Dünya Giizeli: Cavafy's folkloric Odalisque

Abstract

Cavafy's overlooked poem ‘Dünya Güzeli’ reflects the seminal influence of folklore on the early writings of the poet, an influence which significantly shaped the contours of the Cavafy canon. The poem is a sophisticated attempt to synthesize the flourishing discourse of λαoγρα??α with the fashionable literary and painterly trends of Orientalism. It thus warrants a fuller appreciation as a complex text that documents Cavafy's emerging craft and anticipates his poetic hybridisation of East and West which finds its fullest expression in Cavafy's Orientalising Hellenism.     

Originality and Eroticism: Constantine Cavafy and the Alexandrian Epigram

Abstract

Although it has become generally accepted by critics that Constantine Cavafy (1863–1933) was influenced greatly by the Hellenistic epigram ‘in attitude, subject matter, and technique’, a close comparison of that poetic tradition and Cavafy's poems reveals interesting differences as well as similarities. We know that Cavafy was familiar with Hellenistic literature and that he had a copy of J. W. Mackail's Select Epigrams from the Greek Anthology in his personal library. His reading, however, ‘was much more extensive than his library’. More significant than this is the evidence to be found in his poems, which range from an actual mention of ancient epigrams to obvious imitations of them. Cavafy's poems for the most part, however, are quite original in their tone and erotic stance when compared directly to the Alexandrian epigrams.     

Book reviews

Abstract

On 29 April 1933 Cavafy died in Alexandria, the city in which he was born. There is some reason for satisfaction in this. Visitors to his apartment on the second floor of 10 Rue Lepsius knew how self-contained Cavafy's small and familiar world in Alexandria was. Rue Lepsius was home for the last twenty-six years of Cavafy's life: ‘Below, the brothel caters for the flesh. And there is the church [St. Savvas's] which forgives sin. And there is the hospital where we die.’ The first floor of 10 Rue Lepsius never catered to Cavafy's flesh, but the church forgave his sins, and he died in the hospital. He could have died in an hospital in Athens where he had gone the year before for treatment of cancer of the throat. He stayed there for a time at the Hûtel Cosmopolite, and from Kifissiá he found the sight of Hymettos and the mountains to the north ‘boring’. He returned home to die, ‘an Alexandrian of the Alexandrians’, an epitaph he very nearly composed for himself.     

Cavafy in Poland

Abstract

Despite the diversity of Modern Greek poetry available in Polish translation, Cavafy's work has eclipsed the achievements of other poets, just as the shadow of his lifelong translator, Zygmunt Kubiak, has inhibited other attempts only starting to surface in the twenty-first century. While external factors have determined Modern Greek anthologies in Poland, Cavafy translation has been mostly driven by personal passion. Apart from translation, this article reflects on various reasons why the Alexandrian's work should be so attractive to the Polish literary scene. Cavafy's seminal place within Polish literature stimulates further reflection on rewriting Cavafy in Poland.     

'Missing dates': the 'Mϵρϵς' poems of C. P. Cavafy

Abstract

In this article, the five poems with the word 'M?ρ??' in their titles are discussed, and possible explanations for the dates in the titles suggested. The poems were written and revised between 1909 and 1932, but it is argued here that their initial composition dates are closer together than previously thought. The article examines revisions to the five poems; their positions, where applicable, in Cavafy's thematic collections, and the dates in their titles in relation to events in the poet's life and other writings from the same period. A history of composition and publication, including an account of all extant published revisions, is provided and the implications of this kind of bibliographical and biographical approach are discussed.     

Cavafy's Sensual City: A Question

Abstract

In his perceptive book, Cavafy's Alexandria (Cambridge, Mass., 1976), Edmund Keeley describes how Cavafy's major poetic preoccupation during the years 1911 to 1921 was the delineation of a mythical city called Alexandria and of the Greek, or Hellenic, way oflife it represents. An essential element in this way of life is its erotic style, which is explicitly homosexual; and it is through his poems on erotic themes that Cavafy slowly and deliberately builds his image of Alexandria as the Sensual City. His method of doing this is particular. In depicting other features of his mythical city Cavafy locates his poems in that ancient Hellenistic world of which Alexandria was the centre. Most of his erotic poetry, on the other hand, speaks of episodes and relationships in contemporary Alexandria, the city in which Cavafy actually lived. Indeed, all the poetry which Cavafy wrote that is located in contemporary Alexandria deals with erotic themes to the exclusion of all others. And it is with the help of this poetry that Cavafy builds up his image.     

‘New Art History’ vs. ‘Old History’: writing art history

Abstract

The three strange poems in English which constitute the section ‘Foreign Language Verse’ in Cavafy's Unpublished Poems present problems of authorship, interpretation and preservation. Who wrote them? What are they about? Why did Cavafy, who destroyed so much, trouble to keep them? The purpose of the present note is to provide plausible, if not definitive, answers to these three questions. The poems under discussion are, ‘Leaving Therápia’, ‘Darkness and Shadows’ and the untitled poem that begins, ‘More happy thou, performing Member’.     

