Searching for resonance: scientific patterns in Complicite's Mnemonic and A Disappearing Number

Abstract

After the international success of Mnemonic, Complicite have once again brought science and drama together in a new theatre piece, A Disappearing Number. Both plays place scientists in the limelight, though their 'scientific' content is very different: Mnemonic was based on the discovery of a Neolithic man in the Alps, and used neurology and archaeology to explore notions of memory and history; A Disappearing Number focuses on our fascination with infinity, and dramatises the 'mysterious and romantic mathematical collaboration' between G. H. Hardy and Srinivasa Ramanujan. The two pieces are, however, remarkably similar in plot and structure, and in their common exploration of the metaphorical and theatrical potential of scientific discourse. Moreover, they both use science as a narrative tool to explore our relation to time and mortality. This review presents them in parallel and examines the particular integration of ideas and aesthetics which characterises Complicite's work: a tireless search for connections, and a constant translation of ideas between different theatrical languages, be they verbal, visual or musical.     

Leviathans Old and New: What Collingwood Saw in Hobbes

Summary

R. G. Collingwood presented his major work of political philosophy, The New Leviathan, as an updated version of Thomas Hobbes's Leviathan. However, his reasons for taking Hobbes's great work as his inspiration have puzzled and eluded many Collingwood scholars, while those interested in the reception of Hobbes's ideas have largely neglected the New Leviathan. In this essay I reveal what Collingwood saw in Hobbes's political philosophy and show how his reading of Hobbes both diverges from other prominent interpretations of the time and invites us to reassess Hobbes's complex association with the origins of liberalism. In doing so, I focus on Collingwood's science of mind, his ideas on society and authority, and his dialectical theory of politics, in each case showing how he engaged with Hobbes in order to elucidate his own vision of civilisation. That vision is based on the development of social consciousness, which involves people coming to understand the body politic as a joint enterprise whereby they confer authority upon those who rule.     

Tom Stoppard’s Big Picture: The Chaos that is Our World

Abstract

Issues arising from discussions regarding the ‘two cultures’ of science and art are many and varied. Tom Stoppard’s very active utilization of science in many of his plays has resulted in his work — especially the quantum mechanics-informed Hapgood and the chaotics-informed Arcadia — being held up as paradigmatic of one science/art position or another. Often, critical approaches to these plays involve a checklist of scientific facts, implying that the goal of such art is to serve as a delivery device for scientific breakthroughs. While plays, novels, and movies of various sorts may have such goals in mind, Stoppard’s plays do not comfortably fill that agenda, critical arguments to the contrary notwithstanding. Neither do Stoppard’s plays show particular interest in engaging any debate about the superiority of one ‘culture’ over the other. In his two ‘science plays’ in particular, what Stoppard offers is an enrichment of both science and art through metaphorical intertwinings that suggest experience is best served when both camps collaborate. The bigger picture that results argues an overlap in epistemology, namely revealing the uncanny similarity in which artist and scientist approach the material that is our universe.     

A Japanese “Girl's Reading” of Dostoevsky's Poor Folk: Senuma Kayô and the Origins of Japanese “Girls' Literature”

Senuma Kayô (1875–1915) was Japan's first woman translator from Russian. She is now remembered mainly for her translations from Chekhov. This paper examines one of Kayô's early works, Mazushiki shôjo (A Poor Girl, 1904), translated from Dostoevsky's Poor Folk, which was one of the first Japanese translations of a work by Dostoevsky to be made directly from the Russian original. Kayô chose to translate only a part of Dostoevsky's work, focusing on the memoir of the character Varvara, in which her first love and its tragic end are recounted. While the central theme of Dostoevsky's work is poverty and its impact on human relationships, in Kayô's translation the central theme is Varvara's misfortune in love. In this emphasis Kayô found a “girl's story” in Dostoevsky's novel, and Mazushiki shôjo foreshadowed a new wave of Japanese girls' literature, which attracted many new female readers. Kayô's translation style is examined to see how it contributed to the development of a style appropriate to girls' story writing.     

