Cool nothing: Dom Sylvester Houédard’s coexistentialist concrete poetics

ABSTRACT

This article concerns the concrete poetics of Dom Sylvester Houédard, which I define using a term from his 1963 article ‘Concrete Poetry & Ian Hamilton Finlay’, ‘coexistentialist’. Houédard's concrete poetry has sometimes been criticized for an anachronistic avant-garde quality, because of its non-semantic use of written language, and its associated air of intermedia experiment. But the term ‘coexistentialist’ has various connotations which allow us to interpret Houédard's work as highly responsive to its cultural moment, and to the unique theological tradition from which it emerged. These connotations include: the relationship between early and mid-twentieth-century modern art and literature; existentialist philosophy, especially the writing of Jean-Paul Sartre; Marshall McLuhan's theories on modern communication and ecumenical dialogue within the Catholic Church during the Second Vatican Council. After presenting an outline of Houédard's poetics related to these themes, I analyse some of his concrete poems or ‘typestracts’, produced between 1967 and 1972.     

Displacing Barthes: Self,Other and the Anxiety of Theory

This article explores the relationship between the other and the writing self in three of Barthes's works and shows how the anxious and changeable state of the ‘je’ unsettles conceptions of ‘theory’ and its analytical object. Barthes attempts to conceptualise cultural otherness in Mythologies, L'Empire des signes and Incidents, and, on one level, his fantasies of encounter serve to displace or unground the writing ‘self’. On another level, however, the theorist's persona in these works turns out to be disorientated and unnerved by these displacements, and he couples his jubilant self-dissolution with a longing for a sense of origin or ground. Barthes as a result remains undecided about his positioning within his own discourse, and his works demonstrate the necessary interpenetration of theories of alterity with the contradictory subjective and affective desires of the writing self. The aim of the piece is ultimately to argue that, for its very flaws and inconsistencies, Barthes's writing about otherness may help us to understand the challenges and deficiencies of postcolonial conceptions of cultural difference.     

Meaning in a Changing Context: Towards an Interdisciplinary Approach to Authorial Revision

Summary

In this article, I seek to develop a genetic/diachronic approach to the phenomenon of authorial revision, and to the interpretation of texts that exist in multiple versions. In all such cases, the reconstruction of textual meaning cannot be separated from the reconstruction of the process through which the text in its ‘final’ form came into being; furthermore, an understanding of the author's intentions in (re)writing cannot be entirely separated from an understanding of his/her motives for (re)writing. This article is divided into three sections. In the first section, I consider recent trends in editorial and literary theory that aim at characterising texts in terms of processes rather than products, in order to uphold the equal dignity of each version without losing sight of its connectedness to other stages in the history of the text. In the second section, I discuss how Quentin Skinner's views on meaning and context apply to cases of authorial revision, and I suggest that some key aspects of Skinner's contextualism need to be reconsidered. In the concluding section, I focus on a case study in order to demonstrate the operational value of such a genetic and motive-based approach to authorial revision: more particularly, I seek to show how a close examination of Jean Bodin's rewriting practices in the Methodus (1566–1572) and the République (1576) can throw new light on his shift from a concept of limited sovereignty to one of absolute sovereignty.     

Carto-fiction: narrativising maps through creative writing

Abstract

This study reacts to the recent call for a narrativisation of maps’ life in post-representational cartography, proposing ‘cartographic fictional writing’ as a means to move geography’s ‘creative (re)turn’ from a place-centred to a ‘carto-centred’ perspective, and as an epistemological tool to go on rethinking maps from post-representational perspectives. First, ‘carto-fiction’ is defined as a self-reflexive (autoethnographic), ethnofictional, creative carto-centred product/practice of research. Second, by including the entire short story entitled ‘Unfolding Berlin’ and an autoethnographic account on how it emerged, this study strives to both theorise and perform carto-fictional writing as an embodied and trans-subjective mapping experience. My goal is to propose ‘carto-fiction’ as a prolific tool to let emotional, subjective cartographies emerge and to narrativise maps as mapping practices. The article further strives to focus on the mapping power of creative writing, and carto-fictional writing and reading will be interpreted as mapping performances, in which subjects are bodily and emotionally engaged. The inclusion of original illustrations aims to involve readers in a visual experience and to further stimulate their spatial imagination: each reader is asked to reflect on his/her own mapping experiences to interpret the fictional story and, thus, the paper itself attempts to unfold unpredicted creative cartographic practices.     

