The Gothic-Romantic Hybridity in Mary Robinson’s Lyrical Tales

ABSTRACT

Mary Darby Robinson is well known for writing her final volume of poems, the Lyrical Tales (1800), as a direct answer, sometimes poem by poem, to Wordsworth and Coleridge’s 1798 Lyrical Ballads. What has been less studied is how deliberately hybrid in style and allusions her response-poems are in the Tales, especially how prominently they foreground Gothic imagery, theatricality, and hyperbole in poems that also ape the emerging “romantic” mode of the Ballads themselves. Part of that “cheekiness,” I argue, stems from the condemnation of the Gothic that both Wordsworth and especially Coleridge had articulated in print, while also echoing it, albeit in highly modified ways, in their poetry. Most of what Robinson attempts with her hybrid Tales, though, develops the penchant in Gothic for symbolizing deep and unresolved ideological conflicts in Western culture. Her answers to Wordsworth and Coleridge, which I exemplify with selected Robinson Tales, therefore, bring out those very conflicts underlying, haunting, and even tormenting the speakers and the subject-matter in the original Lyrical Ballads.     

We don’t know that we don’t know what a body can do … , or Spinoza and some social lives of sonic material

ABSTRACT

This essay is about how artists, listeners and critics claim to hear life in a sound and how this suggestive, but hazily defined, provocation connects vast cultural circuits of production, technology and capital. I argue that claims to life in a sound also belie an anachronistic return to an early modern understanding of sound as particulate matter and suggest a technoscientific discourse in which sound and data are described in terms of one another. With a close engagement with microsounds – from Gilles Deleuze to computer music specialist Curtis Roads – this essay queries what sonic particulates are presumed to be when they are mapped onto Spinoza’s corpora simplicissima but processed through analogy synthesis or digital tools. In part, this essay tries to speak to a persistent separation of sonic materiality and auditory culture, in music and sound studies in which life in a sound cannot be thought apart from how life is subject to different kinds of extractions. With a return to Spinoza’s physics, this essay also retakes the often sloganized “no one knows what a body can do” to emphasize an ethical recomposition of the text in which to “know” must be as open-ended as “body” is typically emphasized to be.     

‘That street is taking us to home’: young children’s photographs of public spaces

ABSTRACT

Children’s identities constitute and are constituted by the everyday spaces they inhabit. Though there are innumerable accounts of what adults think public spaces like subways and city streets mean to children, fewer recorded accounts exist from young children themselves (Faulkner and Zolkos 2016, “Introduction.” In Critical Childhood Studies and the Practice of Interdisciplinarity, ix–xvii. Lexington: Lanham.). In this work I explored 2- – 5-year-old children’s conceptions of public space through the photographs they took and the narratives they told in and around those images. I focused on how children imaged their spaces, how their narrative fragments added layers of story to the images’ contents, and how their photographic performances acted as ‘visual voice’ (Burke 2005, “‘Play in Focus’: Children Researching Their Own Spaces and Places for Play.” Children Youth and Environments 15 (1): 27–53.), highlighting for us how they see themselves and their positions within the larger urban environment. The young children’s photographs depicted their growing autonomy and mobility within an urban context, attunements to non-human forms of the city, and knowledge of what it means to live in their communities.     

Transformations: Post-Battle Processes on the Hürtgenwald Battlefield

Abstract

This paper uses the 1944 Hürtgenwald battlefield on the German-Belgian border as a case study to reflect upon two issues: what contributions to an understanding of post-battle transformations are made by an analysis of Second World War battlefields; and how an archaeological approach can help understand the Hürtgenwald battlefield. The analysis presented here discusses what actually happens with a modern battlefield after the killing is over and how such post-battle processes alter the way such a site is interpreted. In this respect, a battlefield from World War II reveals the transformations to which battlefields are subjected and provides a well-documented model case to study the effect of post-battle processes on conflict landscapes.     

Symposium ‘exploring the (multiple) futures of world politics through popular culture’

ABSTRACT

Bringing popular culture and world politics together yields multiple advantages, including shifting where the ‘political’ is located and expanding conventional understandings of policy and policy communities. It matters that researchers expand what is considered necessary for understanding the socio-political world, that they challenge hierarchical assumptions of where world politics happens and that they reconsider what and whose knowledge counts. Taking popular culture seriously ‘creates new spaces for critical reflection’ (Federica Caso and Caitlin Hamilton [2015]. Popular Culture and World Politics: Theories, Methods, Pedagogies. Bristol: E-International Relations, 2), spaces to which this Symposium contributes directly.     

