Al-Fārābī’s Cave: Aristotle’s Logic and the Ways of Socrates and Thrasymachus

In his commentary on Aristotle’s Rhetoric al-Fārābī harmonizes Plato and Aristotle in terms of philosophic education by ordering Aristotle’s eight logical works onto Plato’s famous image of the cave. He represents the way out of the cave with Aristotle’s four logical works of ascent (Categories, On Interpretation, Prior Analytics, and Posterior Analytics) and the return into the cave through Aristotle’s four logical works of the descent (Topics, Sophistical Refutations, Rhetoric, and Poetics). Al-Fārābī’s image of ascent and descent also alludes to Socrates’ conception of protreptic education in Book VII of the Republic. In essence, protreptic education consists in the Socratic art that freely turns the soul from the images and political interpretations of things to being itself. In this essay I argue that for al-Fārābī the four logical works of ascent guide the soul to free itself from its habituations so as to contemplate real beings, particularly the good of one’s own soul and the souls of one’s fellow citizens. Yet the ruler needs to use the arts of “descent,” as demonstrated by Thrasymachus, in order to rule the city well. The way of Socrates consists of the logical methods used to come to possess knowledge of being, while the way of Thrasymachus comprises the methods of persuasion to habituate citizens and protect the philosophic quest for the truth. Al-Fārābī, I conclude, combines the way of Socrates and the way of Thrasymachus in order to show that both ways are useful and necessary for good governance.     

Lampon’s Episode in Xenophon’s Ephesiaca: The Reformulation of a Goatherd

The article examines the figure of Lampon, an uncharacteristic goatherd appearing in a folk-tale-like story in Xenophon’s Ephesiaca 2.9–12. It has long been recognized by critics that the circumstances of the Euripidean Electra are recalled in the episode under discussion. Comparisons are made with the Euripidean scene and the “reshuffling” of the main roles is expounded, including the novelist’s decision to make Anthia the partner of a goatherd and not the wife of a lowly farmer. On the basis of thematic and verbal similarities, it is argued that Xenophon appears to have a direct knowledge of Euripides’ Electra, which he imaginatively exploits. Subtle details of occupation and name are also discussed in relation to the stereotypical α?π?λο? and the ?γροικο?. A characteristic feature recalling the Aristotelian notion of ?γροικ?α is pointed, and it is concluded that Xenophon skilfully subverts the stereotypes, as he does not endow Lampon with the traditional negative marking of ?γροικοι and α?π?λοι, and indeed moulds an anti-aipolos.     

‘I am not a feminist but…’: women’s activism in post-1991 Albania

Abstract

This article examines the shape organized women’s activism took in Albania after the fall of the communist regime. It also analyses how gender and feminist studies have positioned themselves within the higher education system, the relationship between media and feminism and the new alternative spaces of women’s activism and feminist resistance to gendered power relations. The analysis follows the longue durée of the fraught relationship of debates around feminism during and after the fall of Communism starting with the communist top-down ‘women’s emancipation model’ as well as the lack of bottom-up women’s activism, the post-1991 neo-liberal frame and the generalized post-1991 stigma about ‘emancipation’, ‘equality’ or ‘feminism’, along with the need to resist post-1991 hierarchical gender regimes.     

A Diplomatic Edition of the Introductory Section of Yamāri's Pramā(n)avārttikāla(n)kāra(t)īkā Supari(s)uddhā——Folios 3a1-10a1

Introduction As it is well-known,Yamāri's Pramā(n)avārttikāla(n)kāra(t)īkā Supari(s)uddhā (hereafter PVATS)1 on Praj(n)ākaragupta's Pramā(n) avārttikāla(n)kāra (hereafter PVA) contains a lot of materials concerning various topics which are very important for historical reconstruction of the later development of the Buddhist epistemological system,especially the tradition beginning with Dharmakīrti's Pramā(n)avārttika (hereafter PV).     

Geographies of children’s play in the context of neoliberal restructuring in Istanbul*

This research analyzes the material and discursive transformations of children’s play in the urban context of socio-economic transformations brought about by neoliberal restructuring in Istanbul. Two new private play centers called ‘children’s cities’ and one public playground are investigated by using observation, semi-structured interviews and document analysis. The findings of discourse analysis suggest that processes of privatization, exclusion and securitization underlying the city space deeply structure the new geographies of play. The hegemonic presence of private spaces is reinforced with the municipal neglect of public play spaces and also with particular framing of ‘good play’ as exclusive, secure and instrumental. The important conclusion is that neither the children’s cities nor the public playground observed in this study can fully meet the benchmarks of ‘the right to play’ that encompasses play that is free of charge and play as a right in itself rather than as instrumental for other developmental goals.     

