Performing with words

Richard Bauman and Joel Sherzer, eds. Explorations in the Ethnography of Speaking. New York and London: Cambridge University Press, 1975. vii + 501 pp. Figures, tables, notes, references and index. $27.50 (cloth), $8.95 (paper).     

服务于创意生活的博物馆设计

博物馆设计包括建筑设计和展览设计两方面。20世纪,欧洲和美国的博物馆原先丰富的实物展示逐渐被叙事展览取代,后者集空间、媒体、藏品和故事于一身,形成复杂的高感官体验。博物馆应该是一个拥有多样化复杂资源的集合体,为民众的创意生活服务。在服务于商业开发的社会下,博物馆的公共服务观念在渐渐消失。所以我们要重新思考博物馆的作用、责任和社会(或空间)形态。博物馆设计是一项社会艺术,建筑形态是对社会关系和多元经历的积极回应。以研究为导向的博物馆设计能推进博物馆的建设和发展,使之为我们共同的社会增添意义。     

游走江湖的大篷部落

古道热肠的师父,偷偷跟来的徒弟 2000年9月28日,傍晚时分,两辆大卡车满载着"大上海杂技歌舞团"的人员和辎重,从陕西延长县出发,走了一天一夜,来到了山西省曲沃县上家村.这是一个偏远的小山村.同时到来的还有安徽马戏团和山西运城马戏团.他们都来赶一个物资交流大会.     

Fashioning a Cacique Nun: From Saints’ Lives to Indian Lives in the Spanish Americas

New Spain was a land of opportunity for the missionary as well as the conquistador. The controversial proposal to found a convent for women of the indigenous elite illuminates the redefinition of notions of gender and race. Examining testimonies on this question written by priests, this article charts how they transform material that would normally have been presented as hagiography into narratives of a more general nature, and argues that this rhetorical shift contributed to a kind of writing on the Indies which not only shared the comparative and epistemological stakes of ethnography but also considered issues of gender.     

Indigenous Performing Traditions in Post-Revolutionary Iranian Theater

One of the major trends in experimental theater refashions the representational and presentational techniques of ancient rituals, medieval dramatic forms and popular performing traditions to create new forms of dramatic expression. In pre-revolutionary Iran, the proponents of this trend included those who worked with Iran National Theater and Theater Workshop. The 1979 revolution heralded the arrival of a different kind of drama in response to a host of new subjects and restrictions. However, unlike the political upheavals of previous periods which led to catastrophic discontinuity in the development of Iranian theater, it did not result in a complete breach. The post-revolutionary practitioners continued working with the templates devised by their pre-revolutionary colleagues, creating a dramatic tradition that has produced several masterpieces during recent decades. The purpose of this paper is to put the history of this experimental trend in perspective and examine the works of three of its major post-revolutionary practitioners. As such it will not focus on the history of indigenous forms or western-style theater in Iran, but on the recent history of this experimental mode and how its practitioners have refashioned Iranian performing traditions.     

Geographers Performing Nationalism and Hetero-masculinity

Our article builds upon the insights of recent critical geographic inquiry that has examined the involvement of geography in a multitude of power relations, and in particular the processes of European imperialism and colonisation. The focus of this article, however, is the involvement of the discipline of geography in the constitution and maintenance of a hetero-masculine nationalist discourse. We focus our analysis on articles published in the New Zealand Geographer, but suggest that such hetero-masculine nationalist discourse exists also in the works of geographers writing about other nation-spaces. Our purpose is to draw geographers' attention to the constitutive effects of banal practices in geographic scholarship. We draw upon Michael Billig's concept of ‘banal nationalism’ to argue that the articulation of nationalist narratives is an endemic feature of the contemporary nation/state, and one that forms a particular discursive order that situates author, text and reader in an assumed national and hetero-masculine landscape.     

The Business Lives of Wangdu and Lodran in Lhasa

In a travel guide about Lhasa, it tells us ＂Dongzesur Antique Shop on the southeast side of the Barkhor Street contains many ancient articles. Wangdu and his wife Lodran are recognized as nice people. Even though you may not plan to buy anything, it still deserves a visit.＂ What the guide talks about is the Dongzesur Antique Shop run by the Tibetan peasant businessmen, Wangdu and Lodran.     

Performing identity within a multicultural framework

The role of music in community festivals is often to assist in constructing a particular identity of place, and music functions in such instances as a means to provide a sense of belonging for participants. However, multicultural festivals complicate any simple relationship between place and identity, because such festivals demonstrate the heterogeneous state of both identity and place. Anxieties that arise around issues of cultural authenticity within such festivals point to concerns of hybrid identities that may challenge and threaten the maintenance of clearly demarcated identities in the face of transnational relations. Drawing on ethnographic material and theoretical conceptualizations of the self, this paper explores the dynamic and fluid constructions of identity at two Australian community music festivals, and raises questions on the sorts of practices that seek to regulate the ways in which these identities are constituted and performed.