Talking about bodies online: Viagra,YouTube, and the politics of public(ized) sexualities

The development of Viagra in the late 1990s ushered in a new age of conversation about sex and sexuality, as men's bodily abilities were put on display for all to discuss. In 2005, the video-sharing technology YouTube was launched. Taken together, these technological innovations – both biomedical and representational – have produced debate around sex, sexualized and gendered bodies, and sexual health. This article interrogates Viagra-related representations posted on YouTube and analyzes sexuopharmaceuticals as a set of intertextualities that create space for both normative discourses and social critiques. Three analytic themes illustrate how Viagra-related YouTube videos (1) reinforce a regime of self-care within a wider context of individualized responsibility for one's sexual health, (2) highlight the values attached to the pharmasexed gendered body for men and women in the age of Viagra, and (3) provide disruptions, in the form of criticism, to the assumption that healthy bodies and relationships need pharmasexual enhancement. The article concludes by suggesting that social networking sites such as YouTube are managed public spaces through which one can interrogate the intertextualities that link discourses related to bodies and sexual health to the virtual and material spaces of everyday life.     

Margherita of Cortona: Women,Preaching, and the Writing of Hagiography

Abstract

This article examines Margherita of Cortona (1247–97), who took a penitent habit in the late 1270s. In 1290 Margherita was granted permission to rebuild the church of San Basilio near her cell and a secular priest became her confessor. After her death in 1297, her former confessor, the Franciscan Giunta Bevegnati, composed Margherita's Legenda, which provides an account of her life, conversion and penitence, her conversations with Christ, and her charitable works. In addition to the Legenda, there is also an altarpiece, portraying Margherita and scenes from her life, and the seventeenth-century watercolour paintings that reproduce the frescos which once decorated the church of Santa Margherita, the former San Basilio. Following a short introduction to Margherita's life, and a brief examination of preaching for women in the Middle Ages and its prohibitions, the article examines how the biographer, Giunta Bevegnati, represents the relationship of Margherita to preaching and sermons, in particular focusing on passages in Margherita's Legenda, where her efficacious speech or performance has a clear impact on an audience and her biographer does not use the term 'preach' for her utterances. Finally, the extent to which Margherita's biographer uses hagiography for homiletic purposes is discussed.     

Exile and return in John Mauropous,Poem 47

Abstract

The author reads an epigram by John Mauropous as an engagement with epic and biblical traditions. Critical studies of exile and return from different eras of the Greek literary tradition by Émile Benveniste, Gregory Nagy and Nancy Sultan are used to provide a theoretical approach to the tradition with which Mauropous engages. It is suggested that Mauropous' wanderings in the territory of the xenos and return to the familiar world of the philos, and especially his personification of his home as a trophos (nurse), allude to Homer, and that epic language and motifs strengthen the poet's assertion of selfhood and make ancient literary themes relevant to Mauropous' life as a scholar and churchman.     

Rape on the Railway: Women,Safety, and Moral Panic in Victorian Newspapers

In the Victorian press, the railway carriage was painted as a site of particular danger for women travelling alone. As a hybrid public and private space, the carriage placed strangers together in an intimate, quasi-domestic setting for which there were few established norms of behaviour. When male and female solo travellers found themselves confined together, it set the scene both for sexual assault and for false charges of assault, which the newspapers played upon; solo female travellers were depicted as either potential victims or potential Potiphar's wives. These representations were prominent in two moral panics that attempted to regulate women's movement. In this article, I examine accounts of sexual assault from the Lancet, The Times, the English Leader, and the People's Advocate from the 1860s and 1870s and consider newspaper reports as a source of erotic stimulation in a late-century pornographic novel, Raped on the Railway. I argue that the newspapers' fascination with sexual violence on trains, while connected to the weakened division between public and private spaces and an association of railway engines with virility, was primarily a response to fears about women's increasing freedom.     

Much Ado About Dugald: The Chequered Career of Dugald Stewart's Letter to Sir William Forbes on James Beattie's Essay on Truth

Summary

Although Sir William Forbes of Pitsligo's An Account of the Life and Writings of James Beattie has long served as an invaluable resource for those interested in Beattie's life and thought, there has been little scholarship on the genesis of Forbes's book. This article considers the role played by Dugald Stewart—as well as that of his friend, Archibald Alison—in the making of Forbes's Life of Beattie. It also examines the reasons for Forbes's decision not to print Stewart's letter in its entirety in the Life of Beattie and explores the letter's significance for understanding Stewart's philosophical development.     

Philosophy,Eros, Judaism

Abstract

A careful reading of Caritas in Veritate shows it to be framed and permeated by two principles. The first is that human persons in their consciences and deeds are the principal agents of economic and political life, whether directly in interpersonal relations or mediated through their work in and for institutions. The second is that human persons as citizens are best prepared to promote “integral human development” and “the common good” when they are urged on by charity or love that is lived in truth. In these respects Caritas in Veritate is a clear continuation of the line of thought that Benedict developed in his earlier encyclicals Deus Caritas Est and Spe Salvi, and before that in his theological writings as Joseph Ratzinger. Benedict's work thus underscores the need modern societies and political communities have for charity, and thus for faith and for hope. We explicate this aspect of Benedict's political vision throughout this essay, anticipating and beginning to respond to some objections to the thesis that politics even in a secular age requires theological virtues to flourish.     

