D’Arcy Thompson’s Legacy in Contemporary Studies of Patterns and Morphology

Abstract

D’Arcy Thompson’s views on the forms of biomaterials are assessed in the light of current thinking on biomorphology in selected areas of biology. It is clear that his guiding concepts — that biological materials are structured in response to physical forces, and that the biological and abiotic realms share many common features — remain valid. Advances in the physical and biological sciences are discussed, from quantum mechanics and molecular biology to liquid crystalline materials and macroscopic forms. These reveal Thompson’s clear-sighted view of the role of physical and mathematical sciences in biology, as well as his blind-spots.     

D'Arcy Thompson's ‘On Growth and Form’ and the Rediscovery of Geometry within the Geographic Tradition

Abstract

D'Arcy Thompson (1960–1948) was one of the most celebrated biologists of his day, best known for his On Growth and Form (1917) which was the first successful biophysical explanation of the size and shape of organisms. In particular, his concept of allometric growth and theory of transformations have informed cutting edge research in biometrics and practice in the fields of fine art, urban design and civil engineering. He was a seminal figure in the development of the spatial analysis tradition within geography in the 1960s and 1970s underpinning major contributions by Haggett and Bunge and inspiring Tobler to develop cartograms which liberated map projections from sole reliance on Euclidean geometry. Re-assessing his contribution to geography fifty years later, it is still to be found in Batty's work on the size, shape and scale of cities and in Dorling's World Mapper project. This re-discovery of the importance of geometry within the geographic tradition over the last half century owes much to Thompson who spent the whole of his academic life in the University of St Andrews and (what was later to become) the University of Dundee.     

On the Centrality of Dionysus in Nietzsche’s Philosophy

Despite the widespread influence of Nietzsche’s iconoclastic works on twentieth-century intellectual and literary culture, there has been a surprising lack of academic focus on the parallels between his philosophical trajectory and the anthropological literature on the mysterious god Dionysus. The striking correlations between ancient Dionysian worship with Nietzsche’s oeuvre revalorise the celebration of ecstasy. In Twilight of the Idols, he states that the Dionysian is “beyond pity and terror, to realize in oneself the eternal joy of becoming.” By elucidating some of the mysteries surrounding this enigmatic god, this article aims to re-establish the central importance of Dionysus in Nietzsche’s work, and to suggest that if we are to understand Nietzsche at all, we must first undertake an anthropological reading of Dionysus.     

Zambrano’s poetic reason in the light of Frankfurtian Critical Theory

ABSTRACT

María Zambrano's biggest contribution to intellectual history is, without a doubt, her poetic reason; her unique attempt to overcome the limiting coordinates of the framework of rationality established by the Enlightenment. Having spent forty-five years in exile, the relevance of this Republican thinker has only been acknowledged in recent decades. Since then, the political content of her early work, as well as her engagement with the Republic's cause prior to and during the Spanish Civil War are well known. Nevertheless, although Zambrano still wrote some political books after the Civil War, most notably, Persona y democracia (1958), the political component of her thought after this period has passed largely unnoticed. This article intends to take a wider approach to Zambrano's political engagement by exploring the political significance of her poetic reason. Here I contend, first, that poetic reason, far from being an isolated attempt at developing an alternative rationality, is actually in line with the critique of instrumental reason proposed by the Frankfurt School and, second, that, in fact, there are meaningful parallels between poetic reason and Frankfurtian Critical Theory. Thus, the purpose of this article is to explore such parallels and their significance in revealing the political dimension of Zambrano's thought.     

Evolution of the Concept of ‘Extracellular Matrix’ in the Brain

The question as to whether an extracellular matrix exists between cells in the adult brain has been debated since the end of the last century. In the early years, zones containing neuropil and glial processes were mistakenly believed to represent this substance. But Golgi's discovery of the “perineuronal net” paved the way for future study of the true extracellular matrix. In the 1950s, application of histochemical techniques established the existence of interstitial material between nerve cells. Unfortunately the similarity between the pericellular distribution of this material and Golgi's “pericellular nets” was overlooked. The detection of an extracellular volume fraction in the central nervous system furnished further indirect proof for the existence of an extracellular matrix in the brain. However, the repeated failure of electron microscopy to reveal a substantial space between cell processes undermined the acceptance of the concept of “extracellular matrix” in the central nervous system. Nowadays this concept has, however, been firmly established.     

The Origins of the Concept of ‘Palaeolithic Art’: Theoretical Roots of an Idea

This paper explores the origin and theoretical roots of the concept of ‘Palaeolithic art’ in the late nineteenth and early twentieth centuries (1895–1906). It identifies three main sources for this concept: the Western category of ‘art’, the idea of evolution and the notion of primitive. This article shows how the traditional conception of ‘Palaeolithic art’ is a particular case of the wider idea of ‘primitive art’, a category that was born as an attempt to harmonise the notion of ‘primitive society’ and the nineteenth-century bourgeois concept of ‘art’. Additionally, I discuss this traditional conception as the source of a number of ideas that have persisted in our way of interpreting Palaeolithic images until recently, including the understanding of prehistoric images through the lens of the modern notion of ‘art’, their interpretation in symbolic-religious terms and their formal definition based on the idea of naturalism.     

