Queerly situated? Exploring negotiations of trans queer subjectivities at work and within community spaces in the UK

While traditional perspectives on transgender from some strands of feminism and within medical/psychoanalytical discourse have argued that transgender people conform to and reproduce gender stereotypes, queer theory has celebrated transgender as a site that highlights the social and cultural construction of ‘sex’ and ‘gender’ and, moreover, as a symbol of transgressive gender possibility. Both of these readings ignore the complexities of lived trans experiences and identifications. By evaluating a queer reading of trans through recent empirical research into transgender identities, I suggest that while trans identifications certainly queer binary models of ‘sex’ and ‘gender’, such transgressions are materially, culturally, socially and spatially contingent. The article draws on empirical research to explore the ways in which access to queer subjectivities is constrained by, and negotiated alongside, the locales of the workplace and community spaces.     

Gay-riatrics: spatial politics and activism of gay seniors in Tel-Aviv’s gay community centre

This paper discusses aspects of spatial politics and activism at the municipal Gay Community Centre in Tel Aviv. It focuses on one marginal group within the LGBT community that is active in the centre – gay seniors. Drawing on theories of queer geography, queer gerontology and geographies of activism and social movements, the qualitative research reported here uses in-depth interviews and participant observations to demonstrate how these men construct the space for their activity both inside and outside the centre. On the one hand, this spatial politics shifts along a delicate axis between proximity to the municipality and community hegemony, looking ‘inside’ the community on the one hand. On the other, it subverts and challenges the existing communal order, looking ‘outside’ to the surrounding society. However, these two directions are not necessarily binary; rather, as the paper shows, they stand in a dialectic that holds them in tension. This tension is evident in the ways in which the group operates from within the core of the hegemony, creating a complex non-dichotomous reality that enables politics that acts within – and despite – the mainstream.     

Identity construction and ‘coincidental’ entrepreneurship among gay Filipino guesthouse owners in Amsterdam

This article centralizes gay Filipino entrepreneurs in the guesthouse industry in the city of Amsterdam, drawing on the narratives and trajectories of five of them. The article highlights the common threads of experiences of these immigrant entrepreneurs, as these provide interesting insights into the processes of their identity (re)construction and social embedding in the Netherlands and the role of their entrepreneurial involvement in these processes. In addition, the article describes how they relate to their home country, the wider Filipino community in the Netherlands, and the wider Dutch gay community. It will be shown that these experiences and relations sit uneasily with established positions in debates on home and belonging within transnational migration studies and queer studies, notably the idea that moving to western countries of destination cannot be treated as equivalent to moving to ‘queer cultural homelands.’ In addition, the article shows that immigrant entrepreneurship does not revolve around ethnicity per se in the sense that entrepreneurial practices cannot be understood separately from other identity forming structures such as sexuality and class.     

‘The meat market’: production and regulation of masculinities on the Grindr grid in Newcastle-upon-Tyne,UK

This article explores the regulatory practices that shape the production of embodied masculinities in profile pictures in the online dating app, Grindr. Mobile dating applications are becoming increasingly enmeshed in everyday socio-sexual lives, providing ‘new’ spaces for construction, embodiment and performance of gender and sexuality. I draw on 31 semi-structured interviews and four participant research diaries with men who use Grindr in Newcastle-upon-Tyne, a post-industrial city in North East England. Exploring the ways men display, expose and place their bodies in online profile pictures, revealed the production of two forms of masculinity – hypersexualised masculinity and lifestyle masculinity. I argue that the regulatory practices that shape men’s bodies in everyday spaces work to produce these masculinities. I take a visual approach that pays attention to the spatial practices that produce pictures, but that also pays attention to other senses, particularly touch. Paying attention to the visuality of the Grindr grid enables an understanding of the instability of online/offline dichotomies, as it is the interactions of online and offline spaces that enable the production of digital masculinities.     

Trans geographies,embodiment and experience

Queer geographers have long been interested in the interconnections between sexuality and space. With queer theorizing as its hallmark, queer geographical research has made substantial contributions to our understandings of genders, sexualities and embodiment and their constitution in, and production of, space and place. This article examines how trans scholarship intersects with several themes central to queer geographical research – subjectivity/performativity; experience/embodiment; and the historical, political and social constitution of what are now called ‘traditional’ LGBTQ or ‘queer’ urban spaces – and offers geographers interested in intersections between sexuality, gender and the body, alternative and challenging avenues of inquiry. This scholarship highlights, in part, the discontinuities and silences embedded in so-called LGBTQ and queer communities and spaces and points to the need to explore more particularly historical and political conceptualizations of the formations of subjectivities, identities and forms of embodiment in play in these spaces.     

