“A German Bred Revolt”: the Manchester Guardian’s perceptions of the Irish Easter Rising, 1916

ABSTRACT

At the time of the Easter Rising of 1916 Britain had been engaged in the Great War against Germany for almost two years and on a scale and intensity previously unprecedented. This broader Great War backdrop is significant when analysing the 1916 Easter Rising, as it not only influenced the events which occurred in Dublin, but also the interpretation and presentation of the political violence. Despite the Easter Rising being well-documented in secondary literature, with a resurgence accounted for by its recent centenary, the British press and its portrayals of the events of 1916 has been one aspect which has not received as much scholarly attention. By analysing key stages in the uprising’s portrayal, it can be determined that the Manchester Guardian’s utilisation of the German connection had a two-fold implication. Utilising historical precedents of German-Irish “friendship”, such as the gun-running episodes of pre-War 1914, the newspaper justified its portrayal of Germany provoking violence in Ireland to disrupt British war efforts. Additionally, for the Manchester Guardian, the Irish rebels were depicted negatively in its articles as it attempted to halt the growth of republicanism, thereby ensuring the promotion of a more “moderate” form of nationalism.     

The Sherwood Foresters of 1916: memories and memorials

ABSTRACT

This paper examines the memorialisation of the Sherwood Foresters who fought during the Easter Rising of 1916 in Dublin. These men, from Nottinghamshire and Derbyshire in the English midlands, suffered the greatest casualties of the British regiments involved in the insurrection, and participated in the firing squads that executed the rebel leaders. Yet the public and artistic memorialising of these English soldiers is not widely known, and this interdisciplinary paper seeks to tell the unfamiliar story of what happened to the Sherwood Foresters after the fighting of Easter Week ceased. We use archival material in order to explore how, at the time of the Rising, these men believed that they would be remembered. We examine the way that the Sherwood Foresters of Easter Week subsequently appeared in literature and drama. And we analyse the way that those soldiers have been commemorated in funerary memorials.     

“Did that play of mine …?”: James Connolly,Cathleen Ni Houlihan and staging revolution

Abstract

Despite the crucial position he occupies in Irish history as one of the leaders of the Easter Rising, and the political – and emotional – impact of his subsequent execution, while wounded, by the British Army on 12 May 1916, the writings of Edinburgh-born James Connolly have often been overlooked in both Irish and Scottish studies, and not just in accounts of the Rising but also in the wider context of cultural connections, including cultures of commemoration. In particular, Connolly’s surviving literary work, including Under Which Flag?, the drama staged on the eve of Easter 1916, as well as poems and songs, has had limited attention. This article reconsiders Under Which Flag? in comparison with Yeats and Gregory’s Cathleen ni Houlihan in order to demonstrate the central place the drama holds as a continuation – and complication – of Connolly’s political and journalistic writings. If Connolly is a neglected figure as a writer – as opposed to a political leader and martyr – then the play he left behind (once thought to have been lost, like another of his dramas, The Agitator’s Wife) affords us an opportunity to reassess his contribution to the struggle for independence as part of its literary wing.     

“There are thousands who will claim to have been ‘out’ during Easter Week.”: recognising military service in the 1916 Easter Rising

ABSTRACT

Using recently released archives from the Military Service Pensions Collection (MSPC), this article assesses the archival evidence available for assessing how many rebels are recognised as having military service in the Easter Rising of 1916. It argues that while the MSPC contributes towards a more accurate estimation of the number who participated in the Rising, especially in the regions outside Dublin, it does not constitute a definitive figure for rebels active in Easter week. Through an examination of the assessment criteria for military service pensions, it shows how the decision to grant recognised pensionable service for the Rising was affected by geography, politics, legal challenges, the timing of an application, and the subjective assessment of individual assessors.     

“The Agitator’s Wife” (1894): the story behind James Connolly’s lost play?

The centenary of the Easter Rising in 2016 and the 150th anniversary of James Connolly’s birth in 2018 afford an ideal opportunity to reappraise this unique figure. Rightly renowned for his polemical journalism and political theory, Connolly is less celebrated for his creative writing. His 1916 play, Under Which Flag?, long considered lost, resurfaced fifty years ago without causing significant ripples in Irish literary circles, but interest in Connolly’s role in the struggle for Irish independence continues to grow, and critics are becoming increasingly aware of the fusion of feminist and socialist thought that shaped his particular anti-imperialist agenda. In this context his creative writing takes on new significance. A second lost play of Connolly’s, The Agitator’s Wife, has never been found, but its discovery would surely deepen our understanding of this gifted radical thinker. In this essay we suggest that an anonymous short story bearing that very title, published in a short-lived Christian socialist journal of the 1890s, may be a crucial missing piece in solving the puzzle of Connolly’s forgotten drama.     

