Modernity East and West: Melodrama and yanqing in Shanghai’s popular culture*

The rise of the melodrama as a literary and theatrical genre appears to have had a co-relation with the rise of industrial cities in modern times around the globe from Europe, North America, to East Asia. In China, this phenomenon manifested itself in the yanqing (lit. speaking of feelings) genre that dominated the popular culture scene in Shanghai in the most part of the twentieth century. While the yanqing genre was an expression of particular Chinese modern experiences, it also provided a channel for these local experiences to partake in and enrich a global experience of modernity. This study shows how yanqing arts helped ordinary Shanghai residents deal with changing patterns of gender, love, and family relations in the fast-growing and modernizing city. Through such re-examination of the yanqing culture this study tries to shed new light on some important questions in modern Chinese history and help correct traditional elite views of this history.     

‘Main Bhi to Hindostaan Hoon’: gender and nation-state in India’s Border Roads Organisation*

In this ethnography of India’s border roads, I follow the circular/seasonal journeys of migrant road labourers from Jharkhand to the upper reaches of the Himalayas and back. I pay particular attention to the notions of masculinity and nation-building as they reveal themselves in their travel narratives. These migrants travel every May to work as road construction labour for the Border Roads Organisation (BRO) of India working in the Himalayan frontiers. While the BRO advertises its roles through various road signs claiming to be ‘creating, connecting and caring’ (for) the nation – it is the ambivalent construction of the labourers gendered national subjectivities emerging in the narratives of and about the migrant labour that is of particular interest to this article. One of the central contributions of this article is to show how hierarchical domains of the nation and the hierarchical structures within masculinity intersect and rely upon each other to build gendered national subjects. This research is based on over five years of a very mobile ethnography.     

Aesthetic cosmopolitan,national and local popular music heritage in Melbourne’s music laneways

There are currently few examples of popular music being officially celebrated as heritage in Australia. Interest in this area is growing, however, and this paper examines how Melbourne, the capital of the state of Victoria, has recently named three laneways after rock artists, namely, AC/DC Lane, Amphlett Lane and Rowland S. Howard Lane. Using interview and observational data collected at the laneways, we demonstrate that these spaces respectively reflect aesthetic cosmopolitan heritage (AC/DC Lane), national heritage (Amphlett Lane), and sub-national heritage (Rowland S. Howard Lane). The number of visitors to these laneways varies greatly across the sites, and reflects the national and international success of the artist commemorated. The laneways’ success as commemorative sites is also related to intersections of globally circulating ideas about what constitutes ‘rock’, what urban spaces should look or feel like, and how heritage is expected to be enacted (especially for tourists). Within this field, there are specifics relating to the Australian music industry that appear to find clear reflection in the sites chosen and their level of success as memorial spaces.     

Security,secularism and gender: the Turkish military’s security discourse in relation to political Islam

This article examines the sexual and corporeal constructions of risk within the security discourses of the Turkish military in response to the rise of political Islam and Islamist identities in Turkey. I look at the Turkish military as the self-proclaimed guardian of the secular Republic, which, until recently, has actively configured political Islam as a risk to national security and ingrained such risk onto the body of the headscarved woman. My analysis covers a time frame from 1980s to late 2000s when the military issued memorandums and public statements against the rise of political Islam and pursued a belligerent campaign to erase ‘Islamist’ identities both from civilian politics and its own structure. The military implemented security regulations and dress codes to detect the ‘Islamist’ military personnel who are most conspicuously identified with the dress style of the women in their families. I explore these security regulations through women’s everyday and personal experiences in relation to their dress, headscarf style and comportment in military spaces and try to understand how ‘Islamism’ is constructed as a security threat in sexually and corporeally specific ways. I demonstrate how secularism is constructed, and needs to be protected, on the basis of a particular regime of gender and sexuality at the merger of traditional gender norms and secular Western modernity.     

Sustaining popular music’s material culture in community archives and museums

This article examines the challenges of sustainability faced by community archives and museums that are concerned with the preservation and display of the material culture of popular music’s recent past. The sustainability of grassroots sites of popular music heritage is of great concern due to their role in making accessible cultural artefacts that have limited representation in the collections of more prestigious institutions. Drawing on three sites that have ceased operation – Jazz Museum Bix Eiben Hamburg, Mutant Sounds and Holy Warbles – the article highlights difficulties faced by the founders and volunteers of physical and online archives in sustaining their ‘do-it-yourself’ heritage practices in the medium- to long-term.     

