The reception of Solomos: national poetry and the question of lyricism

Abstract

Through the reception of Solomos, this paper explores the tension between the lyric and the narrative, and the extent to which the roles of national and lyric poet are compatible. The critical reception of Solomos demonstrates that his recognition as a lyric poet was not on an equal footing with his presentation as a national one. It shows that his joint treatment as the national poet of Greece and its greatest lyric poet is problematic and not convincingly argued. It also argues that Solomos's reception can be summarized as the conflict between the historical and the aesthetic approaches.     

宗族类贵州诗歌总集考论

通过对各种文献书目、地方史志和全国各大图书馆的调查摸排,目前已知历史上出现过的宗族类贵州诗歌总集约十余种,其中不乏散见于省外多地的孤本和珍本。在贵州诗歌总集编纂史上,无论是就数量还是就质量而言,宗族类诗歌总集始终处于发达水平。它们不仅作为贵州一族一姓的文学成果出现,也反映了贵州家族文学的整体风貌。     

The Persian Presence in Nineteenth-Century English Poetry: A Taxonomy

This study employs keyword searches of literary databases such as Literature Online (LION) in an attempt to map the image of “Persia” in nineteenth-century English poetry as it was molded by a proliferation of thoughts and ideas in a variety of contexts. Completeness is not possible, of course, but the article aims to identify and explore some of the major categories within which the image of Persia was formed and disseminated in the nineteenth-century. The scope of the study is not confined to a corpus of poetic works that were written specifically on or about “Persia,” but takes account of a broader range of poems, and attends to the structure, texture and variations of the presence of “Persia” in nineteenth-century English poetry.     

The City Is a Tree; The Real World Is Not a Tree!

The guest coeditors of this issue set a context in which to view a previously unpublished article of Frank Harary. The Harary article is followed here by contemporary material of Joseph Kerski that addresses similar real‐world issues. The two together, along with the context, serve as a springboard to launch the reader into the rest of the materials in this special issue devoted to graph theory and network science. Los coeditores invitados de esta edición establecen marco contextual para una lectura de un manuscrito inédito de Frank Harary. El artículo de Harary es presentado y complementado con material contemporáneo de Joseph Kerski que aborda problemas similares del mundo real. Los dos juntos y el marco conceptual sirven de base al lector para el resto de los materiales en este número especial, dedicado a la teoría de grafos y la ciencia de la redes. 本专辑的客座合作主编发表了一个评论,回顾Frank Harray先前未发表的论文。Harary的论文和当代Joseph Kerski的论文均关注相似的现实世界问题。将两者内容进行对比,结合原文,可以使读者更深入地了解本专辑中有关图论和网络科学之外的其他内容。     

箭袋树 懂得舍弃,是一种生存智慧

<正>在非洲南部,全年降雨量不足60毫米,而且烈日炎炎,干旱、酷热的环境让普通的生命望而却步。但令人难以置信的是,在如此恶劣的条件下,有一种植物仍顽强地生长,它们完全暴露在阳光之下,而且附近几乎没有水分,为了生存,它们选择决绝地牺牲,果断地舍弃,这种强悍与智慧令人震撼,它就是非洲南部的箭袋树。箭袋树其实是一种树芦荟,最高能够长到20米以上,是最大的芦荟之一,因为沙漠里     

猴面包树 穆隆达瓦邂逅神迹

<正>生命是顽强的,也是脆弱的,而外部环境则决定了生命的长度,但不论环境如何,生命总会以自己的方式延续着。就如动物界有在极寒之地生存的企鹅与北极熊,而植物界也有在浩瀚沙漠里生长的仙人掌与炎热非洲傲然挺立的猴面包树。"生命之树"的长寿奥秘非洲马达加斯加的标志除了狐猴以外,那就肯定是猴面包树了,很多人关于马达加斯加的了解认识都是从这一片长相奇特的参天大树开始的,也成为了其旅游开发的标志植物。猴面包树全世界共有8个种类,主要分     

人间草木 梅,孤山月影里的清寂

<正>"杯酒在天涯,吟边日又斜。襟怀无着处,寻梦到槑花",这是民国最后一位才女张充和女史为画家蒋风白的《寻梅图》题写的诗句,这里的"槑花",就是我们熟知的严寒的使者。梅花所代表的精神,只要是在中国人的文化世界,想必任谁都能说上两句,梅兰竹菊四君子,松     

《全宋诗》重出举例

《全宋诗》是一项庞大而艰巨的工程,其成就有目共睹。然因卷帙浩繁,又出众手,难免有误收、误重、阙漏之处。本文仅就其中的重复现象进行说明,以俾再版时改正。     

人间草木 桃花,那妖冶后的一场放下

<正>"桃之夭夭,灼灼其华。之子于归,宜其室家。"这是《诗经》中的名句之一,只是在之后的许多年里被写作了"逃之夭夭",寓意也更加诙谐。桃花在中国的文化意向中,占据了很大的篇幅,从诗经里的爱情寓意,到陶渊明笔下的隐逸世界,桃,被赋予了太多的象征。我国文人在借物喻人、借物讽事上很有一     

The Village in Contemporary Persian Poetry

This paper explores the ever-shifting symbiosis between the village motif, social justice and populist politics in Iran over the past three decades. The village has remained a recurring motif in Persian literature, employed by a variety of writers and state institutions for a range of means. As a symbol, it has been a conduit into which any ideology can be poured; the village allegory can be manipulated to both condemn and support the official policies of the state. A comparison of Iran’s pre- and post-revolutionary literature sheds light on the ways the state literati perpetuated an idealized picture of the village as an authentic, sacred space, increasingly associated with religious nationalism during the 1980s. The paper examines the key socio-political influences on the evolution of the pastoral motif, the work of state-sponsored official poets, and the impact of the village on the cultural doctrine of the Islamic Republic.     

勒阿佛尔 水泥与大海的诗

我也许是有生以来第一次被这四四方方的建筑所感动。这种感动来自小时候对未来城市的想象,那样的阳光让人想起前苏联电影里一个公寓的周日早晨,我被一种从水泥上荡开的温暖所包围,温暖如诗。