The Idiom of the Other: Three Francophone Writers of “The Fringe”

This paper is based on the linguistic and cultural experiences of three francophone writers: Ahmadou Kourouma (Abidjan, Ivory Coast), Suzanne Dracius (Martinique), and Barry Jean Ancelet (Louisiana, United States). Their testimonies are discussed in the opening section. A reading of Jacques Derrida's Monolingualism of the Other; or, The Prosthesis of Origin, enables us to analyze the experiences of these three writers, “whose relation to the French language is as vexed and varied as Derrida's own Algerian inheritance” (in the words of an anonymous reviewer). It leads, in the next section, to a discussion of the impossibility of absolute monolingualism demanded by “linguistic imperialism,” the multiplicity inherent in any language, and the violence of a language which claims to be unique, while serving some ideology or power. In the last part, I address the double interdict to which Derrida believes education must respond, and the double entitlement for which it is responsible.     

The necessity of “corporatism”: The case of the Hawke labor government

“Consensual Corporatism” under the Hawke Labor Government is a process of policy decision‐making engendered both by a reaction to perceived past Labor policy‐making failures and the context of the collapse of the long post‐war economic boom.

This paper argues:

1. 1) that the perceptions of economic crisis in Australia in 1983 were accurate and that the Hawkeist consensus model was a correct (though not really corporatist) reaction to the policy requirements of the mid‐1980s;

2. 2) that, primarily because of the fragility of the institutional‐cum‐political base of the Hawke “consensual corporatist” policy process it will take an unusual combination of continuous good management and good luck for the model and its progenitor government to survive beyond the next election.

     

The Egyptian “book of the two ways”

Abstract

Science and cartography have had an intimate history which has not been simply the creation of ever more accurate scientific maps but one in which science, cartography and the state have co‐produced the knowledge space that provides the conditions for the possibility of modern science and cartography. The central cartographic process is the assemblage of local knowledges and, as such, is a particular form of the assembly processes fundamental to science. The first attempts by the state to create a space within which to assemble cartographic knowledge were at the Casa da Mina and the Casa de la Contratación, and hence they can be described as the first scientific institutions in Europe. Their failure to create a knowledge space can be attributed to the nature of the portolan charts. The triangulation of France and the linking of the Greenwich and Paris Observatories established the kind of knowledge space that now constitutes the dominant form within which modem science and cartography are produced. However, resistance to the hegemony of modern scientific knowledge space remains possible through finding alternative ways of assembling local knowledge.     

“The artifice of eternity”: The Wanderings of Oisin and the Byzantium poems

Yeats’s poetry and drama centre on conflict, and crucially, on the clash between the mortal and the eternal. In this essay, I focus on the way in which The Wanderings of Oisin foreshadows and informs the treatment of eternity in Yeats’s later Byzantium poems. The Wanderings of Oisin explores the intensity of human longing for the eternal despite our time-bound nature, prefiguring his later impassioned though analytical Byzantium poems. Although the Byzantium poems seem initially to glorify eternity at the expense of human life, this essay traces the complexity of Yeats’s desire. Previous criticism has understated the extent to which Yeats’s poetry actively resists the siren song of eternity. The Byzantium poems problematise the eternity that they seem to desire, and this article reveals them as inflected by the way in which The Wanderings of Oisin questions the value of the eternal realm in the light of mortal heroic values. The “intensity, solitude, defeat” of the artist are inevitable, but there is a victory of sorts won from the poet’s deliberate inability to commit to any version of the eternal that preclude his own power and humanity. Yeats’s poetry runs the gamut between versions of desire that express an overweening desire for resolution even as they retain their resistance to any single pure state of being, if any such state is possible.     

“Because they have cast away the law of the Lord of Hosts”—or: “We and the rest of the world” The authors who “wrote” The Old Testament

RÉSUMÉ

Comparer l’histoire construite de l’Israël biblique à celle des Aztéques, telle que Christian Duverger l’a analysée, premet de dégager un certain nombre de parallèles. En insistant sur leur migration, ces derniers ont élaboré un grand récit initiatique qui avait pour but de légitimer leur installation à Mexico et de justifier leur volonté hégémonique. Avec quelques différences d’importance, le récit biblique de l’exode d’Égypte puis de la conquête de Canaan comporte des aspects idéologiques similaires. Parailleurs, si les Aztèques se voyaient comme étant les héritiers des Toltèques, le royaume de Jude usurpa le prestige du royaume historique d’Israël entraînant une grande confusion autour de ce nom.     