Human Rights,Modernity, and Milton’s Areopagitica

Some of the founding documents of our modern human rights culture assert that, by virtue of natural law, the will of God, the will of a Supreme Being, or some kind of natural world order, all humans have a right to civil liberties. In Areopagitica (1644), Milton rejects this way of grounding the claim to civil liberties. Instead, he argues for civil liberties on pragmatic grounds, but also on the premise that members of political societies are entitled to civil liberties from their governors only insofar as those members are rational and virtuous. His argument for civil liberties is also grounded in the view that the proper function of government includes propagating virtue in those it governs, assessing their rationality and moral virtue, and extending civil liberties to them in accordance with this assessment. Arguing in this way, Milton opposes the notion that, simply by virtue of being human, all members of political societies have a specific set of rights which their governments, and indeed all other people on earth, are bound to respect. He thus has more in common with Isocrates and Renaissance humanists than he does with the defenders of our modern human rights culture.     

Rewriting apartheid South Africa: race and space in Miriam Tlali and Lauretta Ngcobo’s novels*

This article employs oppositional black geography as a lens to examine spatiality in the novels of two black South African women writing during apartheid, Miriam Tlali and Lauretta Ngcobo. In analyzing Tlali’s Muriel at Metropolitan and Ngcobo’s And They Didn’t Die, it argues that the authors used a critical spatial analysis of the nation to critique apartheid and its oppressive policies. It holds that by insisting on authoring their own worlds in a country that sought to deny them creative agency, Tlali and Ngcobo carved out intellectual space that enabled them to critique dominant ideologies of Afrikaner nationalism and white supremacy, while imagining and writing alternatives to a nation to which their relationships were primarily ones of disavowal and subjugation. Both Tlali and Ngcobo render visible the fissures within the seemingly naturalized apartheid sites they construct in their fiction, revealing the inherent contradictions and injustices of apartheid spatiality. Through their fiction, they were thus engaged in situated knowledge production and a reconfiguration of apartheid space into a more socially just place. In narrating subaltern discourses in their novels from the standpoint of those most oppressed by apartheid law and ideology and by creatively engaging the spatiality of apartheid, Tlali and Ngcobo offer new modes for reading the nation, valuable for elucidating the ways in which the national space genders black women, and how black women, in turn shape and reshape that space.     

‘It’s just a very male industry’: gender and work in UK design agencies

The article focuses upon gender divisions of labour in the UK design sector as a means of highlighting a relatively understudied segment of the creative industries. Drawing upon a wider study of design consultancy firms across London, Birmingham, Manchester and Newcastle, it considers how configurations of gender division are bound up with everyday representations of design labour. The article reveals how associations between craft, skill and masculinity appear, and are reinforced in design practice. It also points to the ways in which design work is valorised within and through constructed geographies of difference between London and the regions, emphasising that hegemonic masculinities are reinforced and reproduced in reference to understandings of activities in place.     

“Don’t call me a Cajun!”: race and representation in Louisiana’s Acadiana region

In southwestern Louisiana, the public sphere is dominated by the image of the Cajuns, presented as a hardy, likable people who have overcome significant obstacles since their arrival as Acadians in the late eighteenth century. Across the cultural region designated “Acadiana,” which comprises 22 counties, nearly 30% of the population is black (or Creole, mixed-race peoples generally identifying as black). Contributions of non-whites to the region’s history are usually not incorporated into the public historical narrative, and the erasure of these groups’ influences on the state’s cultural “gumbo” has profound symbolic and material consequences. Black/Creole residents note that much of their culture – primarily music and foodways – has been repackaged as Cajun or subsumed under the Cajun label and that they are unable to take advantage of the benefits that Creole-oriented tourism could bring to a region in which half of the counties are designated “black high poverty parishes.” Using mixed methods, including interviews, archival analysis, and census data, this paper explores the social, political, and economic consequences of the domination of Cajuns in the south Louisiana memorial and representational landscape and argues that commemorative silences in what Alderman et al. have called the “memorial arena” perpetuate a hegemonic social order.     

