The Riddle of Paul de Man

The discovery in 1987 of Paul de Man’s pro‐Nazi literary activities in wartime Belgium prompted a debate over the fact that de Man neither publicly declared his collaboration, nor clarified the relationship between his wartime experience and his post‐war work. De Man’s detractors argued that he insidiously hid his past. The evidence of his concealment, they maintained, was his silence and unwavering conviction in his mature work that the meaning of every text contains its opposite. De Man guaranteed the impossibility of knowing the original meanings of his wartime articles. In contrast, de Man’s supporters argued that what appeared to be de Man’s silence masked his life‐long critique of his wartime errors. His heroic analysis, they maintained, was expressed in his post‐war work. In contrast to these interpretations, it is argued that de Man’s silence and post‐war work resulted from his rejection of his former self and the influence of its unacknowledged presence. The unintentional presence of his past caused de Man’s inability to speak openly about his coll aboration and shaped the content of his late work.     

Suburban Identity in Paul Maitland's Paintings of Cheyne Walk

The aim of this article is to consider the extent to which Paul Maitland's paintings of Cheyne Walk addressed the problem of establishing suburban identity at the end of the nineteenth century. The emergence of the modern suburb during this period presented a particular problem with regard to how this form of urban living might be defined, understood and experienced. As part of a group of artists that could loosely by described as British Impressionists, Maitland was among the first to engage in a close study of this subject. This article situates Maitland's visual project within its wider cultural context, comparing his work with that of associated artists also interested in the suburban subject and in Cheyne Walk in particular and with a range of contemporary texts that addressed the complex problem of Chelsea's place identity, including guidebooks, letters, novels and the work of local historians. Drawing on the methodology of cultural and historical geography, this article highlights the extent to which place identity changes through time and how its formulation is based upon the economic and social structures of those who ‘live’ the place. Adopting and elaborating a range of visual signifiers associated with the modern suburb, including both its rural and working aspect, Maitland's paintings of Cheyne Walk provide a valuable and subtle insight into how this new urban space was being conceptualized at the end of the nineteenth century.     

Translating the Vatican: Paul Cullen,power and language in nineteenth-century Ireland

This paper examines how one of the most influential figures in nineteenth-century Ireland, Cardinal Paul Cullen, used language and translation to further his career and his vision for the Catholic Church in this period. It shows how Cullen's language skills served him throughout his life in his role as an agent and liaison, a linking figure between different worlds. The paper demonstrates how Cullen's linguistic abilities and translations gave an early jump-start to his career and subsequently expanded his sphere of influence from the confines of the Vatican to the vast expanses of the Catholic English-speaking world. Through language, Cullen positioned himself as a vital conduit for Irish–Vatican relations and came to be the dominant force in Irish Catholicism for almost thirty years, connecting Ireland to Rome and translating his ambitions and those of the Vatican into reality in Ireland. The paper will demonstrate how language was a forceful tool for change and an instrument of power when wielded by Cullen.     

The Neoconservatives and the Pope: Misreading John Paul II in George Weigel's Biographies

With the recent release of his autobiographical narrative of the composition of the papal biography, Witness to Hope, prominent Catholic neoconservative George Weigel has invited a reexamination of the presentation of John Paul II to the world by Catholic neoconservatives. In his biographies, George Weigel crafts an often misleading portrait of Pope John Paul II as the pope of American liberalism and neoconservativism. Ironically, at the same time, the story of Weigel's biographies contains the story of the rise and fall of the Catholic neoconservative movement in America.