Agamben's geographies of modernity

This paper examines the geographical underpinnings of Giorgio Agamben's theory of sovereign power. Reflecting on Agamben's attempt in developing a unified theory of power, I highlight the eminently spatial nature of two of the key concepts that mark his argument: the structure of the ban and the camp as a paradigm of modern politics. In particular, I analyse how the spatialisation of biopolitics finds in the camp the ideal site for the definition of endless caesurae in the body of the nation, and for the definition of population as a merely spatial concept. I claim, therefore, that the biopolitical state machine activated by the recent war on terror is not only an autopoietic machine, but that it is also at the origin of new geographies of exception that are imposing a new nomos on global politics: a nomos within which decision is produced by a permanent state of exception, and where law exists only through its endless strategic (dis)application.     

Coexistence in modernity: A euromed perspective

Does cultural diversity lead to a want of respect, intolerance, and violence? Is religious culture in Islamic or other states tending towards a territorial imperative, denying any democracy a chance? Is globalization threatening value, identity and meaning? In the wake of 9/11, war on the Taliban's Afghanistan and Saddam's Iraq, the lingering Israeli–Palestinian tension, and what appear to be re-discovered genres of brutality—such as suicide bombings, beheadings, the wanton destruction of churches and other temples—this article teases out some historical and philosophical contexts in an attempt to assuage contemporary uncertainties. Distinguishing between the Mediterranean and the Middle East as two different realities, the article discusses how seemingly bewildering new theses and premises in a post-war, post-colonial, post-communist world may be read and possibly reconciled during the twenty-first century.     

Stitching modernity: the textile work of Fortunato Depero

Fortunato Depero (1892–1960) was a Futurist artist who worked in a variety of artistic mediums, from painting and graphic design to furniture and textiles. His work in textiles, created and produced in close collaboration with his wife, Rosetta Amadori, can be considered the most important development in his artistic career, as it comprised a large portion of his creative production. Yet this work has been largely overlooked. Many reasons explain this oversight, including categorizing inconsistencies – for example, his textiles have been described as embroidery, needlework, tapestry, patchwork, and cloth mosaic – and the persistent relegation of textiles to the realm of crafts and domestic arts rather than art, which has meant that his work in textiles has not been a priority for scholars and conservators of Futurism. This paper places Depero's textiles within the context of early-twentieth-century modernist artistic activities, and demonstrates the centrality of his textile work to his artistic oeuvre.     

The modernity of nations. A tribute to Walker Connor

To fully appreciate Walker Connor's contribution to the foundation of the contemporary study of nationalism, two main factors must be taken into account. First, the context of positivist behavioural political science within which in the late 1960s and throughout the 1970s, he articulated his critique of the concept of nation‐building. In this context, Connor emerged as a critic of the limitations and the naivité of positivist modernization theory. His dissenting voice called for critical rethinking and revision of the central concepts of the theory of political development, some of which enjoyed almost doctrinal status. Second, despite his criticism of modernization theory, Connor retained a strong conviction that nations and national sentiment were the products of modernity; indeed, in his judgement, they formed the primary content of modernity. This too was a critical stance within the rising tide of nationalism studies since 1989–1990, when ideology and wishful thinking influenced to a considerable extent the interpretation of nationalism. Walker Connor's intellectual legacy should thus be understood as a heritage of critical thought that is informed by a noteworthy awareness of the moral responsibilities of scholarly analysis.     

Subjectivity and representation in descartes: The origins of modernity

Although ‘Burke and Irish history’ is a theme which has long been known to modern commentators, it has not necessarily been addressed sufficiently. This essay seeks to put forward a more comprehensive account of Burke's views on Irish history than has previously been offered by scholars. According to Burke, the protection of Christianity had brought flourishing science to seventh- and eighth-century Ireland. Nevertheless, the nation was plunged into a barbarous state after the invasions of the Danes and other northern tribes. Burke's sympathy with the Brehon law was possibly unique, although he was not uncritical of it. Unlike the Irish patriots, his chief concern with historical Ireland was not the origins of the Irish legislature. He was rather most interested in the religious affairs which had continued to plague the nation during history. Throughout his career, Burke considered the Irish Rebellion of 1641 to have been ‘provoked’, and continuously endeavoured to remove the penal laws imposed on the Roman Catholics after the Williamite Conquest of 1689–1691. In his view, despite the substantial increase in prosperity after 1688/9, the series of religious persecutions, as well as other oppressive policies, had still obstructed the further progress of Irish society.     

Subaltern technologies and early modernity in the Atlantic World

Colonial Latin American and Atlantic-world scholarship that does not explicitly concern indigenous, black, and other subaltern individuals and groups continues to marginalize, if not completely ignore, them. This lingering, if often inadvertent, Eurocentrism endures, according to this essay, for several reasons, including a preoccupation with modernization, notions of ‘nature’ that make it easy to ignore ‘culture,’ and models of culture that presume fixed boundaries rather than permeability. This essay suggests that a focus on ‘technology’—capaciously defined to include phenomena such as hammocks and chocolate, as well as mining and storm management—is one way out of this predicament. Investigating the myriad technologies that dominated colonial Latin America reveals the centrality of subaltern actors throughout the region and the Atlantic world more broadly. It also affords a fruitful way to explore the relationships between material and symbolic culture in the context of an ‘entangled’ early modern world.     

陈独秀早期社会思想的现代性研究

陈独秀的思想发展可以分为三个阶段,很有必要对陈独秀早期社会思想进行研究.陈独秀早期社会思想的主要内容可概括为四个方面:个人与社会;经济与社会;政治与社会;社会发展.陈独秀早期社会思想的现代性意义主要表现在两个方面:一是陈独秀早期社会思想在近代思想史上的历史地位:二是陈独秀早期社会思想对于民族文化发展方向的启示.