Enigmas of the Great War: Thomas Kettle and Francis Ledwidge

Recent publications in the field of Irish Studies have begun to address the previously neglected issue of Irish involvement in the First World War, including some limited attention to Irish First World War literature. This article explores the poetry of two nationalist writers who joined the British army, namely Thomas Kettle and Francis Ledwidge. Kettle was a public figure who had served as a Westminster MP and his poetry expresses the political complexity of his responses to the outbreak of war and to the Easter Rising. Ledwidge was first and foremost a poet and the article explores and evaluates that aspect of his oeuvre which can be described as war poetry.     

Ireland’s eternal Easter: Sorley MacLean and 1916

Abstract

This essay examines the treatment of the 1916 Easter Rising by Scottish Gaelic poet Sorley MacLean. From his early work onwards, the Rising assumes a mythical significance in MacLean’s poetry. Throughout, this aetheistic, socialist poet uses rhetoric borrowed from the Gaelic Christian tradition to present the rebels of 1916 as exemplary secular martyrs. James Connolly plays a crucial role as the Scottish son of Irish immigrants. MacLean’s later praise poem for Connolly, “Àrd-Mhusaeum na h-Èireann”, deploys biblical rhetoric to present the Rising as an act of ritual sacrifice, recalling Patrick Pearse’s “Fornocht do Chonaic Thu”. MacLean’s valorisation of violence takes place against the backdrop of the modern Troubles, and prompts a reassessment of the political legacy of his poetry.     

‘…to exercise in all loyalty,discretion and conscience’: on insider research and the World Heritage Convention

While research on the World Heritage Convention has expanded tremendously in the last decade, little attention has been directed towards the research published by a handful of what can be characterised as insider researchers. Within this context, ‘insider researchers’ refers to individuals working at or on behalf of the core international institutions implementing the World Heritage Convention, such as the World Heritage Centre, and thus conduct research on a system they are part of. Coding articles published in international peer-reviewed journals, this article explores the themes and topics tackled in these articles and addresses the strengths and weaknesses of insider research within the World Heritage context.     

Suffolk Leechcraft

Inspired by The Lore of the Land, published by Jennifer Westwood and Jacqueline Simpson in 2005, a Dutch version of this book, comprising local and regional legends, was published in the Netherlands in 2010 by Willem de Blécourt, Ruben Koman, Jurjen van der Kooi, and Theo Meder. The editors selected over three hundred and fifty legends, representative of the twelve provinces of the Netherlands, for the volume. Some were real ecotypes, having been appropriated by local communities and having led to the erection of associated statues, often for touristic and commercial purposes, as well as for shaping collective identities, while others were almost forgotten tales. The editors also found, somewhat unexpectedly, that quite a number of popular legends had been composed and constructed by romantic writers in the nineteenth century, and that these older legends were much more popular than the recently-invented ones. As the editors also included a number of contemporary legends, they discovered that one such legend had already become popular enough to have a statue erected and a song composed in its honour.     

Prime Suspect: William Cowper Prime in the Holy Land and the Identity of “An American” In Harper's New Monthly Magazine, 1858

One of the most popular writers for travellers to Egypt, the Holy Land and Syria in the later nineteenth century was William Cowper Prime. His journey of 1855–1856 resulted in two books which went through multiple editions over a period of twenty years, a stimulus to follow in his footsteps and a standard text in the hands of many pious Christians. A series of five long articles published anonymously in Harper's New Monthly Magazine in the mid- to late 1850s can be shown as by Prime. All have been accepted as factual reports of actual events, places, and people but closer examination leaves little doubt they are fictitious. In the light of these conclusions, it is clear Prime had a taste not just for the wild exaggeration parodied by Mark Twain, but also outright invention and we must be cautious in using his writings as sources.     