Against a fatal confusion: Spinoza,climate crisis and the weave of the world

ABSTRACT

In this paper, I take up the theme of Spinoza's ars vivendi in relation to its temporality; duration as the very rhythm of life. In the face of an intensifying climate crisis, our experience of the rhythm of life in the everyday and its implications for the deep time of climate futures seem increasingly out of joint. Building on Morfino's argument of the necessary relationship between ontology and history, I explore the connections between the rhythm of life and our (Western) comprehension of the climate crisis. This framing provides insights into a fatal confusion. This confusion is fueled by the chrono-topography of the modern capitalist city, its intensification of a perceived separation of daily life from bioenergetic processes; and it is amplified in object-oriented ontology, which, in its treatment of climate as a hyperobject, both accepts and reifies a split between ontology and history. I argue, in contrast, that to think of the world as multi-relational and multi-temporal provides us with tools to assess the politics of the multitude in relation to the climate crisis, to better comprehend the complexity of the conjuncture and the schematization of divergent climate futures, and to fashion a responsive and response-able ars vivendi.     

Dreams,Laki, and Mourning: A Psychoanalytic Ethnography of the Yagwoia “Inner Feminine”

In the first part of this study (Oceania, 76/1) I presented the general cosmo‐ontological background of Yagwoia dreaming and the fundamental dialectics of the contra‐sexual self‐identity of a conjugal couple (Tilm and QANG) manifest in their oneiric encounters. The second part focuses on the man, QANG, and the vicissitudes of his soul's power to affect gambling outcomes. I explore the intrinsic relationship between dreaming and the practice of gambling which in the Yagwoia life‐world is a domain of men's homo‐social participation in the self‐generative life‐death flow of the world‐body at large. In this aspect, Yagwoia gambling exhibits its true characteristic as an extension and modification of the male‐exclusive domain of hunting, warfare, and the ceaseless in‐/ex‐corporation of the cosmic life‐death flow. The pursuit of gambling is a fully libidinized field of male interaction. Through cards and dice men screw and drain each other of their bodily sexual potency which flows in the world‐body as a whole.     

DREAMS,LAKI, AND MOURNING: A Psychoanalytic Ethnography of the Yagwoia ‘Inner Feminine’

In the first part of this study (Oceania, 76/1) I presented the general cosmo‐ontological background of Yagwoia (Papua New Guinea) dreaming and the fundamental dialectics of the contra‐sexual self‐identity of a conjugal couple (Tilm and QANG) manifest in their oneiric encounters. The second part (Oceania, 76/2) was focused on the man, QANG, and the vicissitudes of his soul's power to affect gambling outcomes. I showed that Yagwoia gambling exhibits its true characteristic as an extension and modification of the male‐exclusive domain of hunting, warfare, and the ceaseless in‐/ex‐corporation of the cosmic life‐death flow. In this third and Final part I deal with the vicissitudes of his favourite wife's presence in his life following her death whereby she became a spirit of the dead. Here my focus is on the practice and intersubjective dynamics of mourning, a process which with singular force realises the Yagwoia life‐world as an indissoluble socius of the living and the dead. It is in this context that the ethnographer also comes to experience and appreciate the palpability of spirits as the real denizens of the Yagwoia world.     

Thomas Traherne,Thomas Hobbes,and the Rhetoric of Realism

Abstract

Thomas Traherne has often been seen as a mystic detached from the turbulence of his period. Recent scholarship has attempted to place him more firmly in context. This article contributes to this trend in arguing that Traherne's late works, especially Commentaries of Heaven, were shaped by the pressure of responding to Thomas Hobbes's Leviathan. Though Traherne makes only one direct reference to Hobbes, his idiosyncrasies in thought, argument, and mode of expression are all fundamentally influenced by the need to counter Hobbes's account of ethics, metaphysics, and language. Traherne is particularly concerned to assert and display an ardent realism against Hobbes's nominalism. In doing so, he creates a complicated play of rhetorical figures, especially abusio or catachresis, as embodying theological commitments. This both places Traherne more clearly against the background of the intellectual history of the period in which he lived, and demonstrates his particularity as a writer.     

An overview of women's health in the U.S. since the mid-1960 s

Women's health became intertwined with the second wave of feminism in the 1960s. The process and history of the interactions among physicians, feminists, health care consumers, activists, and politicians have brought women's health into the foreground of health research and curricular agendas in several ways. It identified major gaps in research and practice and initiated a critique of the current health care system at all levels; it originated from, and remains connected with, the non-medical community; it is interdisciplinary and requires interdisciplinary teams for research and clinical practice, as well as collaboration with colleagues in non-medical academic fields; it developed new curriculum focused on women's health; it emphasizes race, class, sexual orientation, and other diversities among women. The continuing presence of activists and feminist scholars will insure that health and science include women's needs to provide better health for all.