Tackling Social Exclusion

Abstract

The opening words of the 1999 report of the government's Social Exclusion Unit, Bringing Britain Together announced that it met its remit to report to the Prime Minister on how to: ‘develop integrated and sustainable approaches to the problems of the worst housing estates, including crime, drugs, unemployment, community breakdown, and bad schools etc.’ In other words the Social Exclusion Unit was instructed to take a problem-solving approach to the issue. This approach meant that the development of an inclusive society would be understood implicitly in terms of dealing with those areas that are perceived as problems. This seems to suggest that social exclusion ‘just happens’ to people who ‘suffer from’ a collection of problems. The agent or agents of this exclusion are rendered invisible by the very linguistic structure of the definition. This paper argues that it is vital to envisage the agents and victims of exclusion and to describe it in terms of the relationship of face to face. A critique drawing upon the insights of Emmanuel Levinas would refuse to allow us to reduce the otherness of the socially excluded to a project defined in the terms of those who exercise power in social relations. Nor would it allow a definition of social exclusion in terms of it being either ‘their’ problem or the consequence of some impersonal force. A theological critique might lead us to argue that the whole project of problem solving when applied to persons is in and of itself highly suspect. Thus the paper concludes by considering what shape might develop from the bringing of insights from philosophical and theological discourses to this perception of social exclusion. It seeks to argue for a radical passivity before the face of the Other (that is in this case those who live in urban housing estates) arguing that those who engage with social exclusion, the ‘name’ that has been given to this face, are first summoned by the Other to a relationship of total responsibility which rejects the reductionist project of the controlling ‘I’.     

Leviathans Old and New: What Collingwood Saw in Hobbes

Summary

R. G. Collingwood presented his major work of political philosophy, The New Leviathan, as an updated version of Thomas Hobbes's Leviathan. However, his reasons for taking Hobbes's great work as his inspiration have puzzled and eluded many Collingwood scholars, while those interested in the reception of Hobbes's ideas have largely neglected the New Leviathan. In this essay I reveal what Collingwood saw in Hobbes's political philosophy and show how his reading of Hobbes both diverges from other prominent interpretations of the time and invites us to reassess Hobbes's complex association with the origins of liberalism. In doing so, I focus on Collingwood's science of mind, his ideas on society and authority, and his dialectical theory of politics, in each case showing how he engaged with Hobbes in order to elucidate his own vision of civilisation. That vision is based on the development of social consciousness, which involves people coming to understand the body politic as a joint enterprise whereby they confer authority upon those who rule.     

Esse servitutis omnis impatientem/Man is impatient of all servitude: Human Dignity as a Path to Modernity in Ficino and Pico della Mirandola?

Abstract

The notion of human dignity stands at the core of contemporary debates on rights, politics, and ethics. Many scholars consider the Renaissance discourse on dignity as one of its main contributions to the transition from the Middle Ages to modernity. This article examines the role of human dignity in the philosophies of Marsilio Ficino and Giovanni Pico della Mirandola. In their works human dignity relates both to freedom and to a Neo-Platonic ontology, which raises the question of how they reconcile these two possibly contradictory elements. I show that starting from the insight that human beings are “naturally” free and able to make right choices, Ficino and Pico argue that human dignity consists in the ability of humans to understand what is good and to act accordingly. I thus defend the thesis that their conception of human dignity is not modern because it liberates human beings from the “history of being” but rather because it paves the way for their liberation to become rational beings.     

The Cave Who Never Was: Outsider Archaeology and Failed Collaboration in the USA

Abstract

The alleged 1982 discovery of a phantasmagorical Late-Antique necropolis in southern Illinois has largely escaped the attention of professional archaeologists, despite thousands of artefacts having been sold to naive collectors and would-be revolutionary scholars for more than a quarter of a century. The site (named Burrows Cave after its notorious finder) is a staple of outsider archaeology, like 10,000-year-old pyramids and ancient astronauts. Burrows Cave flourishes in the extra-disciplinary realm of hyperdiffusionist archaeology, terra incognita outside the bounds of the traditional science and thus not considered worthy of examination by scholars. This essay explores the significance of US archaeologists’ failure to critically yet respectfully engage with a public who is extremely interested in archaeological discoveries but sceptical of scholarly elitism. Professionals’ disinterest has resulted in a dismissal of outsider archaeology en masse, leaving the worst abuses unchecked. This leaves the public with few clues to distinguish the impossible from the improbable, unorthodox, or iconoclastic. Audacious enterprises such as Burrows’ are left to flourish, driving wedges between archaeologists and the interested public, preventing effective collaboration and dialogue. Burrows Cave is a lesson for aspiring archaeologists: proof of what happens when professionals turn up their noses at opportunities for engagement with community interests.     

