Ideology and the history of ancient Israel

An answer to the recent criticism of Ian Provan and James Barr of the position of the so-called ''revisionists'' among Old Testament scholars. Provan - as well as Barr - accuses the revisionists for being ''ideologists'', i.e., that ideology has governed their research. This is a false accusation. The revisionists originally shared the ideology of the scholarship of the modern age. Only at a later date they adopted, forced by their analyses, an ideological approach to the reading of text that seems more on-line with ideas that are said to be postmodern.     

David's 'Hatred' for the Lame and the Blind (2 Sam. 5.8A)

Abstract

Scholars have often dismissed the rendering of veyigga' batsinnor (2 Sam. 5.8) as 'get up the water shaft' or 'get up the water canal' on the grounds that it has no natural connection with David's expressed 'hatred' for 'the lame and the blind'. This article argues that such a dismissal is perhaps hasty, and that David's reference to the physically afflicted alludes to the custom of their gathering at pools and springs (which were widely held to possess healing powers).     

Retrospective Speculative Philosophy: Looking for Traces of Zizek's Communist Collective in Emerging Christian Praxis

Abstract

In the closing chapter of Living in the End Times, Slavoj Zizek endeavours to "look for traces of the new communist collective in already existing social or even artistic movements." This article explores what Zizek might see if he were to turn his cultural-critical gaze towards emerging Christianity, which is presented as an artistic and social, as well as religious (or irreligious), "movement." His work is increasingly used by emerging church practitioner Peter Rollins to retrospectively explain his own thought and practice. This article examines some of the ways in which Zizek's atheological speculative philosophy and John D. Caputo's theology of the event are impacting contemporary Christian praxis.     

National identity and the representation of Italy at war: The case of Combat film

This article examines the documentary series Combat film made by Leonardo Valente and Roberto Olla for Rai-Uno. Shown in April 1994, the series was based on film taken by the American army (1943-5) and provoked a national scandal when it was first shown. The article argues that in order to fully understand Combat film it is necessary to look at the overall design of the programme as well as its content. By concentrating on the 'special' shown on 5 April 1994 the author demonstrates how the revisionist message of 'national reconciliation' which underlies the programme is reinforced by a series of formal and technical strategies.     

What Must We Keep? The Rolt Memorial Lecture, 1982

Abstract

This paper starts by examining the degree to which the archaeological evidence for the industrial period has disappeared. It compares a record of signifi cant industrial sites in Eastern England made in the late 1970s with what survived 30 years later. It then seeks to investigate whether the evident decline in industrial activity and the disappearance of some industries entirely really constitutes the death of the industrial past, or whether it is our perceptions and defi nitions of what constitutes 'industry' and 'industrial archaeology' which need examining.     

Joshua’s Tomb

Abstract

Following the recent excavations of the Jerusalem 'Warren's Shaft System' and its attribution to the Middle Bronze II period, the authors re-evaluate the dating of the Gezer water system. R. A. S. Macalister attributed it to the 'Second Semitic' period, which roughly corresponds to the ME II period. Several scholars challenged this dating, suggesting a lower date in the Late Bronze or the Iron Age. The article draws attention to a detail which escaped the types of scholars, namely that the cave at the bottom of the system has in fact a lower outlet, to the tell's southern perimeter. This detail appears on a plan and section drawn by L Vincent, when visiting the excavation. This explains how the miners knew where to locate the entrance to the system within the city's boundary, and to what direction and angle to aim their tunnel to hit that cave. This increases the similarity between the Jerusalem and the Gezer water systems, and corroborates the MB II dating for the Gezer system, originally suggested by Macalister.     

The Tenco effect. Suicide,San Remo,and the social construction of the canzone d'autore

Abstract

Canzone d'autore is an indigenous expression that has no precise equivalent in other languages. Its social use identifies a genre of popular song that presuppose the existence of an ‘autore’ taken in its most vigorous sense, meaning a ‘creator’, an ‘artist’– but how did this claim to artistry originate? How did it insinuate itself into the world of song, a genre that by definition belongs to the realm of what is traditionally called in Italian ‘musica leggera,’ with unmistakably pejorative connotations? In this essay, I will put forward a sociological interpretation of the genesis of the canzone d'autore, using as a strategic conceptual device the idea of cultural trauma. The traumatic event that I propose to explore, making use of this concept and its analytical machinery, is the suicide of the singer-songwriter Luigi Tenco during the seventeenth San Remo ‘Festival della Canzone’ (‘song festival’) – that is the best-known, most controversial, and most influential single event in the field of Italian ‘musica leggera’, an annual event regularly attended every year – via radio, television, or audience participation – by millions of Italians. Through a reconstruction of that suicide and above all of the public and dramatic events that followed in response to it, the paper examines the social process that transformed an individual tragedy into a collective, social drama, a process that not only produced a new musical classification, but also a new cultural and aesthetic category.     