No laughing matter? The ethics of racial humor in Tres sombreros de copa

ABSTRACT

Miguel Mihura's Tres sombreros de copa is often celebrated as an irresistibly funny critique of the values of the bourgeoisie in early twentieth-century Spain. Yet the enjoyment of some (myself included) is tempered by a discomfort at the handful of references to race and blackness in the play. Drawing on an approach to the ethics of humor that recognizes its performative aspect, this article considers several productions of Mihura's comedy from 1983 to 2011 and analyzes the various ways in which they do or do not engage with the potentially “racist” humor of the published text and with the issue of how to perform the character of Buby on stage.     

Henry Longueville Mansel and the origins of agnosticism

Abstract

The central theme of John Locke's Of the Conduct of the Understanding is human error. The Conduct was conceived as an additional chapter to An Essay concerning Understanding, but it was never finished and published posthumously in 1706 as a separate work. Modern authors have regarded the Conduct as an educational treatise. Indeed, the analysis in this work of the nature and causes of error and the ways to prevent and remedy error gives rise to numerous educational reflections. However, the aim of the present article is to show that these views should be understood within the specific epistemological context of a two-stage analysis of ideas, the first stage consisting of individual ideas that should all be clear and distinct, and the second stage consisting of reasonings based on combinations of these ideas. © 2001 Elsevier Science Ltd. All rights reserved.     

The cologne map publisher Peter Overadt (fl. 1590–1652)

Abstract

Peter Overadt is one of the many lesser‐known figures of the second generation of the Cologne school of map making, which had been founded about 1570 by Frans Hogenberg. Overadt is noteworthy as the first continental publisher (aside from Jodocus I Hondius, who was at that time active in London) to have decorated printed topographical maps with marginal historical‐political images. During the first phase of his business (1592–1600), he issued eight maps, with a three‐sheet map of Germania as the pinnacle of his production. After 1600, Overadt's firm was primarily engaged in the publication of religious prints with a Catholic orientation. Topographical productions from this later period are three large town views and the re‐issue of a map of the Rhine area, printed from a re‐worked copper plate of 1594 by Theodoor de Bry.     

Contemporary Irish theatre,the new Playboy controversy,and the economic crisis

Abstract

This article examines the impact of the economic crisis on contemporary Irish theatre. More specifically, I contend that the legal controversy surrounding Bisi Adigun and Roddy Doyle’s second production of Playboy of the Western World: A New Version in 2008 provides a case study of how professional theatre productions that dramatised stories of immigrant empowerment during the Irish economic boom were profoundly inhibited by the bust that followed. Their collaborative version of the new Playboy was widely regarded as Ireland’s most successful intercultural play and a commercial success when it was first staged at the Abbey Theatre in 2007. The subsequent breakdown in their relationship and ensuing legal dispute is more symptomatic of Celtic Tiger Ireland in economic collapse, I suggest, than the content of the play itself, or most other productions mounted in the period. I argue that this dispute did not simply reflect but also reinforced the social effects of the economic crisis, through its prolonged litigation, enormous expense, and especially the missed opportunity that it represented to position the multicultural and migrant themed Playboy within the Irish theatrical mainstream. More broadly, I suggest that the economic crisis has been marked by the disappearance of immigrants from the professional Irish stage, a void which was only partially filled by community theatre productions. A case in point is Adigun and Arambe’s most recent adaptation of Jimmy Murphy’s The Kings of the Kilburn High Road in The Paddies of Parnell Street (2013), a play which I positively appraise as an example of successful “intercultural re-appropriation”.     

Theatre,mathematics, and the aesthetics of infinity: Complicite’s A Disappearing Number

ABSTRACT

Complicite's A Disappearing Number is one of the best examples of contemporary plays that use theatrical strategies to convey complex scientific ideas. Complicite uses performance to stage the complex mathematical concepts of partition and infinite convergent series, taking inspiration from the statement by renowned British mathematician G. H. Hardy that “a mathematician... is a maker of patterns”. As well as performativity, other elements in the play contribute to performing mathematics on the stage, elements such as time and space, narrative structure, thematic content, and characterization. Complicite introduces a complex pattern that runs throughout the play to connect these elements to form a complete whole. These elements effectively work with each other to release a set of clues that guide the audience towards decoding the play's pattern. This study provides an in-depth analysis of these connections and the complex process of decoding the pattern in the play.     

