Female Icons,Feminist Iconography? Socialist Rhetoric and Women's Agency in 1950s China

This article examines the construction of female subjectivity in emulation campaign materials of early Maoist China. Through critical examination of ‘nüjie diyi’ (the first female) model workers, I argue that Maoist proletarian subjectivity reflects a situated agency produced through empowerment and salvationist impulses. As the first women to engage in traditionally male professions like tractor driving, ‘nüjie diyi’ models can be read as objects of CCP policies and ideology. At the same time, however, their public presence challenged gendered conceptualisations of workplace, technological competence and proletarian identity. Moreover, their close ties to Soviet experts located these women within a geopolitical structure that occasioned alternative sites of female agency. As icons of socialist China and representatives of state‐sponsored feminism, ‘diyi’ women embodied historical progress and social change. Through these women multiple contending subjectivities emerged which simultaneously promised and delimited national feminist rhetoric and agency.     

Probability and certainty in seventeenth-century england. a study of the relationships between natural science,religion, history. law,and literature

Enlightenment optimism over mankind's progress was often voiced in terms of botanical growth by key figures such as John Millar; the mind's cultivation marked the beginning of this process. For agriculturists such as Arthur Young cultivation meant an advancement towards virtue and civilization; the cultivation of the mind can similarly be seen as an enlightenment concept which extols the human potential for improvable reason. In the course of this essay I aim to explore the relationship between ‘culture’ and ‘cultivation’ through botanical metaphor. By using the recurring motif of the mind's cultivation as a site from which to explore enlightenment views on female understanding, I investigate how far concerns with human progress extended to the female mind.

I examine the language of botany and cultivation in texts by authors such as Mary Wollstonecraft and Anna Laetitia Barbauld alongside that of Rousseau and Millar. Wollstonecraft's appropriation and subsequent inversion of the conventional cultivation metaphor, for example, demonstrates her desire to draw attention to society's neglect of women's educational potential by substituting images of enlightened growth with those of luxuriant decay. By pushing this analogy further she indicates how society has cultivated women rearing them like exotic flowering plants or ‘luxuriants’ where ‘strength of body and mind are sacrificed to libertine notions of beauty’. I discuss the antipastoral rationalism which enables her to unmask the false sentiment behind this traditional metaphoric association between women and flowers arguing that such familiar tropes are the language of male desire and are indicative of women's problematic relationship to culture.     

Gender and Sexuality in Latina/o Miami: Documenting Latina Transsexual Activists

This article examines the borderlands between transgender MTF (male‐to‐female) and gay male communities in Latina/o Miami through an analysis of the participation of Latinas in the Transsexual Action Organization (TAO). Previous research suggests that Cuban and Cuban American gay male culture have historically been associated with gender transgressive behaviour and identity. Because of this, it is often unclear how to distinguish between what is gay male/homosexual expression and transgender expression. If outward gender manifestations that we now call ‘transgender’ were understood in other historical and cultural contexts as ‘homosexual’, how do we label those manifestations today? By labelling them as homosexual are we simply reinscribing the marginalisation of transgender individuals? On the other hand, by labelling them as transgender are we imposing a contemporary category and therefore performing another kind of intellectual violence? In order to address these questions, I analyse a Latino/a organisation that explicitly labelled itself ‘transsexual’. TAO was an early transsexual rights organisation founded in 1970 by Angela Douglas in Los Angeles which moved to Miami Beach, Florida in 1972. Drawing on the organisation's publications, Moonshadow and Mirage Magazine (1972–75), and Douglas's self‐published autobiographical texts, Triple Jeopardy: The Autobiography of Angela Lynn Douglas (1983) and Hollywood's Obsession (1992), I analyse the rarely discussed participation of Latinas in the organisation.     

