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1.
It has often been repeated that Wollstonecraft was not read for a century after her death in 1797 due to the negative impact of her husband William Godwin's Memoirs of the Author of a Vindication of the Rights of Woman (1798) on her posthumous reputation. By providing the first full-scale reception history of Wollstonecraft in continental Europe in the long nineteenth century—drawing on rare book research, translations of understudied primary sources, and Wollstonecraft scholarship from the nineteenth century to the present—this article applies a revised Rezeptionsgeschichte approach to tracing her intellectual influence on the woman question and organised feminism in Europe. Although the Memoirs and post-revolutionary politics everywhere dampened and even drove underground the reception of her persona and ideas in the first decades of the nineteenth century, Wollstonecraft's reception in nineteenth-century continental Europe, like the United States, was more positive and sustained in comparison to the public backlash she faced as a ‘fallen woman’ in her homeland of Britain through the bulk of the Victorian era.  相似文献   

2.
ABSTRACT

The papers of Malkam Khān (1833–1908), Iranian ambassador in London from 1872 to 1889, a staunch supporter of Iranian state modernization and a scholar, include an often-overlooked map of the Iran–Afghanistan border dating to 1883. Mirzā Mohammad-Rezā Tabrizi compiled this exceptional piece of nineteenth-century Iranian cartography. The map is an illustration of how quickly the Qajar administration was able to emulate European cartographical discourses to protect its own interests in the context of the so-called ‘Great Game’, that is, the often confrontational Russo–British relations over the control of Central Asia and Afghanistan in the nineteenth century. In this article we show that Iranian officials had developed a much more substantial articulation between cartography and statecraft than is conveyed by the stereotypes in nineteenth-century Western literature, when the capacity of local players to use counter-mapping to their own advantage was often underestimated by European agents. Mirzā Mohammad-Rezā Tabrizi’s map of Sistān exemplifies how the apparently all-powerful Western science that seemingly supported nineteenth-century imperial expansion was rarely left unchallenged locally. The genealogy and circulation of the map also reflects how overly simplistic the postulation of a polarization of ‘Western’ knowledge and ‘Eastern’ attempts at safeguarding local sovereignty can be.  相似文献   

3.
This article examines the national significance of fifth‐century BC Greek sculpture and especially the so‐called Elgin Marbles. It examines the significance of these archaeological remains not for the Greek nation but for the British, and specifically the English, nation during the nineteenth century. The national significance of fifth‐century BC Greek art lies in its incorporation into nineteenth‐century debates concerning the identity of the English nation. At a time when physical appearance or race was accepted as an important and, indeed, determining component of the ‘self’ and a measure of collective belonging, Greek sculpture, which was primarily figural in its subject‐matter, came to be seen as an image of the English ‘self’. The belief in the Greek identity of the English caused a Greek revival in English life and art. In life, this revival took the form of care for the body and the imitation of the athletic practices of Greek youth through the practice of sport in English school and university education. It was thus that nineteenth‐century English youth turned itself into a work of art.  相似文献   

4.
《Textile history》2013,44(2):195-218
Abstract

The year 1996 is being celebrated as Visual Arts Year in the North of England. From 21 September 1996, an Exhibition ‘People and Patterns’ at The John and Josephine Bowes Museum, Barnard Castle, County Durham, will describe the local carpet industry, which supplied the London and provincial trade for many years during the nineteenth century. The Exhibition closes on 5 January 1997  相似文献   

5.
This article revisits Frederick Douglass’s 1845 slave narrative as illustrative of the ‘birth’ of whiteness as ideology and, in particular, of the subordination of class to race interests in antebellum America. To do so, it compares Douglass’s text to Toni Morrison’s A Mercy (2008), which traces the origins of the slave trade back to the seventeenth century, when American slavery was not fully ‘racialised’ yet. While Morrison focuses on the earliest stage of the increasing (class) animosity among different types of servants and slaves, black and white, Douglass’s nineteenth-century Narrative already reveals the explicitly racialised association of human bondage with non-whiteness. I argue that Morrison’s novel may thus be interpreted as a ‘prequel’ to Douglass, whose Narrative illustrates the increasing racialisation of slavery throughout the nineteenth century, but also elaborates on its class and gender biases. In this sense, the essay concludes that Douglass shows how the assertion by white workers, especially males, of their racial and gender supremacy over both black men and women entailed, paradoxically enough, their class subjugation, which, if not in form, ended up transforming them into virtual ‘slaves’.  相似文献   