Nietzsche's magnum opus

Nietzsche did not write a completed magnum opus, a ‘Hauptwerk’, but he planned to do so during at least the last 5 years of his active life. I will show that during and after the writing of Also sprach Zarathustra this was his main aim and ambition. The projected work passed through a number of related phases, of which the much discussed and controversial ‘Will to Power’ was merely one. This intention to write a magnum opus has been denied or almost completely ignored by almost all commentators (and even the many writers of Nietzsche biographies). I will bring attention to this intention, discuss why it has been ignored and show that an awareness of it is important for our understanding of the late Nietzsche's thinking and for determining the value and originality of his late notes. It has been a failure of historians of philosophy, intellectual historians and Nietzsche scholars not to have taken this into consideration and account.     

Book Reviews

Letters from the Dust Bowl by Caroline Henderson Alvin O. Turner (Ed.), 2001 Norman, OK, University of Oklahoma Press 320 pp., $34.90 hardback ISBN 0-8061-33-3 hardback The American ‘Dust Bowl’ landscape of the 1930s has been etched into the global imagination through powerful narratives: Farm Security Administration photography (1935-43), Per Loretz's film, The Plow that Broke the Plains (1936), and John Steinbeck's Grapes of Wrath (1939). In the last quarter of the twentieth century, historians such as Donald Worster (1979) have constructed their own narratives of this time and place. Caroline Henderson's Letters from the Dust Bowl, edited by Alvin O. Turner, provides a counterpoint, in the form of a first-hand account and a woman's voice, to the news stories, government propaganda, and historians' analyses that construct our understanding of the Dust Bowl. Henderson's letters reveal not only the ‘real’ experience of living in that place during a particularly difficult time, but also the ‘before’ and ‘after’–what led these individuals to the Great Plains and what became of them afterward. Educated at Mt Holyoke, Caroline Henderson ventured out onto the panhandle of Oklahoma to homestead in 1907 as a single woman, who ‘hungered and thirsted for something away from it all and for the out-of-doors’ (p. 33). She met her future husband Will when she hired a crew to dig a well on her land. Letters from the Dust Bowl captures Caroline's transformation from an idealistic young woman to a woman ‘worn by years of struggle with land and life’. Caroline's ‘letters’ are an amalgamation of letters to family and friends, and letters and essays written for publications such as the Atlantic Monthly. Letters begins with Henderson's optimism and delight in both life and landscape. Caroline's early writings capture the excitement of homesteading, of marriage, of being a young mother. Her writings eventually shift from purely personal letters to family and friends to being a source of additional income. Drought and failed crops led Caroline to begin writing for publication in 1913; her first published article was on her first years homesteading. She became a regular contributor to Ladies' World magazine, as their ‘Homestead Lady’, until its demise in 1918.     

Uncomfortable proximity. Literary technique,authorial provocations and dog whistles in Michel Houellebecq’s fiction