‘It’s Like Biting Your Own Tail’: Pedro Lemebel’s Queer Response to the Challenge of Subversion in Neoliberal Times

Using the methods of textual analysis and in conversation with both Latin American cultural studies and queer studies, the essay examines the ways that Pedro Lemebel’s diverse body of work – ranging from live performances, fiction, non-fictional crónicas, and interviews – engages the limits of subversion in neoliberal times. On the one hand, Lemebel’s work has been routinely framed in terms of its subversion of gendered, sexual, and political norms. On the other hand, scholars and commentators have not deeply engaged the many ways that Lemebel’s own work comments on and represents the challenges of producing subversive cultural productions in a globalized, late capitalist environment in which subversion, including his own, can be undone precisely when it is most celebrated, valued, and commodified. Reading Lemebel’s commentaries and interviews as producing cultural criticism that complements his better-known crónicas’ and performances’ ideological narratives, the essay argues that Lemebel’s oeuvre repeatedly addresses the challenges of performing a delicate dance between resistance and co-optation, given his acknowledged inseparability from the market. Taking Lemebel as a model for this balancing act, the essay ultimately aims to reveal and critique some of the ways that we academics tend to read sexual dissidence as successful subversion without recognizing its complications and limits.     

Trans migrations: Seeking refuge in “safe haven” Toronto

Trans and gender nonconforming (TGNC) people who make refugee claims in Canada negotiate a complex nexus of identity, belonging, and citizenship. Drawing on insights from TGNC refugees, immigration lawyers, and frontline workers, in this paper we examine the ways the state controls the trans body through the refugee claims process and in the process of integration into life in Canada, while also highlighting trans refugee methods of survival and resistance. What emerges is an understanding of the ways that refugees navigate the tension between gender, sexuality, and homecoming as both intimately felt and geopolitically managed. We convey TGNC refugee narratives to demonstrate how they both confirm and expand upon the existing literature on Canadian LGBTQ+ refugees. TGNC refugees' experiences at the Immigration and Refugee Board confirm insights from existing LGBTQ+ refugee studies. However, TGNC refugees' day-to-day lives differ significantly from LGB refugee lives as recounted in the literature. In TGNC refugees' attempts to access gender-affirming documentation, healthcare, housing, and income, they confront distinct systems of transgender exceptionalism, border imperialism, and racial and heteropatriarchal capitalism that limit their access to basic necessities and impact how they build home both conceptually and materially.     

Chinese Queer Images on Screen: A Case Study of Cui Zi’en’s Films

The image of Chinese LGBT (lesbian, gay, bisexual and transgender) is largely absent from the big screen under the Chinese Communist Party’s censorship control. Taking advantage of the now cheaply available digital-video (DV) technology, queer activist and filmmaker Cui Zi’en has produced more than 10 LGBT-themed films since 2002, which shows the momentum of Chinese independent DV filmmaking. Although circulated mainly underground in China and at international film festivals, Cui’s films seek to promote the visibility of Chinese LGBT by representing queer diversity in this community. As the only filmmaker consistently dealing with LGBT themes and experimenting with new film techniques in China, Cui employs unconventional film aesthetics, featuring extreme long takes, unstable camerawork and minimal narrative, to challenge the oppression of Chinese LGBT by heteronormative conventions, as embodied by state power and a patriarchal social order. Furthermore, facilitated by DV technology, Cui adapts Western New Queer Cinema to the Chinese context, which brings a new dimension to Chinese cinema. In China’s restrictive political environment, Cui, like many other independent filmmakers, uses moving images to challenge official interpretations of social realities in contemporary China.     

Queering rurality: reading The Miseducation of Cameron Post geographically

This paper contributes to research on geographies of queer rural youth through an analysis of an award-winning young adult novel, The Miseducation of Cameron Post by Danforth (2012a. The Miseducation of Cameron Post. New York: Harper Collins). Three themes from the text are explored in this paper. The first is the well documented heterosexism of rural life. We note that the main protagonist, Cameron Post, experiences rural life on the margins, not only because of her queer identity but also because of her age and gender. A second theme in Danforth’s text is that rural spaces can be transgressively queer. In this respect the author subverts conflations of rurality and heterosexuality and urbanity and homosexuality as well as universalising notions of rurality as static, repressive and exclusive. The final theme emerging from a geographical reading of the text is that of placelessness. While highlighting the pervasiveness of this theme, we note that it elicits criticism from readers in relation to the book’s ending as it departs from the norms of familiar coming-out-narratives. In conclusion, we emphasise the efficacy of young adult literature as a source for furthering geographic knowledge about young people and sexuality.