6.
Abstract

The origin of the term ‘Churchwarden pipe’, now used to describe any long-stemmed clay—and sometimes even brier—pipe, is examined and the suggestion made that it was originally invented by the prominent Broseley, Shropshire, clay pipemaking family of Southorn to describe a specific type among their long-stemmed pipes. The Southorn family, whose products were possibly the premier-quality British clay pipes of the nineteenth and early twentieth century, is also discussed in the light of available evidence, much of which is confused or contradictory.  相似文献   

7.
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9.
《War & society》2013,32(3):162-186
Abstract

This article argues that we should view Britain as fighting a ‘Seventy Years War’ with France between the battles of Fontenoy in 1745 and Waterloo in 1815. Through years of hot and cold war, Britain struggled to build the military power needed to prevent it from falling under the domination of France. In hindsight, many view the British as inevitable imperialists, confidently building towards their global empire of the nineteenth century. In reality, eighteenth-century Britons frequently fretted about the threat of invasion, military weakness, possible financial collapse, and potential revolution. Historical developments only look inevitable in hindsight and with the aid of the social sciences. The struggle to defend itself in Europe during the Seventy Years War saw Britain develop a ‘fiscal-naval state’ that built a global empire.  相似文献   

10.
《Folklore》2012,123(4):395-414
Abstract

Folklorists have long acknowledged that seventh sons had a reputation as healers in England. It has not previously been appreciated that in the region around Blackburn, Lancashire, seventh sons were frequently given the Christian name ‘Doctor’ in Victorian and Edwardian times. This article examines seventh-son traditions there and their connection to healing by reconstituting families with sons named ‘Doctor’. The article finishes with two reflections on folklore transmission and folk beliefs in Lancashire in the nineteenth and early twentieth century.  相似文献   

11.
ABSTRACT

This article investigates the genuinely philosophical engagement with the idea of Europe twentieth century philosophy. Here, especially phenomenology has developed a distinct tradition of conceiving Europe not as a geographical and political entity but rather as a ‘spiritual shape.’ Husserl, as the originator of this thought, traces this spiritual Europe back to Ancient Greece of the 7/6 century B.C. in which an unprecedented ‘theoretical attitude’ towards the world originated. Hence, Europe is conceived as a project of reason, of pure rationality while at the same time leaving out the constitutive dimension of religion. Furthermore, this non-historical philosophical genealogy proves itself to be an arbitrary but intentional genealogy whose intentions have to be put into critical reconsideration. In this article, I will introduce Pato?ka and Zambrano as important critiques of Husserl’s genealogy, or even potentially violent mono-genealogy, as Derrida has emphasized. Following Foucault, it is the aim of this article to put into question the myth of a single historical-political origin of Europe’s spiritual heritage and furthermore to pay attention to the transformations and conflictual relations between Europe’s different forms of reason and religion.  相似文献   

12.
ABSTRACT. The Hebrew prayer book (siddur), the oldest of which dates from the ninth century, frequently expresses Jewish chosenness and hopes for the gathering of the exiles and the return to the Land of Israel. In nineteenth‐century German Reform prayer books, such references to Jewish nationalism were altered or eliminated. In an age of growing European nationalism, this attempt to ‘de‐nationalise’ Jewish identity was virtually unique. Responding to accusations that Jewish citizenship in the modern nation‐state was incompatible with Judaism, Reform rabbis, who were engaged in the struggle for Jewish emancipation, claimed that patriotic loyalty to the German fatherland must supersede Jewish national identity. This article discusses the offending nationalist content of the siddur and the historical context in which it was suppressed. It concludes that the German reformers, by drawing attention to the nationalist potential of traditional Judaism, indirectly prepared the way for the rise of Jewish nationalism in reaction to racial anti‐Semitism in the late nineteenth century.  相似文献   

