. The second section places Talmon in the context of Cold War liberal discourse, showing how integral his critique of revolutionary politics was to contemporary liberalism. The third illustrates the tensions between Talmon's view of Jewish history and his liberalism, between his Zionism and his critique of revolutionary politics. Focusing on Talmon's analyses of nationalism, it highlights the ambiguity of his Zionism.     

The Importance of Cheltenham: Imperialism,Liminality and Gustav Holst

The study of liminality, pioneered by the anthropologist Arnold van Gennep, and reinvigorated by Victor Turner, considers the ambiguity that exists for individuals as they move between defined groups or identities. Reconsidering the relationship between the British composer, Gustav Holst (1874–1934), and his birthplace, the west country spa town of Cheltenham, provides not only a case study of the general liminality of the professional musician, but of a figure who is betwixt and between in almost all aspects of his life. In essence, Holst is the archetype of a liminal being. This study problematizes Holst's place in the received history of British music, arguing that his liminality has been overlooked in various attempts to make his life and music fit a mainstream narrative for English musical culture, the so-called Second English Musical Renaissance. The origins of that liminality are explored by considering Holst's relationship with Victorian Cheltenham, ranging widely from the civic to the religious, from the public to the private, and from the individual to the social. This includes his contact with prominent influences such as imperialism and evangelicalism, but also elements that are seemingly more marginal to the town but central for Holst, such as Theosophy. Doing so clarifies the origins and importance of Holst's relentlessly liminal status in Victorian and Edwardian society, demonstrating how such reconsiderations can reshape the historical narrative of Victorian influence on the twentieth century.     

Gellner redux?

The work of Ernest Gellner continues to be an influential part of nationalism studies. A recent appraisal has raised questions about the argument that Gellner offered in his central text on nationalism, Nations and Nationalism. This article takes up other issues in Gellner's work on nationalism. The article examines Gellner's influential definition of nationalism and the interpretation that he placed on that definition, as well as his treatment of ‘political cohabitation’. It also pays more attention to Gellner's later work, namely, Gellner's discussion of ‘the time zones of nationalism’. The paper draws on secondary literature but its primary purpose is to assess the coherence of Gellner's arguments.     

Re-establishment of Achaemenid History and its Development in the Nineteenth and Twentieth Centuries

Iranians were aware of Sasanian history through traditional historical writings, but they knew nothing about Achaemenid history. Following European travelers to Persia from the fifteenth century, who were well prepared by reading the classical and biblical texts, Persepolis and Pasargadae were rediscovered and Achaemenid history re-established in the nineteenth century. The rise of Reza Khan to power and his grand emphasis on nationalism and ancient Iran that characterized his reign also left a deeper impact on Achaemenid studies in this period. In this paper the re-establishment of Achaemenid history and its development in nineteenth and twentieth centuries are discussed and reviewed.     

Hans Kohn: the idea of secularized nationalism

More than seventy years after its publication, Hans Kohn's 1944 The Idea of Nationalism is still regarded as a ground‐breaking contribution to the study of nationalism. This essay is aimed to highlight a significant theme in this work which has largely gone unnoticed, namely, the pivotal role of religion and secularism in Kohn's account of nationalism, and especially, in his persistent struggle for a ‘perfect’ nationalism. Kohn's conception – and personal experience – of the relationship of nationalism and religion will be examined through several stages of his turbulent life. First, as a young Zionist in Prague, when he parlayed Martin Buber's Zionist creed into an ethnic concept of nationalism. Then, in Kohn's journalistic writing in the 1920s and in his first theoretical works on nationalism in the years 1929–1942. Finally, Kohn's more mature and crystallized account of nationalism in his 1944 book will be revisited from the perspective of the nationalism–religion relationship.     

Formt die Technik die Musik? Montageästhetik zu Beginn des 20. Jahrhunderts

Does technology shape music? Aesthetics of assembly at the beginning of the 20^th century. This article deals with the relationship between assembly in production technology and similar processes in musical composition. Can composers like Eric Satie, Igor Strawinsky or George Antheil, who used assembly methods in some of their compositions, be called assemblers? The authors point out that all three composers used assembly methods in different ways and with different purposes. Applying a theoretical approach inspired by media studies they come to the conclusion that the conditions under which musical works using assembly methods are shaped do not originate in technology but in the aesthetic convictions of the composer. Apart from assembly methods there are many other compositional principles the composer relies on. Technology may inspire music but does not determine the musical outcome.     

