Four middle Holocene pillar sites in West Turkana,Kenya

Abstract

Megalithic architecture is associated with spread of food production in many parts of the world, but archaeological investigations have focused mainly on megalithic sites among early agrarian societies. Africa offers the opportunity to examine megalithic construction—and related social phenomena—among mobile herders and hunter-gatherers with no access to domestic plants. In northwest Kenya, several megalithic "pillar sites" are known near Lake Turkana, but few have seen systematic research. This paper presents the results of archaeological survey and test excavations at four pillar sites in West Turkana 2007–2009, and describes the sites' spatial arrangements, depositional sequences, and material culture. Radiocarbon dates suggest that pillar sites near Lothagam were used ca. 4300 B.P. (uncalibrated), just as early herding began near Lake Turkana, while pillar sites near Kalokol may be slightly later (ca. 3800 B.P.). Comparisons of material cultural point to possible differences in use of contemporaneous pillar sites, and suggest monumental architecture had multiple forms and purposes in middle Holocene Turkana.     

Documenting and Analyzing Rock,Paintings from Torres Strait,NE Australia,with Digital Photography and Computer Image Enhancement

Abstract

The deterioration of rock-art over time is an important concern for indigenous communities, archaeologists, rock-art researchers, and cultural heritage managers. Computer enhancement has emerged as an important tool in viewing poorly visible rock paintings. While most studies regarding this technique explore the methods associated with computer enhancement there is little discussion of the results that can be generated beyond the recovery of images. This article presents results from the application of computer enhancement methods to rock paintings from the Torres Strait region in NE Queensland. The results obtained through the computer enhancement of deteriorated rock paintings are used to reveal degrees of preservation, interregional interaction, and previously undocumented spatial patterning across the strait.     

The Irish Sí Tradition: Connections Between the Disciplines,and What’s in a Word?

One of the most prominent features of the Irish landscape is the great multitude of megalithic sites which date back to the Neolithic. In this paper, I will attempt to demonstrate that the understanding of these sites in Ireland can be enhanced by referencing the native tradition, including the Irish word for the sites, sí, and the sís powerful cultural tradition attested to throughout native Irish folklore, literature, onomastics, and traditional knowledge. In doing so, I will explore the difficulties and the potentials of interdisciplinary communication between archaeology and folkloristics, and the related issues regarding communication between official and unofficial discourses.     

The Fabulous Tales of the Common People,Part 1: Representing Hadrian’s Wall

Abstract

Hadrian’s Wall is one of the most instantly recognizable ancient monuments in the UK. This paper explores the historical and contemporary visualization practices which have created this iconic image. Moving between the disciplines of archaeology, cultural geography, and heritage and tourism studies, the paper draws upon a variety of data sources such as paintings, photographs, models, and reconstructions to consider how the Wall is visually represented within contemporary public discourse. The paper focuses on digital photography and considers the ways in which images create and sustain particular readings of the Wall’s function and significance. These contemporary representational practices demonstrate strong continuities, and earlier images are used to provide historical context. Emphasis is placed on the monument’s landscape setting in visual representations and the importance of this environmental context for readings of the Wall’s cultural and political significance. The present paper deals primarily with representations of the Wall, but it is argued that these representational practices are also fundamentally embodied. The physical encounters of visitors and archaeologists will be considered in greater detail in the second part of this study (Witcher, forthcoming).     

The use of ‘statbilized earth’ in the conservation of megalithic monuments

Abstract

The main features of the megalithic monuments in Sardinia, Italy, dated to the Middle-Late Bronze Age, are described. These constructions are in a poor state of preservation, especially those built with stones particularly vulnerable to weathering. To impede water ingress into the masonry structure of these archaeological ruins, it is proposed to use a stabilized earth-based mortar that acts as an effective substrate for a water-repellent polymer.     

Multiplying and Sharing Heritage Values: Planning Conservation and Site Management at the Acheulean Sites of Buya,Eritrea

Abstract

The paper discusses some of the guiding principles and preliminary activities of a large-scale research project focusing on the prehistoric and palaeontological remains in the basin of Buya, northern Danakil, Eritrea, at the northern end of the Greater Rift Valley. Located at the intersection of manifold natural and cultural landscapes, the Buya basin needs to be monitored, protected and promoted as a heritage and touristic resource, but only if modern scientists and local residents will continue current efforts at multiplying, even before sharing, the potential cultural values and meanings attached to the heritage itself.     

Training,education, management and prehistory in the Mediterranean: Work in progress on a European Union research project

Abstract

This paper presents the work in progress of TEMPER (Training, Education, Management and Prehistory in the Mediterranean), a research project conducted by a consortium of seven partner institutions in the UK, Greece, Malta, Israel, and Turkey. TEMPER is funded by the European Union, as part of their Euromed Heritage II programme [1] and is the only project funded by the programme focusing on our prehistoric cultural heritage. The aim of TEMPER is to make the prehistory of the Mediterranean more accessible. This will be achieved through the development of educational programmes at pilot sites around the Mediterranean, the development of management plans for pilot sites, the delivery of a related training programme and dissemination of the project results. The project runs from January 2002 to June 2004.     