13.
Photography – a novel medium of scientific representation in the XIXth century array of arts and sciences. To delve into various nineteenth century academic disciplines under the heading ‘photography in the arts and sciences’ as did last year's annual conference of the History of Science Society – the interest in such a topic only partly stems from the ‘iconic turn’ that has generally enlarged the scope of the social sciences in recent years. A more poignant feature in any such present day study will probably be a basic scepticism facing the fact that in public use photographs have been manipulated in many respects. Yet, while shying away from any simple success story, a historically minded approach to changing ‘visual paradigms’ (Historische Bildwissenschaft) has begun to emerge. In this context, it has proved of considerable heuristic value to reconsider the role of early photography in an array of science, arts and technology: Since the reliance on the traditional ways of sketching reality persisted, in many an instance where photography was introduced, the thoughts the pioneer photographers had about their new, seemingly automated business, call for close attention. Thus scholarship sets up a parallel ‘discussion room’; the lively debate on the benefit of academic drawings as opposed to photographic portraits is a case in point. Some fairly specialised reports on photographically based analyses, such as electron microscopy, point to a borderline where the very idea of representation as a correspondence of reality and imagination gets blurred. Even though any ‘visual culture’ will have to shoulder the ‘burden of representation’, it is equally likely that it will offer a deeper sensibility for the intricacies entailed in the variegated ways of illustrating or mapping chosen subjects of scientific interest. Scholarship may thus somewhat control the disillusionment that by now has become the epitome of writing on photographic history. Provided with a renewed methodological awareness for the perception process and its photographic transition, historians may strike a better balance between the ever present tendencies of a realistic and an aesthetic way of picturing the world we live in.  相似文献   

14.
Abstract

Archaeologists around the world face complex ethical dilemmas that defy easy solutions. Ethics and law entwine, yet jurisprudence endures as the global praxis for guidance and result. Global legal norms articulate ‘legal rights’ and obligations while codes of professional conduct articulate ‘ethical rights’ and obligations. This article underscores how a rights discourse has shaped the 20th century discipline and practice of archaeology across the globe, including in the design and execution of projects like those discussed in the Journal of Field Archaeology. It illustrates how both law and ethics have been, and still are, viewed as two distinct solution-driven approaches that, even when out of sync, are the predominant frameworks that affect archaeologists in the field and more generally. While both law and ethics are influenced by social mores, public policy, and political objectives, each too often in cultural heritage debates has been considered a separate remedy. For archaeology, there remains the tendency to turn to law for a definite response when ethical solutions prove elusive.

As contemporary society becomes increasingly interconnected and the geo-political reality of the 21st century poses new threats to protecting archaeological sites and the integrity of the archaeological record during armed conflict and insurgency, law has fallen short or has lacked necessary enforcement mechanisms to address on-the-ground realities. A changing global order shaped by human rights, Indigenous heritage, legal pluralism, neo-colonialism, development, diplomacy, and emerging non-State actors directs the 21st century policies that shape laws and ethics. Archaeologists in the field today work within a nexus of domestic and international laws and regulations and must navigate increasingly complex ethical situations. Thus, a critical challenge is to realign approaches to current dilemmas facing archaeology in a way that unifies the ‘legal’ and the ‘ethical’ with a focus on human rights and principles of equity and justice. With examples from around the world, this article considers how law and ethics affect professional practice and demonstrates how engagement with law and awareness of ethics are pivotal to archaeologists in the field.  相似文献   

15.
Abstract

Italian historians have not yet seriously confronted the emigration of 27 million Italians as an interpretative theme. Part II of this two‐part article studies Italian migrants’ experiences in France, South America, Switzerland and Germany, comparing ‘Latin’ and ‘Germanic’ receiving areas to the English‐speaking world discussed in Part I. A focus on these other sections of the Italian diaspora challenges some fundamental interpretations of historians of Italy about emigration: Italian migrations to these areas were neither limited to the late nineteenth century, sparked by the economic crises of those yean, nor a product of the ‘problem of the Mezzogiomo’. Italian historians have special opportunities to study return migration to Italy, and to interpret Italy's own evolution into a multicultural receiving country, by comparing it to the models of multi‐ethnic nations where Italian migrants once settled around the world.  相似文献   