'With a strong hand and an outstretched arm' the meaning of the expression byd hzqh wbzrw' ntwyh

The expression ''with a strong hand and an outstretched arm'' is usually understood as being an expression of the power of God. There are various suggestions as to which aspect of his power is indicated: The power of inflicting plague and sickness or his power as a warrior - or whether the expression is used as a counterpart to Egyptian royal terminology. It is suggested here that the expression does refer to the power of inflicting plague and sickness, for the following reasons: ''With a strong hand and an outstretched arm'' is a parallelism between two collocations of words, ''strong hand'' and ''outstretched hand'' (''arm'' + the verb ''stretch out''). When the two collocations, both containing the word ''hand'', were made to form a parallelism, the element ''arm'' was the added to one of them to achieve variation between the units of the parallelism. The element ''arm'', which often has a military connotation, is then an extraneous component to the expression. The outcome of ''stretching out the hand'' in the Pentateuch and the historical books is miraculous events, some of these being a number of the plagues. The expression does not seem to have any military connotation in the account of the Exodus. A comparison with the literatures of other Semitic languages shows that in the ancient Near East not only ''the hand'' of a deity inflicting plague and sickness can be found, but actually ''a strong hand''. In most of the occurrences of the expression in the Pentateuch apparently the entire experience of Israel in Egypt is signified. Only in Exod 3,19; 6,1; (where we cannot be sure whether the arm belongs to YHWH or to Pharaoh) and 6,6 the expression is connected to specific traditions in the account of the Exodus, and these are exactly the plague traditions.     

'The mystical character of commodities': the consumer society in 18th-century England

Abstract

This article argues for an alternative response to the 'consumer society' hypothesis for 18th-century England, which is seen to focus on large-scale development and obscure the relations between people and objects. Returning to Marx's theories regarding 'consumer fetishism' and utilising Bruno Latour's work on hybrids and the human and the non-human, the paper considers the manner in which people used objects and objects used people. Utilizing the courtesy books and 'it-narratives' of the 18th century and the later works of Jane Austen, the paper argues that goods should not be seen only as commodities.     

A problem in pseudo-philo and its possible solution

The enigma in Psedo-Philo Chapter 19: Istic mel, apex magnus, momenti plenitudo, et ciati guttum, is often emended by the commentators. We take it as it stands. As the surrounding texts reflects, Deut 34 and Pseudo-Philo always shows a deep understanding of the biblical text, we find that the often quoted utterings in Deut: ''a land flowing with milk and honey'' and: ''the place which the Lord your God will choose'' make sense for the first two parts of the enigma. The third part points to the coming great achievements: The death of Moses and the immigration to the Holy Land. Only the fourth part is pointing to the end of time.     

The Hydrometallurgy of Gold Processing

Abstract

Gold has captured mankind's admiration for centuries as a medium of currency or exchange, for personal jewellery and for decorative and ornamental purposes. The mythical tale of Jason and the Golden Fleece may have its origins in the placer miners' technique of placing sheep's fleeces in sluices to capture gold flakes. This practice evolved around 1200bc and perhaps marked the start of the development of the 'art' and 'science' involved in recovering gold which existed at low levels in the Earth's crust and even in sea water. Since then gold processing technology has changed significantly to cope with the increasing scarcity of gold and the complexity of its ores. Today, 1 t of dirt has to be processed to recover a few grams of gold. This difficulty has not stopped mankind from looking for this metal, which is considered both precious and evil by Eastern and Western civilisations. The scarcer the metal becomes, the more sophisticated must be the exploration technology that is developed to look for gold. Likewise, processing techniques have been continually improved and modified to cope with the increasing complexity of the ores from which gold must be recovered.     

'Joking apart…': A 'processual' approach to researching self-help groups

It is well known that 'feminist research methodologies' reject the traditional and positivistic insistence on detached objectivity, favouring instead a situated and empathic responsiveness to particular research contexts. In practice, however, interviewees often have a justifiable interest in maintaining a communicative distance between researcher and researched, thereby retaining a degree of control over the research process. Although the nature and function of this communicative distancing change over time it may (initially at least) emphasize the boundaries between the respondents' 'insider' and the researcher's 'outsider' status. This phenomenon seems especially pertinent where those researched comprise a tightly knit group with shared interests and experiences such as self-help groups for those suffering from specific disabilities. This paper reflects on my own experiences interviewing agoraphobic women members of two such groups in Central Scotland and discusses the manner in which humour acted as an indicator and facilitator of these changing communicative distances. It concludes that a processual methodology is required in circumstances where managing the research process is often as much a matter of coping with as directing change.     