Bumpit: The Painted House at Lynsted,Kent

Abstract

The extensive wall-paintings at Bumpit are an important example of decoration in a late-Elizabethan-period house. They date to the last part of the 16th century and formed part of a very extensive scheme of building and embellishment. The house and its paintings are described in detail to provide a record of this important ensemble, and the characteristics of the paintings discussed to enable them to be seen in a wider context.     

From the ground up: cultural heritage practices as tools for empowerment in the Homeless Heritage project

Abstract

The Homeless Heritage project took place across two English cities (Bristol and York) between 2010 and 2014. The project sought to use a range of participatory heritage practices to engage contemporary homeless people in documenting their perspectives on each city. Drawing on data gathered over three and a half years this paper reflects on how collaborative cultural heritage practices can be useful in recording diverse stakeholder perspectives which can become catalysts for social change. It is further argued that two interactive exhibitions that resulted from the Homeless Heritage project contributed to the democratisation of knowledge, aiding negotiation of the complicated politics of contemporary homelessness in valuable ways.     

Frontier Landscape – Lapland in the Tradition of Finnish Landscape Painting

Abstract

Finnish artists depicted Lapland as a frontier. The position of the Lappish landscape as a part of the Finnish landscape painting tradition is explored through a framework based on art and cultural history as well as humanistic and cultural geography. Paintings from three historical periods are analyzed: the early and later period of Finland as an autonomous Russian Grand Duchy (1809–1917), the first decades after the independence of Finland (1917–1939) and the Second World War (1939–1945). Lapland is today the borderline of leisure and work and the frontier of Finnish and Sámi cultures. Earlier Lappish landscapes were places of Sámi nomadism and Finnish farming, which can be seen in the Lappish landscape paintings from the 1890s to 1920s. Finnish art tradition, however, was not ready to accept Lapland, the northern frontier, as a part of Finland. During the 1920s, 1930s and 1940s the meaning of the northern borderline grew and Lapponism, the golden years of Lappish landscape and tourism, began. During the Lapponism period there were few paintings depicting Sámi culture, because the Sámi were thought to be primitive or Mongolian, and were not accepted as part of Finnish culture.     

The palaeogeography and Neolithic archaeology of Herm in the Channel Islands

Abstract

The small Channel Island of Herm combines several distinct habitats ranging from steep rocky coasts and a rolling upland plateau in the south to a dune-fringed sandy lowland in the north. Where upland and lowland meet, a line of megalithic tombs constitutes the island’s most striking archaeological feature. Four seasons of fieldwork (2008–2011) have sought to determine the environmental history of northern Herm since the last glacial period and to place the tombs within the broader context of Neolithic activity. A series of trenches and boreholes has revealed the changing morphology of the prehistoric land surface that lies buried beneath the extensive deposits of aeolian sand that cover this part of the island. Results indicate that much of the lowland plain was initially occupied by a shallow marine inlet that was cut off from the sea and progressively infilled starting in the 4th millennium b.c. Pollen and soil sequences reveal how the wooded early Holocene landscape around the edges of this inlet was steadily degraded by human impact and climate. Traces of settlement and cultivation (plowmarks) suggest the megalithic tombs were situated within an agricultural landscape. This finding has relevance for theories that have proposed that islands were favored places for burial by communities visiting from the neighboring mainland. Herm was a locus for settlement and farming as well as for burial during the Neolithic period.     

Mathematics and painting

Abstract

Mathematics and painting are interrelated in many ways. At a technical level mathematics can be used to enhance our appreciation of paintings. This was recently demonstrated beautifully by Taylor, Micolich, and Jones in their analysis of Jackson Pollock's drip paintings, which led them to the conclusion that Pollock's paintings are in a way figurative pictures. Relations also exist at a more basic level. Painting and mathematics can share subject matter, as is illustrated here by a discussion of the mathematical concepts 'open' and 'closed', which are related to paintings by Pollock, Kandinsky, Turner, and van Gogh. It is suggested in conclusion that mathematics and painting are so closely related and have so many similarities that it is reasonable to consider them simply as two different but complementary ways of visualising aspects of the concrete or abstract reality in which we are embedded.     

Visitor Management,the Development of Sustainable Cultural Tourism and Local Community Participation at Chogha Zanbil,Iran

Abstract

Chogha Zanbil, an Elamite ziggurat and UNESCO World Heritage Site in Iran, has considerable potential as a cultural tourism destination but currently it receives a surprisingly small number of visitors. The site has seen a successful international conservation project over the past decade: now it needs a complete heritage strategy, which will give sufficient weight to developing sustainable tourism in a way that ensures the site's conservation, as well as its effective presentation to the public. This paper combines existing approaches to sustainable cultural development with primary research in Iran, including interviews with different stakeholders. It uses the Chogha Zanbil case study to suggest how visitor management strategies and cultural tourism can equip a site with the necessary tools to receive visitors and manage their impact while generating revenue for the site's maintenance and preservation. It also highlights the importance of local community participation in this process and provides examples of how local villagers can participate in, and benefit from, the development of sustainable cultural tourism at Chogha Zanbil.     