Social Science and the Discovery of a 'Post-Protestant People': Rowntree's Surveys of York and their other Legacy

Abstract

Despite the bitter criticism it evoked, both from clerical professionals and lay experts on its publication in 1951, Rowntree's and Lavers's English Life and Leisure survived to become an enduring classic of modern British social science. Yet, in many ways, the respectability it eventually achieved now masks the true radicalism of its findings. Building on fifty years of his own social survey work in York, Rowntree (and his collaborator) were able to show the full extent of the decline of church organization, affiliation and attendance in twentieth-century Britain. They also demonstrated just how these processes had particularly affected the Protestant community — most notably the Nonconformist Protestant community — in England. Finally, they went on to demonstrate how that — institutional — decline was increasingly related to changes in, and a diminution of, specifically Christian beliefs amongst the population as a whole. Their results anticipated many of the conclusions of the 'pessimistic' sociologists of religion in the 1960s. They also constitute a profound critique of 'optimistic' historical revisionism in more recent years. As such, they are perhaps more relevant than ever.     

Marie Corelli and the Value of Literary Self-Consciouness: The Sorrows of Satan,Popular Fiction,and the Fin-de-Siècle Canon

Marie Corelli's The Sorrows of Satan (1895) presents a paradoxical test case for the practice of academic literary criticism. The best-selling work of fiction of the nineteenth century, the book was demeaned by Victorian critics and has been long ignored by criticism since. In spite of Corelli's recent mini-revival, the formally self-conscious properties of this work deserve further examination: the text insistently foregrounds the act of literary criticism and demands that the reader's attention is focussed on not only the content of the narrative but also the nature of the procedure of reading. Such a strategy allows Corelli's romance to participate safely in the kinds of literary transgressions enacted in the work of her since-canonized contemporaries such as Thomas Hardy and Oscar Wilde. The narrative mode warns against the production of the wrong kinds of readings of the narrative, inoculating its consumer against the corruption suffered by many of Sorrows's characters – and by the readers of the kinds of contemporary fiction Corelli seeks to warn against. As a consequence, The Sorrows of Satan, while exiled from the canon, shows itself to be surprisingly representative of the image of fin-de-siècle literary culture constructed by its afterlife. Like so many 1890s fictions, it is a work of art about the work of art, and dramatizes such by now familiar late-Victorian tropes as: decadence, moral relativism, debates over literary taste, realism, post-Ibsen drama, the sexual double standard, the marriage market, the New Woman, motherhood, hysteria and female pathologies, degeneration anxiety, mesmerism. The Sorrows of Satan's status as forgotten best-seller, a ‘great bad book’, asks difficult questions about the relationship between literary criticism and literary pleasure.     

A Review of “Magnanimity and Statesmanship”

ABSTRACT

This article compares Eric Voegelin's contribution to political science to European émigré scholars of the same period: Theodor Adorno, Herbert Marcuse, Hannah Arendt, Hans Morgenthau, and Leo Strauss. It highlights Voegelin's main contributions to the field, reviews The Eric Voegelin Reader, and how The Reader will help scholars in both the classroom and scholarship.     

Performing Science (Not Ethics) in Analogue’s 2401 Objects

Abstract

The postdramatic theatre is explored as an alternative ethics of re-presentation in 2401 Objects by Analogue in relation to its stance on medicine and the neurosciences and to theatrical representation. The dual characters Henry Molaison/Patient HM are deconstructed as objects and the presentation of memory is deconstructed as an embodied but intangible artifact of performance. How Analogue ‘frame’ HM’s doctors and their own performance through the metaphor of the cryomicrotome and the Project HM of the Brain Observatory as a performance in its own right is examined.     

The Praelium Nuportanum by Isaac Dorislaus: Anglo–Dutch Relations and Strategic historiography1

This article investigates the Anglo–Dutch scholar and diplomat Isaac Dorislaus's sole published work, Praelium Nuportanum (PN; 1640), on the battle of Newport in 1600. After presenting some new or little known information about the work, it discusses PN's intellectual context and concludes that the work is a reminder of successful Anglo–Dutch cooperation in the past, of Dutch indebtedness to English assistance, and the Republic's importance as an ally for England, all relevant to the negotiations running in 1640 for an Orange–Stuart wedding, and their backgrounds in the British Civil Wars and Anglo–Spanish–Dutch relations at the time. After the troubles ensuing from Dorislaus's Cambridge lectures on Tacitus in 1627, PN shows the author reconciled with the Court and the Laudian faction. With respect to style and content, PN appears clearly Tacitist in style, with many direct quotations from Tacitus, but this Tacitism operates more on a literary than a political level. Much of PN's historical content is a reworking of Francis Vere's Commentaries (published 1657). From the perspective of the Protestant ‘Anglo–Scoto–Dutch public sphere’ recently discussed in the scholarship, PN might perhaps be read as a warning of the gradual emergence of an Anglo–Dutch Calvinist–parliamentarian ‘realm’ as a force opposing the Crown.     