Was there an early Polynesian ‘sky father’?∗

Abstract

There is a recurring Polynesian cosmogonic tradition whereby the primordial world was transformed into the modem world by a series of events often consisting first of vague cosmic beings (whose names and nature are not generally cognate) giving rise to a Primordial Pair who then gave rise to first order anthropomorphic gods. The Primordial Pair in Tonga were ‘Seaweed’ and ‘Sediment/Slime’ while in Nuclear Polynesian we find the female named Papa‐adj. and evidence for the male being named Papa‐adj. in Proto Nuclear Polynesian and Proto Central Eastern Polynesian as well. These are thought of as physical strata or rock in Samoa while in Central Eastern Polynesia there was commonly the notion that Papa (the female) was the earth itself and that her mate was the sky or the space between the sky and the earth. It was, however, only amongst New Zealand Maori that the male was specifically given the name ‘Sky’ although an alternative name for the male in the Marquesas is ‘Sky Parent’ but seems a (lexical) development independent of the N.Z. Maori.     

‘The Conscience of the Community’: the Au Vaine of Rarotonga

ABSTRACT

The Au Vaine (‘several women’ in Cook Islands Māori), grassroots women’s committees, worked to promote agricultural efforts and food security in Rarotonga during the 1920s and 1930s. A unique organization, the Au Vaine actively encouraged the growing of commercial crops alongside subsistence plantings at a time when women were being pushed towards the home and hearth, and men pulled to wage labour jobs. These women illustrate the powerful and often unheard voices Pacific women retained throughout this period, as well as the critical role of food in Pacific history. In this article I examine the context within which the Au Vaine emerged, discuss what distinguished them from other women’s committees in Polynesia, highlight their purpose and impact on Cook Islands foodways, and explore some of the reasons they declined by the 1940s.     

Taking center stage: Early modern women’s tragedies on the contemporary stage

Abstract

From wife murder to cloak-and-dagger plays, female bodies, minds, and financial status are, for the most part, disempowered and abused by male protagonists with societal compliance. Since the 2000s, coinciding with the approval of the Ley Integral contra la Violencia de Género (2004), a wave of stage adaptations emerged in Spain that questioned the marginalization of women characters in the comedia. I claim that this trend in performance has become a sociocultural phenomenon that uses the symbolic capital of the comedia to raise awareness of women’s misrepresentation and gender violence and inequality.     

Warrior Women,the Holy Spirit and HIV/AIDS in Rural Papua New Guinea

ABSTRACT This article analyses a group of Gogodala Christian women in the Western Province of Papua New Guinea who are referred to as ‘Warrior women’ and who pray, sing and call upon the Holy Spirit to cleanse their own bodies and ‘turn their eyes’, so that they are able to see those who threaten the health and well‐being of the wider community. These women have focused primarily on bringing male practitioners of magic — iwai dala — shadowy and powerful men who operate covertly and away from the gaze of others, out into the open. Whilst this has been happening for many years, the spread of HIV and AIDS into the area, fuelled by what many in the area believe is the rise of unrestrained female and male sexuality and the waning of Christian practice and principles, has meant that those perceived to bring harm to the community through their sexual behaviour have become recent targets for Warrior women. HIV/AIDS, referred to in Gogodala as melesene bininapa gite tila gi — the ‘sickness without medicine’ — is understood as a hidden sickness, one that makes its way through the community without trace until people become visibly ill. Warrior women seek to make both AIDS and those who, through their behaviour, encourage or enable its spread more visible. In the process, however, a small number of them are overcome by the Holy Spirit, so much so that they become daeledaelenapa — mad ‐ their behaviour increasingly characterised by childishness and uncontrolled sexuality.     

Re‐writing the ‘book of blots’: Critical reflections on histories of technological ‘failure’

Abstract

Although an interest in technological ‘failure’ has become prominent in recent history of technology, historians have not always clearly articulated the presuppositions of attributing ‘failure’ to technology. This paper undertakes a critical examination of two main historiographies of ‘failure’: ‘failure’ as categorization of ‘pathological’ technologies that clearly demarcates them from ‘successes’, and ‘failure’ as a mundane and inevitable prerequisite of subsequent ‘success’. To reconcile these divergent analyses, this paper argues that historians should not treat ‘failure’ as residing in the technology itself. It is rather a matter of imputation according to socially‐embedded criteria of what constitutes success and failure. Accordingly judgements of ‘failure’ are prone to interpretive flexibility in a manner that is not necessarily settled by any process of ‘closure.’ I will argue that any ‘failure’ of technologies should be located in the socio‐technical relations of usage, especially in the expectations, skills and resources of human users. The moral irony of attributing responsibility for ‘failure’ to technologies themselves rather than to humans users will thereby be highlighted.     