16.
Abstract

What analytical framework do we need in order to study villages shaped by intensive and long-lasting migration processes? The author tackles this question by scrutinizing the history of a Western Ukrainian village from the late nineteenth to the early twentieth century in a case study. Migrants and non-migrants alike were closely interconnected to each other by manifold networks. This kind of interconnectedness proved to be amazingly persistent and did not lose its function even decades after the migration processes themselves had come to an end due to economic or political caesurae. In order to fully grasp this phenomenon, it is necessary to synthesize migration and village history, striving towards a ‘micro history of the globally connected village’.  相似文献   

17.
Abstract

There is a recurring Polynesian cosmogonic tradition whereby the primordial world was transformed into the modem world by a series of events often consisting first of vague cosmic beings (whose names and nature are not generally cognate) giving rise to a Primordial Pair who then gave rise to first order anthropomorphic gods. The Primordial Pair in Tonga were ‘Seaweed’ and ‘Sediment/Slime’ while in Nuclear Polynesian we find the female named Papa‐adj. and evidence for the male being named Papa‐adj. in Proto Nuclear Polynesian and Proto Central Eastern Polynesian as well. These are thought of as physical strata or rock in Samoa while in Central Eastern Polynesia there was commonly the notion that Papa (the female) was the earth itself and that her mate was the sky or the space between the sky and the earth. It was, however, only amongst New Zealand Maori that the male was specifically given the name ‘Sky’ although an alternative name for the male in the Marquesas is ‘Sky Parent’ but seems a (lexical) development independent of the N.Z. Maori.  相似文献   

18.
《Political Theology》2013,14(2):36-54
Abstract

This article offers a critical assessment of two political theologies: liberation theology and theological postliberalism, as represented by the writings of Gustavo Gutiérrez and John Milbank. Paying particular attention to the concepts of society and Church, a partial defence of liberation theology is offered in tandem with a critical affirmation of some aspects of postliberal political theology. The discussion is then contextualized historically in relation to the ‘victory’ of global capitalism and the ‘end’ of socialism. I conclude that the renewal of political theology in the twenty-first century will aim to overcome the ironic crux theologica of this article's title.  相似文献   

19.
Because of its representation of marginal and often violent milieux, the status of noir fiction has long been that of an ‘inferior’, less ‘literary’ genre. It could be argued that its frequent references to popular culture, and especially television and film, explain its appeal to a wide audience, one that does not necessarily read other genres. The intrigue and setting of the noir novel enables it to be perceived primarily as a ludic activity while often dealing with issues which are both political and ideological. Brigitte Aubert's work makes frequent references to film, TV and popular literature, and this article aims to examine the way these are used, how they play with notions of reality and fiction, how they can create an ironic distance which allows the writer both to create a sense of complicity with the reader and to criticise the society she presents.  相似文献   

20.
In Modern Chinese, xing is the character most commonly used to denote sex, gender and sexuality. However, the character was a specialist Confucian term originally meaning ‘human nature’ in Classical Chinese, and only came to signify both sex and human nature in the early twentieth century. This usage was invented by Japanese intellectuals in the late nineteenth century for their translations of sexological texts from Europe, in which they encountered the concept of sex as a natural drive and the fundamental core of individuals. This article investigates the convoluted linguistic career of xing, and argues that in China in the 1920s, sex/xing became the point of anchorage for a new politics, which naturalised sex, legitimised talk about reproduction and desire, and made imperative the intensification of the production of scientific knowledge on sex (and by extension ‘human nature’). It is emphasised that the history of xing in China in the 1920s is not just a curiosity or appendage to more ‘mainstream’ history of sexuality; rather, it is impossible to appreciate the global nature of modernity without a thorough understanding of the circulation of sexual ideas.  相似文献   

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