A Voice for Black Interests: Congressional Black Caucus Cohesion and Bill Cosponsorship

This study enhances our understanding of the vexing dilemma (i.e., the crosspressures emanating from individual goals and collective aspirations) confronting black legislators. Extant research based on roll call votes or on interest group scores that are also based on roll call votes is limited in what it can tell us about African-American representation in Congress. By examining African-American representatives' cosponsorship of legislation, this study uses a more accurate measure of members' legislative behavior and thus overcomes the "censored sample problem" associated with roll call data. Bill cosponsorship is a good indicator of a representative's intensity of commitment to constituent interests. We examine public bills cosponsored by African-American representatives from 1971 through 1993. The analysis finds that the cohesiveness of the Congressional Black Caucus (CBC) transcends policy arenas, notwithstanding higher rates of cosponsorship on social issues, and that the number of bills cosponsored by the CBC is noticeably higher after 1982. In addition, analysis suggests that CBC members, just like all members of Congress, respond to the structure that governs the House and the political forces that shape their electoral fortunes.     

Rethinking mental retardation: education and eugenics in Connecticut, 1818-1917

This case study of mental retardation in Connecticut during 1818-1917 questions the existing model of interpretation. The discovery of mental retardation in Connecticut did not emanate from social fear over those who were different, difficult, or dangerous. Nor did state government initiate the institutionalization of the feeble-minded. Instead, Dr. Henry M. Knight, who founded the private Connecticut School for Imbeciles in 1858, was motivated by antebellum religious benevolence. His altruism was additionally motivated by cultural concerns to shape behavior according to middle-class, Protestant norms. By the end of the century, his son and successor Dr. George H. Knight departed from his father's emphasis on education and assimilation to embrace eugenics and segregation of the mentally retarded. Connecticut's pioneering marital ban (1895) and sterilization law (1909) were, however, virtually ineffective. Instead, the state sponsored in 1917 a large-scale custodial facility that sought to isolate the feeble-minded, whom reformers now portrayed as a menace to society. In sum, the Knights show a clear departure in policy between the first and second generation of administrators.     

Black and white: A problem with adaptations

William J. Hamilton, III. Life's Color Code. New York: McGraw‐Hill, 1973. 238 pp. $14.95.     

黑海明珠:索契

<正>在冬奥会之前,绝大多数人对索契的印象只有4个字——度假胜地。没错,正是索契具有美丽的风光景色和著名的滑雪胜地,使得上至俄罗斯总统、总理,下至平民百姓,都喜欢到这里来休息度假。我也被索契的美景深深的吸引着,终于在冬奥会开幕之前走进黑海之滨,一睹索契的"素颜"。     

Manganese Black Pigments in Prehistoric Paintings: the Case of the Black Frieze of Pech Merle (France)

Different black pigments of natural origin (mineral or organic) have been examined by means of several analytical methods (colour measurements, elemental analysis and structural analysis). The results, after being compared with each other, then served as reference points in the study of the ‘Black Frieze’ of the cave of Pech Merle (Lot). After that, colour measurement was investigated in situ on the paintings as a means of displaying small differences (in hue or chroma) between the black colours. The aim of this study was to verify several hypotheses concerning the techniques used by the painters of Pech Merle, and specifically by the one(s) of the Black Frieze. A first objective was that of identifying the nature and, if possible, the origin of the black pigments used in these figures. A second objective was that of determining in which parts of the frieze one or the other (or one and the other) had been used; and the final objective was to provide new technical information that might help us better to understand how the Pech Merle frieze was produced, whether by a single painter and in one episode, for the most part, or, on the contrary, in several episodes and by a succession of different painters.     

Black male: Advertising and the cultural politics of masculinity

During the 1980s, men's bodies began to appear with increasing frequency in television, cinema and billboard advertising. The advertisers’ preferred image of masculinity has generally been young, white, able‐bodied and staunchly heterosexual. This paper explores a partial exception to these generalisations: Ogilvy & Mather's highly successful relaunch of the soft drink, Lucozade. By using selected images of black male bodies and their popular associations with sporting and sexual prowess, Lucozade was able to shake off its long‐established associations with sickness and convalescence, becoming a popular ‘in‐health’ drink with a revitalised and revitalising image. The paper places contemporary representations of black men in British advertising in relation to wider changes in attitudes towards gender, sexuality and ‘race’, arguing that the success of the Lucozade campaign depended not so much on general associations between sport and ‘race’, manliness and muscularity, as on the reader's (socially constructed) knowledge of the particular personalities represented. This assumed knowledge effectively suppresses the more threatening aspects of a stereotypically anonymous and rapacious black male sexuality, provoking desire without evoking dread.