ABSTRACT

In 2002, following an interview with the magazine Lire where he described Islam as ‘la religion la plus con’, Michel Houellebecq was prosecuted, and eventually acquitted, for ‘injure raciale et incitation à la haine religieuse’. In discussions of Houellebecq’s case, supporters were quick to invoke the ‘special value’ of the literary space for the free discussion of ideas, however provocative or unpalatable. Houellebecq’s acquittal, and support from figures such as Salman Rushdie, have afforded the writer an unprecedented degree of literary freedom. Subsequent novels such as La Possibilité d’une île (2005) and Soumission (2015) show the author fully inhabiting this freedom in order to undertake a provocative critique of Islam. This article explores how both literary technique and authorial presence endorses the controversial ideas of his texts within Houellebecq’s writing and demonstrates how a movement from ambiguously undermining towards reinforcing those ideas can be observed. In particular, the framing of provocative ideas and assertions expounded in his fiction has become less robust throughout his career. This leads to, I suggest, a greater porosity between Houellebecq’s fiction and that of contemporary right-wing essayists such as Alain Finkielkraut and Renaud Camus.     

The Military and Edinburgh Society, 1660–1760

Abstract

The most terrible words in all writing used to be ‘There they crucified Him’, but there is a sadder sentence now—‘I know not where they have laid Him’…Surely ‘missing’ is the cruelest word in the language. (Anonymous, To My Unknown Warrior, 1920.)     

Pocock,Machiavelli and Political Contingency in Foreign Affairs: Republican Existentialism Outside (and Within) the City

SUMMARY

In this essay, inspired by J.G.A. Pocock's appropriation of Machiavelli's theory of political contingency, and building upon my previous engagements with Pocock's ‘republican existentialism’, I focus on the role played by ‘accidents’ in Machiavelli's analysis of war and foreign affairs within The Prince and the Discourses. In so doing, I consider the following issues: the ways through which a potential imperial hegemon might consolidate control over nearby lesser powers—and, conversely, how such less powerful polities might resist imperial encroachments on their autonomy; the contrasting military modes and orders characteristic of ancient and modern republics; and the extent to which Machiavelli actually thought that accidents in foreign affairs were ever truly ‘accidental’ in light of his determinations concerning well- versus badly ordered domestic institutions.     

Avenging ‘Bridget’: Irish domestic servants and middle-class America in the short stories of Maeve Brennan

This article will examine the representation of Irish women servants in Maeve Brennan's short stories, first published in The New Yorker in the 1950s, and collected in The Rose Garden (2001). The Irish ‘Bridget’, the most publicly visible, if troubling, image of Irish womanhood in late nineteenth- and early twentieth-century America, has received much-needed attention from historians and social scientists in the last decade, and is a central figure in discussions of Irish women and diasporic identity in the American context. Drawing on this body of work, and focusing in detail on key stories from the collection, including ‘The Bride’, ‘The View from the Kitchen’, ‘The Anachronism’, ‘The Divine Fireplace’, and ‘The Servants’ Dance', I argue that Brennan's reimagining of the Irish Bridget can be approached as a form of feminist revisionism, as Brennan's stories enter into a charged dialogue with the history of imagining the Irish woman servant as an undesirable but necessary presence in middle-class American domestic culture. Brennan's self-reflexive reworking of this paradigm is informed by her work as a satirist for The New Yorker, and proves an effective means of writing back to this problematic history, as she takes up recognisable tropes and motifs from earlier representations of Bridget in popular and literary culture, and alters them in knowing and subversive ways.     

Silas Marner,Catalepsy, and Mid-Victorian Medicine: George Eliot's Ethics of Care

‘Silas Marner, Catalepsy, and Mid-Victorian Medicine’ reads Eliot's novel Silas Marner through the history of medicine, and particularly in the context of Marner's strange cataleptic trances which embody his alienation and suffering. Eliot, I argue, employs catalepsy in order to investigate ideas of illness and care, especially as that relates to professional medicine and to ideas of community. Focusing on cataleptic case histories and on Eliot's personal health concerns I show how issues of care become philosophical questions about ethical responsibility. It is through Silas Marner and his catalepsy, I conclude, that Victorian scholars can come to understand more about what that means within Eliot's canon and, more widely, in the mid-Victorian period. Overall, the article provides a unique reading of Silas Marner, drawing on significant new archival research on catalepsy and in Eliot's writing of illness narratives.     