‘Tokens of Fritz’: Canadian Soldiers and the Art of Souveneering in the Great War

Abstract

This article examines the US Army’s role in the post-war refugee crisis in American-occupied Germany. American policy placed all responsibility for ethnic German expellees in the hands of German authorities. However, as the example of the Bavarian city of Würzburg illustrates, the expellee issue played a prominent role in relations between Americans, Germans, and refugees during the post-war and early Cold War periods. By outlining the synergistic relationship between these groups, this article proposes to integrate the social history of West Germany within the speci?c context of the changing security situation in Europe and American Cold War planning.     

On the Content of the Concept “Geographical Environment” and the Influence of the Environment on Society

The author traces the evolution of the environmentalist concept through Marxist philosophy and analyzes the influence on the geographical environment on society. He adduces a number of examples to demonstrate the significance of the environmental factor in various historical contexts. For another discussion on the same subject, the reader is referred to Ian M. Matley, “The Marxist approach to the geographical environment,” Annals of the Association of American Geographers, Vol. 56, No. I, March 1966, pp. 97–111.     

The Ethical Question in Postwar Central America and the Mutilated Good in Rodrigo Rey Rosa’s El Cojo Bueno

This article examines how the novel El cojo bueno (1996) by Guatemalan writer Rodrigo Rey Rosa posits an ethics that reconstellates the motifs and assumptions that have informed the revolutionary and transition-to-peace efforts of Central America. Through a careful reading of the text, I demonstrate how the novel pushes against the limits of the neoliberal ‘culture of peace’ and gives expression to an ethics that is attuned to the complex sociopolitical conditions of the postwar period. More specifically, I show how the novel develops a moral vision that registers but also resists the impunity, violence, and social disaffection that have devastated the region. The novel dramatizes what the moral life has come to mean in postwar Central America, namely, that it is a matter of grappling with the antinomies of freedom and unfreedom, of compassion and cold survivalism, and refusing to rest easy with either option. Ultimately, El cojo bueno marks a key moment when a new conception of ethics begins to take shape in postwar Central American literature.     

From Paper to Celluloid and Back Again: Finance and Form in Jorge Délano’s Films

This essay argues that our current understanding of the cinematic work by the pioneering Chilean film director Jorge Délano obscures a sophisticated interaction between politics, art and economics, one that reveals unexamined aspects of how the film industry developed in Chile. Most notably, it argues that Délano’s illustrated political satire magazine Topaze was central to the development of early sound cinema in the country. Following Rielle Navitski, the essay utilizes and examines tensions between models drawn from periodical studies and the concepts of remediation and intermediality in film studies. Examining illustrations from the first three years of Topaze’s production (1931–1933) in the context of the country’s economic situation, the essay argues that Délano remediated cinema in Topaze as a strategy of capital accumulation. This analysis also makes it possible to see how one of his sound films, Escándalo (1940), similarly remediated the illustrated paper periodical as he pursued financing for the production of cinematic commodities for export. The essay ends by examining the relationship between these issues and the political situation in early Cold War Chile.     

“The Painter in Two Frames”: An Archaeological Investigation of Kamal-ol Molk’s Agency in the Field of Art and Politics

An agent’s actions in different fields and its changes can leave material traces. Therefore, archaeology in its broadest methodological meaning surveys material culture and seeks to investigate an agent’s action in a process. Our archaeological excavation in Neshat Garden led to the discovery of material traces of lifestyle changes of a well-known agent from the late Qajar/early Pahlavi era. Mohammad-e Qafari, nicknamed Kamal-ol Molk, was a famous painter of the Qajar court. He left the court in middle age and entered politics as an agent of opposition. Kamal’s journey to Europe was a turning point that extended to the end of his life. At the same time, Iran’s sociopolitical context experienced significant evolution, including the Mashroute Movement and the rise of Pahlavi dynasty to power. Such mutations made Kamal-ol Molk abandon/change his activities in the field of art, sponsored by the power structure, to engage in political activity. His exile/compulsory migration to a faraway village in northeastern Iran is the outcome of his political activities. The present research is based on archaeological surveys and excavations in two sites: Kamal-ol Molk’s house and Neshat Garden. The archaeological investigation of Kamal’s life in context, his paintings, letters, and photos as a long-term process reveals an artist who was also political. His agency in politics was so effective that in order for the “holy honorable party” to survive, he sometimes ordered assassinations.     

Displaying the future: techno‐nationalism and the rise of the consumer in Postwar Japan

This paper explains how, in the aftermath of World War II, a type of techno‐nationalism emerged that linked being Japanese to science and technology and the increased consumption of electrical appliances. By closely examining official exhibitions, we can see how the state and private sector strongly encouraged this techno‐scientific dreaming. Dazzling displays highlighted how the peaceful atom would help lead the nation to achieve high economic growth. At the same time, through the judicious purchase of labor saving appliances, consumers could reconcile the need to spend with the need to save.     

Microclimate and Salt Crystallization in the Crypt of Lecce’s Duomo

Ancient masonry structures are often damaged by soluble salt crystallization, which is activated by even small microclimatic variations. Unsuitable environmental conditions can accelerate this process, affecting the type and the quantity of salts and the consequent damage to the masonry. Therefore the importance of monitoring salt diffusion to control salt crystallization and microclimate over time is widely recognized. This study proposes an integrated monitoring methodology to obtain information on the relationship between salt efflorescence and microclimate in the Crypt of the Duomo of Lecce (South Italy). By combining ion chromatography, powder X-ray diffraction analysis, and Raman microscopy with environmental monitoring and deterioration maps, salt components were identified and efflorescence diffusion on masonry was monitored over time. Due to this approach, a possible explanation for the process is finally given.