Sub-national cultural policy--where the action is: Mapping state cultural policy in the United States

Abstract

This paper argues that cultural policy analysts should turn their analytical attention towards the cultural policies of sub-national levels of government. State level cultural policy has become an increasingly important locus of interest for those who are concerned with the health and stability of the arts, culture, and humanities in American life, and the same is undoubtedly true elsewhere. This rise in the importance of cultural policy at the state level has not been accompanied by a similarly evolving understanding of the cultural policy system that has developed at this sub-national level. Cultural policy at the level of an American state has been the sum total of the more or less independent, uncoordinated activities of a variety of state agencies and allied organizations and institutions. This paper lays out a number of hypotheses concerning what we might be likely to find in such an inquiry and reports some preliminary findings from a cultural policy mapping project in the State of Washington.     

The conservation of Malta's megalithic temple sites: A technical experts' meeting convened by the Ministry of Education,Malta

Abstract

In May 1999, an international experts' meeting on the conservation of Malta's megalithic World Heritage Sites was convened by the Ministry of Education in Malta. Anthony Pace, the Director of the Museums Department, and Reuben Grima, the curator of the country's principal archaeological sites, give an outline of the objectives, issues and proceedings of the meeting.     

The strange case of the Turkish and Venetian judges in eighteenth-century Mani wall paintings

Abstract

Investigating church wall paintings in Mani, Greece, the author identified a common theme of the Ainoi, the graphic interpretation of Psalms 148–150. Within this scheme there is often a specific depiction of the 'Judges of the Earth' as an Ottoman judge and a Venetian nobleman. This depiction is unique to Mani and is restricted to the mid-eighteenth century and those areas of Mani dominated by the rule of the kapetanoi. The paintings allude to the lack of established legal systems in that period of Mani's history and refer back to times of stable law under Ottoman and Venetian rule.     

INSTRUMENTS OF CONVERSION? THE ROLE OF MEGALITHS IN THE MESOLITHIC/NEOLITHIC TRANSITION IN NORTHWEST EUROPE1

This paper discusses the general conditions which have given rise to megalithic construction techniques, and the specific circumstances under which megalithism became important in Neolithic Europe. It argues that the great elaboration of megalithic constructions in western and northern Europe must be related to the survival there of Mesolithic populations, and that monumentality was an essential element of the cultural rhetoric whereby these indigenous groups were converted to a Neolithic way of life.     

The HMS Swift shipwreck: The development of underwater heritage protection in Argentina

Abstract

The aim of this article is to evaluate, with a critical perspective, the legal framework for heritage protection in Argentina, viewing it within an international context and focusing on the HMS Swift shipwreck – sunk in Puerto Deseado (Santa Cruz province) in 1770 – as a case study. Moreover, some initial proposals for a management plan are presented as a first step in thinking about the challenges of preserving underwater sites in Argentinian Patagonia.

Through this analysis some interesting points are outlined, including the reasons that make the Swift shipwreck a leading case in Argentina. It is the first interdisciplinary underwater archaeology project in the country comprising archaeologists who are also divers; it is supported by national authorities; and it is the first project of its kind to give underwater archaeologists experience in dealing with archaeological research and preservation in an environment of multiple conflicting interests.

The international relevance of the Swift case relies on the nature of underwater cultural heritage as an international resource. The project's history is located in an international setting, derived from ihternational trade and communication, in which many ships and their contents have been lost far from their origin or destination. At a national level the Swift is a wreck with significant historical and cultural value. It is in a unique state of preservation and its location near to the shore makes it highly accessible. Locally,HMS Swift will be relevant when Puerto Deseado's community starts to recognise it as a significant part of their own heritage and local people become involved in the preservation of the wreck.     

The securitisation of cultural heritage

ABSTRACT

It is not a novelty for art to come under attack: cultural heritage has always been endangered by wars, conflicts and political violence. Since the last century, the international community has started reacting, moved by the concern that these threatened monuments be protected. Lately, cultural heritage can be seen to undergo a veritable crescendo from politicisation to criminalisation and securitisation. Accordingly, this article seeks to analyse the pathway that characterises the international protection of cultural heritage in crisis-torn contexts, employing a discursive lens and mapping the narrative threads that the main international actors have constructed in reaction to recent attacks on archaeological sites (i.e. Palmyra) and historical artefacts, especially in the Middle East (namely Syria and Iraq). After having traced this process, we will offer a tentative explanation of what we consider a process of securitising an under-researched field (i.e. cultural heritage).     

The contested interpretation of heritage landscapes in northern Ireland

Abstract

Because the nature of society is both negotiated and contested, cultural artefacts, including heritage landscapes, will be invested with differing and conflicting meanings by various social groups. This is but one aspect of what might be termed the dissonance of heritage. The present discussion is framed within the context of the argument that relics of the past are a resource to be selectively exploited in accordance with contemporary political and cultural demands. The paper uses the example of Ulster's Folk and Transport Museum to examine these issues. It concludes that while consumers do appreciate the cultural complexity of the Museum's role as one medium of communication of identity in a contested society, the institution's effectiveness in this regard is undermined by the middle‐class bias of those consumers.