Privileging masculinity in the social construction of Basque identity

Following a framework developed by Susan Gal and Judith Irvine (1995), this article illustrates how Basque‐medium schools promulgate an androcentric vision of the Basque nation. First, male privilege is upheld in textbooks through the erasure of women's contributions to Basque language and culture, so that men appear as the quintessential Basque speakers and cultural agents. Secondly, language ideologies about Spanish and Basque recursively construct Basque ethnic identity is such a way that it centres on vernacular Basque, whose primary marker is a second person pronoun, ‘hi’, which indirectly indexes male speakers and masculinity. An iconic relationship is thereby created between authentic Basque identity, Basque culture, Basque linguistic forms and masculinity. However, I also show that women have challenged this male privilege in various domains, thereby opening up the possibility of a Basque nation that embraces its female as well as its male members.     

A feminist geographer in a strange land: building bridges through informal mentoring in Switzerland

Abstract

This article is a narrative representation of a personal experience as an early career feminist woman in the French-speaking Swiss context. After highlighting the androcentric tradition in Swiss academia, and the still-prevalent glass ceiling for young female scholars, this article aims to explore the survival mechanisms women use among themselves when up against a pervasive old boys’ club. Using a reflexive approach, this article illustrates how informal mechanisms can support early career women academics. Despite the lack of either feminist or gender geography programs and departments in Western Switzerland, this article highlights the presence of feminist practices in the everyday life of academia. Numerous collaborative practices are encountered at different career levels, and in different sites. While the bias of such practice is acknowledged, relying on individuals more than on institutionalised practices, the article aims to understand the workings of female solidarity networks better. It calls for a recognition of their role in women’s career progression and for the implementation of a culture of informal mentoring within academia. Finally, by more fully recognising such practices, it calls for the use of mentoring as a feminist tool to create a more inclusive academia, promoting an ethic of care that aims to challenge the masculinism and elitism of the neoliberal university.     

Shaping Women: National Identity Through the Use of Language in Franco'S Spain

In my article I show how a very particular identity was created for women during the period of Franco's Spain. I will draw upon a varied range of materials from official discourses, particularly the Sección Femenina (the women's branch of Falange); the Álvarez Enciclopedia and other texts such as songs, poems and the popular press. Following Foucault (1980: 30) I analyse an identity based on oppressive discourses whose power ‘reaches into the very grain of individuals, touches their bodies and inserts itself into their actions and attitudes, their discourses, learning process and everyday life’. The nationalistic stress of this discourse is one that encourages women to create a new image of Spanish femininity that should be ‘different’ from the liberated portrayal of women coming from Europe, mainly through the path of growing tourism. The language of these discourses is somehow baroque, elaborated, energetic and highly dramatic. It tries to seek attention through an unnecessary and badly misorientated dramatism. It is cryptic and manipulative and claims to be poetical, but its main intention is to confine women indoors and to make them look at the world through the curtains or from a closed window. On the other hand it made women feel they were the representation of a unique matriarchal nationalism making them appear as the heroines of an essentialist national metaphor: women mothers of the nation. Inherent in Franco's equation of women = femininity = nation is a contradiction that defines women as ‘indoor heroines’ and bases nationalism in a naturalised representation of gender where women are a gendered representation of this nationalism.     

The good and the bad of the same: On the political value of historical repetition in Angola

ABSTRACT

In this article I discuss processes of investment in historicity as an ideological, political and moral problem. Focusing on the study of religious and political movements in Angola, I address the problem of historical repetition as a form of ‘acting upon time’ which, in similar terms to Walter Benjamin’s citation a l’ordre du jour, contests the idea of temporal irreversibility. I propose that this contestation is multiplex and can produce ‘good’ as well as ‘bad’ historical repetitions.     