Competitive federalism and workers’ compensation: do states race to the bottom?

This article builds on the competitive federalism literature by examining the role federalism plays in determining policy trajectories with consequences for public welfare in individual jurisdictions. It examines the argument that federalism encourages a ‘race to the bottom’ using the case of workers’ compensation benefits for injured workers in Australia. It finds state systems have been characterised by a downward slide in the protections afforded injured workers since the late 1970s, and this has been associated with policy makers’ real or rhetorical concerns around interstate competition for business investment.     

Buried in a Head: African and Asian Parallels to Aesop’s Fable

There is a strange story among the fables ascribed to Aesop. It was preserved by Aristophanes and tells about the lark, who was born before the creation of the earth and had to bury her dead father in her own head. This article investigates Indian, Arabic, and North and West African parallels to this story. The analysed texts share several specific details, and the motif ‘buried in a head’ lying at the base of them is found worldwide only in a few areas of Eurasia and Africa; so there is most likely a historical connection between the examples.     

“Boys indifferent to the manly sports of their race”: nationalism and children’s sport in Ireland, 1880–1920

ABSTRACT

The late nineteenth century saw Irish children being exposed to formal sport in an unprecedented fashion. This era coincided with Ireland’s so-called Gaelic Revival and the emergence of a virulent nationalism that helped fuel the Irish Revolutionary period which followed. Yet little research has been conducted on how nationalists used sport in their efforts to entice children into their campaigns for Ireland’s cultural and political independence. This study examines the part which sport, particularly Gaelic games, played in attempts to inspire devotion to the ideal of an Irish-Ireland among the nation’s children. It explores the efforts to promote native sports as the games of choice for children across the school grounds and playing fields of Ireland and the influence of nationalist media propaganda in this endeavour. Finally, it considers the role of sport in the training and physical culture of an array of Irish youth movements which arose at this time.     

A journey to Mars: John Dewey’s lectures and inquiry in China

ABSTRACT

Instead of the framework of influence–acceptance commonly used in previous studies, the author uses new sources to reexamine John Dewey’s visit to China from the perspective of interactive experience. This study presents Dewey’s lectures in China as the result of interrelationships among a variety of elements – Columbia University, different hosts and audiences, the media, all levels of the Chinese government, the domestic situation in the United States, the international situation, and Dewey’s expectations and work – against the general background of China’s New Culture Movement and new educational reforms. Dewey’s speeches on democracy, science, and new education were remarkably successful in the first year of his visit to China, but began to meet with resistance from some students beginning in June 1920. Because of the Red Scare in the United States, Dewey had to stay in China. In the second year of his visit, he gave warmly welcomed lectures on the same topics in Jiangxi, Fujian, and Guangdong Provinces. With a deeper understanding of China, Dewey not only identified himself with reform plans but also began to pay more attention to China’s economic problems. His inquiry into the problems confronting China is a good example of what he advocated in his lectures: seeing democracy, science, and new education as a way of thinking and carrying out actions and making intellectual choices while moving forward.     

Imag(in)ing ‘good’ Swedish meat: gender,sexuality, race and nation in the sale of higher welfare chicken

Abstract

This article attends to the ways that meat from higher welfare chicken is sold in supermarkets in Sweden. Recognising that the ‘welfare-friendly chicken body is an achievement between the market, the animal and publics’, this article continues these discussions to show how gender, sexuality, race and nation operate within these markets and publics by looking at how welfare is marketed in chicken meat sales, particularly higher welfare chicken, compared to other meat. By attending to the images used to sell chicken, we examine how ideas about ‘the farm’ and ‘the family’ are mobilised in the supermarket. Using images of specific families, they position chicken both in the Swedish rural landscape and in intersecting social categories. These two narratives intertwine and operate as a device in the sale of high welfare chicken meat. This, we argue, hides the dependency on global supply chains and workforce, but also (re)produces ideas about what high welfare is, who cares, and how we should care. Throughout the article, we demonstrate how the narratives of farm, family, and nation operate in relation to species and welfare, as the ‘Swedish family farm’ is imag(in)ed to sell high welfare chicken in ways that contrast with meat from other animals.