The (un)promised land: queer identity and South Africa’s post-apartheid urban landscape

Abstract

In this article, I explore the intersection of photography and contemporary urban topographies in the production of queer identity in post-apartheid South Africa. To do so I examine Thebeautifulonesarehere, a contemporary photo-collage portrait series by Kelebogile Ntladi, which attempts to queer representations of South African cityscapes to reveal the entrenched homophobia and the systematic rejection of queer subjects. Ntladi, inspired by their own experiences of counter-normativity and the omnipresent threat of violence they face as a result, took to the streets to walk through their home city of Johannesburg to photograph the urban and cultural landscape; these photographic prints were then used as the building blocks in the assembly and fabrication of imagined spaces in which they and their fellow queer citizens would be able to live without fear of violence, where they could move freely and without repercussion. Using the trope of the flâneur as a starting point, I draw on Walter Benjamin’s paradoxical experience of Paris: his writing of Paris as the ‘capital of the nineteenth century’ and ‘the promised land’ of the flâneur exists in stark juxtaposition with his own complex experience of anxiety, dislocation and impending doom while living in the city while in exile during World War II. Ntladi’s personal experience of post-1994 Johannesburg echoes the paradoxical experience.     

Ancient Greek Myth in Angelos Sikelianos

Abstract

In the introduction to Angelos Sikelianos: Selected Poems, the translators speak of Sikelianos's ‘mythological attitude … toward life’ and of his conception of myth not so much ‘as a rhetorical or metaphorical device but as a spontaneous creation of the human soul directed toward the revelation of a hidden spiritual life’, in short, of mythology as a kind of religion closely related to Schelling's perception of the function of myth. These remarks, written originally some years ago, may have their just proportion of truth, but in keeping with most introductory remarks, they strike me as rather too general, rather too undiscriminating when one brings them face to face with Sikelianos's practice at different moments of his career. I want to try to be more discriminating by considering the role of myth – specifically ancient Greek myth – in the poet's work both early and late in his career. I think it is a changing role, perhaps not in his fundamental association of gods with a contemporary landscape and his revelation of those mysteries that lie hidden in our everyday lives, but in the mode of this association and this revelation, and in the depth of their poetic significance.     

Response to Langdon Gilkey's Inaugural Address at the Niebuhr Society, 22 November 2003 in Atlanta

Abstract

After applauding Professor Gilkey for focusing attention on Reinhold Niebuhr's book, Moral Man and Immoral Society, I framed my response by setting forth seven salient elements of Niebuhr's political theory. After affirming Gilkey's portrayal of the differences between our contemporary situation and that which Niebuhr addressed in the 1930s, I focused on a third characteristic of Niebuhr's thought that Gilkey neglected to mention, namely, the impact of his thought on African-American activists in their struggle for racial justice in the United States. That impact mainly pertained to his perceptive analysis of power conflicts among social groups and especially the societal power of racism. Niebuhr's sensitivity to that problem was heightened during his ministry in Detroit and thereafter. Thus, Martin Luther King, Jr, his protégé, Jesse Jackson and many others came to view Niebuhr as a major source of inspiration for their struggle. But, in spite of Niebuhr's appreciation of Gandhi and his support of King's non-violent resistance approach, they disagreed about the moral value of pacifism. Most importantly, I join with another African-American scholar in pointing out Niebuhr's uncritical paternalistic assumptions about African Americans and their struggle.     

La prudencia de Cortés: teoría política y práctica retórica en la Historia de la conquista de México de Antonio de Solís

The Historia de la conquista de México, published by Antonio de Solís in 1684, and later extensively reissued and translated, has been praised for the ‘elegance’ and ‘sweetness’ of its style. From very early on these qualities made the Historia to be read as a prose model worthy of imitation. Different scholars have studied Solís's sources and the way he manipulated them on the one hand, and, on the other, the extent of the reliability of his account. However, very little has been said about the actual writing practices of the Historia in the context of contemporary historiographical theories, or the author's own ideas about history or politics. This paper analyzes how some of these rhetorical techniques (I particularly focus on the use of oratio figurata, sententia, and epiphoneme) gave shape to Solís's political ideas, in particular the concept of prudence.     