Race to the top: using experiments to understand gender bias towards female politicians

ABSTRACT

Gender balance in political representation is an important goal of governments. In this paper, we ask: Do voters judge female politicians less favourably than male politicians, when given an otherwise identical set of information about their backgrounds? We employ an innovative online experiment (N?=?1933) to measure Australians’ attitudes towards female politicians and examine a series of hypotheses. We find voters see female candidates as more capable and are more likely to vote for them, but they are less likely to expect them to win. Female candidates are seen as more capable in their military and healthcare roles, but gender is perceived to be a major barrier to a female candidate’s success. Women and those aligning with the Labor/Green parties are more supportive of a female candidate, but we find limited evidence that those aligning with the Liberal/Nationals are openly hostile to a female candidate.     

Symbolism and Irony in Three Novels by Kosmas Politis

Abstract

In a recent book, Mario Vitti has described Kosmas Politis as ‘emotionally the most highly charged novelist’ of the Generation of 1930. Vitti also points out that Eroica is ‘compositely organized down to the minutest detail’, despite the author's assertion that he wrote each instalment ‘on the presses’. In an attempt to account for the ‘magical’, ‘Poetic' quality of Politis’ writing as pointed out by Greek critics, Vitti investigates Politis' use of irony and of the interior monologue. My purpose in this article is to examine further Politis' ironical approach and to make some preliminary remarks about his use of symbols and imagery (a subject on which far more work has to be done), in the hope that, in so doing, I shall shed some light on the ‘emotionally charged’ and ‘highly organized’ nature of Politis' writing. For reasons of space and time I must confine myself to his first three novels, Lemonodasos (1930), Hekate (1933) and Eroica (1937).     

Editorial: Social Spirituality: Monastic Cell or Hectic Street?

Abstract

What makes theology political? Is it the social location of the author, the sources drawn upon, or the content of the argument? Each of these three possibilities is theologically significant, but a little reflection proves none of them decisive in claiming the adjective ‘political’ for a theology. The ‘material production’ of theological works cannot, by itself, render one theology political and another apolitical; for all theological works share a similar ‘social location’ given the similar socio-economic reality of publishing. Whether or not theology is political, or adequately political, cannot finally be determined by material production, the authors' social location or the content of the argument per se. Such forms of apodictic reasoning cannot distinguish apolitical from political theology. It can only be a function of practical reasoning. It alone can advance the current stalemate among persons that theology should be characterized as ‘church’, ‘confessional’, ‘sectarian’, ‘liberatory’, ‘political’ or ‘public’. I argue that the best we can do to adjudicate these differences is to engage in, as Charles Taylor has so aptly put it, practical ad hominem arguments.     

The Courtesan Tale: Female Musicians and Dancers in Mughal Historical Chronicles,c.1556–1748

There are many problems in trying to construct a history of female musicians and dancers in Mughal North India. Such women appear frequently in Mughal writings and apparently played an important role in elite society; there is clearly much we can learn from such sources about gender and class in the empire generally, as well as female performers more specifically. However, what evidence we have is written from the perspective of their male patrons and cast according to long‐standing rhetorical and cultural conventions concerning the fateful roles of music and love in historical events. In this article I examine how Mughal historical chronicles transform named female performers into stereotyped agents of the downfall of noblemen. Using the stories of several historical courtesans, I demonstrate how stock topoi of desire, enslavement, longing, rebellion, danger, fate and above all musical and erotic power, were used to shape all stories of courtesans into tragic cautionary tales. I aim to show that the ‘fictive’ elements of Mughal courtesan tales furthermore reveal important cultural truths about the role and meanings of music in Mughal male society.     

