Why US-Sino strategic competition is good for Australia

ABSTRACT

Faced with an increasingly authoritarian and assertive China, the United States (US) under President Trump administration’s has embarked on a course toward a more openly competitive US–China relationship. However, the debate in Australia has viewed the new era of US-Sino strategic competition mostly negatively. Indeed, arguments have been made for a need to ‘radically’ rethink Australia’s defence policy in order to prepare for a ‘post-US-led’ regional order. For some analysts, Canberra has even no other choice than to adopt a strategy of ‘armed neutrality’ to deal with an emerging China-dominated regional order and a declining US, confused and unwilling to defend its allies. In contrast, this article argues that on balance Trump’s course correction on China is positive for Australia as the US is likely to maintain its robust engagement in the Indo-Pacific. While the president’s inconsistencies partly undermine US declaratory statements in regards to greater competition with China, a bipartisan consensus is likely to continue to shift US policy in this direction. While greater US-Sino competition requires Australia to assume greater responsibilities for regional security, radical changes to its defence policy and security alignment are not needed.     

Drawing,Etching, and Experiment in Christopher Wren’s Figure of the Brain

Abstract

Christopher Wren’s figure of the brain ‘viewed from below’ in Thomas Willis’s Cerebri anatome (1664) set a precedent, not only for subsequent images of the brain, but for scientific illustration. The image is the visual proof of a Baconian experiment conducted by the Oxford dissection team, in which dye was pumped into the carotid arteries of animal and human specimens in order to imitate the natural flow of blood, thereby applying William Harvey’s theory of circulation to the brain. Usually described as engravings, Wren’s images are in fact etchings (produced by the acid process), significant because etching for book illustration was then in its infancy in England. In addition to considering Wren as an experimental etcher, this article frames our understanding of Wren’s contributions to Willis’s project in terms of his virtuosic talents as amateur draughtsman, natural historian, anatomist, and his use of optical and draughting instruments.     

Agamben and the Migrations of Glory

Abstract

In the American political imagination, there is a longstanding and wide-ranging discussion about the separation of church and state. Though Americans argue about whether it should be a ‘‘high wall,’’ or whether certain ‘‘breaches’’ in it might be desirable, they all take ‘‘separation’’ to describe an institutional arrangement. From Giorgio Agamben's perspective, however, ‘‘separation’’ is an image that conceals much more than it reveals about the religious character of the state and the global economy. Agamben traces ‘‘the migrations of glory’’ from church, to state, to global capitalism. For part of this task, Agamben accepts Michel Foucault's diagnostic approach to power. By one reading, certainly, governmentality has us in its grip. But now government itself is overshadowed by the power of global capitalism. While Foucault sought only to make us ‘‘a little less governed,’’ Agamben is interested in a deeper iconoclasm and a greater emancipation. According to Agamben, our less-than-free condition can be illuminated by reflection on: (1) the state of exception and the camp, which are only made possible by a form of idolatry in which the sovereign assumes to themself a power that they should not have; (2) On another of the ‘‘maps’’ drawn by Agamben, however, there is a further ‘‘migration of glory,’’ away from national sovereignty, toward postmodern global capitalism; (3) The Coming Community provides the barest sketch of Agamben's hope for a remedy, while his reading of Paul's Letter to the Romans in The Time that Remains brings a more visible kind of messianic expectation or vocation back into the discussion of political life. A concluding section discusses five sorts of questions that might be put to Agamben about the overall shape of his project.     

The good and the bad of the same: On the political value of historical repetition in Angola

ABSTRACT

In this article I discuss processes of investment in historicity as an ideological, political and moral problem. Focusing on the study of religious and political movements in Angola, I address the problem of historical repetition as a form of ‘acting upon time’ which, in similar terms to Walter Benjamin’s citation a l’ordre du jour, contests the idea of temporal irreversibility. I propose that this contestation is multiplex and can produce ‘good’ as well as ‘bad’ historical repetitions.     

Experiencing Dracula's homeland

ABSTRACT

Transylvania has not only a geographical location as a province of Romania but also a mental meaning as Dracula's land. Dracula has become an important brand name for Romania, attracting many tourists in recent years – especially after the fall of communism. The main dimensions of Dracula's castle (i.e. Bran Castle) experiences shared online by tourists were identified to ascertain the primary reasons for satisfaction and dissatisfaction with visits and to test whether narratives and satisfaction vary according to the occasion (i.e. Halloween). Quantitative (i.e. computer-based) and qualitative (i.e. narrative) content analyses were conducted on the Web reviews written by visitors. The results reveal that the experiences are multidimensional, and they include the following themes: ‘castle’, ‘visit’, ‘Dracula’, ‘inside’, ‘tourist’, ‘outside’, ‘trip’, ‘souvenirs’, ‘stairs’ and ‘Dracula's castle’. The main reasons for dissatisfaction are overcrowding, which is connected with the outside theme, and the disappointment of tourists regarding the old furniture, which is associated with the inside theme. The results also reveal that visitors are the most satisfied with their experience around the time of Halloween. The narratives shared online emphasise tourists’ need to associate their imaginings with this region and castle, giving their experiences greater meaning through this destination's image as Transylvania.     