‘Rocking the nation’: the popular culture of neo‐nationalism

The aim of this paper is to understand contemporary forms of nationalism in a socio‐political context in which neo‐nationalism has obtained a dominant role not just in politics but in public discourse and in the cultural field as well. It investigates the emergence of a particular music scene in the beginning of the 21^st century, shaped by rock bands and performers and supported by far‐right political actors, which has made the ‘national’ imagination emotionally and ideologically appealing to a considerable part of Hungarian society and first of all to young people.     

民族主义内在的困境——陈独秀国家观从民族主义到自由主义的转变

在近代中国思想史上,陈独秀堪称思想历程最为曲折的人物之一.早年他服膺民族主义,后来转奉自由主义(民主主义),又转而信仰社会主义(共产主义),晚年他的思想走向社会主义、自由主义和民族主义的大综合.本文所考察的,是陈独秀从民族主义到自由主义的转变,以及这次转变所呈现的民族主义的内在困境.     

The historiography of nationalism and national identity in Latin America

ABSTRACT. This article surveys the current state of research on nationalism in Latin America, focusing on the large body of work produced from the 1990s onwards in a wide variety of disciplines (history, the social sciences and cultural studies). Covering work on both the nineteenth and the twentieth centuries, it takes as a starting point the impact of Benedict Anderson's work, Imagined Communities, on Latin Americanists. It discusses the ways in which Latin Americanists have applied his ideas, and their critiques of many of his claims about Latin American nationalism. It goes on to outline major recent developments across the field, within the context of an argument that it is important for all scholars of nationalism to incorporate Latin American experiences into their debates on the history and theory of nationalism. The references have been selected to guide readers to key relevant works; regrettably, the article cannot, for reasons of space, offer a fully comprehensive bibliography.     

Focusing on Chinese nationalism: an inherently flawed perspective? A reply to Allen Carlson

My article replies to Allen Carlson's critique of the existing literature on Chinese nationalism (Carlson's article was published in Volume 15, issue 1 of Nations and Nationalism, 2009). I address Carlson's criticisms and proceed to evaluate his proposal to move away from an allegedly unhelpful focus on nationalism towards the allegedly more illuminating framework of national identity construction. My approach to the existing literature on Chinese nationalism acknowledges efforts made within it at grappling with issues of theory and definition and builds on this acknowledgement to operate a selective appraisal of its strengths and weaknesses. I argue that while some of the problems identified by Carlson do indeed plague the literature, his advocacy of abandoning nationalism as a focus of research is unwarranted. There is continuing validity in using nationalism as a lens for understanding how China sees its place in the world.     

The national question: sociological reflections on nation and nationalism

The sociology of nation, national identity and nationalism has long been the subject of benign neglect. After examining the few positive contributions made by classical writers, we attempt to explain why the contribution of classical theory to the field is unreliable. In common with others we find that, for all that classical theory might treat the prominence of nation, national identity and nationalism as a passing phase, it in fact takes the existence of all three as givens to such an extent that they and their effects become invisible. But the sociology of nation and nationalism reached a turning point with the publication of Elie Kedourie's influential work in 1960. We explain the effect of this work on later writers, especially Ernest Gellner and Anthony Smith, and survey the work of these and other contributors to the field with an eye to their differences and similarities. We identify various stages in the development of the sociology of nation and nationalism, culminating in the most recent stage in which the significance of the subjective aspects of nationalism has received increased attention. We think there is room for a multiplicity of approaches to the subject and stress its central significance to sociology. We explain why nation, national identity and nationalism are certainly not in decline and suggest where the most fruitful lines of inquiry lie for future research.     

The political economy of socialism: A Marxist social theory

Talmon's treatment of nationalism varies in his different writings. This study will try to characterize his views as expressed in his final work, The Myth of the Nation and the Vision of Revolution. Through most of the book Talmon's preference for dealing with the vision of revolution, its prophets and bearers is very conspicuous. Their total devotion to restructuring and refashioning the whole world in accordance with the socialist ideology fascinated Talmon before it provoked him into analyzing it to death. Nationalism, on the other hand, appears at best as a natural feeling of loyalty and at worst as a hateful, aggressive, and racist obsession. One of his outstanding interests in that book is in the internal debate among socialists about nationalism as a value and as a strategy, and in the tremendous prominence of Jews in this process. It is only towards the end of the book that Talmon presents his main thesis, the confrontation between the two totalitarian ideologies, Bolshevism and Fascism as deriving from socialism and nationalism, and embodying two kinds of determinism, economic and biological. Nationalism appears as an irrational phantasy, which had developed throughout the nineteenth century to its pivotal culmination in Nazism. This highly problematic thesis, though brilliantly expressed by captivating metaphors, should I think be explained and revised.