Contemporary Irish theatre,the new Playboy controversy,and the economic crisis

Abstract

This article examines the impact of the economic crisis on contemporary Irish theatre. More specifically, I contend that the legal controversy surrounding Bisi Adigun and Roddy Doyle’s second production of Playboy of the Western World: A New Version in 2008 provides a case study of how professional theatre productions that dramatised stories of immigrant empowerment during the Irish economic boom were profoundly inhibited by the bust that followed. Their collaborative version of the new Playboy was widely regarded as Ireland’s most successful intercultural play and a commercial success when it was first staged at the Abbey Theatre in 2007. The subsequent breakdown in their relationship and ensuing legal dispute is more symptomatic of Celtic Tiger Ireland in economic collapse, I suggest, than the content of the play itself, or most other productions mounted in the period. I argue that this dispute did not simply reflect but also reinforced the social effects of the economic crisis, through its prolonged litigation, enormous expense, and especially the missed opportunity that it represented to position the multicultural and migrant themed Playboy within the Irish theatrical mainstream. More broadly, I suggest that the economic crisis has been marked by the disappearance of immigrants from the professional Irish stage, a void which was only partially filled by community theatre productions. A case in point is Adigun and Arambe’s most recent adaptation of Jimmy Murphy’s The Kings of the Kilburn High Road in The Paddies of Parnell Street (2013), a play which I positively appraise as an example of successful “intercultural re-appropriation”.     

The Historic Landscape of the Saga of the People of Vatnsdalur: Exploring the Saga Writer's Use of the Landscape and Archaeological Remains to Serve Political Interests

Abstract

The saga of the People of Vatnsdalur (Vatnsdaelasaga) provides a case study for a new approach to the Sagas of Icelanders (Íslendingasögur). This treats the saga as a cultural product of the 13th century that can give insights into its creator's ideas and worldviews. Fieldwork at five sites in the Vatnsdalur valley in NW Iceland seeks to establish what these places were like in the 13th century. This knowledge, alongside the saga and place-name evidence, illustrates how the saga writer, presumed to come from a powerful 13th-century family, systematically used the landscape and archaeological remains in the valley to serve his political interests when describing 10th-century events.     

The Newer New Life: A.S. Byatt,E. Nesbit and Socialist Subculture

This article considers the political implications of Victorian language-study for Thomas Carlyle's The French Revolution (1837) (reprinted and edited by K.J. Fielding and David Sorensen (Oxford: Oxford World's Classics, 1989)). I investigate how Carlyle responded to the scientific study of language with what he termed a ‘bodied word’, a reading of language based in the word-become-flesh or the doctrine of the Incarnation. I show how this bodied word reflects wider changes in modern conceptions of the polity in the wake of the French Revolution, in the shift from a hereditary body politic towards what critics have termed a ‘social body’ or a more broadly inclusive model that incorporates the working classes. I then offer a reading of The French Revolution to show how Carlyle's French history was crucial to the linguistic and conceptual production of this liberal notion of the social body, even as he worked both to acknowledge and contain its political agency.     

Postmodernist Histories

ABSTRACT

Since 1829, it has been the received and accepted scholarly opinion that Jonathan Edwards did not read the writings of George Berkeley and thus was not influenced thereby in the development of his own Idealism. This essay contends otherwise. With new evidence available, it is shown to be highly probable that Edwards has a historical as well as conceptual connection to the Idealism of Berkeley. A historical connection is argued for by utilizing Edwards’s “Catalogue” to establish a timeline that illustrates when he penned his own Idealist writings in connection to when he read Berkeley. A conceptual connection is argued for by focusing upon both several idiosyncratic Berkeleyisms of style and two Berkeleyan theses also found in Edwards’s writings. Finally, the conceptual connection between the two are strengthened, after demonstrating how Berkeleyan Idealism singularly differs from other prominent Early Modern Idealisms. By examining what Edwards read, how he wrote, and how he thought, a reasonable case is set forth for affirming a historical and conceptual connection between Edwards and Berkeley. Thus, after two centuries of dispute, there is finally justified merit for labeling Edwards as a Berkeleyan Idealist.     