The new patron state in South Korea: cultural policy,democracy and the market economy

ABSTRACT

This article explores conceptual frameworks for understanding Korea’s contemporary cultural policy by looking into the historical transformation of the culture-state-market relations in the country. It argues that Korea has become ‘a new kind of patron state’, which emulates the existing patron states in the West firmly within the statist framework and ambitiously renders government-led growth of cultural industries (and the Korean Wave) as a new responsibility of the state. The formation of Korea’s new patron state has been driven by a ‘parallel movement’ consisting of democracy and the market economy, which has defined the political and socio-economic trajectory of Korean society itself since the 1990s. Democracy has been articulated in cultural policy as cultural freedom, cultural enjoyment and the arm’s length principle; meanwhile, the market economy of culture has been facilitated by a ‘dynamic push’ of the state. After discussing the parallel movement, the article points out the tension, ambiguity and contradiction entailed in cultural policy of the new patron state.     

Symbolism and Irony in Three Novels by Kosmas Politis

Abstract

In a recent book, Mario Vitti has described Kosmas Politis as ‘emotionally the most highly charged novelist’ of the Generation of 1930. Vitti also points out that Eroica is ‘compositely organized down to the minutest detail’, despite the author's assertion that he wrote each instalment ‘on the presses’. In an attempt to account for the ‘magical’, ‘Poetic' quality of Politis’ writing as pointed out by Greek critics, Vitti investigates Politis' use of irony and of the interior monologue. My purpose in this article is to examine further Politis' ironical approach and to make some preliminary remarks about his use of symbols and imagery (a subject on which far more work has to be done), in the hope that, in so doing, I shall shed some light on the ‘emotionally charged’ and ‘highly organized’ nature of Politis' writing. For reasons of space and time I must confine myself to his first three novels, Lemonodasos (1930), Hekate (1933) and Eroica (1937).     

María Zambrano’s theory of subjectivity and modal ontology

ABSTRACT

Zambrano is well-known for her critique of the ideal subject, as well as of philosophy and ‘Western’ reason. Despite this critique, notions like the individual and reason in her works has not been thoroughly analysed. Enquist Källgren argues that Zambrano’s texts contains a comprehensive theory of subjectivity. It is shown that Zambrano’s notion of subjectivity presupposes a structure that positions the human being in a modal relation to her surroundings. The human being can be conceived of as a structure of transcendent and transcendental positions in which the individual is the product of an expressive performativity. Zambrano’s theory of subjectivity can be read as an engagement with the thinking of both Aristotle and Kant, placing subjectivity in the tension between embodiment and transcendental capacities. It is concluded that Zambrano’s theory of subjectivity is in fact a modal ontology describing the condition of possibility of human existence. In addition, it is concluded that this modal ontology has important ethical implications since it presupposes the presence of an ‘other’ towards which expressive performativity is directed.     

Course design in geography: The case of the Open university

Abstract

The Open University's new second level‐course ‘Fundamentals of Human Geography’ is used to illustrate the process of designing and developing an integrated course using a team of academics who clearly define its aims and select the most appropriate of the available teaching media for particular aspects of the content. Readers are invited to consider the relevance of Open University experience to their own institutions.     

Eric Bogle’s No Man’s Land and the grave of Willie McBride at the Somme

ABSTRACT

Eric Bogle wrote No Man’s Land in 1975. When it was released as The Green Fields of France by Davey Arthur and the Fureys in 1979 the song topped the Irish charts, while as far away as Australia it was declared one ‘of the most striking musical essays yet written on the futility of war.’ Yet No Man’s Land has been associated with controversy too: branded a rebel song in Ulster during The Troubles, singled out by Tony Blair as a ‘peace anthem’ and prelude to the Good Friday Agreement in 1998, and controversially chosen by the Royal British Legion for the Poppy Day appeal in 2014. In addition to exploring the ‘complex relations between cultural and political history’ in Ireland, this article also looks at the making of the documentary film ‘Eric Bogle: Return to No Man’s Land’ (by Dan Frodsham) in which Bogle returned to the grave of Willie McBride on the 100th anniversary of the Battle of the Somme to recite his poem to the now famous Inniskilling. To Bogle’s surprise the grave had become a pilgrimage site for this, an entirely fictional, Irish martyr created then immortalized in his own composition written four decades earlier.     