The creation of shared space and the definition of a ‘light’ community in Italian television in the 1980s

In the mid-1970s the reform of Italy's radio and television system led to the end of RAI's monopoly and the advent of commercial television stations. This resulted in a reorganisation of the system according to the precepts of daily life and domesticity, with viewers at the centre of the relationship with the medium. This article, by analysing televisual archives such as game shows, explores how television formed part of the changes taking place in society and reveals how it became a kind of meeting-place, coinciding with the rise of an affluent society, between aspirations and desires and stereotypical models dictated by the market. These models were able to express new values that went beyond the boundaries of ideological affiliations and were in effect a response to the search for new forms of identity. In particular, television's place became an open space that was defined through modes of socialisation. It thus constructed a wider intimacy, a ‘mediatised hearth’, that progressively eroded the barriers between the private and the public sphere and led unexpectedly towards a ‘relationship of interest’ between television, competitors, viewers and financial backers. A new community then emerged, characterised more by possessing than by existing.     

‘I am Tower of Hamlets’: enchanted encounters and the limit to art’s connectivity

‘I am Tower of Hamlets, as I am in Tower of Hamlets, just like a lot of other people are’ (2011–2012) was an artwork by Argentinian artist Amalia Pica, and involved a pink-granite sculpture touring around different homes in the London Borough of Tower Hamlets for one year. This paper offers a geographical investigation into the type of encounters and relations created by this artwork. Rather than assume the progressive role of such art encounters, the paper casts a critical eye on to the actual forms of association that they foster and the normative social logics they may perpetuate. In doing so, it suggests that while enchanted, ‘meaningful’ encounters did occur between participants and the sculpture, these occurred within a pre-existing art community, something which compounded problematic class boundaries. Thus, the paper utilises this artwork to identify how encounters can be meaningful whilst maintaining embedded social and cultural divisions. It concludes with a discussion on the relationship between art and the geographies of encounter.     

PART I: Pierre Bayle’s Reply of a New Convert (1689)

This is the first English translation of Pierre Bayle’s political pamphlet, Réponse d’un nouveau converti à la Lettre d’un refugié of 1689. It may be one of the most critical attacks on a writer’s own side in the history of political ideas. It is a stinging rebuke of Bayle’s own party, the Protestants, for their incoherence, hypocrisy, and violence. It came three years after his similarly savage refutation of the Catholics in The Condition of Wholly Catholic France, also recently published in its first English translation in this journal. A substantial introduction explains some of the context, explores the political theology of this pamphlet, and reviews scholarly interpretations.     

The colour of the facades in Siena’s historical centre: I. Glazings (calcium oxalate films s.s.) and other finishes on the stone materials of the Cathedral’s main facade

This paper focuses on the long-debated topic of the so-called calcium oxalate films: their origin and meaning but also their age and original appearance. The restoration of the main facade of the Siena Cathedral provided a unique opportunity to this end, thanks to the possibility of an extensive and detailed sampling and (as rarely happens) a sufficiently accurate historical knowledge of the construction vicissitudes. This work, mainly based on a polarising microscopy study (coupled with X-ray diffraction and SEM-EDS analyses) of over a thousand thin and ultra-thin sections of 400 microsamples, demonstrates that the current relicts of films are the result of alteration and decay of ancient treatments. In most cases, these were linseed oil-based glazings (the use of this substance is confirmed by historical documents) and pigments. Their role was essentially aesthetic; their use dates the beginning of the fourteenth century and continued at least until the eighteenth century.

The politics of the ‘Church’ in the Italy of Pope Wojtyła

Abstract

This article analyzes the development of different political tendencies with the Italian Church during the pontificate of John Paul II. Two different strategies enabled the episcopal conference to maintain stability for a long period, in which time Cardinal Ruini played a key role, first as secretary and then president of the bishops. In his years the conference of bishops accepted that the political unity of the Catholic world was over, but it still tried to retain a strong political influence even though the mediation of the Christian Democratic Party was no longer available. With the end of Wojty?a's pontificate, however, this period came to a close and the different tendencies that make up the rich and complex world of the Italian Catholic Church have become more visible.     

The case of the nun Mettiyā reexamined: on the expulsion of a pregnant bhikṣuṇī in the Vinaya of the Mahāsāṅghikas and other Indian Buddhist monastic law codes

Indo-Iranian Journal -     

The Precarity of Young People’s Housing Experiences in a Rural Context

Young people’s housing, economic and labour market circumstances have become increasingly insecure due to the combined effects of the 2007/2008 economic crisis, neoliberal welfare reforms, rising costs of higher education and the shortage of affordable housing. Discussions of young peoples’ experiences in these domains have largely neglected their spatial variability but evidence suggests that young people living in rural parts of the UK have distinctive experiences of housing, which are closely connected to labour markets and educational opportunities. By drawing on qualitative data from young people and housing professionals, this article explores some of these rural distinctions and frames them within theoretical debates about the ‘precariat’. It argues for a more theoretically informed and geographically nuanced understanding of contemporary housing issues as rural youth potentially face greater precarity than their urban peers.