P.H. Pearse and Thomas MacDonagh: a literary friendship

ABSTRACT

Tracing the relationship between P.H. [Patrick Henry] Pearse (1879–1916) and Thomas MacDonagh (1878–1916), this essay explores the impact their friendship had on their careers as writers and critics. Their work together in St Enda’s, the school for boys founded by Pearse in 1908, provides a significant context for this exploration. There, while working with MacDonagh, Pearse made drama an important part of school life and started writing plays for public performance. Meanwhile, their collaboration in putting together the St. Enda’s school journal, An Macaomh (1909–1913), helped to hone MacDonagh’s skills as a literary critic and to prepare for his later editorial role at the Irish Review (1911–1914). Attention then turns to how MacDonagh’s views on Irish literature and his translations from Old Irish influenced his friend’s development as both a critic and poet. Paticular consideration is paid to “Mise Éire”, one of Pearse’s best-known poems. Finally, similarities are considered between MacDonagh and the hero of The Wandering Hawk (1915–1916), Pearse’s unfinished, English-language, school story for children. Taken together, these various investigations reveal that, despite differing temperaments and at times divergent approaches to Irish writing, Pearse and MacDonagh enjoyed a mutually stimulating friendship that impacted positively on their literary careers.     

Thomas Kuhn und die Wissenschaftsgeschichte

The article discusses Thomas S. Kuhn's impact on the history of science, especially in the United States of America. First, the state of the history of science in the fifties is sketched. Second, Kuhn's particular contribution to the emerging new historiography of science is presented. Third, Kuhn's role in the m‐stitutionalization of the history of science in the USA is considered. Finally, some remarks are made on the relation between Kuhn's historiographic work and his book The Structure of Scientific Revolutions.     

‘Feeling the rhythm of the waves: “castaway rhetoric” in John Eugenikos’ Logos eucharisterios’

Abstract

In September 1438 John Eugenikos decided to quit the council of Ferrara and sail back to Constantinople. Off Italy's Adriatic coast his vessel experienced a terrible shipwreck, whereby many of John's fellow-passengers perished. John decided then to retell his almost deadly experience in a thanks-giving logos, allegedly compiled on the basis of notes written down soon after the shipwreck. The logos stands out as a unique document in the landscape of Byzantine travel literature. This paper offers the first comprehensive literary analysis of Eugenikos’ account, shedding new light on the narrative patterns chosen by the author to recount his own experience and stage his public persona.     

Holy mountain and supreme council: Mount Athos at the beginning of a new era

Abstract

The establishment of the Supreme Council of Judicious Ordinances, itself a product of modern Ottoman reform begun by Mahmud II (1808–39), added to the establishment of a new framework for an increasingly centralised concept of ‘Beneficient Re-Orderings’ (tanzimat-i hayriye) in the Ottoman Empire. Created on 27 Zilhicce 1253 (24 March 1838) as part of Mahmud's strategy to dismantle the Grand Vizirate and shift the locus of power closer to himself, the Meclis-i Vala-yi Ahkam-i Adliye consequently figured prominently also in the famous Hatt-i ?erif (imperial decree) of Gülhane of 3 November 1839, by which date the Tanzimat are usually understood to have begun 'officially’.     

Feature Reviews

Abstract

Thomas Jefferson, in his Notes on the State of Virginia, first published and distributed to the American public in 1787, presented his mature thoughts on politics, amid a vast array of themes reflective of his own encyclopedic studies. The diverse contents and unusual form of the work have often led modern readers to neglect its overarching political purpose. We argue that when read as a unified whole shaped by an explicit literary structure and rational method, Jefferson's Notes lays the foundation for a new science of republican politics. By engaging and revising key aspects of both the Bible and Enlightenment science, whenever either asserts authoritative claims beyond rational scrutiny that obscure or distort nature, Jefferson overturns false idols that impede our inquiry into natural laws and natural right, and the proper grounds of republican government.