Eavesdropper on the Past: John W. Burrow (1935–2009), Intellectual History and Its Future

Summary

Focused on the much-debated historiographical and academic status of intellectual history, this article addresses for the first time and in detail the methodological views of the British historian John Wyon Burrow (1935–2009). Making use both of his published works and of unpublished material left to the University of Sussex Library (including lectures, letters, academic projects and biographical sketches), its goal is to provide a thorough account of an original and eclectic intellectual historian and, at the same time, cast new light on the role of the discipline in the scholarly context of the last few decades in Europe and the US. More specifically, the following pages will illustrate Burrow's work and career, with particular attention being paid to his insistence on narrative, imagination, irony and style; present his writings as an original instance of the anti-methodological practice of intellectual history; and study his opinions of what it means to carry out the métier d'historien. Finally, by examining Burrow's idea of the intellectual historian as a creative ‘eavesdropper’ on the ‘conversations of the past’ and as a ‘translator’ of past dialogues, this article will both pose some central questions and advance some proposals concerning the future of intellectual history.     

Rousseau’s reception as an Epicurean: from atheism to aesthetics

ABSTRACT

What did Rousseau's readers mean when they called him an ‘Epicurean’? A seemingly simple question with complex implications. This article attempts to answer it by reconstructing Rousseau's contemporary reception as an Epicurean thinker. First, it surveys the earliest and most widely read critics of the second Discourse: Prussian Astronomer Royal Jean de Castillon, Jesuit priest Louis Bertrand Castel, and Hanoverian biblical scholar Hermann Samuel Reimarus. These readers branded Rousseau an Epicurean primarily to highlight his atheism, his anti-providential and materialist natural philosophy. Then, it discusses Genevan pastor Jacob Vernet's positive assessment of Rousseau as a critic of ‘fashionable’ Epicureanism, before reconstructing Rousseau's critique of the reception of Alexander Pope's Essay on Man as an Epicurean text. These sources elucidate Rousseau's engagement with a range of ideas and argumentative positions that would inform his later self-identification as a ‘refined’ Epicurean. In particular, they highlight his interest in how a sentimental awareness of beauty might mitigate the potentially vicious effects of hedonism. The article concludes with novelist Mme. de Genlis’ critique of Rousseau's Wise Materialism, using his thoughts on the imagination to suggest some of the ways the neglected aesthetic dimensions of Rousseau's reception of Epicureanism might be developed.     

Historiographical Foundations of Modern International Thought: Histories of the European States-System from Florence to Göttingen

Summary

The foundations of modern international thought were constructed out of diverse idioms and disciplines. In his impressive book, Foundations of Modern International Thought, David Armitage focuses on the normative idioms of natural law and political philosophy from the Anglophone world, from Hobbes and Locke to Burke and Bentham. I focus on parallel developments in the empirically-oriented disciplines of history and historiography to trace the emergence of histories of the states-system in the Italian- and German-speaking worlds, from Bruni and Sarpi to Pufendorf and Heeren. Taking seriously Armitage's remark that ‘the pivotal moments in the formation of modern international thought were often points of retrospective reconstruction’, I argue that the historical disciplines supplied another significant intellectual context in which the modern world could be imagined as ‘a world of states’.     

The Archbishop in the Beleaguered City: An Analysis of the Conflicting Roles and Political Oratory of Makarios

Abstract

In this paper I want to examine the significance of Makarios' combined roles of Archbishop and President of Cyprus for his style of leadership and his political oratory. In so doing I hope to shed some light on certain aspects of ‘The Cyprus Problem’ which has hitherto received scant attention by political scientists and sociologists.