MOVING CENTRAL KNOWLEDGE TO A NORTHERN PERIPHERY: EXPLORING LOGICS OF PUBLIC SECTOR JOB RELOCATION IN SWEDEN

Through the means of Swedish relocation politics, the capital of Stockholm has been constructed as a governing centre with the ability of giving something to a periphery thought of as unable to survive on its own. The relationship between centre and periphery, furthermore, produces images of what kind of knowledge can be located to “central” or “peripheral” regions. In this article I research the move of a knowledge‐intense government agency from Stockholm to Östersund, a smaller inland town in the north. The data were collected through an ethnographic case study of a government agency. I adopt a discourse theoretical approach that provides a clear ontology of identity and processes of identification. This enables research on how ideological images of places create geographical identity positions. The aim of this article is to explore how groups of professionals at the government agency identified with geographical identities dependent on whether they were seen as experts or generalists. In conclusion, identity positions became important for how the relocation was organized. The establishment of the two identity positions functioned to stabilize the social environment during the move, a time when many things at work seemed to be in turmoil. At the same time the positions worked to exclude other ways of identifying with (work)place, and in this way sustained asymmetrical relations of domination and subordination between centre and periphery.     

‘The Conscience of the Community’: the Au Vaine of Rarotonga

ABSTRACT

The Au Vaine (‘several women’ in Cook Islands Māori), grassroots women’s committees, worked to promote agricultural efforts and food security in Rarotonga during the 1920s and 1930s. A unique organization, the Au Vaine actively encouraged the growing of commercial crops alongside subsistence plantings at a time when women were being pushed towards the home and hearth, and men pulled to wage labour jobs. These women illustrate the powerful and often unheard voices Pacific women retained throughout this period, as well as the critical role of food in Pacific history. In this article I examine the context within which the Au Vaine emerged, discuss what distinguished them from other women’s committees in Polynesia, highlight their purpose and impact on Cook Islands foodways, and explore some of the reasons they declined by the 1940s.     

An interpretation of Finnish religious nationalism: the four topoi of theological depoliticisation

ABSTRACT. The topic of this article is the relation between ‘politicality’ and theology in the discourse of Finnish religious nationalism during the Winter War of 1939–40 and the Continuation War of 1941–44. I shall draw on the ideas of Kari Palonen and Anthony D. Smith in attempting to thematise theological depoliticisation as an intrinsic element of religious nationalism. Also, I will elaborate its political significance in the Finnish context, where the role of traditional religion in the general development of nationalist thought has been particularly important. The specific focus is on how prominent representatives of the Finnish clergy related to war and nationalist claims in general. My interpretation is that their arguments were drawn from what I call the topoi of theological depoliticisation, which, at the same time, rendered the discourse extremely political.     

Some reflections on mental maps

ABSTRACT

The point of departure for this essay is a map drawn in 1963 by the writer’s maternal grandfather. It represents the village of Berg, located in northern Sweden, and depicts his activities as a farmer and hunter. But it is also based on grandfather’s collective knowledge of the village. In what follows I will examine mental maps of microspaces that reflect what is important to an individual or to the members of a community. One shows how Aivilik Inuits perceive their local environment; another set of urban maps from Los Angeles, California, are based on the views of residents in different areas. The social divides become strikingly apparent on these mental maps. Among the conspicuous features of my grandfather’s map are the images he drew to supplement the various geographical locations he laid out. In this respect one might compare medieval mappae mundi that is, maps of the world representing compendiums of all things worth knowing. I also consider the appearance of mysterious gaps on grandfather’s map, that is, “the silences”. Many general perspectives on mental mapping are suggested by a consideration of the map my grandfather drew.     

The greatest deception: fiction,falsity and manifestation in Spinoza’s Metaphysical Thoughts

ABSTRACT

“The first meaning of true and false”, writes Spinoza in a neglected passage of the Metaphysical Thoughts, “seems to have had its origin in stories”. Ideas are true when they “show” us things as they are; they are false when they do not, when they are fictional. In this essay, I argue that what appears at first sight to be a simple assertion of a correspondence theory of truth in fact opens onto broad historical transformations in the nature of meaning that reshaped the very atmosphere of truth: the emergence of a new kind of fictionality, transformations in the sense of logical interpretation, and ultimately transformations in the structures and sources of the natural light, that “clarity” which constitutes for Spinoza, as for Descartes, an indispensable criterion for certainty.     

A very public affair: art meets science

ABSTRACT

What happens in interdisciplinary practices between the arts and sciences? What determines their successes and failures, and how they should be conducted? Here I propose that we can deepen our understanding of them by looking at the role of one specific and, to my mind, vital aspect of many (most?) successful art/science collaborations, namely their presence in public. More specifically, I suggest that museums, having played a crucial historical role in shaping some specialized disciplinary thought, are now well-placed to encourage an opposite tendency towards trans-disciplinary activity. I elaborate this argument by focusing on three characteristics of museums that have made them ideal places to locate art-science collaborations: the role of exhibitions as units of investigation; the ascendency of artist/curators as unusual enquirers; and the enduring value of middle-sized things in these risky initiatives.