Pocock,Machiavelli and Political Contingency in Foreign Affairs: Republican Existentialism Outside (and Within) the City

SUMMARY

In this essay, inspired by J.G.A. Pocock's appropriation of Machiavelli's theory of political contingency, and building upon my previous engagements with Pocock's ‘republican existentialism’, I focus on the role played by ‘accidents’ in Machiavelli's analysis of war and foreign affairs within The Prince and the Discourses. In so doing, I consider the following issues: the ways through which a potential imperial hegemon might consolidate control over nearby lesser powers—and, conversely, how such less powerful polities might resist imperial encroachments on their autonomy; the contrasting military modes and orders characteristic of ancient and modern republics; and the extent to which Machiavelli actually thought that accidents in foreign affairs were ever truly ‘accidental’ in light of his determinations concerning well- versus badly ordered domestic institutions.     

Grief as method: topographies of grief,care, and fieldwork from Northwest Arkansas to New York and the Marshall Islands

Abstract

When we grieve during fieldwork, our grief forms new geographies of knowledge production and emotion. In this article, I use autoethnography to theorize my grief during fieldwork following the death of my sister. I examine grief’s methodological implications using the concept of ‘grief as method,’ an emotionally-inflected practice that accounts for the vulnerability produced by grief. By centering vulnerability, ‘grief as method’ also urges researchers to consider the practices and politics of ‘caring with’ our research subjects and caring for ourselves, raising larger questions about the role of care in research. Furthermore, this article demonstrates how grief’s geographical features—its mobility, its emergence in new sites and landscapes, and its manifestation as both proximity and distance—shape ‘grief as method’ profoundly. I examine grief’s spatial implications by building on Katz’s ‘topography’ to theorize a ‘topography of grief’ that stitches together the emotional geographies of researchers, blurring both spatial divisions (‘the field’ vs. ‘the not-field’) and methodological ones (the ‘researcher-self’ vs. the ‘personal-self’). If we see grief as having a topography, then the relationships between places darkened by grief come into focus. Moreover, by approaching grief methodologically, we can better understand how field encounters—relationships between people—are forged through grief. ‘Grief as method,’ in offering a spatial analysis of grief’s impact on fieldwork, envisions a broader definition of what engaged research looks like and where it takes place.     

Women’s representation and participation in UNESCO heritage discourse

ABSTRACT

Gender equality represents one of the most challenging objectives in contemporary society and has become a priority for UNESCO (Medium-Term Strategy 2008–2013 and 2014–2021), as it is considered ‘an essential part of the equation for more inclusive and sustainable development’. However, in various World Heritage sites, women are still being marginalised from decisional processes concerning the identification and interpretation of the past and they are often underrepresented in the main narratives. Using the case study of the World Heritage Vineyard Landscape of Langhe-Roero and Monferrato (Italy), I explore how international and national documents frame gender equality in order to uncover underground power dynamics that risk undermining cultural representation and participation. Through the analysis of the interviews done with a group of local female wine producers, I compare heritage discourses with the perception women have of their contribution in the identity and heritage-building process. If dominant heritage discourses are characterised by a rather male-driven set of values, could lack of women’s representation influence the activation of their participation? Are women willing to participate in the management of a heritage which has not been recognised through their values and meanings? What kind of participation would they desire?     

Work and wages,natural law,politics & the eighteenth-century French trades

This paper discusses three adaptations of Shakespeare's history plays written during the 1720s. These texts, I contend, counter claims that positive representations of women during this period were confined to the domestic sphere. In these plays women are active participants in the public realm of politics and commerce. The heroines of Ambrose Philips’ Humfrey Duke of Gloucester (1723), Aaron Hill's King Henry the Fifth (1723) and Theophilus Cibber's King Henry the Sixth (1724), rather than being driven by love and domestic duty, act on political motivation. Patriotism, which characterises these women, is the primary political slogan of all three plays. These female protagonists exemplify the value of a patriotic political conduct that crosses party lines. Their unpartisan or universal brand of patriotism anticipates the opposition views expressed by Bolingbroke in the following decade. This paper also addresses the broad consensus amongst Feminist critics that women in adaptations of Shakespeare provide little more than mere ‘breeches roles’ titillation. The histories of Philips, Hill and Cibber represent heroines who, no less than their male counterparts, exercise control during political crises. These women are not objects of titillation but subjects for emulation.