Les victimes d’avalanche au Québec entre 1825 et 2009

Fatal avalanche accidents in Québec (Canada) 1825 to 2009 Archival research, coroner's investigations, and newspaper searches reveal the occurrence of 43 deadly snow avalanches in Québec since 1825. Historical records indicate 73 fatalities and more than 50 injuries. Sixty percent of the victims were younger than 20 years old. More than 50 percent of the victims (38 fatalities in 12 incidents) were inside or near a residential building, usually their home, mainly in the cities of Québec and Lévis. The second‐most deadly category is recreational activities, with over 24 deaths in 20 accidents. Most of these deadly incidents occurred on very short slopes (<70 metres of relief) outside mountainous areas. Only five fatalities were related to backcountry recreational activities in highlands. The inventory of avalanche‐threatened areas has never been completed in the Province of Québec and it is likely that avalanche‐prone areas are more widespread than previously thought.     

Les horizons géographiques,entre continu et discontinu1

This article analyses the metaphor of education and politics, commonly referred to as the allegory of Plato's cave. It develops the geographic concept of the horizon of novelty and otherness as a ‘dialectic’ of continuity and discontinuity, as well as an articulation between human mobility and immobility. In return, it poses the question of horizontality, always shown but never stated, as a critique of a metaphor crushed by the verticality that institutes the political connection, not in relation to the other but as a transcendence, and bases human education on the crushing of emotion. Beyond these readings, Plato's text allows the articulation of philosophy and geography in a common ‘logos’ and thus constitutes not only one of the foundations of an anthropological approach to geography but also one of the bases of the Western world and Western thought.     

Les serranos et le pont de Capilla au XVème siècle

Despite a few pioneering studies into transhumant raising in the kingdom of Castile much work in this field has yet to be done. We are acquainted with its general organisation but more rarely with its local manifestations. On the whole we know of the revenues it yielded to the Crown but less of those it delivered to the lords. It was during a lawsuit brought by the Mesta at the end of the fifteenth century against the lord of Capilla, whom it accused of imposing illegal taxes upon the migration of the winter herds across the Capilla bridge on their way to the Extranadura of the south, that a rich documentation was collected by the incriminated party. This documentation holds a twofold interest for us: first it informs us about the region of origin of the animals which followed this migration, the number of herds involved, their composition and their owners and shepherds; second it gives us knowledge of the revenues which a lord could extract from the collection of taxes imposed on the migration, or transhumance, itself.     

Charles Gleyre's ‘Les Romains’: Classics and nationalism in Swiss art

This article looks at an example of how classical antiquity was used by a nineteenth‐century Swiss painter and explores the national dimension of one of his works. Through an examination of the painting, Les Romains passant sous le joug, its Swiss artist Charles Gleyre and his commission from the canton of Vaud, it will elaborate an example of how a classical legend was transformed in an artistic representation of the nation.     

Les Mains de Michel-Ange

This article focuses on a drawing, regarded by 18(th)-century amateurs as a masterpiece by Michelangelo, and serves as a point of departure to illuminate the amateur's fascination with the artist's hand. This self-referential representation of the artistic process attracted much comment among connoisseurs. As virtually all amateurs had their say on the meaning of ? les mains de Michel-Ange ? the drawing sheds further light on the objects of desire which informed the amateur's discourse and the mediality such discourse needed in order to join word and image.     

Les techniques dans l'espace public

In this article, we intend to study the cultural transformations fostered by the commercialisation of inventions, a major process in the growth of markets and consumption in the XVIII^th century. Inventors' commercial strategies were based on intense mediatisation, combining visual languages (public shows, experiments, exhibitions) and print resources: advertisements, posters, tracts, how-to leaflets and users' books. Technical information and useful knowledge played a major part in the building of markets for inventions. This demension has seldom been stressed neither by historians of consumption nor by historians of technology. Yet, this literature that aimed to emancipate consumers and to develop their participative talents as m means to convince them to buy, expressed the success of knowledge in action, of operative sciences, based on gestures and verbs, on purposive action and projects. Whereas technological science (technologie) in the Enlightenment developed in treatises and dictionaries, it was also stemming from useful literature and commercial ephemeras that allowed appropriations.