Learning to belong? ‘Culture’ and ‘place making’ among children and young people in Hull,UK City of Culture 2017

ABSTRACT

Despite the rise of ‘child-friendly cities’ internationally, and a growing interest in youth engagement in urban planning, the role of children and young people in culture-led regeneration and ‘place making’ schemes, remains under-researched. Notwithstanding the wealth of research into childhood and youth cultures, little is known about the ways in which the abstract (and perhaps predominantly ‘adult’) notions of ‘culture’ and ‘place’ are negotiated by younger citizens. Drawing on participative research with schools across Hull, the UK City of Culture 2017, this contribution explores children’s and young people’s understandings of culture and place within this cultural regeneration event. Although our findings suggest that the City of Culture designation has brought benefits to children and young people in a marginalised city, there is still much to be learned from their often personal and informal interpretations of ‘place’ and ‘culture’, as well as the role played by schools in this context.     

Narokobi’s Melanesian Philosophy in the Papua New Guinean Legal System

ABSTRACT

Bernard Narokobi dedicated his career as a law reformer, jurist and parliamentarian to making Papua New Guinea’s legal system a catalyst for a distinctively Melanesian philosophy. This philosophy, ‘the Melanesian Way’, emphasized Papua New Guineans’ embeddedness within their local social worlds, including spirits and the natural environment. The legal foundation for the Melanesian Way was set down in the National Goals and Directive Principles and Basic Social Obligations, which are stated in the Preamble to the Constitution of Papua New Guinea. These make the ideals of social justice, participatory democracy, national sovereignty and sustainable development a legal aspiration and an impetus for formally recognizing the social forms that Papua New Guinean people themselves experience as providing order in their lives. Legislation that Narokobi promoted over the course of his career offered practical mechanisms for operationalizing these ideals in accordance with their original constitutional foundation.     

Making creative industries policy in the real world: differing configurations of the culture-market-state nexus in the UK and South Korea

ABSTRACT

This paper compares creative (content) industries policies in the UK and South Korea, highlighting the coevality in their development. Seeing them as ‘industrial policies’, it focuses on how state intervention is justified and why a certain set of policy options have been chosen. The UK policy-makers prefer passive and decentralised roles of the state that addresses market failures via generic and horizontal policies. Meanwhile, Koreans have consistently believed in the strong, resourceful and ambitious state in developing centralised, sector-specific policies for cultural industries. While demonstrating two contrasting approaches to the nation state’s management of cultural turn in the economy, both cases seem to present a ‘paradox’. Despite its neoliberal undertone, the horizontal and fused approach taken by the UK’s creative industries policy engenders some space for ‘cultural’ policy. On the contrary, the non-liberal and state-driven content industries policy in Korea has shown a stronger tendency of cultural commodification.     

Karl Loewenstein,Max Lerner,and militant democracy: an appeal to ‘strong democracy’

ABSTRACT

In the 1930s Loewenstein responded to the ease with which the Nazi Party rose to power within parliamentary democracy. In America Lerner echoed Loewenstein’s call for a ‘militant democracy’, but identified a different ‘enemy within’ – rogue capitalist interests. Loewenstein’s response to populism was an ‘authoritarian democracy’, whereas Lerner wished to embrace the people in a public engagement. This paper seeks a middle path towards a conception of democracy that avoids the vicissitudes of transient majorities without yielding the ground to either transient or entrenched minorities. In its modern guise of ‘neoliberalism’, corporate capitalism has made inroads into the sensibilities of democrats, and needs to be confronted by a notion of ‘strong democracy’ expressed through the engagement of whole populations.     

Seventeenth‐ and eighteenth‐century commentators on the chemical composition of the brain

Abstract

The period between 1600 and 1800 was one of great change in the history of science, generally, and in the history of chemistry, specifically. It opened with Francis Bacon's visionary recognition of the benefits to mankind that would accrue from the expansion of scientia and closed with the overthrow of the phlogiston hypothesis. New chemical knowledge resulted from the efforts of the alchemists, especially the Paracelsians, and of the phlogistic philosophers, some of it recorded by writers of magic books (Thorndike, 1958; Camporesi, 1989). The authors of these works reflected ‘the general mentality… imbued with magic, occult beliefs, unreal suggestions, ‘voices’, and ‘rumours’, … ‘errors’ and ‘prejudices’.‘ In respect to brain chemistry there appeared, beside the fantastic, elements of fact that characterise this period as embracing the ‘pre‐history’ of neurochemistry.     

