Federal intellectual property policy and the history of technology: The case of NASA patents

This essay explores two closely entwined issues in recent history of federal R&D policy: (a) the disposition of the US government intellectual property (IP), and (b) how to best assess the effectiveness of federal patenting and licensing policies. It does so by examining two decades of patenting policy and practice at the National Aeronautics and Space Administration (NASA). The essay concludes with observations on the limits of our current approach to collecting data on the disposition of federal IP, and an alternative framework for examining the role of IP in the history of modern technology.     

The intellectual origins of Leninism, 1977

This essay is a general introduction to the special number on recent research on Atlantic history. While the topics here presented are diverse, most focusing on the first French Empire, particularly in North America during the seventeenth and eighteenth centuries, the authors share several common themes: (1) In Africa and the Americas, they seek to view the question of the Empire as a series of contested, temporary, and uncertain alliances and collaborations, in which negotiation rather than submission was most often the basis of power relations; (2) In the realm of political economy in theory and practice, the authors refuse pre-established notions of an Atlantic “community” of commodities and merchants functioning within an Atlantic “system.” Instead, they focus on closed networks of merchants functioning within the dynamics of merchant capitalism. (3) The authors seek alternatives to traditional approaches focusing on the nation-state and its institutions. Instead, they examine communities and regions in the Atlantic that include social elites, such as, merchants, the nobility, the gentry, and intellectuals, as well as neglected native peoples and forgotten spaces such as Africa.     

Visual and aural intellectual histories: an introduction

ABSTRACT

If the subject matter of intellectual history is the study of past thoughts, the intellectual history of the visual arts and music may be characterised as the study of past thoughts as they were expressed visually and aurally. Yet this is not always how an intellectual history of art and music has been practiced. More attention is often paid to verbal texts about art or music, rather than to the visual or the aural per se. If we accept that ideas can have visual and aural, as much as verbal form, then the histories of art and music are significant repositories of thoughts of individuals and networks of individuals (creative artists, patrons, institutions) within a given culture and period. But the ways in which those thoughts are articulated as aural or visual “texts”, and the ways in which they can be accessed by those who seek to understand them, will be specific to each art form, and represent a distinctive kind of intellectual activity in each field.