Children and Print Visual Culture During the Chilean Popular Unity Government

This article analyses the visual figuration of children during the Chilean Popular Unity government (1970–1973) in a diverse archive of photographs, posters, album covers, magazines, and comics. First, it reads the realist representation of children in photography, which emphasises the dramatics of poverty as a form of establishing a photographic “civil contract” (Azoulay, The Civil Contract of Photography, 2008). Second, it interprets posters and texts concerning the Allende government’s Plan de Leche (Milk Plan) as an affirmative biopolitics. It concludes by showing that the children on illustrated posters are the idealised version of childhood projected by adults as a way of imagining a coming community.     

From Risorgimento to Il Politecnico: impegno and intellectual networks in the Einaudi publishing house, 1945

The article unveils the (dis)continuities between two post-WWII journals, Risorgimento and Il Politecnico, both published by Einaudi in 1945. By reassessing the publishing history of Risorgimento from a genealogical perspective, the article aims to chart the evolutions of the then current intellectual debate on impegno. Specifically, by analysing the relevant contributors’ correspondence and the essays that were published in the journals, the article examines the journals as sites of networking but also tension between different intellectual habitus. This will illuminate not only how the two editors-in-chief (Salinari and Vittorini, respectively) took different positions in relation to both the literary field and the PCI (Italian Communist Party), but also the opposition of editorial staffs – based, respectively, in Rome and in Milan – in relation to the publisher Einaudi.     

The Shots that Reverberated for a Long Time, 1916–1932: The Irish Revolution,the Bolsheviks and the European Left

Abstract

This article explores the interaction between the Irish Revolution and the October Revolution within the wider context of the First World War and the Paris Peace Conference. From an Irish republican perspective, it was clear that neither Wilsonian principles nor Bolshevik theories and statements could be relied upon. Self-determination for Ireland became the object of heated debates among newspapers and leading personalities of the Left and far-Left in Europe while the Easter Rising and the execution of James Connolly were used to settle accounts between various factions of the European Left and far-Left well into the interwar period.     

Twenty years of Tourism Geographies: a bibliometric overview

Abstract

Tourism Geographies is a prominently ranked journal that emerged from activities of the Tourism Commission of the International Geographical Union. It is indexed in the ‘Tourism, Leisure and Hospitality Management’ and ‘Geography, Planning and Development’ fields in the Scopus database and published its 20th volume in 2018. A bibliometric assessment of the articles and authors who have contributed to Tourism Geographies over its first two decades highlights major trends and dominant issues covered by the journal’s content. Key indicators include the most published and most cited authors and articles, the institutions and countries that those authors are affiliated with, other academic journals that are closely linked to the journal through citations, and the most used keywords in the journal. The Scopus database provides access to these basic bibliometric data, while the VOSviewer software enables graphical analyses and displays of co-citations, co-occurrences of keywords, and bibliographic couplings (shared references) across papers and authors. Overall, Tourism Geographies is closely linked to other leading journals indexed by Scopus in the ‘Tourism’ and ‘Geography’ fields and publishes papers from around the world. Research topics that have been most prominent in the journal include tourism development, tourist destinations, tourist attractions, heritage tourism, tourism perceptions, sustainable tourism, and travel behavior. Among the most viewed individual papers have been those addressing issues related to sustainability, poverty issues (related to tourism in poor areas, volunteering, sustainable tourism, and the environment), and community planning (sustainable tourism planning, tourist routes and movement, and new locations for tourism development).     

Wenceslao Fernández Flórez: The Evolution of His Technique in his Novels

The widely divergent and sometimes hostile reactions to literary texts whose writers use irony signal the complexity of this type of interaction between writer, reader, and text. Particularly when there is also an ironic main character, varied understandings of these texts can reveal a shifting network of discursive communities. Linda Hutcheon's Irony's Edge: The Theory and Politics of Irony analyzes how and why these communities are formed or disrupted. Maryse Condé's Hérémakhonon and Mongo Beti's Mission terminée are examples of texts whose writers were criticized for reasons that appear to be related to the ways in which the irony of both writer and narrator led to a disruption of the discursive communities whose shared contexts make irony possible.     

MacLiammóir's minstrel and Johnston's morality: cultural memories of the Easter Rising at the Dublin Gate Theatre

This article explores how Micheál MacLiammóir and Denis Johnston attempted to perform cultural memories of the Easter Rising at the Dublin Gate Theatre and thereby articulated their respective views on a colonial past that had to be reassessed anew, on the one hand, and a postcolonial future that still had to be made possible, on the other. By analysing how these two prominent Gate Theatre playwrights sought to commemorate the Rising through mediated performances, this article argues that the Gate Theatre did not simply serve as a playground for disinterested aestheticists but also created a stylised forum where the perceived strain between Ireland's traumatic history and its uncertain future could be addressed and reconfigured into a meaningful teleology. In doing so, this article attempts to demonstrate that the Gate Theatre served as a cultural counterweight to the Abbey's ostensible hegemony as a theatrical force in Irish identity formation.     