Saved by the Civil War: African ‘Loyalists’ in the Portuguese Armed Forces and Angola's Transition to Independence

ABSTRACT

The article examines the trajectories of ‘loyal’ African troops in Angola before and after the demise of Portugal's authoritarian regime in 1974. It starts by placing the ‘Africanisation’ drive of the Portuguese counterinsurgency campaign in a historical perspective; it then explores the rocky transition from colonial rule to independence in the territory between April 1974 and November 1975, describing the course of action taken by the Portuguese authorities vis-à-vis their former collaborators in the security forces. A concluding section draws a comparison between the fate of Portugal's loyalists in Angola and the one experienced by similar groups in other ex-Portuguese colonies. The choice of Angola has the advantage of allowing us to look into a complex scenario in which the competition amongst rival nationalist groups, and a number of external factors, helped to produce a more ambiguous outcome for some of the empire's local collaborators than what might have been otherwise expected.     

Originality and Eroticism: Constantine Cavafy and the Alexandrian Epigram

Abstract

Although it has become generally accepted by critics that Constantine Cavafy (1863–1933) was influenced greatly by the Hellenistic epigram ‘in attitude, subject matter, and technique’, a close comparison of that poetic tradition and Cavafy's poems reveals interesting differences as well as similarities. We know that Cavafy was familiar with Hellenistic literature and that he had a copy of J. W. Mackail's Select Epigrams from the Greek Anthology in his personal library. His reading, however, ‘was much more extensive than his library’. More significant than this is the evidence to be found in his poems, which range from an actual mention of ancient epigrams to obvious imitations of them. Cavafy's poems for the most part, however, are quite original in their tone and erotic stance when compared directly to the Alexandrian epigrams.     

Anna Comnena's account of the First Crusade: History and politics in the reigns of the emperors Alexius I and Manuel I Comnenus

Abstract

Anna Comnena's history the Alexiad has been accorded a high honorary status by Byzantine historians. Her pioneering efforts in philosophy and the thoroughness of her historical methodology are admired, although there is a distinct reluctance to analyse her historical writing. On a superficial level the Alexiad is a straightforward text: an historical panegyric in its organisation, frequently eulogistic in tone, in the manner of court orations, and rhetorically strongly influenced by conventional Byzantine pastiches of Homer. A triumphal mood pervades the biography. A somewhat more careful assessment soon reveals the significant tensions and contradictions which lurk beneath the formalised strength of this epic historical narrative. Ideological and cultural problematics abound. The self-conscious celebratory presentation of Byzantium's cultural elitism is frequently subverted by the author's pessimism. The spatial and temporal terrain of the Alexiad contains many visionary qualities, even though the text purports to narrate the events ‘as they occurred‘. Historical perspectives and idiosyncratic philosophical positions impinge, blend, envelop, and disorganise the text. Among the many themes is Anna's presentation of the ‘Latin West’, and in particular her characterisation of the appearance of crusaders in Byzantine society. A more personalised feature is Anna's self-projection of herself within the Alexiad as ‘a dutiful daughter’ and ‘a loving wife’. Yet the narrative contains elements of gender confusion, for there is an assertive and possessive interest in forms of political power that were usually culturally exclusive to Byzantine men.     

Tom Stoppard’s Big Picture: The Chaos that is Our World

Abstract

Issues arising from discussions regarding the ‘two cultures’ of science and art are many and varied. Tom Stoppard’s very active utilization of science in many of his plays has resulted in his work — especially the quantum mechanics-informed Hapgood and the chaotics-informed Arcadia — being held up as paradigmatic of one science/art position or another. Often, critical approaches to these plays involve a checklist of scientific facts, implying that the goal of such art is to serve as a delivery device for scientific breakthroughs. While plays, novels, and movies of various sorts may have such goals in mind, Stoppard’s plays do not comfortably fill that agenda, critical arguments to the contrary notwithstanding. Neither do Stoppard’s plays show particular interest in engaging any debate about the superiority of one ‘culture’ over the other. In his two ‘science plays’ in particular, what Stoppard offers is an enrichment of both science and art through metaphorical intertwinings that suggest experience is best served when both camps collaborate. The bigger picture that results argues an overlap in epistemology, namely revealing the uncanny similarity in which artist and scientist approach the material that is our universe.