The presence of Sikelianos in the poetry of George Seferis

Abstract

Echoes of Sike1ianos' poetry can be detected in many poets, but his presence in Seferis is particularly interesting in the light of the close personal relationship which developed between the two poets from the 1940s. The poetic dialogue starts with Seferis' Στρo?η (1931) and develops continuously until his last book of poems, Tρια Kρυ?? Φoιημα&tauα (1966). Seferis, attracted by Sikelianos' linguistic richness, recreates the older poet's words ingeniously in his search for a new poetics. I examine this dialogue chronologically to show that exploring the presence of Sikelianos in Seferis' poetry enhances the understanding of the younger poet and reveals that, however great the differences in matters of technique between the two poets, their attitudes to poetry and poetics are in the end closely related.     

The King of Asine,Makriyannis, Seferis and ourselves

Abstract

‘The King of Asine', one of George Seferis's best-known poems, is the subject of the present article, which falls into two parts. The first part follows the standard interpretation, but with an emphasis on aspects that have not (at least sufficiently) been commented on hitherto. The second part pursues a new approach and concludes by proposing another, parallel, reading whereby ‘The King of Asine’ is also seen as exploring the poetic experience.     

Proust: identity,time and the postmodern condition

The self as the identification of the self with itself is a product of the dynamic transformation of European culture beginning in the Renaissance. The self, or absolute ego, was an outgrowth of the consciously rationalist spirit. However, modernity's Faustian drive was conscious paradoxically without being self conscious of itself or its cultural creations. Modernism deconstructed the values and assumptions of modernity. A casualty was the problematization of the self that had been banished and/or erased by formalism, structuralism and deconstruction.

The modernist self erases the absolute ego reconstructing it with a rich, complex, narrative idea of a self‐conscious relational self encompassing memory, repression, autobiography and history.

This paper explores the modernist conception of self in Marcel Proust's In Search of Lost Time. Proust demolishes the absolute ego in favor of the paradoxical self which knows itself only in relation to otherness actualized in persons and culture in the sacred time of existence.     

The doubling of the self in the private diaries of Ion Dragoumis,George Seferis and George Theotokas

Abstract

The 'doubling of the self' is a phenomenon that appears in entries of private diaries and consists in the division of the diarist's self into two: the self that acts and the self that observes and writes. This phenomenon can be found in Dragoumis' ?υλλα ημ?ρολογιου, Seferis' M?ρ?ζ and Theotokas' T?τραδια ημ?ρολογιου. There are entries where the doubling of the self occurs in practice and entries where it is described, discussed or analysed. All these reveal the three Greek diarists' contradictory feelings about the doubling of the self, but also the latter's significance for the private diary.     

The authority of science and the postmodern reformation

Abstract

Popular reactions against science are as old as science itself. The challenge from postmodernity, however, is more fundamental, because it challenges not only what science does, but what science is. The epistemological authority of science is now challenged in much the same way as the spiritual authority of the Catholic Church was challenged by the Reformation. The experience of disruption and instability, the pluralism, relativism, and loss of absolutes of the earlier period are not unlike what we find in our own postmodern condition. Luther's priesthood of all believers has become a priesthood of all knowers in our postmodern reformation. More particularly, we can see how the advent of printing, the humanist cultivation of individuality, and the Copernican mapping of the heavens all have their (post)modern counterparts, in the development of the internet, the cult of narcissism, and the mapping of the human genome.     

Leroi-Gourhan, a Philosopher of Technique and Evolution

With the publication of two volumes on technology—L'Homme et la matière and Milieu et technique in 1943–45, and Le geste et la parole (translated into English in 1993 as Gesture and Speech)—-Leroi-Gourhan asserted himself as a major social anthropologist, prehistorian, and the founder of the French schools of the ethnology of technique and of prehistoric ethnology. This paper analyzes the innovative concepts and the content of these original works, which draw their inspiration and data from biology, physiology, psychology, anthropology, and prehistory to study evolution, and technique as its medium, to create a global science of humanity.     

The voice of the dead king Chindasuinth: poetry,politics, and the discourse of penance in Visigothic Spain

Around ad 653, Eugenius II, bishop of Toledo, composed a first‐person poetic epitaph for the deceased Visigothic king Chindasuinth (r. 642–53) in which the monarch is made to speak with self‐deprecating candour. This paper offers a reassessment of the poem's language and rhetorical strategy by situating it within contemporary discourses surrounding royal admonition and penance. Rather than interpreting Eugenius's composition as an act of defamation, as the majority of critics have done, it reads the poem as a dignifying literary expression of atonement. This reading corresponds with other specimens of Eugenius's poetry and evidence from a developing literary culture at Chindasuinth's court.     

The reception of Solomos: national poetry and the question of lyricism

Abstract

Through the reception of Solomos, this paper explores the tension between the lyric and the narrative, and the extent to which the roles of national and lyric poet are compatible. The critical reception of Solomos demonstrates that his recognition as a lyric poet was not on an equal footing with his presentation as a national one. It shows that his joint treatment as the national poet of Greece and its greatest lyric poet is problematic and not convincingly argued. It also argues that Solomos's reception can be summarized as the conflict between the historical and the aesthetic approaches.     

The Dark Tree: Jazz and the Community Arts in Los Angeles

In her 2005 article, "The Long Civil Rights Movement and thePolitical Uses of the Past," Jacquelyn Dowd Hall called on scholarsto complicate the story of civil rights by looking beyond atraditional narrative that begins in 1954, ends in 1965, focuseson the South, and features Martin Luther King, Jr. as the leaderof a single-voiced chorus of interracial activists who overcameracial barriers nonviolently. The recent wave of histories aboutarts movements in African-American communities (e.g., Pointfrom Which Creation Begins: The Black Artists’ Group ofSt. Louis, by Benjamin Looker, 2004,     

贝克尔《18世纪哲学家的天城》评序

本书作贝克尔(CarlBecker,1873～1945)是20世纪美国名的历史学家,曾任康奈尔大学教授、《美国社会哲学杂志》主编、美国历史学会主席、美国科学院院士,曾获耶鲁、哥伦比亚等校名誉博士。他的主要作有《独立宣言：政治思想史研究》(1921年)、《近代史》(1931年)、《十八世纪哲学家的天城》(1932年)、