Matter Out of Time: The Paradox of the “Contemporary Past”

Contemporary archaeology, with its focus on the present and the very recent past, challenges the conventional definitions of archaeology that emphasize the temporal distance between the archaeologist and the subject matter being investigated. Contemporary archaeology requires different methods, forges novel interdisciplinary collaborations, and inspires new questions. In particular, contemporary archaeology reminds us that all social actors, both in the present and in the past, were uncertain of the future and could not know the outcomes of their actions.     

On the Spacing of Time: On “The Tide of History”

The author discusses aspects of how time appears and is used by the individual and by society. In focus is what the author calls the ideological time scale as it appears in Western society. The concept of the ideological time scale implies systems of strong, ideological signals transferred through time in the human mind from one generation to another. One such signal is the age-old concept of the hero and the symbolism projected around this concept. The paper ends with an admonition to scholars to be aware of and study the kinds of messages transferred through time by this signal system. These messages carry important information about the ways in which society directs itself in the time continuum.     

“The Cause of This Blackness”: The Early American Republic and the Construction of Race

Abstract

Race is routinely defined as “socially constructed,” from which it follows that there was a time before its construction. What that time looked like, and how Africans were then viewed by white Americans, is difficult to perceive from a vantage point within the paradigm of race. This essay considers important but neglected cultural referents to argue that a binary distinction between black and white did not emerge on theoretical grounds until the 1780s, when Jefferson's Notes on the State of Virginia shrewdly redirected growing challenges to slavery into quasi-metaphysical reflections on the gulf between whites and blacks.     

The Game of “Thread the Needle” and Custom of Church Clipping

This paper discusses several aspects of a /Xam Bushman story in which a man brings home a lion cub and insists that it is a dog. The paper seeks to demonstrate that the text is capable of eliciting a range of important critical questions. It argues that the call to exegesis is inherent in most forms of literature, including those that are often treated as folklore or mythology. The paper suggests that there are several aspects of the story that accord with current critical concerns. It concentrates on just two of these: the tension between character and identity in the text and the different modes of knowledge that are present in it. The paper does not attempt to provide an exhaustive or authoritative analysis of the story. Instead it contends that the interpretative possibilities in /Xam literature are more extensive than some of the ways in which it is read would suggest.     

“The Hunting of the Earl of Rone.” The Emergence of “New” Folklore Motifs: Individual Creativity and Group Control

In 1798, a French expeditionary force under General Humbert landed in County Mayo to support the United Irishmen's rebellion. Both the French and their local allies were eventually defeated by British and Yeomanry troops, but the memory of the events and personalities of “the Year of the French” was still strong when the Irish Folklore Commission started its collecting mission in the 1930s. This article suggests that the folk narratives of these events can be collated into an alternative, and more democratic, version of the rebellion. Popular interest rested not with the French general (except as a scapegoat for defeat) but with local men (and women) of less elevated status. The common people of Ireland were, in their own narratives, less directed from above and more agents in their own right. These are less a corrective to the supposedly “authoritative” histories written by professionals and diffused through the media and education system, than a coherent, alternative historiography.1 The ballad “The Men of the West” was composed by William Rooney, one of the most enthusiastic organisers of the centenary commemorations of 1798. The ballad was set to the air of “Eoghan Cóir,” a song attributed to the eighteenth‐century Mayo poet Richard Barrett [Riocard Bairéad], who was implicated in the Rebellion.      

“The Gudeman of Ballangeich”: rambles in the afterlife of James V

This article concerns a corpus of legends in which James V of Scotland disguised himself as the “Gudeman of Ballangeich” in order to enjoy amorous adventures. The traditions may or may not be contemporary, and equally there is no certainty about whether they reflect actual behaviour (although kings in general, including the Stuart kings, have been known to disguise themselves for a variety of reasons, including pleasure). However, in later centuries, allusions to the “Gudeman of Ballangeich” were used by Scots to refer surreptitiously to a Scots king, by Jacobites to refer to a Stuart king, and members of The Beggar's Benison, an eighteenth‐century libertine club, used tales of James V to evoke memories of a better, pre‐Union, pre‐Calvinist Scotland of cultural creativity and sexual liberty. The legends of James V helped maintain the positive, popular image of this monarch as the “poor man's king” in the face of less kind judgements from contemporary elites and subsequent generations of historians.