'Nothing Can Ever Be the Case of 'Us' and 'Them' Again': Exploring the politics of difference through border pedagogy and student journal writing

Linda McDowell (1994) has called for styles of teaching which put into practice arguments about the 'politics of difference', which has become an increasingly central part of human geographical research. This paper draws on a number of years' experience of teaching an undergraduate course on multicultural historical geography, in which this was attempted. Here students were encouraged to get more involved in these debates, to take them more personally, and to develop 'situated knowledges' about the UK as a multicultural society. The approach to teaching, learning and assessment which made this possible was based on the principles of 'border pedagogy' and on students writing journals throughout the course which charted the development of their understandings of the materials they encountered.     

The Marketing of Norwich Stuffs,c. 1660–1730

Abstract

This essay examines late nineteenth- and early twentieth-century handcrafted Irish lace as material object related to both its conditions of production and its consumption with an emphasis placed upon the consumption of what was consistently referred to in the contemporary press as 'real lace'. Why, for example, would a woman specifically choose handmade Irish lace for her elegant court gown or bridal costume? What might have influenced a consumer to select Irish lace rather than imported lace? Did the wearing of 'real' Irish lace have any symbolic or social meaning beyond adornment? Might the relationship between patrons and workers be viewed through the lens of today's fair trade movement, thereby expanding the consumers' intentions and complicating the workers' conditions?     

Mathematics and painting

Abstract

Mathematics and painting are interrelated in many ways. At a technical level mathematics can be used to enhance our appreciation of paintings. This was recently demonstrated beautifully by Taylor, Micolich, and Jones in their analysis of Jackson Pollock's drip paintings, which led them to the conclusion that Pollock's paintings are in a way figurative pictures. Relations also exist at a more basic level. Painting and mathematics can share subject matter, as is illustrated here by a discussion of the mathematical concepts 'open' and 'closed', which are related to paintings by Pollock, Kandinsky, Turner, and van Gogh. It is suggested in conclusion that mathematics and painting are so closely related and have so many similarities that it is reasonable to consider them simply as two different but complementary ways of visualising aspects of the concrete or abstract reality in which we are embedded.     

Complexity and participation: the path of strategic invention

Abstract

The epistemological basis of the participatory action-research (PAR) methodology in the so-called 'paradigm of complexity' is plagued with misconceptions, imprecision and significant omissions. The appropriate and contextualised translation of concepts from the natural sciences for use in the social sciences is particularly necessary in qualitative-structural and participatory-dialectic methodological trends. This paper focuses on the concepts of 'entropy', 'complexity' and 'strategic action'. Based on a general notion of complexity relating to the consideration of uncertainty, innovation and the contextualisation of systems, performance-related aspects indicative of actions implied by this paradigm may be highlighted. Thus, it is argued that the conceptualisation of operations such as 'acting in order to know' and 'act knowing/know by acting', encompassed in the notion of 'strategic invention', complement and exceed the scope of typical planning operations and even self-planning ('knowing in order to act'). In short, these definitions are coherent with an ecosystemic perspective of social and natural reality, in which it is necessary to contextualise what is more or less complex in the world, in our knowledge of the world and in our practical actions when acting in the world. Consequently, participatory action-research methodologies should adopt this complex ecosystemic epistemological perspective, and be designed through a 'strategic invention' approach, in order to clarify the concepts imported from other scientific disciplines.     

Administration of parks with rack art: A symposium and workshop in Jujuy Argentina,December 2003

Abstract

Visits to archaeological sites, within school, a history or archaeology club, or a family group, are the main means for young people to engage with the archaeological historic environment. The majority of archaeological sites easily accessible for such groups are those that have been 'sanitized' for public consumption. These are often devoid of explanation of the archaeological process which made them accessible. This paper looks at the contribution that working archaeological sites can make to young people's understanding of archaeology, with particular reference to visits made by branches of the Young Archaeologists' Club, based in the UK.     

Preliminary remarks on George Seferis' visual poetics

Abstract

This article makes some preliminary remarks on Seferis' photography, focusing mainly on its poetics as an act of seeing. The main intention is to highlight the direct relationship between Seferis' visual sensibility and his poetry. The article primarily discusses some technical features of Seferis' photography. It then examines his photography as a visual diary and draws attention to those cases where it is obvious that photographs hide behind specific poems. Finally, the article discusses the differences between photography and poetry regarding their relation to time. In this context, the poem 'M? τov τρóπo τov Γ.Σ.', which makes explicit reference to photography, is examined.