‘Not a Position for a Gentleman’: Sir Matthew Nathan as Colonial Administrator: From Cape Coast Castle to Dublin Castle via Natal

This article examines the role of Sir Matthew Nathan, British permanent under secretary for Ireland at the time of the Easter Rising in April 1916, and how critical events in his career as soldier, colonial governor and civil servant shaped his conduct and reaction to events in Ireland as the Rising unfolded around him. The article raises issues of identities: namely Nathan's own identity as an English gentleman, when, given his Jewish background, he was an outsider to that caste. Nathan's brief military career and lengthier career as a colonial governor earned him high praise as a model bureaucrat. In this paper Nathan's track from the War Office through government houses situated in West Africa, Hong Kong and Natal to Dublin Castle is traced to illustrate the changes in his character from decisiveness to indecision. While Nathan clearly misread the volatile situation in Ireland over the 1916 Easter weekend, his actions demonstrated both indecision and bureaucratic delaying tactics. It is argued that his experiences with obdurate settler ministers in Natal played a role in shaping his hesitancy at the time of crisis in Dublin and that this hesitancy provided an opportunity for the direct action of the Irish Volunteers. The conclusion is that, at the time of the Irish crisis, Nathan failed to exercise the ‘power of the personal influence’ expected of an experienced governor.     

11 September 2001: the Italian writers’ response

One month after the terrorist attacks on the World Trade Centre in New York, the Corriere della Sera published an article on the possible future consequences for literature of this horrific event. Some novelists boldly declared their work would not be affected at all, while others observed that their literary visions and perspectives were already responses to life's tragic aspects. Several writers confessed to wondering, at least initially, whether literature henceforth could continue to have any real sense. A decade later, this essay examines the nature of the Italian response. It looks first at the views of those writers who expressed opinions directly to the press or in essay form, and then at a small number of novels (by Tullio Avoledo, Marisa Bulgheroni and Tiziana Rinaldi Castro) and short stories (by Andrea Piva, Andrej Longo and Andrea Canobbio) which have embraced the theme, and which have done so in ways that reinforce the sense of an underlying political and/or cultural aesthetic. Connections between twenty-first-century reactions to 9/11 and the Italian experience or memory of political terrorism and war will be explored, as well as the question of inspiration for novelists, in the particular context of catastrophe or trauma.     

Chivalrous models of Patriot Kingship: Gilbert West,Lord Lyttelton and The Idea of a Patriot King

This article examines two explorations of the theory expounded in Lord Bolingbroke's The Idea of a Patriot King (written 1738, published 1749), Gilbert West's 1742 dramatic poem The Institution of the Order of the Garter and Lord Lyttelton's The History of the Life of Henry the Second (1767–1771). Both were associates of Bolingbroke's in the Patriot movement and were committed to his ideological programme, understanding its potential and appeal. They both recognised the significant potency in Bolingbroke's last and final theorem, that of the Patriot King, whose miraculous function it was to stamp out corruption, reform the state and rule as a father to his people. Yet they both reframe the theory, by providing relatable models of Patriot Kingship. The models West and Lyttelton provide are two historical English kings, Edward III and Henry II. By portraying these monarchs as Patriot Kings, both writers construct a mythopoeic idealisation of the English and British past, in which the manners of chivalry form the basis of Patriot Kingship. Both these works should also be understood within the context of an eighteenth-century tradition of using the English and British past to extol monarchy and reflect of contemporary politics and society.     

Charlotte Sophia Burne: Shropshire Folklorist,First Woman President of the Folklore Society,and First Woman Editor of Folklore. Part 1: A Life and Appreciation

Charlotte Burne (1850–1923) served the Folklore Society (FLS) for forty years. She was editor of the massive Shropshire Folklore (1883–6), and the second revised edition of the FLS's only official guide, The Handbook of Folklore (1914). She authored over seventy folklore papers, notes and reviews in Folklore and its predecessors, as well as several articles in newspapers and magazines; she was the first woman editor of this journal (1900–08) and the first woman President of the FLS (1909–10). This appreciation is the first part of a two-part study of her life and works. The second part will be a provisional bibliography of her published works.