世界主义与民族主义－－孙中山对新文化派的回应

五四运动以后孙中山反驳有人用世界主义反对其提倡民族主义,具体所指,外部渊源主要是英国的罗素、俄国的无政府主义克鲁泡特金和德国的社会主义马克思,内部则几乎涵盖国家主义以外新化阵营各个派系的代表,甚至包括一度倾向社会主义的国民党人如戴季陶等。世界主义自清末取代以天下观为主导的大同思想进入中国,由于“西方”在中国人的观念世界中地位日益上升,以及欧战宣告国家主义破产,世界主义在以西为尊的新青年中渐成流行趋势。经过与外力压迫下不断高涨的爱国情绪相融合,形成“世界的国家主义”或“世界主义的国家”观念,与改造后的民族主义虽有分歧,亦存在沟通的基础。随着民族危亡的日趋严重,越来越多的新化派重新回到民族国家的立场。世界主义与民族主义的取舍,始终是困扰后发展国家的两难选择。     

Protest, Scale, and Publicity: The FBI and the H Rap Brown Act

This paper deals with issues of political dissent and the geography of state power through the lens of a particular law and its deployment by the US state in the context of the 1973 occupation of Wounded Knee, South Dakota by American Indian Movement activists and local residents. I explore how the state responded to the highly mediated nature of the Wounded Knee occupation through tactics that minimized the visibility of its efforts to contain the protest. These efforts, I argue, also constituted a broader politics of scale. I begin with a theoretical discussion of the intersection of protest, scale and publicity. I then use the empirical example of the H Rap Brown Act to show how these dynamics were being reworked in the US during the late 1960s and early 1970s. In particular, I place the emergence of the H Rap Brown Act within a context of changing geographies of race and state power, more specifically as they were articulated around the unrest that was engulfing American cities. I then analyze how the law was deployed by the state during the 1973 occupation of Wounded Knee. Finally, I conclude with a discussion of what the case of the H Rap Brown Act has to tell us more broadly about our theoretical understandings of the geographies of public protest.     

The New York and the Josephine: two steamships of the Charles Morgan Line

Charles Morgan (1795 to 1882) was one of the most important figures in the development of steam packet service in the United States. Morgan's career spanned over a half century, during which he controlled some 117 steamships. Of the three known wrecks of Morgan Line steamers, two, the New York (1837–1845) and the Josephine (1867–1881), have been documented by the Minerals Management Service, a Federal agency responsible for overseeing the extraction of mineral resources on the Outer Continental Shelf. The two vessels document the changing technology of steam navigation through the middle part of the 19th century.     

谈晚会导演的策划能力

导演在艺术上有独到的审美视角,善于艺术想象,同时导演也是一个好的组织者,导演需发挥创造性思维,做好“导演阐述”工作,导演是晚会的总设计师、总指挥。晚会的策划操作力是衡量晚会导演成熟度的尺码,策划操作力的强弱会直接反应在作品中。一台晚会就是导演的一部作品,从策划到呈现,处处都体现着导演的智慧。